Copland Conducts Copland: Fanfare for the Common Man / Appalachian Spring / Rodeo / Old American Songs

~ Release by Copland; London Symphony Orchestra, Columbia Symphony Orchestra, Copland, William Warfield (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fanfare for the Common Man
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1968-10)
conductor:
Aaron Copland (composer) (in 1968-10)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1968-10)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:21
2Appalachian Spring: Very Slowly
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:49
3Appalachian Spring: Allegro
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: II. Allegro (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:03
4Appalachian Spring: Moderato
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:37
5Appalachian Spring: Fast
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:30
6Appalachian Spring: Subito allegro
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland4:05
7Appalachian Spring: As at First
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VI. As at First (Slowly) (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland1:07
8Appalachian Spring: Doppio movimento
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:12
9Appalachian Spring: Moderato - Coda
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (in 1970)
conductor:
Aaron Copland (composer) (in 1970)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1971 to present)
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom (in 1970)
recording of:
Appalachian Spring Suite: VIII. Moderato: Coda (in 1970)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:32
10Old American Songs: The Boatmen's Dance
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland3:16
11Old American Songs: The Dodger
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 2. The Dodger (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 2. The Dodger (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland2:07
12Old American Songs: Long Time Ago
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland3:12
13Old American Songs: Simple Gifts
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland1:45
14Old American Songs: I Bought Me a Cat
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland2:07
15Old American Songs: The Little Horses
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland2:57
16Old American Songs: Zion's Walls
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland2:08
17Old American Songs: The Golden Willow Tree
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland3:36
18Old American Songs: At the River
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 4. At the River (from 1962-05-03 until 1962-05-04)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 4. At the River (in 1962)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland3:14
19Old American Songs: Ching-a-Ring Chaw
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland1:37
20Rodeo: I. Buckaroo Holiday
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: I. Buckaroo Holiday (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland7:49
21Rodeo: II. Corral Nocturne
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: II. Corral Nocturne (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:51
22Rodeo: III. Saturday Night Waltz
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: III. Saturday Night Waltz (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland4:44
23Rodeo: IV. Hoedown
engineer:
Hellmuth Kolbe
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (on 1968-10-26)
conductor:
Aaron Copland (composer) (on 1968-10-26)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1968 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1968-10-26)
recording of:
Rodeo: IV. Hoedown (on 1968-10-26)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:38
24Fanfare for the Common Man (excerpt)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Aaron Copland (composer)
partial recording of:
Fanfare for the Common Man (for brass and percussion orchestra)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland2:01
25Celebration
engineer:
Hellmuth Kolbe
orchestra:
London Symphony Orchestra (in 1969-11)
conductor:
Aaron Copland (composer) (in 1969-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Billy the Kid: VI. Celebration (After Billy’s Capture) (in 1969-11)
composer:
Aaron Copland (composer) (in 1940)
part of:
Billy the Kid (ballet suite)
Aaron Copland2:16

Credits

Release

ASIN:US: B0000CF32H [info]