| # | Title | Artist | Rating | Length |
|---|
| 1 | Silver Shadow | Atlantic Starr | 4 | 4:58 |
| 2 | We Got the Funk | Positive Force | | 3:23 |
| 3 | Let’s Groove | Earth, Wind & Fire | | 3:31 |
| 4 | Inside Out | Odyssey | | 3:45 |
| 5 | Going Back to My Roots | Odyssey | 5 | 3:24 |
| 6 | Rockit | Herbie Hancock | 2.65 | 3:42 |
| 7 | Celebration- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and The Island Def Jam Music Group (in 1980)
- recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kool & the Gang | 4.4 | 3:40 |
| 8 | Mama Used to Say | Junior Giscombe | | 3:24 |
| 9 | (Sexual) Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 4:07 |
| 10 | Make That Move | Shalamar | | 3:34 |
| 11 | There It Is | Shalamar | | 3:28 |
| 12 | Candy Girl | New Edition | 4 | 3:36 |
| 13 | I.O.U. | Freeez | 4.65 | 3:50 |
| 14 | 19 | Paul Hardcastle | 3.6 | 3:39 |
| 15 | Funkytown- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) and UMG Recordings, Inc. (in 1980)
- edit of:
- Funkytown (12″ version) by Lipps, Inc.
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
- recording of:
- Funkytown
- lyricist and composer:
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 4:00 |
| 16 | Walking Into Sunshine | Central Line | | 3:56 |
| 17 | Southern Freeez | Freeez | | 3:22 |
| 18 | Ai no Corrida | Quincy Jones | | 4:11 |
| 19 | Everybody Salsa | Modern Romance | | 3:21 |
| 20 | Flashback | Imagination | 3 | 4:27 |
| 21 | And the Beat Goes On | The Whispers | 4 | 3:57 |
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