The Art Of Fugue (Die Kunst Der Fuge) / Musical Offering (Musikalisches Opfer)

~ Release by J. S. Bach - Stuttgarter Kammerorchester, Karl Münchinger (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Art of Fugue, BWV 1080: 1. Contrapunctus I
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:19
2The Art of Fugue, BWV 1080: 2. Contrapunctus II
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:45
3The Art of Fugue, BWV 1080: 3. Contrapunctus III
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:14
4The Art of Fugue, BWV 1080: 4. Contrapunctus IV
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:22
5The Art of Fugue, BWV 1080: 5. Contrapunctus V
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:55
6The Art of Fugue, BWV 1080: 6. Contrapunctus VI
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:32
7The Art of Fugue, BWV 1080: 7. Contrapunctus VII
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:54
8The Art of Fugue, BWV 1080: 8. Contrapunctus VIII
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:10
9The Art of Fugue, BWV 1080: 9. Contrapunctus IX
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:37
10The Art of Fugue, BWV 1080: 10. Contrapunctus X
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:46
11The Art of Fugue, BWV 1080: 11. Contrapunctus XI
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach7:08
12The Art of Fugue, BWV 1080: 15. Canon alla octava
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:45
13The Art of Fugue, BWV 1080: 17. Canon alla duodecima
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:39
14The Art of Fugue, BWV 1080: 16. Canon alla decima
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:01
15The Art of Fugue, BWV 1080: 14. Canon per augmentationem in contrario moto
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach4:47
16The Art of Fugue, BWV 1080: 13a. Contrapunctus XIII (rectus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:28
17The Art of Fugue, BWV 1080: 13b. Contrapunctus XIII (inversus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:29
18The Art of Fugue, BWV 1080: 19a. Clavicembali (rectus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:34
19The Art of Fugue, BWV 1080: 19b. Clavicembali (inversus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:38
2▼CD
#TitleArtistRatingLength
1The Art of Fugue, BWV 1080: 12a. Contrapunctus XII (rectus)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:18
2The Art of Fugue, BWV 1080: 12b. Contrapunctus XII (inversus)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:07
3The Art of Fugue, BWV 1080: 18. Fuga a 4 soggetti; Chorale: "Wenn wir in höchsten Nöten sein", BWV 668a
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
recording of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.1) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668a)
revision of:
Wenn wir in höchsten Nöten sein, BWV 641
Johann Sebastian Bach14:29
4The Musical Offering, BWV 1079: Ricercar a 3
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:26
5The Musical Offering, BWV 1079: Canon perpetuus a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:34
6The Musical Offering, BWV 1079: Canon a 2 violini in unisono
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:48
7The Musical Offering, BWV 1079: Canon a 2 per motum contrarium
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:52
8The Musical Offering, BWV 1079: Canon a 2 per augmentationem, contrario motu
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:20
9The Musical Offering, BWV 1079: Canon a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:46
10The Musical Offering, BWV 1079: Canon a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:56
11The Musical Offering, BWV 1079: Canon a 2 per tonos
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:24
12The Musical Offering, BWV 1079: Canon perpetuus contrario motu
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:20
13The Musical Offering, BWV 1079: Canon a 4
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:11
14The Musical Offering, BWV 1079: Fuga canonica
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:01
15The Musical Offering, BWV 1079: Sonata a 3: I. Largo
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach4:56
16The Musical Offering, BWV 1079: Sonata a 3: II. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:17
17The Musical Offering, BWV 1079: Sonata a 3: III. Andante
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:56
18The Musical Offering, BWV 1079: Sonata a 3: IV. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:16
19The Musical Offering, BWV 1079: Ricercar a 6
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach9:13

Credits

Release

orchestra:Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:Karl Münchinger (German conductor)
composer:Johann Sebastian Bach (German Baroque period composer & musician)
part of:Double Decca (order: 145)
Discogs:https://www.discogs.com/release/885068 [info]