La voix du siècle

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Casta Diva (Norma)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:40
2Come per me sereno (La sonnambula)
soprano vocals [Amina]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:50
3Una voce poco fa (Il barbiere di Siviglia)
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1958)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:26
4Regnava nel silenzio (Lucia di Lammermoor)
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01 until 1953-02)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (in 1953)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti8:08
5Caro nome (Rigoletto)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
producer:
Walter Legge (British classical producer)
baritone vocals [Marullo]:
William Dickie (british bass-baritone) (from 1955-09-03 until 1955-09-16)
bass vocals [Il conte di Ceprano]:
Carlo Forti (operatic bass) (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1955, from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (soprano) (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (tenor) (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (conductor) (from 1955-09-03 until 1955-09-16)
chorus master:
Norberto Mola (chorus master) (from 1955-09-03 until 1955-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi7:37
6È strano...Ah fors'è lui...Sempre libera (La traviata)
soprano vocals [Violetta]:
Maria Callas (soprano)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor)
orchestra:
Orquestra sinfónica do Teatro Nacional de São Carlos
conductor:
Franco Ghione (conductor, violinist and composer)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi9:52
7Sì. Mi chiamano Mimì (La bohème)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:51
8Donde lieta uscì (Mimì's Farewell/Adieu de Mimì) (La bohème)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-21)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:23
9Un bel dì vedremo (Madama Butterfly)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
10Vissi d'arte (Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:20
11In questa reggia (Turandot)
soprano vocals [Turandot]:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:30
12Ebben? ne andrò lontana (La Wally)
recorded in:
London (Greater London), England, United Kingdom (in 1954)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
soprano vocals [Wally]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
composer:
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
arrangement of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani4:58
13La Mamma morta (Andrea Chènier)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano4:53
2▼CD
#TitleArtistRatingLength
1J'ai perdu mon Eurydice (Orphée et Eurydice)
producer:
Walter Legge (British classical producer)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Orphée]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) and Orchestre national de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-04-04 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
2Divinités du Styx (Alceste)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-04-04 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:26
3Ombra leggiera (Dinorah)
soprano vocals [Dinorah]:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah)
composer:
Giacomo Meyerbeer (composer)
librettist:
Barbier, Carré (librettist) and De Lauzières
translated version of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:49
4Ah! Je veux vivre (Roméo et Juliette)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-03-28 until 1961-03-31)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-04-04 until 1961-04-05)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:41
5Ah! Je ris (Faust)
soprano vocals [Marguerite]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod6:17
6Dov'e L'indiana bruna? (Lakmé)
soprano vocals [Lakmé]:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé)
composer:
Léo Delibes (French composer)
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes8:11
7Printemps qui commence (Samson et Dalila)
soprano vocals [Dalila]:
Maria Callas (soprano)
orchestra:
Orchestre national de la Radiodiffusion Francaise (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Georges Prêtre (French conductor)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:17
8Mon cœur s'ouvre à ta voix (Samson et Dalila)
producer:
Michel Garcin (French producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Dalila]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) and Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
assistant balance engineer:
Jacques Doll
balance engineer:
Francis Dillnutt (engineer) and Yolanta Skura
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:19
9Comme autrefois (Les Pecheurs de perles)
soprano vocals [Leila]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Les Pêcheurs de perles : Acte II. No. 7 Récit et cavatine « Me voilà seule dans la nuit » (Leïla)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte II
Georges Bizet6:02
10L'amour est un oiseau rebelle (Carmen)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas (soprano)
vocals:
Maria Callas (soprano)
orchestra:
Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:22
11Les tringles des sistres tintaient (Carmen)
producer:
Michel Glotz
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas (soprano)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:24
12Pleurez mes yeux (Le Cid)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-03-31)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-04-04 until 1961-04-05)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:08
13Adieu, notre petite table (Manon)
soprano vocals [Manon]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte II
Jules Massenet3:23
14Depuis le jour (Louise)
soprano vocals [Louise]:
Maria Callas (soprano)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (French composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier4:42