Jay Jay Johnson

~ Release by Jay Jay Johnson (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Jay Bird
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-06-26)
2:58
2Coppin’ the Bop
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-06-26)
recording of:
Coppin’ the Bop (on 1946-06-26)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
2:59
3Jay Jay
producer:
Teddy Reig
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-06-26)
recorded at:
WOR Studios in New York, New York, United States (on 1946-06-26)
3:06
4Mad Be-Bop
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-06-26)
2:42
5Boneology (Boney)
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (Canadian jazz bassist) (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (piano) (on 1947-12-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-24)
2:59
6Down Vernon’s Alley
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (Canadian jazz bassist) (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (piano) (on 1947-12-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-24)
2:34
7Yesterdays
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (Canadian jazz bassist) (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (piano) (on 1947-12-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-24)
instrumental recording of:
Yesterdays (on 1947-12-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:58
8Riffette
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (Canadian jazz bassist) (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (piano) (on 1947-12-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-24)
2:27
9Audubon (Audobahn)
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-11)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-11)
2:46
10Don’t Blame Me
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-11)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-11)
instrumental recording of:
Don’t Blame Me (on 1949-05-11)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
2:48
11Goof Square
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-11)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-11)
2:25
12Bee Jay
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-11)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-11)
2:28
13Elysses
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-26)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-26)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-26)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-26)
2:52
14Opus V
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-26)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-26)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-26)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-26)
2:38
15Hilo
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-26)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-26)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-26)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-26)
3:00
16Fox Hunt
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-26)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-05-26)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-05-26)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-05-26)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-26)
2:46
17Afternoon in Paris (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
3:03
18Afternoon in Paris (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
3:04
2▼CD
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1Elora (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:10
2Elora (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass [bass]:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:04
3Teapot (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:04
4Teapot (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
2:43
5Blue Mode (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:45
6Blue Mode (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
2:50
7Chance It
recorded in:
New York, New York, United States (on 1952-05-09)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
3:03
8Dear Old Stockholm
recorded in:
New York, New York, United States (on 1952-05-09)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Dear Old Stockholm (on 1952-05-09)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
cover recording of:
Dear Old Stockholm
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
4:12
9Woody ’n You
recorded in:
New York, New York, United States (on 1952-05-09)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recording of:
Woody ’n’ You (on 1952-05-09)
composer:
Dizzy Gillespie
3:24
10Capri
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
3:38
11Lover Man
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Lover Man (on 1953-06-22)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:52
12Turnpike
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
4:17
13Sketch
baritone saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
4:21
3▼CD
#TitleRatingLength
1Get Happy
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:49
2It Could Happen to You
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
It Could Happen to You (on 1953-06-22)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:44
3Capri (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
3:49
4Turnpike (alternate take)
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
4:11
5Get Happy (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:11
6Don’t Argue
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:01
7How Long Has This Been Going On
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1954-12-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
2:33
8Riviera
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:14
9Dinner for One
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:05
10Hip Bones
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
2:58
11Wind Bag
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:12
12We'll Be Together Again
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
instrumental recording of:
We’ll Be Together Again (on 1954-12-03)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:16
13Bag’s Groove
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (Jazz bass player from the 60s) (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-12-03) and Kai Winding (on 1954-12-03)
recording of:
Bags’ Groove (on 1954-12-03)
composer:
Milt Jackson
3:12
14Too Marvellous for Words
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-09-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
Too Marvelous for Words (on 1954-09-24)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:35
15Jay
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-09-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-24)
3:38
4▼CD
#TitleRatingLength
1Old Devil Moon
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-09-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1954-09-24)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:51
2It’s You or No One
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-09-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
It’s You or No One (on 1954-09-24)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
4:05
3Coffee Pot
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1954-09-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-24)
recording of:
Coffee Pot (on 1954-09-24)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
4:07
4Pennies From Heaven
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
instrumental recording of:
Pennies From Heaven (on 1955-06-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
4:17
5Viscosity
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
4:20
6You're Mine You
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
instrumental recording of:
You’re Mine, You (on 1955-06-06)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
3:07
7"Daylie" Double
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
4:25
8Groovin’
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
4:39
9Portrait of Jennie
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-06)
recording of:
Portrait of Jennie (on 1955-06-06)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
2:55
10Pennies From Heaven (alternate take)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
instrumental recording of:
Pennies From Heaven (on 1955-06-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
4:24
11Viscosity (alternate take)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
4:19
12"Daylie" Double (alternate take)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-06-06)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1955-06-06)
4:35