Barber / Bartók / Vaughan Williams

~ Release by Samuel Barber, Ralph Vaughan Williams, Béla Bartók; Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Richard Clement, Nathan Gunn (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Prayers of Kierkegaard, op. 30: O Thou Who Art Unchangeable
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Nannette Soles (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Prayers of Kierkegaard, op. 30: I. O Thou Who Art Unchangeable (from 1997-11-15 until 1997-11-16)
lyricist:
Søren Kierkegaard (Danish philosopher/theologian)
composer:
Samuel Barber (American composer)
part of:
Prayers of Kierkegaard, op. 30
Samuel Barber4:38
2Prayers of Kierkegaard, op. 30: Lord Jesus Christ, Who Suffered All Life Long
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Nannette Soles (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Prayers of Kierkegaard, op. 30: II. Lord Jesus Christ, Who Suffered All Life Long (from 1997-11-15 until 1997-11-16)
lyricist:
Søren Kierkegaard (Danish philosopher/theologian)
composer:
Samuel Barber (American composer)
part of:
Prayers of Kierkegaard, op. 30
Samuel Barber2:55
3Prayers of Kierkegaard, op. 30: Father in Heaven, Well We Know That it is Thou
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Nannette Soles (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Prayers of Kierkegaard, op. 30: III. Father in Heaven, Well We Know That it is Thou (from 1997-11-15 until 1997-11-16)
lyricist:
Søren Kierkegaard (Danish philosopher/theologian)
composer:
Samuel Barber (American composer)
part of:
Prayers of Kierkegaard, op. 30
Samuel Barber4:48
4Prayers of Kierkegaard, op. 30: Father in Heaven! Hold Not Our Sins Up Against Us
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Nannette Soles (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Prayers of Kierkegaard, op. 30: IV. Father in Heaven! Hold Not Our Sins Up Against Us (from 1997-11-15 until 1997-11-16)
lyricist:
Søren Kierkegaard (Danish philosopher/theologian)
composer:
Samuel Barber (American composer)
part of:
Prayers of Kierkegaard, op. 30
Samuel Barber5:34
5Cantata profana (“The Nine Enchanted Stags”), Sz. 94: Part I
baritone vocals:
William Borland (baritone) (from 1997-11-15 until 1997-11-16) and Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Pamela Elrod (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Patricia Nealon (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16) and Sean Mayer (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (from 1997-11-15 until 1997-11-16)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók7:32
6Cantata profana (“The Nine Enchanted Stags”), Sz. 94: Part II
baritone vocals:
William Borland (baritone) (from 1997-11-15 until 1997-11-16) and Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Pamela Elrod (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Patricia Nealon (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16) and Sean Mayer (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (from 1997-11-15 until 1997-11-16)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók8:52
7Cantata profana (“The Nine Enchanted Stags”), Sz. 94: Part III
baritone vocals:
William Borland (baritone) (from 1997-11-15 until 1997-11-16) and Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
mezzo-soprano vocals:
Pamela Elrod (mezzo-soprano) (from 1997-11-15 until 1997-11-16)
soprano vocals:
Patricia Nealon (soprano) (from 1997-11-15 until 1997-11-16)
tenor vocals:
Richard Clement (tenor) (from 1997-11-15 until 1997-11-16) and Sean Mayer (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (from 1997-11-15 until 1997-11-16)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók3:25
8Dona nobis pacem: I. Agnus Dei
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: I. Agnus Dei (from 1997-11-15 until 1997-11-16)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams2:57
9Dona nobis pacem: II. Beat! Beat! Drums!
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) (from 1997-11-15 until 1997-11-16)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams3:55
10Dona nobis pacem: III. Reconciliation
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: III. Reconciliation (Andantino) (from 1997-11-15 until 1997-11-16)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams6:29
11Dona nobis pacem: IV. Dirge for Two Veterans
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) (from 1997-11-15 until 1997-11-16)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams9:30
12Dona nobis pacem: V. The Angel of Death
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) (from 1997-11-15 until 1997-11-16)
lyricist:
[traditional] (special purpose artist) and John Bright
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams3:14
13Dona nobis pacem: VI. O Man Greatly Beloved
baritone vocals:
Nathan Gunn (American baritone) (from 1997-11-15 until 1997-11-16)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1997-11-15 until 1997-11-16)
soprano vocals:
Carmen Pelton (soprano) (from 1997-11-15 until 1997-11-16)
orchestra:
Atlanta Symphony Orchestra (from 1997-11-15 until 1997-11-16)
conductor:
Robert Shaw (conductor) (from 1997-11-15 until 1997-11-16)
recording of:
Dona nobis pacem: VI. O man greatly beloved (from 1997-11-15 until 1997-11-16)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams7:12

Credits

Release

ASIN:US: B0000064U9 [info]