The Peace & Love Generation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.753:01
2California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
3Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner (singer and songwriter) and Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.352:56
4I Can Hear Music
cover recording of:
I Can Hear Music
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Beach Boys2:35
5Daydream Believer
recording of:
Daydream Believer
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:58
6I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:14
7What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:09
8Hurdy Gurdy Man
recorded in:
London (Greater London), England, United Kingdom (in 1968)
producer:
Mickie Most (English record producer)
acoustic guitar and tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:22
9Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:56
10Daydream
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
lyricist and composer:
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:22
11Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
12That’s the Way I’ve Always Heard It Should Be
producer:
Eddie Kramer (engineer)
mixer:
Eddie Kramer (engineer) and Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
acoustic guitar and piano:
Carly Simon
bass:
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch and Jim Wilkins
cello:
Harvey Shapiro (cellist)
drums (drum set):
John Siomos
guitar:
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) and Jimmy Ryan (American guitarist and singer/songwriter)
keyboard:
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) and Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
pedal steel guitar:
Jeff Baxter
strings:
Ed Freeman (producer, arranger, musician, and photographer)
vocals:
Carly Simon
strings [string arrangement] arranger and strings arranger:
Ed Freeman (producer, arranger, musician, and photographer)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
That’s the Way I’ve Always Heard It Should Be
lyricist:
Jacob Brackman
composer:
Carly Simon
publisher:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music and Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:18
13People Got to Be Free
The Rascals3:02
14Abraham, Martin and John
producer:
Phil Gernhard (songwriter and producer)
arranger:
John Abbott (American arranger)
cover recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music (BMI) and TJ Musicservice GmbH
Dion43:21
15King Midas in Reverse
recording of:
King Midas in Reverse
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
composer:
Graham Nash
The Hollies3:04
16I Dig Rock and Roll Music
recording of:
I Dig Rock and Roll Music
writer:
Dave Dixon, Jim Mason (Folk rock 1960s-1970s) and Noel Paul Stookey
Peter, Paul & Mary2:33
17No Regrets
engineer:
Brooks Arthur and Bruce Botnick
producer:
Arthur Gorson
bass guitar:
Bob Bushnell and Joe Mack (bassist)
bass guitar and classical guitar:
Jonathan Raskin
drums (drum set):
Bernard “Pretty” Purdie
electric guitar:
Eric Gale, Hugh McCracken and Don Thomas (US guitarist, singer songwriter)
guitar:
Bruce Langhorne and Tom Rush
keyboard:
Paul Harris (American keyboardist/pianist session player)
membranophone:
Herb Lovelle and Richie Ritz
saxophone:
Joe Grimm (flute and saxophone player) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player)
vocals:
Tom Rush
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Paul Harris (American keyboardist/pianist session player)
arranger:
Paul Harris (American keyboardist/pianist session player)
recording of:
No Regrets
lyricist and composer:
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music and Westminster Music Ltd.
Tom Rush4.53:54
2▼CD
#TitleArtistRatingLength
1Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men3:40
2Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
adaptations:
Setä pelimanni
The Byrds4.152:19
3Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
The Lovin’ Spoonful4.82:39
4Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:35
5Up, Up and Away
engineer:
“Bones” Howe
producer:
Johnny Rivers (Singer, songwriter, and guitarist) and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:39
6San Franciscan Nights
recording of:
San Franciscan Nights
writer:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch and John Weider
Eric Burdon and the Animals3:26
7Lay Down (Candles in the Rain)
recording of:
Lay Down (Candles in the Rain)
lyricist and composer:
Melanie (US singer‐songwriter Melanie Safka)
Melanie3:56
8Cherish
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
recording of:
Cherish
lyricist and composer:
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Association33:27
9A Little Bit Me, a Little Bit You
producer:
Jeff Barry
bass:
Louis Mauro (on 1967-01-21) and James Tyrrell (on 1967-01-21)
drums (drum set):
Herb Lovelle (on 1967-01-21)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-01-21), Hugh McCracken (on 1967-01-21) and Don Thomas (US guitarist, singer songwriter) (on 1967-01-21)
organ:
Artie Butler (on 1967-01-21)
piano:
Stan Free (on 1967-01-21)
tambourine:
Thomas Cerone (on 1967-01-21)
lead vocals:
Davy Jones (The Monkees member) (on 1967-01-21)
arranger:
Jeff Barry
recording of:
A Little Bit Me, a Little Bit You (on 1967-01-21)
lyricist and composer:
Neil Diamond
The Monkees4.52:49
10The Beat Goes On
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Sonny Bono
conductor:
Harold Battiste
phonographic copyright (℗) by:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States
recording of:
The Beat Goes On (in 1967)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:30
11Jennifer Juniper
recording of:
Jennifer Juniper
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan2:44
12Amazing Grace
Judy Collins4:10
13Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:33
14Tip‐Toe Thru’ the Tulips With Me
cover recording of:
Tiptoe Through the Tulips
lyricist:
Al Dubin
composer:
Joe Burke (American composer)
Tiny Tim1:53
15Get Together
recorded in:
New York, New York, United States (in 1966-11)
producer:
Felix Pappalardi
bass and lead vocals:
Jesse Colin Young (in 1966-11)
drums (drum set):
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
guitar and background vocals:
Jerry Corbitt (in 1966-11) and Lowell Levinger (in 1966-11)
keyboard:
Lowell Levinger (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
The Youngbloods3.754:41
1659th Street Bridge Song (Feelin’ Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:39
17Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 1), The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:53
3▼CD
#TitleArtistRatingLength
1Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:39
2Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:57
3For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:37
4Feel Like I’m Fixing to Die Rag
recording of:
I-Feel-Like-I’m-Fixin’-To-Die Rag
lyricist and composer:
Country Joe McDonald
Country Joe and the Fish3:47
5White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:34
6I Shall Be Released
cover recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
Joan Baez3:57
7So You Want to Be a Rock ’n’ Roll Star
recording of:
So You Want to Be a Rock ’n’ Roll Star
writer:
Chris Hillman and Roger McGuinn
publisher:
Tickson Music Co.
The Byrds2:08
8Spinning Wheel
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius (from 1968-10-07 until 1968-10-22)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
drums (drum set) and percussion:
Bobby Colomby (from 1968-10-07 until 1968-10-22)
flugelhorn and trumpet:
Al Rubin (from 1968-10-07 until 1968-10-22) and Lew Soloff (from 1968-10-07 until 1968-10-22)
flute, organ, piano and trombone:
Dick Halligan (from 1968-10-07 until 1968-10-22)
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
recorder and trombone:
Jerry Hyman (trombone player) (from 1968-10-07 until 1968-10-22)
lead vocals:
David Clayton‐Thomas (from 1968-10-07 until 1968-10-22)
vocals:
Bobby Colomby (from 1968-10-07 until 1968-10-22), Dick Halligan (from 1968-10-07 until 1968-10-22) and Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
arranger:
Blood, Sweat & Tears and Fred Lipsius
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1968-10-07 until 1968-10-22)
recording of:
Spinning Wheel (from 1968-10-07 until 1968-10-22)
lyricist and composer:
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Blood, Sweat & Tears44:07
9Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:47
10(Don’t Worry) If There’s a Hell Below We’re All Going to Go
assistant engineer:
Danny Turbeville
engineer:
Tom Flye and Roger Anfinson
producer:
Curtis Mayfield
baritone saxophone:
Ron Kolber (Saxophone)
drums (drum set) [drums]:
Robert Sims (drummer) and Donald Simmons
guitar:
Patrick Ferreri and Phil Upchurch
horn:
Robert Lewis (horn)
instruments:
Sam Heiman, Harold Lepp, Richard Single and Gary Slabo
keyboard [keyboards]:
John Ross (keyboards)
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis) and Robert Sims (drummer)
saxophone:
Clifford Davis and Leonard Druss
trombone:
Lorin Binford
trumpet:
John Howell (trumpet) and Rudolph Stauber
viola:
Harold Klatz
violin:
Sol Bobrob and Elloit Golub
woodwind [woodwinds]:
Harold Dessent
vocals:
Curtis Mayfield
arranger:
Riley Hampton and Gary Slabo
phonographic copyright (℗) by:
Curtom Records (in 1970)
recording of:
(Don’t Worry) If There’s a Hell Below, We’re All Going to Go
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1970 to ????)
Curtis Mayfield4.57:53
11Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:31
12I Want to Take You Higher
bass guitar:
Larry Graham (US bassist & singer) (in 1969)
drums (drum set):
Greg Errico (in 1969)
guitar:
Freddie Stone (in 1969)
guitar and keyboard:
Sly Stone (in 1969)
keyboard:
Rose Stone (in 1969)
saxophone:
Jerry Martini (in 1969)
trumpet:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Jerry Martini (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) and Sly Stone (in 1969)
recording of:
I Want to Take You Higher (in 1969)
lyricist and composer:
Sylvester Stewart
publisher:
Daly City Music and Mijac Music
is based on:
Higher
Sly & the Family Stone45:26
13Buzzin’ Fly
engineer:
Bruce Botnick
producer:
Zal Yanovsky and Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
acoustic guitar:
John Miller (bassist and music contractor/coordinator)
guitar [lead guitar]:
Lee Underwood
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
Buzzin’ Fly
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley6:03
14I Had Too Much to Dream (Last Night)
The Electric Prunes3:01
15Rainbow Chaser
producer:
Muff Winwood (bass player, songwriter, producer)
Nirvana42:35
16I Can Hear the Grass Grow
recording of:
I Can Hear the Grass Grow
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Onward Music Ltd.
The Move3:12
17Pleasant Valley Sunday
recording of:
Pleasant Valley Sunday
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees3:08
4▼CD
#TitleArtistRatingLength
1Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) and Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:01
2Aquarius / Let the Sunshine In
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Arista (American label owned by Sony Music Entertainment) (in 1969)
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension (1960’s group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 435)
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. and United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The 5th Dimension4.154:50
3In the Year 2525
producer:
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Zager & Evans43:17
4Hole in My Shoe
recording of:
Hole in My Shoe
writer:
Dave Mason (co‐founder of Traffic)
Traffic2:53
5How Can I Be Sure
recording of:
How Can I Be Sure
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
The Young Rascals2:56
6Alice’s Rock & Roll Restaurant
partial recording of:
Alice’s Restaurant Massacree
lyricist and composer:
Arlo Guthrie (American folk singer-songwriter)
publisher:
Appleseed Music, Inc.
Arlo Guthrie4:48
7Good Morning Starshine
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Oliver53:40
8Blackberry Way
recording of:
Blackberry Way
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. and Essex Music International, Inc. (in 1968)
The Move53:35
9Just Like a Woman
bass:
Harvey Brooks (US electric bassist)
drums (drum set):
Bill LaVorgna
guitar:
Richie Havens
piano:
Paul Harris (American keyboardist/pianist session player)
vocals:
Richie Havens
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
Richie Havens4:48
10Jackie
vocals:
Scott Walker (singer‐songwriter, musician and producer) (in 1967)
recording of:
Jackie (La Chanson de Jacky) (English lyrics) (in 1967)
lyricist and composer:
Jacques Brel
translator:
Mort Shuman (US singer, pianist & songwriter)
translated version of:
Jacky (La Chanson de Jacky)
Scott Walker23:23
11The Days of Pearly Spencer
recording of:
The Days of Pearly Spencer
lyricist and composer:
David McWilliams
David McWilliams2:37
12Hair
live recording of:
Hair (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
The Cowsills33:34
13Day Tripper
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
cover recording of:
Day Tripper (on 1966-09-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Otis Redding3.652:34
14Younger Generation
recording of:
Younger Generation
lyricist and composer:
John Sebastian
John Sebastian3:02
15Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 52)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:12
16Green Tambourine
phonographic copyright (℗) by:
Buddha Records (1998–2002, formerly known as Buddah Records) (in 1967)
recording of:
Green Tambourine
writer:
Paul Leka and Shelley Pinz
publisher:
BMG Music Publishing Ltd. and Dominion Music Co. Ltd.
The Lemon Pipers3.652:26
17It’s All Over Now, Baby Blue
recording of:
It’s All Over Now, Baby Blue
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
adaptations:
Kaikki ohi on
Bob Dylan4:16
5▼CD
#TitleArtistRatingLength
1Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:02
2American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:53
3Piece of My Heart
cover recording of:
Piece of My Heart
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Big Brother & the Holding Company4:16
4Ripple
recording of:
Ripple
written in:
Canada
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and WC Music Corp.
Grateful Dead4:13
5Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
acoustic guitar and lead vocals:
Bryan MacLean (on 1967-09-10)
drums (drum set):
Michael Stuart-Ware (US drummer for Love) (on 1967-09-10)
electric bass guitar:
Ken Forssi (on 1967-09-10)
additional lead vocals:
Arthur Lee (in 1967-09)
horn arranger and strings arranger:
David Angel (composer and arranger) (on 1967-09-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-09-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or (on 1967-09-10)
lyricist and composer:
Bryan MacLean
Love4.23:17
6Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:24
7In‐A‐Gadda‐Da‐Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:56
8Six Days on the Road
Taj Mahal3:02
9Up on Cripple Creek
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
recording of:
Up on Cripple Creek
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner/Chappell Music, Inc.
The Band4.64:33
10Fall on You
Moby Grape1:57
11Sweet Jane
producer:
Geoffrey Haslam, Shel Kagan and The Velvet Underground (Lou Reed’s seminal rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:09
12Rock & Roll Woman
recording engineer:
Jim Messina (from 1967-06-22 until 1967-08-08)
producer:
Stephen Stills and Neil Young (Canadian singer, songwriter & musician)
mixer:
Jim Messina (on 1967-10-03)
bass and bass guitar:
Bruce Palmer (from 1967-06-22 until 1967-08-08)
drums (drum set):
Dewey Martin (from 1967-06-22 until 1967-08-08)
electric piano, electric piano, guitar and organ, guitar [lead], organ and lead vocals:
Stephen Stills (from 1967-06-22 until 1967-08-08)
guitar and background vocals:
Richie Furay (from 1967-06-22 until 1967-08-08) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-22 until 1967-08-08)
vocals:
Richie Furay (from 1967-06-22 until 1967-08-08) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-22 until 1967-08-08)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-22 until 1967-08-08)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-10-03)
recording of:
Rock & Roll Woman (from 1967-06-22 until 1967-08-08)
lyricist and composer:
Stephen Stills
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield42:47
13Coming Into Los Angela
recording of:
Coming Into Los Angeles
lyricist and composer:
Arlo Guthrie (American folk singer-songwriter)
Arlo Guthrie3:09
14Rainbows All Over Your Blues
John Sebastian2:29
15Samba Pa Ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana3.854:47
16Time of the Seasons
The Zombies3:29
6▼CD
#TitleArtistRatingLength
1Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:32
2Goin’ Up the Country
recording of:
Going Up the Country
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2:53
3Black Magic Woman
recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Fleetwood Mac2:54
4Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:32
5Truckin’
recording of:
Truckin’
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead), Phil Lesh and Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead5:06
6Soul Sacrifice
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (percussionist) (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (drummer) (in 1969-05, on 1969-05-12)
guitar:
Carlos Santana (in 1969-05, on 1969-05-12)
organ:
Gregg Rolie (keyboardist and vocalist) (in 1969-05, on 1969-05-12)
percussion:
José “Chepito” Áreas (in 1969-05) and Michael Carabello (percussionist) (in 1969-05)
arranger:
Alberto Gianquinto
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969-05, on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
recording of:
Soul Sacrifice (on 1969-05-12)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie (keyboardist and vocalist) and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
Santana46:40
7I’d Rather Go Blind
Chicken Shack3:16
8A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:08
9First Girl I Loved
The Incredible String Band4:55
10I Don’t Want to Talk About It
Crazy Horse5:21
117 and 7 Is
Love2:19
12Mystery Train
recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
The Paul Butterfield Blues Band2:37
13A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.24:14
14You Keep Me Hangin’ On
miscellaneous support:
Shadow Morton (task: directed by)
producer:
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Vanilla Fudge3:02
15Move on Up
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield3:47
16Long Distance Runaround
recording of:
Long Distance Runaround
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), WB Music Corp. (1929–2019) and Yessongs Ltd.
Yes3:35