Original Album Series

~ Release by Rickie Lee Jones (see all versions of this release, 1 available)

Annotation

Box Set

Annotation last modified on 2016-12-07 01:40 UTC.

Tracklist

| |
1▼CD: Rickie Lee Jones
#TitleRatingLength
1Chuck E.'s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4.253:32
2On Saturday Afternoons in 1963
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
orchestrator:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States (on 1978-12-22)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
On Saturday Afternoons in 1963
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., BMG Gold Songs, Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
42:35
3Night Train
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
orchestrator:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Night Train
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3.53:19
4Young Blood
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Young Blood
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:08
5Easy Money
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Easy Money
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
43:20
6The Last Chance Texaco
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
The Last Chance Texaco
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3.54:08
7Danny's All-Star Joint
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Danny’s All‐Star Joint
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:07
8Coolsville
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
orchestrator:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Coolsville
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
43:53
9Weasel and the White Boys Cool
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Weasel and the White Boys Cool
writer:
Alfred Johnson and Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
36:04
10Company
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
orchestrator:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Company
writer:
Alfred Johnson and Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., DreamWorks Songs, Easy Money Music, Know One Nose Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
24:55
11After Hours
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
orchestrator:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States (on 1978-12-22)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
edit of:
After Hours (Twelve Bars Past Goodnight) by Rickie Lee Jones
recording of:
After Hours (Twelve Bars Past Goodnight)
writer:
Richard Jones (father of singer‐songwriter Rickie Lee Jones) and Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
22:14
2▼CD: Pirates
#TitleRatingLength
1We Belong Together
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
We Belong Together
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:06
2Living It Up
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Art Rodriguez (drummer)
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Sal Bernardi and Rickie Lee Jones
orchestrator:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Living It Up
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
6:26
3Skeletons
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
keyboard:
Randy Kerber
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Rickie Lee Jones
orchestrator:
Ralph Burns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (on 1980-01-30)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Skeletons
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., DreamWorks Songs, Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:40
4Woody and Dutch on the Slow Train to Peking
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
alto saxophone:
David Sanborn
baritone saxophone and tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Chuck Rainey (American bassist)
flugelhorn and trumpet:
Randy Brecker
guitar:
David Kalish
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
other instruments [boxes and thighs]:
Steve Gadd (drummer)
percussion:
Lenny Castro and Victor Feldman (jazz musician)
background vocals:
Rickie Lee Jones, Arno Lucas, Leslie Smith (funk/soul singer) and Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz)
vocals:
Rickie Lee Jones
horn arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Woody and Dutch on the Slow Train to Peking
writer:
Rickie Lee Jones and David Kalish
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:18
5Pirates (So long Lonely Avenue)
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
alto saxophone:
David Sanborn
baritone saxophone and tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Steve Gadd (drummer)
flugelhorn and trumpet:
Randy Brecker
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
harmonica:
Sal Bernardi
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
percussion:
Lenny Castro and Victor Feldman (jazz musician)
synthesizer:
Michael Boddicker, Donald Fagen, Rickie Lee Jones and Rob Mounsey
vocals:
Rickie Lee Jones
horn arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Pirates (So Long Lonely Avenue)
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:56
6A Lucky Guy
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Art Rodriguez (drummer)
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
A Lucky Guy
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., DreamWorks Songs, Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:21
7Traces of the Western Slopes
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Art Rodriguez (drummer)
flugelhorn and trumpet:
Jerry Hey
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
harmonica:
Sal Bernardi
keyboard:
Russell Ferrante (keyboardist), Rickie Lee Jones, Neil Larsen and Clarence McDonald
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Sal Bernardi and Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Traces of the Western Slopes
writer:
Sal Bernardi and Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., DreamWorks Songs, Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
8:01
8The Returns
additional engineer:
Ken Deane and Elliot Scheiner
assistant engineer:
Steven Ettinger, Stuart Gitlin and Margaret Gwynne (engineer)
engineer:
Loyd Clifft, Lee Herschberg and Mark Linett
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass guitar:
Chuck Rainey (American bassist)
guitar:
Buzz Feiten, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
keyboard:
Randy Kerber
percussion:
Lenny Castro and Victor Feldman (jazz musician)
vocals:
Rickie Lee Jones
orchestrator:
Ralph Burns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (on 1980-01-30)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
The Returns
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:20
3▼CD: Girl at Her Volcano
#TitleRatingLength
1Lush Life
performer:
Tony Braunagel, Reggie McBride and Michael Ruff (US keyboardist/songwriter)
recorded at:
Perkins Palace in Pasadena, California, United States (on 1982-04-17)
live cover recording of:
Lush Life
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
5:28
2Letters From the 9th Ward / Walk Away Rene
additional bass:
Reggie McBride
bass:
Nathan East
guitar:
Dean Parks (American session guitarist)
membranophone:
Art Rodriguez (drummer)
percussion:
Michael Fisher (percussionist)
piano:
Rickie Lee Jones
Rhodes piano and synthesizer:
Michael Ruff (US keyboardist/songwriter)
synthesizer:
Michael Boddicker and Rickie Lee Jones
recording of:
Letters from the 9th Ward / Walk Away Rene
writer:
Rickie Lee Jones
medley of:
Letters from the 9th Ward
medley of:
Walk Away Rene
4:28
3Hey, Bub
bass:
Nathan East
guitar:
Dean Parks (American session guitarist)
membranophone:
Art Rodriguez (drummer)
piano:
Rickie Lee Jones
Rhodes piano:
Michael Ruff (US keyboardist/songwriter)
synthesizer:
Michael Boddicker and Rickie Lee Jones
recording of:
Hey, Bub
writer:
Rickie Lee Jones
2:21
4My Funny Valentine
3:50
5Under the Boardwalk
bass:
Nathan East
guitar:
Dean Parks (American session guitarist)
membranophone:
Art Rodriguez (drummer)
piano:
Rickie Lee Jones
Rhodes piano:
Michael Ruff (US keyboardist/songwriter)
cover recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. and Trio Music Company
3:23
6Rainbow Sleeves
bass:
Nathan East
guitar:
Dean Parks (American session guitarist)
membranophone:
Art Rodriguez (drummer)
piano:
Randy Kerber
Rhodes piano:
Michael Ruff (US keyboardist/songwriter)
strings arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Rainbow Sleeves
lyricist and composer:
Tom Waits
3:41
7So Long
bass:
Nathan East
guitar:
Dean Parks (American session guitarist)
membranophone:
Art Rodriguez (drummer)
oboe:
Earl Dannnar
piano:
Rickie Lee Jones
Rhodes piano:
Neil Larsen
vocals:
Michael Ruff (US keyboardist/songwriter)
cover recording of:
So Long
writer:
Lani Hall and Neil Larsen
2:05
4▼CD: The Magazine
#TitleRatingLength
1Prelude to Gravity
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
conductor:
Marty Paich
strings arranger:
James Newton Howard (American score composer) and Marty Paich
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Evergreen Recording Studios in Burbank, California, United States (strings) and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Prelude to Gravity
composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Management, Inc., Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:50
2Gravity
additional programming:
Michael Boddicker
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
Nathan East
drums (drum set):
Steve Gadd (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Lenny Castro
Rhodes piano:
Greg Phillinganes
vocals:
Rickie Lee Jones
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Gravity
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:49
3Juke Box Fury
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
Nathan East
drums (drum set):
Steve Gadd (drummer)
guitar:
Buzz Feiten
percussion:
Lenny Castro
synthesizer [DX-7]:
Neil Larsen
vocals:
Rickie Lee Jones
brass [horns] arranger:
Jerry Hey and Rickie Lee Jones
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Juke Box Fury
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:13
4It Must Be Love
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
David Hungate
drums (drum set):
Jeff Porcaro
guitar:
Jeffery Pevar
percussion:
Lenny Castro
vocals:
Rickie Lee Jones
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
It Must Be Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:59
5Magazine
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
David Hungate
drums (drum set):
Jeff Porcaro
guitar:
Dean Parks (American session guitarist)
percussion:
Victor Feldman (jazz musician)
vocals:
Rickie Lee Jones
conductor:
James Newton Howard (American score composer)
strings arranger:
James Newton Howard (American score composer)
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Evergreen Recording Studios in Burbank, California, United States (strings) and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Magazine
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:46
6The Real End
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
bass guitar:
Nathan East
drums (drum set):
Steve Gadd (drummer)
guitar:
Buzz Feiten
organ:
Neil Larsen
percussion:
Lenny Castro
vocals:
Rickie Lee Jones
brass [horns] arranger:
Jerry Hey
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
The Real End
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:04
7Deep Space
engineer:
Mark Linett
producer:
James Newton Howard (American score composer) and Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
synthesizer [GS-1 digital]:
Rickie Lee Jones
vocals:
Rickie Lee Jones
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Deep Space
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:14
8Runaround
5:00
9Rorschachs: Theme for the Pope
3:21
10Rorschachs: A) The Unsigned Painting / B) The Weird Beast
producer:
Rickie Lee Jones
mixer:
Lee Herschberg and Mark Linett
arranger:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recording of:
The Unsigned Painting / The Weird Beast
writer:
Sal Bernardi and Rickie Lee Jones
4:52
5▼CD: Naked Songs
#TitleRatingLength
1The Horses
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Universal/MCA Music Publishing Pty Ltd and Easy Money Music (in 1989)
4:49
2Weasel and the White Boys Cool
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
Steve Boyer
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
live recording of:
Weasel and the White Boys Cool
writer:
Alfred Johnson and Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:14
3Altar Boy
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Altar Boy
writer:
Rickie Lee Jones
2:40
4It Must Be Love
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
Steve Boyer
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
live recording of:
It Must Be Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:47
5Young Blood
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Young Blood
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:29
6The Last Chance Texaco
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
The Last Chance Texaco
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:25
7Skeletons
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Skeletons
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., DreamWorks Songs, Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:41
8Magazine
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
Steve Boyer
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
live recording of:
Magazine
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:39
9Living It Up
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Living It Up
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
6:54
10We Belong Together
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
We Belong Together
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:59
11Coolsville
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Coolsville
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:09
12Flying Cowboys
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
Steve Boyer
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
live recording of:
Flying Cowboys
writer:
Sal Bernardi, Rickie Lee Jones and Pascal Nabet-Meyer
publisher:
Easy Money Music (in 1987)
5:37
13Stewart's Coat
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Stewart's Coat
writer:
Rickie Lee Jones
4:05
14Chuck E.'s in Love
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
bass:
Rob Wasserman
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:52
15Autumn Leaves
assistant recording engineer:
Ron Rigler (sound engineer)
engineer:
Derek Featherstone (engineer) and Dan Kasting (engineer)
assistant mixer:
Luis Quine and Marnie Riley
mixer:
John Beverly Jones
bass:
Rob Wasserman
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
live recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
5:06