100 60’s Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Like a Rolling Stone
recording of:
Like a Rolling Stone
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Bob Dylan6:09
2Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:04
3In the Ghetto
recording of:
In the Ghetto
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
Elvis Presley2:58
4Ain’t Got No – I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier und Sologesang:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) und BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
Bearbeitung von:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) von Nina Simone
cover recording of:
Ain’t Got No, I Got Life (am 1968-05-13)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
Nina Simone3.62:16
5San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:59
6Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:20
7Summer in the City
zusätzlich Hybrid-Piano:
Artie Schroeck
Sologesang:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 393)
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful4.82:40
8Young Girl
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap3:13
9Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac43:08
10Roses Are Red
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
Verfasser(in):
Al Byron und Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:38
11He’ll Have to Go
Produzent(in):
Chet Atkins
vocals:
Jim Reeves (US country & pop singer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1959)
recording of:
He’ll Have to Go (am 1959-10-15)
Verfasser(in):
Audrey Allison und Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs und Central Songs, Inc.
Jim Reeves4.352:20
12The Windmills of Your Mind
José Feliciano3:49
13Oh! Carol
recording of:
Oh! Carol
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka2:18
14Love Me Warm and Tender
recording of:
Love Me Warm and Tender
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
Paul Anka2:19
15Move Over Darling
recording of:
Move Over Darling
Verfasser(in):
Hal Kanner (director), Joe Lubin und Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Day2:40
16Oh, Pretty Woman
recording of:
Oh, Pretty Woman (Roy Orbison song)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison2:58
17Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1968)
Gitarre:
Freddie Stone (in 1968)
Gitarre und Keyboard:
Sly Stone (in 1968)
Keyboard:
Rose Stone (in 1968)
Saxophon:
Jerry Martini (in 1968)
Schlagzeug:
Greg Errico (in 1968)
Trompete:
Cynthia Robinson (in 1968)
vocals:
Larry Graham (US bassist & singer) (in 1968), Jerry Martini (in 1968), Freddie Stone (in 1968), Rose Stone (in 1968) und Sly Stone (in 1968)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 293)
recording of:
Everyday People (in 1968)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.152:22
18In the Year 2525
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:15
19The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:54
20Everybody’s Talkin’
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson2:44
21Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:03
22Hush
recording of:
Hush (South, Royal, Deep Purple)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music und Sony/ATV Music Publishing Australia Pty Ltd.
Billy Joe Royal2:28
23Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
The Love Affair43:02
24Mellow Yellow
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1966)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
Horn [horns]:
Danny Moss (in 1966) und Ronnie Ross (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:43
25Battle Hymn of the Republic
recording of:
Battle Hymn of the Republic
Texter:
Julia Ward Howe (American poet)
Komponist(in):
William Steffe (in 1856)
Teil von:
Hymns of The Church of Jesus Christ of Latter-day Saints (1985 Hymnal) (Nummer: 60) und Roud Folk Song Index (Nummer: V17636)
basiert auf:
John Brown’s Body (Glory, Glory, Hallelujah)
Andy Williams With Charles Borromeo Choir3:24
2▼CD
Nr.TitelKünstlerBewertungLänge
1Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters3:02
2Oh Happy Day
recording of:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
Texter:
Philip Doddridge
Komponist(in):
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Arrangement von:
Oh Happy Day
Version von:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers45:07
3The Ballad of Bonnie & Clyde
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
recording of:
The Ballad of Bonnie and Clyde
Texter:
Peter Callander
Komponist(in):
Mitch Murray
publisher:
Intune Ltd. (publisher)
Georgie Fame3:10
4A Boy Named Sue
recording of:
A Boy Named Sue
Texter und Komponist(in):
Shel Silverstein
Johnny Cash3:44
5Aquarius / Let the Sunshine In
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:49
6Let Me
Paul Revere & the Raiders feat. Mark Lindsay2:41
7I’d Rather Go Blind
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968, in 2005)
cover recording of:
I’d Rather Go Blind
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:15
8The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
The Tokens52:41
9Ruby Baby
recording of:
Ruby Baby
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC und Stoller Music (ASCAP)
Dion2:36
10Rawhide
cover recording of:
Rawhide
publisher:
Mrs. Ned Washington (wife of American lyricist Ned Washington)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
Catharine Hinen Music, Largo Music, MCA Music Ltd., Patti Washington Music und Volta Music Corporation
Frankie Laine2:02
11Race With the Devil
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
Verfasser(in):
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain und Universal/MCA Music Ltd. (not for release label use!)
The Gun4.253:36
12I Will Follow Him
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) und ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (am 1963-01-07)
Texter:
Norman Gimbel und Jacques Plante
Komponist(in):
Paul Mauriat und Franck Pourcel
publisher:
Universal MCA Music Publishing (France) und Universal Music Corporation (USA, affiliated with ASCAP)
Version von:
Chariot
Peggy March4.22:27
13Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys33:54
14Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:50
15Spinning Wheel
recording of:
Spinning Wheel
Texter und Komponist(in):
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Blood, Sweat & Tears4:08
16To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner (pianist, producer and songwriter)
arranger:
Jimmy Wisner (pianist, producer and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
Nina Simone3.852:42
17Chewy Chewy
recording of:
Chewy, Chewy
Verfasser(in):
Joey Levine und Kris Resnick
Ohio Express2:41
18Simon Says
Koproduzent(in):
Elliot Chirput
Produzent(in):
Jeff Katz (music producer) und Jerry Kasenetz
Bassgitarre:
Steve Mortkowitz
Gitarre:
Frank Jeckell und Pat (Scaramuche Quackenbush) Karwan
membranophone:
Floyd Marcus
Orgel:
Mark Gutkowski
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1967)
recording of:
Simon Says (in 1967)
Texter und Komponist(in):
Elliot Chiprut
publisher:
Carlin Music Corporation, Kaskat Music Inc., Super Bubble Music Corp. und Warner/Chappell Music Australia Pty. Ltd.
1910 Fruitgum Co.22:16
19Cry Like a Baby
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1968) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1968)
recording of:
Cry Like a Baby
Verfasser(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
The Box Tops2:34
20D.I.V.O.R.C.E.
vocals:
Dolly Parton
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
cover recording of:
D-I-V-O-R-C-E (1968 song)
Texter:
Claude “Curly” Putman, Jr.
Komponist(in):
Bobby Braddock
Dolly Parton32:45
21Goodnight
recording of:
Goodnight
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
Roy Orbison2:29
22Heartaches by the Number
recording of:
Heartaches by the Number
Texter und Komponist(in):
Harlan Howard
publisher:
Good Ol’ Harlan Music, Sony/ATV Tree Publishing und Legacy of Harlan Perry Howard, LLC (in 1959)
Guy Mitchell2:39
23Green Tambourine
phonographisches Urheberrecht (℗) von:
Buddha Records (1998–2002, formerly known as Buddah Records) (in 1967)
recording of:
Green Tambourine
Verfasser(in):
Paul Leka und Shelley Pinz
publisher:
BMG Music Publishing Ltd. und Dominion Music Co. Ltd.
The Lemon Pipers3.652:25
24Maria Elena
Los Índios Tabajaras3:07
25The Good, the Bad and the Ugly
recording of:
The Good, the Bad, and the Ugly
Komponist(in):
Brendan Hill (Blues Traveler), Chan Kinchla, John Popper und Bobby Sheehan
Hugo Montenegro & His Orchestra2:44
3▼CD
Nr.TitelKünstlerBewertungLänge
1Atlantis
recording of:
Atlantis (Donovan song)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag (Peermusic Musikverlag GesmbH), peermusic (“Peermusic—the global independent”) und Peer Southern Music (publisher, affiliated to BMI in the US) (in 1968)
Donovan4:59
2If I Were a Rich Man
recording of:
If I Were a Rich Man (Fiddler on the Roof)
Texter:
Sheldon Harnick
Komponist(in):
Jerry Bock
publisher:
Chappell & Co. und Sunbeam Music Corp.
Teil von:
Fiddler on the Roof
Roger Whittaker2:46
3Return to Sender
cover recording of:
Return to Sender
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
Übersetzer:
Margot Borgström
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
Elvis Presley2:08
4A Steel Guitar and a Glass of Wine
recording of:
A Steel Guitar and a Glass of Wine
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
Paul Anka2:13
5Homeward Bound
recording of:
Homeward Bound
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music
Simon & Garfunkel2:29
6Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:34
7Turn! Turn! Turn!
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds3:51
8Rainy Day Women #12 & 35
recording of:
Rainy Day Women #12 & 35
Texter und Komponist(in):
Bob Dylan (von 1966-02 bis 1966-03)
publisher:
Dwarf Music (vom 1966 bis heute)
Bob Dylan4:36
9Need Your Love So Bad
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Little Willie John und Mertis John Jr. (older brother of Little Willie John)
publisher:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. und Trio Music Co., Inc.
Fleetwood Mac3:54
10Lady Willpower
Gary Puckett & the Union Gap2:46
11Barabajagal
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1968)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
Bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1968)
E-Gitarre:
Jeff Beck (English rock guitarist) (in 1968)
Keyboard:
Nicky Hopkins (pianist and organist) (in 1968)
Schlagzeug:
Tony Newman (rock drummer for Jeff Beck Group/May Blitz) (in 1968)
Hintergrundgesang:
Madeline Bell (in 1968), Leslie Duncan (in 1968) und Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress) (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
zusätzliche(r) Interpret(in):
Jeff Beck Group
recording of:
Barabajagal (Love Is Hot)
Texter und Komponist(in):
Donovan (Scottish singer, songwriter and guitarist)
Donovan & Jeff Beck Group43:24
12Daddy Sang Bass
recording of:
Daddy Sang Bass
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
basiert auf:
Will the Circle Be Unbroken?
Johnny Cash2:22
13Nashville Cats
recording of:
Nashville Cats
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful2:35
14Yummy, Yummy, Yummy
Produzent(in):
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine und Arthur Resnick (songwriter, producer)
Bassgitarre und Hintergrundgesang:
Dean Kastran (in 1968)
Sologesang:
Joey Levine (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 465)
recording of:
Yummy Yummy Yummy (in 1968)
Verfasser(in):
Joey Levine und Arthur Resnick (songwriter, producer)
publisher:
T. M. Music (publisher) (, in 1968)
Ohio Express3.82:21
15It’s Over
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-03-10)
Produzent(in):
Fred Foster
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1963)
recording of:
It’s Over (am 1964-03-10)
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Kobalt Music Publishing Ltd. (UK), Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1964-04-07)
Roy Orbison3.452:48
16Like an Old Time Movie
vocals:
Scott McKenzie
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
recording of:
Like an Old Time Movie (in 1967)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
Scott McKenzie3:17
17Dance to the Music
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 223)
recording of:
Dance to the Music
Texter, Verfasser(in) und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
enthalten in:
Dance for Me
Sly & the Family Stone4.152:58
18Cary Lynn Javes
recording of:
Cary Lynn Javes
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
Zager & Evans2:54
19Java
Al Hirt1:58
20Come Back and Shake Me
Clodagh Rodgers2:37
21Can’t Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams12:24
22I’m Your Puppet
recording of:
I’m Your Puppet
Verfasser(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Australia Pty. Ltd.
James & Bobby Purify2:58
23Arizona
recording of:
Arizona (Kenny Young)
Texter und Komponist(in):
Kenny Young
Mark Lindsay3:07
24Brand New Cadillac
De Maskers2:51
25Birth
recording of:
Birth
Verfasser(in):
Roy Phillips
The Peddlers4:05
4▼CD
Nr.TitelKünstlerBewertungLänge
1Cha‐La‐La, I Need You
recording of:
Cha-La-La I Need You
Verfasser(in):
Brian Goldwyn und Hank Hillman (guitarist, songwriter)
The Shuffles3:20
2Tell Laura I Love Her
recording of:
Tell Laura I Love Her
Texter:
Ben Raleigh
Komponist(in):
Jeff Barry
publisher:
E.B. Marks Music Corp. und Steeplechase Music
Ray Peterson2:55
3Calendar Girl
recording of:
Calendar Girl
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka2:41
4The Boxer
recording engineer:
Ted Brosnan (am 1969-11-08)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-08)
Gitarre:
Fred Carter, Jr. (am 1969-11-08) und Paul Simon (of Simon & Garfunkel) (am 1969-11-08)
Keyboard:
Larry Knechtel (am 1969-11-08)
Saiteninstrumente:
Ernie Freeman (am 1969-11-08) und Jimmie Haskell (am 1969-11-08)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-08)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 105)
recording of:
The Boxer (am 1969-11-08)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music (in 1968)
Simon & Garfunkel4.155:10
5Sunshine Superman
Produzent(in):
Mickie Most (English record producer)
recording of:
Sunshine Superman
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Peer International Corporation (BMI)
Donovan44:33
6Blue Velvet
recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton2:49
7Down in the Boondocks
recording of:
Down in the Boondocks
Texter und Komponist(in):
Joe South
publisher:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Lowery Music Co. Inc. (in 1965)
Billy Joe Royal2:34
8Devil Woman
recording of:
Devil Woman
Texter und Komponist(in):
Martin Robinson
Marty Robbins2:53
9My World Fell Down
recording of:
My World Fell Down
Verfasser(in):
John Shakespeare (songwriter) und Geoff Stephens
Sagittarius52:56
10Baby Sittin’ Boggie
recording of:
Baby Sittin’ Boogie (Baby Sittin’ Santa)
Texter und Komponist(in):
Johnny Parker (50s US jazz singer/songwriter/author)
publisher:
Chappell/Morris Ltd.
Buzz Clifford2:04
11Keep On
Bruce Channel1:57
12One Road
recording of:
One Road
Texter und Komponist(in):
Phillip Goodhand-Tait
Love Affair3:11
13You’ve Made Me So Very Happy
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius (von 1968-10-07 bis 1968-10-22)
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
Flügelhorn und Trompete:
Lew Soloff (von 1968-10-07 bis 1968-10-22) und Chuck Winfield (von 1968-10-07 bis 1968-10-22)
flute, Orgel, Klavier und Posaune:
Dick Halligan (von 1968-10-07 bis 1968-10-22)
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
recorder und Posaune:
Jerry Hyman (trombone player) (von 1968-10-07 bis 1968-10-22)
Schlagzeug und Perkussion:
Bobby Colomby (von 1968-10-07 bis 1968-10-22)
Sologesang:
David Clayton‐Thomas (von 1968-10-07 bis 1968-10-22)
vocals:
Bobby Colomby (von 1968-10-07 bis 1968-10-22), Dick Halligan (von 1968-10-07 bis 1968-10-22) und Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
arranger:
Blood, Sweat & Tears, Al Kooper und Fred Lipsius
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1968-10-07 bis 1968-10-22)
cover recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:19
14It’s Your Thing
recording of:
It’s Your Thing
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers2:48
15I’m Gonna Make You Mine
recording of:
I’m Gonna Make You Mine
Texter und Komponist(in):
Tony Romeo
Lou Christie2:42
16Goldfinger
cover recording of:
Goldfinger
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
ZZ & De Maskers2:20
17I Left My Heart in San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett32:52
18Working in the Coal Mine
recording of:
Working in the Coal Mine
Texter und Komponist(in):
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lee Dorsey2:51
19Somewhere, My Love
The Ray Conniff Singers2:30
20Guitar Man
Duane Eddy2:41
21The Lady Is a Tramp
Buddy Greco3:38
22I Love You Because
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins und Anita Kerr
arranger:
Anita Kerr
recording of:
I Love You Because (am 1962-10-12)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Jim Reeves32:45
23Comin’ Home Baby
recording of:
Comin’ Home Baby (later version with lyrics)
Texter:
Bob Dorough
Komponist(in):
Ben Tucker
Revision von:
Comin’ Home Baby (original instrumental)
Mel Tormé3:23
24Ringo
recording of:
Ringo
Verfasser(in):
Hal Blair und Don Robertson (“Happy Whistler” songwriter)
Lorne Greene3:15
25Happy Jos
Willy Schobben2:34