Opera Classics: La bohème / Manon Lescaut / Madama Butterfly / La fanciulla del West

~ Release by Giacomo Puccini (see all versions of this release, 1 available)

Annotation

La bohème (1995 studio cast): http://www.operadis-opera-discography.org.uk/CLPUBOHE.HTM#242
Manon Lescaut (1987 studio cast): http://www.operadis-opera-discography.org.uk/CLPUMANO.HTM#62
Madama Butterfly (1987 studio cast: http://www.operadis-opera-discography.org.uk/CLPUMADA.HTM#112
La fanciulla del West (1978 studio cast): http://www.operadis-opera-discography.org.uk/CLPUFANC.HTM#32

Annotation last modified on 2015-10-18 07:57 UTC.

Tracklist

| |
1▼CD: La bohème
#TitleRatingLength
1La bohème: Atto I. "Questo “Mar Rosso” mi ammollisce e assidera"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
partial recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:22
2La bohème: Atto I. "Non sono in vena"
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
3:51
3La bohème: Atto I. "Che gelida manina!"
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1995-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:40
4La bohème: Atto I. "Si. Mi chiamano Mimì"
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:44
5La bohème: Atto I. "Ehi! Rodolfo!… O soave fanciulla"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1995-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:34
6La bohème: Atto II. "Aranci, datteri!"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:47
7La bohème: Atto II. "Chi guardi… Odio il profane volgo"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Parpignol]:
Philip Sheffield (tenor vocals) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
5:08
8La bohème: Atto II. "Beviam…Ch'io beva del tossico!"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Alcindoro]:
Enrico Fissore (bass) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto II. no. 12. “Beviam!… Ch’io beva del tossico!” (Mimì, Rodolfo, Marcello, Schaunard, Colline, Coro, Alcindoro, Musetta) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
3:16
9La bohème: Atto II. "Quando men' vo"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Alcindoro]:
Enrico Fissore (bass) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
4:39
10La bohème: Atto II. "Chi l'ha richiesto?... Vediam"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:18
11La bohème: Atto III. "Mimì?!… Speravo di trovarvi qui"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto III. no. 16. “Mimì! Speravo di trovarti qui” (Marcello, Mimì) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
4:23
12La bohème: Atto III. "Addio… Donde lieta usci al tuo grido d'amore"
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
3:09
13La bohème: Atto III. "Dunque è proprio finite?"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
5:33
14La bohème: Atto IV. "Che ora sia?"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto IV. no. 22. “Che ora sia?” – “Eccoci – Ebben?” (Rodolfo, Marcello, Schaunard, Colline) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
3:56
15La bohème: Atto IV. "Musetta!… C'é Mimi… c'é Mimi che mi segue"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto IV. no. 23. “C’è Mimì che mi segue” (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
5:16
16La bohème: Atto IV. "Vecchia zimarra, senti"
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
partial recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
1:35
17La bohème: Atto IV. "Schaunard, ognuno per diversa via"
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
partial recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
1:43
18La bohème: Atto IV. "Sono andati?"
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:03
19La bohème: Atto IV. "Oh Dio! Mimì… Che avvien?"
baritone vocals [Marcello]:
Thomas Hampson (baritone) (in 1995-08)
baritone vocals [Schaunard]:
Simon Keenlyside (baritone) (in 1995-08)
bass vocals [Colline]:
Samuel Ramey (bass-baritone) (in 1995-08)
soprano vocals [Mimì]:
Leontina Vaduva (soprano) (in 1995-08)
soprano vocals [Musetta]:
Ruth Ann Swenson (soprano) (in 1995-08)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (in 1995-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1995-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1995-08)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1995-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
5:13
2▼CD: Manon Lescaut / Madama Butterfly / La fanciulla del West
#TitleRatingLength
1Manon Lescaut: Atto I. "Cortese Damigella"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto I. “Cortese damigella” (Des Grieux, Manon, Lescaut)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
3:58
2Manon Lescaut: Atto I. "Donna non vidi mai"
tenor vocals [Des Grieux]:
José Carreras (Spanish tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:14
3Manon Lescaut: Atto II. "Oh, sarò la più bella!"
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals [Des Grieux]:
José Carreras (Spanish tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
8:34
4Manon Lescaut: Atto II. "Ah! Affé, madamigella"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Ah! Ah! Affè, madamigella, che dolore!” (Géronte, Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
2:12
5Manon Lescaut: Atto III. "Rosetta!"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto III: L’Appello: “Rosetta!” (Sergente, Lescaut, Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
3:56
6Manon Lescaut: Atto III. "Tutta su me ti posa"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto IV. “Tutta su me ti posa” (Des Grieux, Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
3:00
7Manon Lescaut: Atto III. "Manon, senti, amor mio"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto IV. “Manon, senti, amor mio! … Vedi, son io che piango” (Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
2:00
8Manon Lescaut: Atto III. "Sei tu che piangi?"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto IV. “Sei tu che piangi?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
4:12
9Manon Lescaut: Atto III. "Sola, perduta, abbandonata"
engineer:
Simon Eadon (classical music engineer) and James Lock (James Locke, engineer)
producer:
Chris Hazell and Christopher Raeburn (producer)
soprano vocals [Manon]:
Kiri Te Kanawa (soprano)
orchestra:
Bologne Opera Orchestra
conductor:
Riccardo Chailly (conductor)
recorded at:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (from 1987-05 until 1987-06)
partial recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
4:51
10Manon Lescaut: Atto III. "Fra le tue braccia, amore"
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
partial recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
6:37
11Madama Butterfly: Atto I. "Bimba dagli occhi pieni di malia"
producer:
Wolfgang Stengel
soprano vocals:
Mirella Freni (soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
12:38
12Madama Butterfly: Atto II. "Un bel di vedremo levarsi un fil di fumo"
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:59
13Madama Butterfly: Atto II. "Addio fiorito asil"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:06
14Madama Butterfly: Atto II. "Tu? tu? Piccolo Iddio!"
producer:
Wolfgang Stengel
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
5:18
15La fanciulla del West: Atto I. "Dove eravamo?"
tenor vocals:
John Dobson (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Zubin Mehta (conductor)
recording of:
La fanciulla del West: Atto I. “Dove eravamo?” (Minnie, Harry, Trin, Joe, Billy, Nick)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
4:13
16La fanciulla del West: Atto II. "Una partita a poker!"
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Zubin Mehta (conductor)
recording of:
La fanciulla del West: Atto II. "Una partita a poker!" (Minnie, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Carlo Zangarini (in 1910)
part of:
La fanciulla del West: Atto II
6:31