Seventies Complete, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Australian 1 of 5 disc release by EMI 4945532

Australian 4 of 5 disc release by EMI 4945562

Australian 5 of 5 disc release by EMI 4945572

Australian 3 of 5 disc release by EMI 4945552

Australian 2 of 5 disc release by EMI 4945542

Anmerkung zuletzt geändert am 2005-08-26 16:36 UTC.

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Hello! Hello! I'm Back AgainGary Glitter23:22
2Metal Guru
recording of:
Metal Guru
Texter und Komponist(in):
Marc Bolan
publisher:
Westminster Music und Wizard (Bahamas) Ltd.
T. Rex2:26
3Mama Told Me Not to Come
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 11)
cover recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Three Dog Night4.653:21
4Oh Babe, What Would You Say
recording of:
Oh Babe, What Would You Say
Texter und Komponist(in):
Eileen Smith (wrote “Oh Babe, What Would you Say”)
publisher:
Beechwood Music Corp., Chappell & Co., Inc. (USA) und Warner/Chappell Music Ltd. (1996–2019)
Hurricane Smith3:24
5I Think I Love You
Teil von:
Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 22) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 366)
recording of:
I Think I Love You
Texter und Komponist(in):
Tony Romeo
The Partridge Family2:53
6Blame It on the Pony Express
recording of:
Blame It on the Pony Express
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Tony Macaulay
Johnny Johnson and The Bandwagon2:58
7Knock Three Times
Produzent(in):
Dave Appell und The Tokens
arranger:
Norman Bergen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Knock Three Times
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando and Dawn4.353:00
8Gypsies, Tramps and Thieves
Techniker(in):
Lenny Roberts (producer/engineer)
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arranger:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
produced for:
Garrett Music Enterprises (company owned by Tommy Garrett)
recording of:
Gypsys, Tramps & Thieves
Texter und Komponist(in):
Bob Stone (engineer, studio technician, producer, songwriter)
Verfasser(in):
Bob Stone (US lyricist, producer, arranger)
publisher:
Peso Music (publisher) (in 1971)
Cher4.252:34
9Sister Jane
recording of:
Sister Jane
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
New World3:40
10Leave Me Alone (Ruby Red Dress)
recording of:
Leave Me Alone (Ruby Red Dress)
Texter und Komponist(in):
Linda Laurie
publisher:
Belinda Music
Helen Reddy3:26
11Banner Man
recording of:
Banner Man
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer), Herbie Flowers und Roger Greenaway
Blue Mink3:26
12Boogie Woogie Bugle Boy
recording engineer:
Lew Hahn (am 1972-03-10)
Produzent(in):
Joel Dorn
Gitarre:
Don Arnone (am 1972-03-10)
Klavier:
Dick Hyman (jazz pianist) (am 1972-03-10)
Kontrabass [bass]:
Milton Hinton (am 1972-03-10)
Schlagzeug:
Ted Sommer (am 1972-03-10)
vocals:
Bette Midler (am 1972-03-10)
conductor:
Barry Manilow (am 1972-03-10)
remixer:
Bob Liftin
arranger:
Arif Mardin
vocals arranger:
Marty Nelson
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-03-10)
remixed at:
Regent Sound Studios in New York, New York, Vereinigte Staaten
recording of:
Boogie Woogie Bugle Boy (am 1972-03-10)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
cover recording of:
Boogie Woogie Bugle Boy
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Bette Midler52:25
13The Band Played Boogie
recording of:
The Band Played The Boogie
Verfasser(in):
John Cameron (British composer, arranger and conductor), Jeff Jarratt (producer) und Don Reedman (producer)
C.C.S.3:37
14Cotton Fields
cover recording of:
Cotton Fields
Texter und Komponist(in):
Huddie William Ledbetter
The Beach Boys3:01
15Little Green Bag
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The George Baker Selection3:58
16Freedom Come, Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:20
17See My Baby Jive
Produzent(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. und Roy Wood Music Ltd.
Wizzard54:59
18Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:26
2CD
Nr.TitelKünstlerBewertungLänge
1Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:55
2Glad All Over
phonographisches Urheberrecht (℗) von:
Wizard (Australian rock) (in 1975)
cover recording of:
Glad All Over
Verfasser(in):
Dave Clark (UK drummer for the Dave Clark Five) und Mike Smith (Lead vocalist and keyboard player for The Dave Clark Five)
publisher:
Campbell Connelly und Campbell Connelly (Australia) P/L
Hush3:21
3Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:06
4When Will I See You Again
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) und Fayette Pinkney (in 1973)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
When Will I See You Again (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
Three Degrees43:01
5Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:58
6Rock Me Gently
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:26
7Fly, Robin Fly
recording of:
Fly, Robin, Fly
Verfasser(in):
Sylvester Levay und Stephan Prager (songwriter, aka Michael Kunze)
publisher:
Sounds of Jupiter Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention5:37
8Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
9This Will Be
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:52
10Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hues Corporation4.43:07
11The Streak
Produzent(in):
Ray Stevens (US singer‐songwriter & comedian)
recording of:
The Streak
Texter und Komponist(in):
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens53:17
12The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:05
13Happy Birthday Baby
recording of:
Happy Birthday Baby
Verfasser(in):
Barry Mason (English songwriter)
Komponist(in):
Roger Greenaway
Tony Christie3:49
14Money Honey
Produzent(in):
Phil Wainman
recording of:
Money Honey
Verfasser(in):
Eric Faulkner und Stuart Wood (Scottish musician, aka Woody)
publisher:
Bay City Music Ltd. und Carlin Music Corporation
Bay City Rollers3:20
15Julie Anne
recording of:
Julie Anne
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Kenny3:02
16I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan43:59
17I Get a Little Sentimental Over YouThe New Seekers2:57
18The Tears I Cried
recording of:
The Tears I Cried
Texter und Komponist(in):
Gerry Shephard
The Glitter Band3:43
3CD
Nr.TitelKünstlerBewertungLänge
1Livin' Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.33:32
2A Glass of Champagne
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
recording of:
Glass of Champagne (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Ltd. (1996–2019)
Sailor52:40
3In the Flesh
recording engineer:
Rob Freeman (engineer) (von 1976-08 bis 1976-09)
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer) und Craig Leon (musician, arranger, composer and producer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Gary Valentine (von 1976-08 bis 1976-09)
Farfisa-Orgel, Flügel, Klavier und Synthesizer [roland]:
Jimmy Destri (von 1976-08 bis 1976-09)
Gitarre:
Chris Stein (von 1976-08 bis 1976-09)
Schlagzeug:
Clem Burke (von 1976-08 bis 1976-09)
Hintergrundgesang:
Ellie Greenwich (von 1976-08 bis 1976-09), Hilda Harris (von 1976-08 bis 1976-09) und Micki Harris (von 1976-08 bis 1976-09)
Sologesang:
Deborah Harry (von 1976-08 bis 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1976-08 bis 1976-09)
recording of:
In the Flesh (von 1976-08 bis 1976-09)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und Jiru Music, Inc.
Blondie32:31
4Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:11
5Lady Bump
recording of:
Lady Bump
Texter:
Stephan Prager (songwriter, aka Michael Kunze)
Komponist(in):
Sylvester Levay
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Penny McLean3:46
6Smile
recording of:
Smile
Texter und Komponist(in):
Werner Theunissen
Pussycat3:49
7Lost in France
Produzent(in):
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
recording of:
Lost in France
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd. und Lojo Music
Bonnie Tyler2.353:55
8Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.43:28
9In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin & The Kinshasa Band3:19
10So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:23
11Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:58
12(Shake, Shake, Shake) Shake Your Booty
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
T.K. Records (Miami‐based disco label) (vom 1976 bis heute) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recording of:
(Shake, Shake, Shake) Shake Your Booty
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) und Longitude Music Co.
KC & the Sunshine Band4.63:07
13Hotline
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977)
recording of:
Hot Line
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers4:37
14Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:14
15Jeans On
phonographisches Urheberrecht (℗) von:
Air (UK record company and label, related to Air Studios) (in 1976) und Chrysalis Copyrights Ltd. (in 1976)
recording of:
Jeans On (in 1976)
Verfasser(in):
David Dundas und Roger Greenaway
publisher:
Mushroom Music Pty. Ltd. und Air Edel Associates Ltd. (vom 1976 bis heute)
David Dundas3:19
16Dance Little Lady, Dance
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1976)
recording of:
Dance Little Lady Dance
Verfasser(in):
Biddu (composer, songwriter, producer and musician), Ron Roker und Gerry Shury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Music Ltd., Rondor Music Ltd. (publisher), Subiddu Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Tina Charles3:06
17Yes Sir I Can Boogie
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara43:17
18Turn the Beat Around
recording of:
Turn the Beat Around
Verfasser(in):
Gerald Jackson (American pianist and singer with group Touch of Class) und Pete Jackson (US disco producer)
Vicki Sue Robinson45:33
4CD
Nr.TitelKünstlerBewertungLänge
1If You Can't Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:55
2Substitute
Produzent(in):
Grahame Beggs
recording of:
Substitute (in 1978)
Texter und Komponist(in):
Willie Wilson
publisher:
Discoton (German club label)
Clout43:27
3Let's Go
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let’s Go
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corporation und Lido Music, Inc. (in 1979)
The Cars43:35
4I Can't Stand the Rain
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Eruption3:09
5Haven't Stopped Dancing Yet
recording of:
I Haven’t Stopped Dancing Yet
Komponist(in):
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music und Wizard (Bahamas) Ltd.
Gonzalez3:54
6Ring My Bell
recording of:
Ring My Bell (Anita Ward song) (in 1979)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward2.54:08
7Dance Across the FloorJimmy Bo Horne2:43
8Some Girls
recording of:
Some Girls
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:28
9Lucky Number
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
phonographisches Urheberrecht (℗) von:
Oval Records (in 1978) und Oval Sounds LLP (in 1979)
recording of:
Lucky Number
Verfasser(in):
Les Chappell und Lene Lovich
publisher:
Oval Music
Lene Lovich42:48
10Girls Talk
recording of:
Girls Talk
Texter und Komponist(in):
Declan Patrick MacManus
Dave Edmunds3:27
11Dream Police
recording of:
Dream Police
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (von 1978 bis 1979) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (von 1978 bis 1979)
Cheap Trick3:53
12Oh Carol
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Terry Uttley (English bassist, singer and songwriter)
Gitarre:
Chris Norman (English soft rock singer) und Alan Silson
Keyboard und Sologesang:
Chris Norman (English soft rock singer)
Perkussion und Schlagzeug:
Pete Spencer (UK drummer/songwriter, in Smokie)
produced for:
Chinnichap (production company and publisher)
recording of:
Oh Carol
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Smokie3:41
13Every Time I Think of You
recording engineer und Produzent(in):
Ron Nevison
assistierende(r) Techniker(in):
Mike Clink
Bass:
Jack Conrad (producer and songwriter)
Gitarre:
Wally Stocker
Klavier:
Kevin Kelly (piano, organ, accordion player)
Perkussion und Schlagzeug:
Tony Brock
Hintergrundgesang:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews und Marti McCall (session vocalist)
Sologesang:
John Waite
conductor:
Jimmy Haskell
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (producer and songwriter) (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys4.354:02
14Down Among the Dead Men
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
E-Bass:
Les Karski
E-Gitarre:
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Klavier:
Warren Morgan
Schlagzeug:
Ray Arnott (Australian drummer)
Synthesizer und Sologesang:
George Young (Australian musician and producer)
vocals:
Harry Vanda (Australian musician)
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1978)
aufgenommen bei:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australien (beendet)
recording of:
Down Among the Dead Men
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan44:49
15(You Gotta Walk) Don't Look Back
Sologesang:
Mick Jagger (The Rolling Stones) und Peter Tosh
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:46
16Lonesome Loser
recording of:
Lonesome Loser
Texter und Komponist(in):
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band3:56
17Darlin'
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:08
18Sharing the Night Together
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
cover recording of:
Sharing the Night Together
Verfasser(in):
Ava Aldridge und Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. und Leosong (publisher)
Dr. Hook42:54
5CD
Nr.TitelKünstlerBewertungLänge
1Yesterday's Hero
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
phonographisches Urheberrecht (℗) von:
BMG AM Pty Limited (in 1975)
Teil von:
Mixtape – Game Soundtrack (Nummer: 15)
recording of:
Yesterday’s Hero
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Boomerang Investments Pty Limited, J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
John Paul Young3:44
2Lost in Love
Techniker(in) und Mix:
William Wittman
Produzent(in):
Rick Chertoff, Charles Fisher (Australian producer) und Robie Porter
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) und Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
aufgenommen bei:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australien
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 295)
recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:50
3Good Morning (How Are You)The Moir Sisters3:13
4April Sun in Cuba
E-Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Sologesang:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) und Robert Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Essex Music of Australia Pty. Ltd.
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 10)
Dragon3:27
5Sweet Sweet Love
recording of:
Sweet, Sweet Love
Verfasser(in):
Russell Morris
Russell Morris4:28
6Darktown Strutters Ball
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1976)
cover recording of:
Darktown Strutters’ Ball
Texter und Komponist(in):
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. und Leo Feist, Inc.
enthalten in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
Teil von:
For Me and My Gal (1942 movie)
Ted Mulry Gang3:25
7Summer Love
phonographisches Urheberrecht (℗) von:
Sherbet (Australian rock band) (in 2006, in 2008)
recording of:
Summer Love
Verfasser(in):
Garth Porter und Clive Shakespeare
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music und Universal Music Publishing MGB Australia
Sherbert3:37
8Up There Cazaly
recording of:
Up There Cazaly
Verfasser(in):
Mike Brady (Australian musician)
Two Man Band2:47
9Dream Lover
Produzent(in):
John Boylan und Glenn Shorrock
Bass:
Duncan McGuire
Gitarre:
Tommy Emmanuel
Keyboard:
Warren 'Pig' Morgan
Schlagzeug:
Mark Kennedy (Australian drummer, former member of Spectrum, Ayers Rock)
cover recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Glenn Shorrock3:32
10I Just Don't Know What to Do With MyselfMarcia Hines3:09
11You Don't Own Me
cover recording of:
You Don’t Own Me
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
The Ormsby Brothers3:21
12A Little Ray of Sunshine
Produzent(in):
Axiom (Australian 70's rock band) und Roger Savage (Australian sound engineer)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1970)
recording of:
A Little Ray of Sunshine
Verfasser(in):
Brian Cadd und Don Mudie
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal/MCA Music Publishing Pty Ltd
Axiom3:30
13Rock Me Baby
cover recording of:
Rock Me Baby (US version)
Verfasser(in):
Peggy Clinger und Johnny Cymbal
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Sosaha Music, Inc., Essex (publisher), R2M Music (BMI) und Songs of Lastrada (BMI-affiliated)
John Farnham3:19
14Can't Stop Myself From Loving You
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1974)
recording of:
Can’t Stop Myself From Loving You
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
William Shakespeare3:14
15Eleanor Rigby
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1971)
cover recording of:
Eleanor Rigby
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
Zoot4:40
16Horror Movie
Techniker(in):
John French (Australian producer/engineer)
Produzent(in):
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
Bassgitarre:
Greg Macainsh (in 1974)
Gitarre:
Bob “Bongo” Starkie (in 1974) und Redmond Symons (in 1974)
Schlagzeug:
Fred Strauks (in 1974)
Sologesang:
Graeme 'Shirley' Strachan (in 1974)
vocals:
Fred Strauks (in 1974), Greg Macainsh (in 1974), Bob “Bongo” Starkie (in 1974) und Redmond Symons (in 1974)
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Limited (in 1990)
aufgenommen bei:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australien (in 1974)
recording of:
Horror Movie (in 1974)
Texter und Komponist(in):
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Skyhooks3:46
17Bad Boy For Love
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Bass:
Ian Riland
Gitarre:
Michael Cocks und Peter Wells (Rose Tattoo guitarist)
Schlagzeug:
Dallas Royal
vocals:
Angry Anderson
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978) und J. Albert & Son Pty. Ltd. (in 1977)
recording of:
Bad Boy for Love
Texter und Komponist(in):
Ian Rilen
publisher:
J. Albert & Son und J. Albert & Son Pty. Ltd.
Rose Tattoo3:04
18Take a Long Line
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1978)
recording of:
Take a Long Line
Verfasser(in):
John Brewster, Rick Brewster und Doc Neeson
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Mushroom Music International und J. Albert & Son Pty. Ltd. (in 1978)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Angels53:02

Nennungen

Veröffentlichung

gedruckt in:Australien
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Australasia (in 1999)
Discogs:https://www.discogs.com/release/12948007 [Info]