Bach Handel Cantatas

~ Release by Dame Janet Baker (see all versions of this release, 2 available)

Tracklist

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1CD
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1Cantata "Ich habe genug", BWV 82b: No. 1, Aria, "Ich habe genug" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
6:52
2Cantata "Ich habe genug", BWV 82b: No. 2, Recitative, "Ich habe genug" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
1:21
3Cantata "Ich habe genug", BWV 82b: No. 3, Aria, "Schlummert ein, ihr matten Augen" (Alto)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
balance engineer:
Neville Boyling (engineer)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
9:47
4Cantata "Ich habe genug", BWV 82b: No. 4, Recitativo, "Mein Gott! wenn kömmt das schöne" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
1:01
5Cantata "Ich habe genug", BWV 82b: No. 5, Aria, "Ich freue mich auf meinen Tod" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
4:01
6Cantata "Gott soll allein mein Herze haben", BWV 169: No. 1, Sinfonia
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
8:17
7Cantata "Gott soll allein mein Herze haben", BWV 169: No. 2, Arioso, "Gott soll allein meine Herze haben" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
2:49
8Cantata "Gott soll allein mein Herze haben", BWV 169: No. 3, Aria, "Gott soll allein meine Herze haben" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
5:30
9Cantata "Gott soll allein mein Herze haben", BWV 169: No. 4, Recitative, "Was ist die Liebe Gottes?" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:58
10Cantata "Gott soll allein mein Herze haben", BWV 169: No. 5, Aria, "Stirb in mir" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
4:16
11Cantata "Gott soll allein mein Herze haben", BWV 169: No. 6, Recitative, "Doch meint es auch dabei" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:36
12Cantata "Gott soll allein mein Herze haben", BWV 169: No. 7, Chorale, "Du süsse Liebe, schenk' uns deine Gunst" (Chorus)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
1:20
13Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 4 Aria "Bereite dich, Zion, mit zärtlichen Trieben" (Alto)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:08
14Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
3:25
15Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
5:58
16Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
6:33
17Magnificat in D Major, BWV 243: No. 2, Aria, "Et exultavit spiritus meus" (Second Soprano)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:30
18Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 4, Aria, "Ach, bleibe doch, mein liebstes Leben" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
7:20
2CD
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1Bist du bei mir, Aria for Voice and Continuo (from "Diomedes oder die triumphierende Unschuld")
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
2:58
2Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto)
producer:
Christopher Bishop (conductor/producer)
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
5:38
3Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
3:43
4Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
6:26
5Oster-Oratorium, BWV 249: No. 9, Aria, "Saget, saget mir geschwinde" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:49
6Cantata "Ah! crudel, nel pianto mio", HWV 78: Sonata
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Ah! crudel, nel pianto mio, HWV 78
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
Händel-Werke-Verzeichnis (number: HWV 78)
8:41
7Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 1, Aria, "Ah! crudel, nel pianto mio"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
6:29
8Cantata "Ah! crudel, nel pianto mio", HWV 78: Recitativo, "Non sdegnerai d'amar"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: III. Recitativo: Non sdegnerai d'amar
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
1:08
9Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 2, Aria, "Di quel bel che il ciel ti diede"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
4:33
10Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 3, Recitativo accompagnato, "Balena il cielo" - Recitativo, "Cosi, del tuo spierato genio"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: V. Accompagnato e recitativo: Balena il cielo
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
2:20
11Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 4, Aria, "Per trofei di mia costanza"
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
7:45
12Cantata "Armida abbandonata", HWV 105: No. 1, Recitativo accompagnato, "Dietro l'orme fugaci"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Armida Abbandonata, HWV 105: I. Accompagnato: Dietro l'orme fugaci
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
1:51
13Cantata "Armida abbandonata", HWV 105: No. 2, Aria, "Ah! crudele e pur ten vai"
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
6:56
14Cantata "Armida abbandonata", HWV 105: No. 3, Recitativo, "Per te mi struggo, infido" - No. 4, Recitativo accompagnato, "O voi dell'incostante e procelloso"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Armida Abbandonata, HWV 105: III. Recitativo: Per te mi struggo, infido
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
2:05
15Cantata "Armida abbandonata", HWV 105: No. 5, Aria, "Venti, fermate"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Armida Abbandonata, HWV 105: V. Aria: Venti fermate si
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
3:39
16Cantata "Armida abbandonata", HWV 105: No. 6, Recitativo, "Ma che parlo, che dico?"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Armida Abbandonata, HWV 105: VI. Recitativo: Ma che parlo, che dico?
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
1:23
17Cantata "Armida abbandonata", HWV 105: No. 7, Aria, "In tanti affanni miei assistimi almen"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Armida Abbandonata, HWV 105: VII. Aria: In tanti affanni miei
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
5:00

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ASIN:UK: B000VL9XKQ [info]