Il barbiere di Siviglia (Black Dog Opera Library)

~ Release by Gioachino Rossini; Nicolai Gedda, Beverly Sills, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Fedora Barbieri, The John Alldis Choir, London Symphony Orchestra, James Levine (see all versions of this release, 9 available)

Tracklist

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1▼CD
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1Il barbiere di Siviglia: Overture
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:27
2Il barbiere di Siviglia: Atto I, scena 1. "Piano, pianissimo, senza parlar" (Fiorello, Coro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:57
3Il barbiere di Siviglia: Atto I, scena 1. "Ecco ridente in cielo" (Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:55
4Il barbiere di Siviglia: Atto I, scena 1. "Ehi, Fiorello" (Almaviva, Fiorello, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:06
5Il barbiere di Siviglia: Atto I, scena 1. "Mille grazie, mio signore" (Coro, Almaviva, Fiorello)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:49
6Il barbiere di Siviglia: Atto I, scena 1. "Gente indiscreta!" (Almaviva, Fiorello, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Fiorello]:
Joseph Galiano (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:13
7Il barbiere di Siviglia: Atto I, scena 1. "La ran la le ra... Largo al factotum" (Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:33
8Il barbiere di Siviglia: Atto I, scena 1. "Ah, che bella vita!" (Figaro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:17
9Il barbiere di Siviglia: Atto I, scena 1. "Non è venuto ancora" (Rosina, Almaviva, Bartolo, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:54
10Il barbiere di Siviglia: Atto I, scena 1. "Le vostre assidue premure" (Figaro, Almaviva, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°2d. “Le vostre assidue premure” (Figaro, Conte, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:35
11Il barbiere di Siviglia: Atto I, scena 1. "Se il mio nome saper voi bramate" (Almaviva, Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:22
12Il barbiere di Siviglia: Atto I, scena 1. "Oh cielo!" (Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:03
13Il barbiere di Siviglia: Atto I, scena 1. "All'idea di quel metallo" (Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini9:08
14Il barbiere di Siviglia: Atto I, scena 2. "Una voce poco fa" (Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
soprano vocals:
Beverly Sills (soprano) (from 1974-08 until 1975-05, in 1975)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05, in 1975)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05, in 1975)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1975)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:45
15Il barbiere di Siviglia: Atto I, scena 2. "Sì, sì, la vincerò" (Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:21
16Il barbiere di Siviglia: Atto I, scena 2. "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Ambrogio]:
Michael Rippon (operatic bass) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:49
17Il barbiere di Siviglia: Atto I, scena 2. "Ah! Barbiere d'inferno" (Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:50
18Il barbiere di Siviglia: Atto I, scena 2. "La calunnia è un venticello" (Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Basilio] and bass-baritone vocals:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:55
19Il barbiere di Siviglia: Atto I, scena 2. "Ah! Che ne dite?" (Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:36
20Il barbiere di Siviglia: Atto I, scena 2. "Ma bravi! Ma benone!" (Figaro, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:25
21Il barbiere di Siviglia: Atto I, scena 2. "Dunque io son" (Rosina, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals and soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:58
22Il barbiere di Siviglia: Atto I, scena 2. "Ora mi sento meglio" (Rosina, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:54
23Il barbiere di Siviglia: Atto I, scena 2. "A un dottor della mia sorte" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals and bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:06
2▼CD
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto I, scena 2. "Finora in questa camera" (Berta, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:40
2Il barbiere di Siviglia: Atto I, scena 2. "Ehi, di casa, buona gente" (Almaviva, Bartolo, Rosina, Berta, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:22
3Il barbiere di Siviglia: Atto I, scena 2. "Che cosa accadde, signori miei" (Almaviva, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:44
4Il barbiere di Siviglia: Atto I, scena 2. "Fredda ed immobile" (Rosina, Almaviva, Bartolo, Figaro, Basilio, Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:20
5Il barbiere di Siviglia: Atto I, scena 2. "Ma signor... ma un dottor" (Bartolo, Coro, Rosina, Basilio, Berta, Almaviva, Figaro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:47
6Il barbiere di Siviglia: Atto II. "Ma vedi il mio destino!" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:52
7Il barbiere di Siviglia: Atto II. "Pace e gioia sia con voi" (Almaviva, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:50
8Il barbiere di Siviglia: Atto II. "Insomma, mio signore, chi è lei?" (Bartolo, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:22
9Il barbiere di Siviglia: Atto II. "Venite, signorina" (Bartolo, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:05
10Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir
soprano vocals and soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05, in 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini7:32
11Il barbiere di Siviglia: Atto II. "Bella voce! Bravissima!" (Almaviva, Rosina, Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:38
12Il barbiere di Siviglia: Atto II. "Quando mi sei vicina" (Bartolo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
13Il barbiere di Siviglia: Atto II. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:52
14Il barbiere di Siviglia: Atto II. "Don Basilio! Cosa veggo!" (Rosina, Almaviva, Figaro, Bartolo, Basilio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini11:07
15Il barbiere di Siviglia: Atto II. "Che vecchio sospettoso!" (Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:30
16Il barbiere di Siviglia: Atto II. "Il vecchiotto cerca moglie" (Berta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:28
17Il barbiere di Siviglia: Atto II. "Dunque voi Don Alonso" (Bartolo, Basilio, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:45
18Il barbiere di Siviglia: Atto II. Thunderstorm (Orchestra)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:58
19Il barbiere di Siviglia: Atto II. "Alfine eccoci qua" (Figaro, Almaviva, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:36
20Il barbiere di Siviglia: Atto II. "Ah, qual colpo inaspettato!" (Rosina, Figaro, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:18
21Il barbiere di Siviglia: Atto II. "Ah, disgraziati noi!" (Figaro, Almaviva, Rosina, Basilio, Bartolo, Ufficiale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass vocals [Uffizialer]:
Michael Rippon (operatic bass) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:24
22Il barbiere di Siviglia: Atto II. "Insomma io ho tutti i torti" (Bartolo, Figaro, Basilio, Almaviva, Rosina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:46
23Il barbiere di Siviglia: Atto II. "Di sì felice innesto" (Figaro, Bartolo, Basilio, Berta, Coro, Rosina, Almaviva)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-08 until 1975-05)
producer:
Christopher Bishop (conductor/producer) (from 1974-08 until 1975-05)
baritone vocals and baritone vocals [Figaro]:
Sherrill Milnes (baritone) (from 1974-08 until 1975-05)
bass vocals and bass vocals [Bartolo]:
Renato Capecchi (baritone) (from 1974-08 until 1975-05)
bass-baritone vocals and bass-baritone vocals [Basilio]:
Ruggero Raimondi (bass-baritone) (from 1974-08 until 1975-05)
choir vocals:
The John Alldis Choir (from 1974-08 until 1975-05)
mezzo-soprano vocals [Berta]:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05)
soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1974-08 until 1975-05) and Beverly Sills (soprano) (from 1974-08 until 1975-05)
soprano vocals [Rosina]:
Beverly Sills (soprano) (from 1974-08 until 1975-05)
tenor vocals and tenor vocals [Il Conte d'Almaviva]:
Nicolai Gedda (tenor) (from 1974-08 until 1975-05)
orchestra:
London Symphony Orchestra (from 1974-08 until 1975-05)
conductor:
James Levine (US conductor and pianist) (from 1974-08 until 1975-05)
chorus master:
John Aldis (chorusmaster and conductor) (from 1974-08 until 1975-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1974-08 until 1975-05)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1974-08 until 1975-05)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:16

Credits

Release group

included in:The Rossini Edition by Gioachino Rossini (composer)