Art & Music: Degas - Music of His Time

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2003 Naxos
℗ 2003 Naxos

Annotation last modified on 2026-02-24 13:49 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Giselle, Act I: Allegro un peu louré
engineer:
Hubert Geschwandtner (producer/engineer) (from 1994-04-05 until 1994-04-14)
producer:
Miloš Betko
orchestra:
Slovak Radio Symphony Orchestra (from 1994-04-05 until 1994-04-14)
conductor:
Andrew Mogrelia (conductor) (from 1994-04-05 until 1994-04-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1994-04-05 until 1994-04-14)
recording of:
Giselle: Act I. Pas des vendanges: d. Allegro un peu louré (from 1994-04-05 until 1994-04-14)
part of:
Giselle: Act I. Pas des vendanges (interpolation)
Adolphe Adam2:34
2Giselle, Act I: Galop général
engineer:
Hubert Geschwandtner (producer/engineer) (from 1994-04-05 until 1994-04-14)
producer:
Miloš Betko
orchestra:
Slovak Radio Symphony Orchestra (from 1994-04-05 until 1994-04-14)
conductor:
Andrew Mogrelia (conductor) (from 1994-04-05 until 1994-04-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1994-04-05 until 1994-04-14)
recording of:
Giselle: Act I. Galop générale (from 1994-04-05 until 1994-04-14)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam3:16
3Prelude, Op. 31 No. 13 'J'étais endormie, mais mon coeur veillait'
piano:
Laurent Martin (French pianist) (from 1989-05-25 until 1989-05-26)
phonographic copyright (℗) by:
Piano Classics (in 2017)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1989-05-25 until 1989-05-26)
recording of:
25 Préludes dans tous les tons majeurs et mineurs, op. 31: Book 2, no. 4. J'étais endormie, mais mon cœur veillait... (Cantique des cantiques, 5:2), lentement (from 1989-05-25 until 1989-05-26)
composer:
Charles‐Valentin Alkan (French pianist and composer) (in 1847)
part of:
25 Préludes dans tous les tons majeurs et mineurs, op. 31
Charles‐Valentin Alkan4:24
4Prelude, Op. 31 No. 17 'Reve d'amour'
piano:
Laurent Martin (French pianist) (from 1989-05-25 until 1989-05-26)
phonographic copyright (℗) by:
Piano Classics (in 2017)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1989-05-25 until 1989-05-26)
recording of:
25 Préludes dans tous les tons majeurs et mineurs, op. 31: Book 2, no. 8. Rêve d'amour, assez vite (from 1989-05-25 until 1989-05-26)
composer:
Charles‐Valentin Alkan (French pianist and composer) (in 1847)
part of:
25 Préludes dans tous les tons majeurs et mineurs, op. 31
Charles‐Valentin Alkan2:47
5Faust Ballet music: Allegretto
producer:
Günter Appenheimer (producer/engineer) and Martin Sauer (engineer/producer)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1988-02-01 until 1988-02-04)
conductor:
Ondrej Lenárd (conductor) (from 1988-02-01 until 1988-02-04)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-02-01 until 1988-02-04)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse) (from 1988-02-01 until 1988-02-04)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles-François Gounod2:25
6Faust Ballet music: Adagio
producer:
Günter Appenheimer (producer/engineer) and Martin Sauer (engineer/producer)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1988-02-01 until 1988-02-04)
conductor:
Ondrej Lenárd (conductor) (from 1988-02-01 until 1988-02-04)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-02-01 until 1988-02-04)
recording of:
Faust : Acte V. Ballet II. Adagio (from 1988-02-01 until 1988-02-04)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles-François Gounod3:48
7Faust Ballet music: Allegretto
producer:
Günter Appenheimer (producer/engineer) and Martin Sauer (engineer/producer)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1988-02-01 until 1988-02-04)
conductor:
Ondrej Lenárd (conductor) (from 1988-02-01 until 1988-02-04)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-02-01 until 1988-02-04)
recording of:
Faust : Acte V. Ballet III. Danse antique: Allegretto (from 1988-02-01 until 1988-02-04)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles-François Gounod1:33
8Esquisse, Op. 63 No. 5 'Les Inities'
piano:
Laurent Martin (French pianist) (in 1990-12)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (in 1990-12)
recording of:
48 Esquisses, op. 63: Book 1, no. 5. Les Initiés (in 1990-12)
composer:
Charles‐Valentin Alkan (French pianist and composer) (in 1861)
part of:
48 Esquisses, op. 63
Charles‐Valentin Alkan2:28
9Esquisse, Op. 63 No. 16 'Fantaisie'
piano:
Laurent Martin (French pianist) (in 1990-12)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (in 1990-12)
recording of:
48 Esquisses, op. 63: Book 2, no. 4. Fantaisie (in 1990-12)
composer:
Charles‐Valentin Alkan (French pianist and composer) (in 1861)
part of:
48 Esquisses, op. 63
Charles‐Valentin Alkan1:24
10Coppelia, Act I: Valse
engineer:
Hubert Geschwandtner (producer/engineer) (from 1995-01-09 until 1995-01-20)
producer:
Miloš Betko
orchestra:
Slovenská filharmónia (Slovak Philharmonic) (from 1995-01-09 until 1995-01-20) and Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1995-01-09 until 1995-01-20)
conductor:
Andrew Mogrelia (conductor) (from 1995-01-09 until 1995-01-20)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1995-01-09 until 1995-01-20)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente) (from 1995-01-09 until 1995-01-20)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:23
11Coppelia, Act I: Mazurka
engineer:
Hubert Geschwandtner (producer/engineer) (from 1995-01-09 until 1995-01-20)
producer:
Miloš Betko
orchestra:
Slovak Radio Symphony Orchestra (from 1995-01-09 until 1995-01-20)
conductor:
Andrew Mogrelia (conductor) (from 1995-01-09 until 1995-01-20)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1995-01-09 until 1995-01-20)
recording of:
Coppélia : Tableau I, no. 3. Mazurka (from 1995-01-09 until 1995-01-20)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes4:16
12Carmen - Suite No. 1: I. Prélude
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet1:27
13Carmen - Suite No. 1: II. Aragonaise
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:21
14Carmen - Suite No. 1: III. Intermezzo
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:47
15Carmen - Suite No. 1: IV. Séguedille
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:55
16Carmen - Suite No. 1: V. Les dragons d'Alcala
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:44
17Carmen - Suite No. 1: VI. Marche du toreador
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Slovak Philharmonic (from 1987-06-14 until 1987-06-19)
conductor:
Anthony Bramall (conductor) (from 1987-06-14 until 1987-06-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic Orchestra in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-14 until 1987-06-19)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (from 1987-06-14 until 1987-06-19)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:23
18Dolly, Op. 56 (version for piano 4 hands) (excerpts): I. Berceuse
piano:
Patrick De Hooge (from 1996-04-08 until 1996-04-12) and Pierre-Alain Volondat (pianist) (from 1996-04-08 until 1996-04-12)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands) (from 1996-04-08 until 1996-04-12)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:20
19Dolly, Op. 56 (version for piano 4 hands) (excerpts): II. Mi-a-ou
piano:
Patrick De Hooge (from 1996-04-08 until 1996-04-12) and Pierre-Alain Volondat (pianist) (from 1996-04-08 until 1996-04-12)
recording of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands) (from 1996-04-08 until 1996-04-12)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré1:46
20Dolly, Op. 56 (version for piano 4 hands) (excerpts): IV. Kitty valse
piano:
Patrick De Hooge (from 1996-04-08 until 1996-04-12) and Pierre-Alain Volondat (pianist) (from 1996-04-08 until 1996-04-12)
recording of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands) (from 1996-04-08 until 1996-04-12)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:15
21Dolly, Op. 56 (version for piano 4 hands) (excerpts): VI. Le pas espagnol
piano:
Patrick De Hooge (from 1996-04-08 until 1996-04-12) and Pierre-Alain Volondat (pianist) (from 1996-04-08 until 1996-04-12)
recording of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands) (from 1996-04-08 until 1996-04-12)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:08
22Joyeuse marche (Orchestral Version)
engineer:
Andrew Groves (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (from 1997-06-21 until 1997-06-26)
conductor:
Hervé Niquet (conductor) (from 1997-06-21 until 1997-06-26)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Auditorium Rainier III in Monte-Carlo (Monte Carlo), Monaco (from 1997-06-21 until 1997-06-26)
recording of:
Joyeuse marche (for orchestra) (from 1997-06-21 until 1997-06-26)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:51
23Arabesque No. 2
producer:
Joël Perrot (French sound engineer)
piano:
François‐Joël Thiollier (French-American pianist) (from 1994-11-28 until 1994-12-01)
recorded at:
Temple Saint‐Marcel in Paris, Île-de-France, France (from 1994-11-28 until 1994-12-01)
recording of:
Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano) (from 1994-11-28 until 1994-12-01)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:38
24Rêverie, L. 68
producer:
Joël Perrot (French sound engineer)
piano:
François‐Joël Thiollier (French-American pianist) (from 1994-11-28 until 1994-12-01)
recorded at:
Temple Saint‐Marcel in Paris, Île-de-France, France (from 1994-11-28 until 1994-12-01)
recording of:
Rêverie, L. 68, CD 76 (for piano) (from 1994-11-28 until 1994-12-01)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:25
25Pour le piano - Toccata
producer:
Joël Perrot (French sound engineer)
piano:
François‐Joël Thiollier (French-American pianist) (from 1994-11-28 until 1994-12-01)
recorded at:
Temple Saint‐Marcel in Paris, Île-de-France, France (from 1994-11-28 until 1994-12-01)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (from 1994-11-28 until 1994-12-01)
composer:
Claude Debussy (French composer) (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:55
26Firebird Suite: VI. Lullaby
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-01)
producer:
Günter Appenheimer (producer/engineer) (in 1990-01)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1990-01-18 until 1990-01-20)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-01-18 until 1990-01-20)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1990-01-18 until 1990-01-20)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский4:17
27Firebird Suite: VII. Finale
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-01)
producer:
Günter Appenheimer (producer/engineer) (in 1990-01)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1990-01-18 until 1990-01-20)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-01-18 until 1990-01-20)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1990-01-18 until 1990-01-20)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский3:34

Credits

Release group

part of:Art & Music (number: 11) (order: 11)