Meditation: Solo Guitar

~ Release by Joe Pass (see all versions of this release, 3 available)

Annotation

Recorded in 1992 and released posthumously in 2002.

Annotation last modified on 2010-09-12 07:07 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Meditation (Meditação)
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Meditação
lyricist:
Antônio Carlos Jobim and Newton Mendonça
composer:
Antônio Carlos Jobim
4:52
2Shadow Waltz
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Shadow Waltz
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
2:05
3Mood Indigo
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3:24
4More Than You Know
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:52
5When Your Lover Has Gone
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
6:41
6Everything Happens to Me
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Everything Happens to Me
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:41
7It's All Right With Me
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
4:51
8I'll Never Be the Same
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
I’ll Never Be the Same
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
4:59
9You Stepped Out of a Dream
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
3:54
10All the Things You Are
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:06
11How Deep Is the Ocean?
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:29
12They Can't Take That Away From Me
recording engineer and mixer:
Dave Luke (engineer)
assistant engineer:
Andrew Bear
producer:
Eric Miller (jazz producer/engineer)
guitar:
Joe Pass (jazz guitarist)
recorded at:
Yoshi’s (Oakland jazz club, 1977–1997) in Oakland, California, United States (from 1992-01-30 until 1992-02-01)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:42