Orchestral Works

~ Release by Vaughan Williams; Marriner, Boult, Wordsworth (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:32
2English Folk Song Suite: I. March: Seventeen Come Sunday
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:21
3English Folk Song Suite: II. Intermezzo: My Bonny Boy
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:19
4English Folk Song Suite: III. March: Folk Songs From Somerset
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:58
5Oboe Concerto: I. Rondo pastorale
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: I. Rondo Pastorale. Allegro moderato (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
Ralph Vaughan Williams7:33
6Oboe Concerto: II. Minuet and musette
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: II. Minuet and Musette. Allegro moderato (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
Ralph Vaughan Williams2:47
7Oboe Concerto: III. Finale
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
Ralph Vaughan Williams8:07
8Concerto Grosso: I. Intrada
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: I. Intrada (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:19
9Concerto Grosso: II. Burlesca ostinata
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: II. Burlesca ostinata (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:37
10Concerto Grosso: III. Sarabande
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: III. Sarabande (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams3:14
11Concerto Grosso: IV. Scherzo
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: IV. Scherzo (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:07
12Concerto Grosso: V. March and Reprise
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: V. March and Reprise (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams4:10
13Romance
producer:
Chris Hazell
harmonica:
Tommy Reilly (classical harmonica player) (from 1976-06-01 until 1976-06-02)
orchestra:
Academy of St Martin in the Fields (from 1976-06-01 until 1976-06-02)
conductor:
Sir Neville Marriner (conductor) (from 1976-06-01 until 1976-06-02)
balance engineer:
Danny Gosling (engineer) and Stanley Goodall (engineer) (in 1976-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1976-06-01 until 1976-06-02)
recording of:
Romance for Harmonica (from 1976-06-01 until 1976-06-02)
composer:
Ralph Vaughan Williams (English composer) (in 1951)
dedicated to:
Larry Adler
Ralph Vaughan Williams6:41
14The Lark Ascending
producer:
Michael Bremner (producer/engineer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14)
orchestra:
Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14)
conductor:
Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14)
recording of:
The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:08
2▼CD
#TitleArtistRatingLength
1Five Variants of “Dives and Lazarus”
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Five Variants of "Dives and Lazarus" (in 1992-10)
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
Ralph Vaughan Williams13:14
2Norfolk Rhapsody no. 1
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Norfolk Rhapsody no. 1 (in 1992-10)
composer:
Ralph Vaughan Williams (English composer) (from 1905 until 1906)
Ralph Vaughan Williams10:52
3Partita: I. Prelude: Andante tranquillo
producer:
Christopher Whelan
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956-11)
conductor:
Sir Adrian Boult (conductor) (in 1956-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-11)
recording of:
Partita for Double String Orchestra: I. Prelude (Andante tranquillo) (in 1956-11)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
Ralph Vaughan Williams6:27
4Partita: II. Scherzo ostinato: Presto
producer:
Christopher Whelan
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956-11)
conductor:
Sir Adrian Boult (conductor) (in 1956-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-11)
recording of:
Partita for Double String Orchestra: II. Scherzo ostinato (Presto) (in 1956-11)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
Ralph Vaughan Williams4:24
5Partita: III. Intermezzo (Homage to Henry Hall)
producer:
Christopher Whelan
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956-11)
conductor:
Sir Adrian Boult (conductor) (in 1956-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-11)
recording of:
Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall) (in 1956-11)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
Ralph Vaughan Williams4:22
6Partita: IV. Fantasia: Allegro
producer:
Christopher Whelan
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1956-11)
conductor:
Sir Adrian Boult (conductor) (in 1956-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1956-11)
recording of:
Partita for Double String Orchestra: IV. Fantasia (Allegro) (in 1956-11)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
Ralph Vaughan Williams6:12
7In the Fen Country
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
In the Fen Country (in 1992-10)
composer:
Ralph Vaughan Williams (English composer) (until 1904-04)
revised by:
Ralph Vaughan Williams (English composer) (in 1905, in 1907)
Ralph Vaughan Williams13:50
8Fantasia on a Theme by Thomas Tallis
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Fantasia on a Theme by Thomas Tallis (in 1992-10)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams15:40