Maria Callas Remastered

~ Release by Maria Callas (see all versions of this release, 2 available)

Annotation

remastered classics of MC
tracklisting on WC website does not match tracks on release (see cover art)

Annotation last modified on 2014-10-24 11:22 UTC.

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Carmen, Acte I. « L'amour est un oiseau rebelle » (Carmen, Chorus) [Habanera]
producer:
Michel Glotz
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet; Maria Callas, Chœurs René Duclos, Orchestre de l'Opéra National de Paris & Georges Prêtre?:??
A2Norma, Atto I. “Casta diva” (Norma, Chorus)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (on 1954-04-23) and Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini; Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano & Tullio Serafin?:??
A3Gianni Schicchi, Atto I. “O mio babbine caro”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A4La Wally, Atto I. "Ebben?...Ne andrò lontana” (Wally)
recorded in:
London (Greater London), England, United Kingdom (in 1954)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
soprano vocals [Wally]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
composer:
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
arrangement of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A5La traviata, Atto I. “A, fors'è lui”
soprano vocals [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 1953-09)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (in 1953-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
A6La traviata, Atto I. “Sempre libera”
soprano vocals [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
tenor vocals [Alfredo Germont]:
Francesco Albanese (tenor) (in 1953-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 1953-09)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1953-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
B1Tosca, Atto II. “Vissi d'arte“
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Victor de Sabata?:??
B2Madame Butterfly, Atto II. “Un bel di vedremo”
producer:
Walter Legge (British classical producer)
editor:
Jennifer Howells
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Herbert von Karajan?:??
B3Andrea Chénier, Atto III. “La mamma morta”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
B4La Bohème, Atto III. “Donde lieta uscì”
soprano vocals:
Maria Callas (soprano)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Antonino Votto?:??
B5Il barbiere di Siviglia, Atto I. “Una voce poco fa”
soprano vocals [Rosina]:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini; Maria Callas, Philharmonia Orchestra & Alceo Galliera?:??