Feels Like Home / Not Too Late

~ Release by Norah Jones (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Feels Like Home
#TitleRatingLength
1Sunrise
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.853:21
2What Am I to You?
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Levon Helm (from 2003 until 2004)
electric guitar:
Tony Scherr (from 2003 until 2004)
Hammond organ:
Garth Hudson (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
What Am I to You? (from 2003 until 2004)
lyricist and composer:
Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Muthajones Music
43:30
3Those Sweet Words
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocals]:
Norah Jones (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Those Sweet Words (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
4.353:23
4Carnival Town
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris (from 2003 until 2004)
cello:
Jane Scarpantoni (cellist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
viola:
David Gold (viola player) (from 2003 until 2004)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Carnival Town (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.253:12
5In the Morning
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
double bass [acoustic bass] and electric bass guitar:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
In the Morning (from 2003 until 2004)
lyricist and composer:
Adam Levy (jazz guitarist)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse, Lost Wax Music and Universal Music Corp. (USA, affiliated with ASCAP)
3.654:07
6Be Here to Love Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
accordion:
Garth Hudson (from 2003 until 2004)
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Kevin Breit (from 2003 until 2004), Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Be Here to Love Me (from 2003 until 2004)
lyricist and composer:
Townes Van Zandt
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse and Silver House Music Inc. (publisher; do NOT use as release label)
3.653:29
7Creepin' In
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
snare drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Creepin’ In (from 2003 until 2004)
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Fumblethumbs Music
3.753:04
8Toes
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Toes (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.653:46
9Humble Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ] and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Humble Me (from 2003 until 2004)
lyricist and composer:
Kevin Breit
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Poverty Playlist and Sony/ATV Songs LLC
3.54:36
10Above Ground
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
electric guitar, foot stomps [foot tapping] and resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Above Ground (from 2003 until 2004)
writer:
Adrew Borger and Daru Oda
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Chamfered Music and Honk Shoo Music
3.653:44
11The Long Way Home
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
flute [flutes] and background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Long Way Home (from 2003 until 2004)
writer:
Kathleen Brennan and Tom Waits
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Jalma Music
43:13
12The Prettiest Thing
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass] and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
The Prettiest Thing (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer), Norah Jones and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music, Muthajones Music, Slow New York Music and Sony/ATV Songs LLC
3.753:52
13Don't Miss You at All
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Don't Miss You at All (from 2003 until 2004)
lyricist:
Norah Jones
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Muthajones Music and Sony/ATV Harmony
43:11
2▼CD: Not Too Late
#TitleRatingLength
1Wish I Could
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
cello [bowed cello]:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
cello [pizzicato cello]:
Julia Kent (cellist)
lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wish I Could
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.654:18
2Sinkin' Soon
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
banjitar [guitJo]:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set), friction drum [pots], slit drum and steelpan [pans]:
Andrew Borger
mandolin:
Kevin Breit
piano and lead vocals [vocals]:
Norah Jones
trombone:
J. Walter Hawkes
vocals:
Daru Oda and M. Ward (US singer‐songwriter and guitarist; member of She & Him)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Sinkin' Soon by Norah Jones
recording of:
Sinkin’ Soon
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
4.654:38
3The Sun Doesn't Like You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
chamberlin [chamberlin keyboards]:
Paul Bryan (bass, engineer, Los Angeles-based musician)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
The Sun Doesn't Like You
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.153:00
4Until the End
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Until the End by Norah Jones
recording of:
Until the End
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.653:56
5Not My Friend
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
cymbal and marimba:
Andrew Borger
electric guitar [backwards electric guitar]:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not My Friend
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.52:54
6Thinking About You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Tony Mason (60s US soul vocalist)
Hammond organ [Hammond B-3 organ]:
Devin Greenwood
tenor saxophone:
Rob Sudduth
trumpet:
Chuck MacKinnon
Wurlitzer electric piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Thinking About You by Norah Jones
recording of:
Thinking About You
lyricist and composer:
İlhan Erşahin and Norah Jones
publisher:
EMI Blackwood Music Inc., Muthajones Music and Tatu Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
4.353:21
7Broken
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
cello [outro cellos]:
Julia Kent (cellist)
cello [pizzicato] and double bass [bowed basses]:
Lee Alexander (US bassist, songwriter & producer)
electric guitar and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Broken
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
43:21
8My Dear Country
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
tenor saxophone:
Bill McHenry
trombone [trombones]:
J. Walter Hawkes
tuba:
Jose Davila (tuba, trombone)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
My Dear Country
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
43:25
9Wake Me Up
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and reed organ [pump organ] and lead vocals [vocals]:
Norah Jones
bass and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wake Me Up
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
42:47
10Be My Somebody
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Tony Scherr
Hammond organ [Hammond B-3 organ]:
Larry Goldings
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Richard Julian
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Be My Somebody
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.53:37
11Little Room
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and lead vocals [vocals]:
Norah Jones
bass:
Lee Alexander (US bassist, songwriter & producer)
whistle:
Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Little Room
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
32:44
12Rosie's Lullaby
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
solo electric guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Adam Levy (jazz guitarist) and Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Rosie's Lullaby
lyricist and composer:
Norah Jones and Daru Oda
publisher:
EMI Blackwood Music Inc., Honk Shoo Music and Muthajones Music
43:57
13Not Too Late
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
mellotron and piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not Too Late
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.53:31