X3 - Never Too Much / Give Me the Reason / Power of Love

~ Release by Luther Vandross (see all versions of this release, 1 available)

Tracklist

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1▼CD: Never Too Much
#TitleRatingLength
1Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
3.85?:??
2Sugar and Spice (I Found Me a Girl)
recording of:
Sugar and Spice (I Found Me a Girl)
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Uncle Ronnie’s Music Company Inc.
?:??
3Don't You Know That?
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Don't You Know That?
writer:
Luther Vandross
publisher:
CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Uncle Ronnie’s Music Company Inc.
?:??
4I've Been Working
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
I’ve Been Working
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
?:??
5She's a Super Lady
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981, in 1985) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
She’s a Super Lady
lyricist and composer:
Luther Vandross
publisher:
CBS Songs Ltd. and SBK Songs Ltd.
?:??
6You Stopped Loving Me
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
You Stopped Loving Me
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Uncle Ronnie’s Music Company Inc.
?:??
7A House Is Not a Home
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981, in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1989)
recorded at:
Mediasound Studios in New York, New York, United States
cover recording of:
A House Is Not a Home
lyricist:
Hal David (in 1964)
composer:
Burt Bacharach (in 1964)
publisher:
Diplomat Music (ended), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
?:??
2▼CD: Give Me the Reason
#TitleRatingLength
1Stop to Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Stop to Love
lyricist and composer:
Nat Adderley, Jr. and Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
2See Me
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
See Me
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
3I Gave It Up (When I Fell in Love)
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
I Gave It Up (When I Fell in Love)
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
4So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.5?:??
5Give Me the Reason
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Wayne Warnecke
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Minot Sound in White Plains, New York, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Give Me the Reason
writer:
Nat Adderley and Luther Vandross
publisher:
April Music Inc. (, in 1986), CBS Songs, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music (, in 1986), EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher) and Uncle Ronnie's Music Co. Inc. (in 1986)
4?:??
6There's Nothing Better Than Love
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
guest vocals:
Gregory Hines
performer:
Gregory Hines
arranger:
Nat Adderley, Jr. and John “Skip” Anderson (funk/soul producer and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
There’s Nothing Better Than Love
writer:
John Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
Eaton Music Limited, EMI April Music Inc., JVA Publishing Co., SBK Songs Ltd., The 2 P(i)eters, April Music Inc. (in 1986), JVA Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
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7I Really Didn't Mean It
recording of:
I Really Didn’t Mean It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
5?:??
8Because It's Really Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Because It’s Really Love
lyricist and composer:
Luther Vandross
publisher:
April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
9Anyone Who Had a Heart
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
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3▼CD: Power of Love
#TitleRatingLength
1She Doesn't Mind
synthesizer programming:
Jason Miles (jazz producer/keyboardist), Marcus Miller (jazz musician) and Reed Vertelney
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
keyboard:
Marcus Miller (jazz musician)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Darlene Love, Paulette McWilliams, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician) and Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
She Doesn’t Mind
writer:
Luther Vandross and Reed Vertelney
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Reed Vertelney Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
2Power of Love/Love Power
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano:
Nat Adderley, Jr.
wind chime:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Genobia Jeter, Pat Joyner, Darlene Love, Paulette McWilliams, Marcus Miller (jazz musician), Kevin Owens, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Power of Love / Love Power
writer:
Marcus Miller (jazz musician), Luther Vandross and Teddy Vann
medley of:
Love Power
medley of:
Power of Love
4?:??
3I'm Gonna Start Today
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I’m Gonna Start Today
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
4The Rush
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
arranger:
Marcus Miller (jazz musician)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Rush
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
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5I Want the Night to Stay
recording engineer, engineer and mixer:
Ray Bardani
programming:
Jason Miles (jazz producer/keyboardist)
synthesizer programming:
Nat Adderley, Jr.
producer:
Marcus Miller (jazz musician) and Luther Vandross
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Cindy Mizelle, Fonzi Thornton and Brenda White‐King
strings arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I Want the Night to Stay
writer:
Nat Adderley, Jr. and Luther Vandross
publisher:
Dillard Music (in 1991), EMI April Music Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
6Don't Want to Be a Fool
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Don’t Want to Be a Fool
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
7I Can Tell You That
synthesizer programming:
Hubert Eaves III and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
keyboard:
Hubert Eaves III
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I Can Tell You That
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
8Sometimes It's Only Love
synthesizer programming:
John “Skip” Anderson (funk/soul producer and songwriter), Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
percussion:
Paulinho da Costa (Brazilian percussionist)
arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Sometimes It’s Only Love
writer:
John “Skip” Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), JVA Publishing Co. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
9Emotional Love
synthesizer programming:
Hubert Eaves III and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Hubert Eaves III
background vocals:
Michelle Cobbs, Genobia Jeter, Darlene Love, Paulette McWilliams and Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Emotional Love
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
10I (Who Have Nothing)
synthesizer programming:
Nat Adderley, Jr. and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar:
Marcus Miller (jazz musician)
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho DaCosta (Brazilian percussionist)
solo saxophone:
Kirk Whalum
guest vocals:
Martha Wash
strings arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
I (Who Have Nothing)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol (Italian lyricist)
composer:
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
?:??

Credits

Release

part of:X3 (order: 3)
Discogs:https://www.discogs.com/release/3221170 [info]