The Motown Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:55
2Heat Wave
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha & the Vandellas2:47
3Shop Around
Gitarre:
Marvin Tarplin (in 1960)
Instrumente:
The Funk Brothers (in 1960)
Hintergrundgesang:
Claudette Rogers Robinson (in 1960), Warren “Pete” Moore (in 1960), Bobby Rogers (in 1960) und Ronnie White (soul singer, founding member of The Miracles) (in 1960)
Sologesang:
Smokey Robinson (in 1960)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 495)
recording of:
Shop Around (in 1960)
Verfasser(in):
Berry Gordy und Smokey Robinson
The Miracles2.752:48
4Please Mr. Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:30
5Money (That’s What I Want)
Produzent(in):
Berry Gordy
Klavier:
Barrett Strong
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Brian Holland (Motown producer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 288)
recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Barrett Strong3.852:36
6Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-04-08)
Bass:
James Jamerson (am 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (am 1964-04-08)
Gitarre:
Robert White (US funk/soul guitarist) (am 1964-04-08) und Eddie Willis (am 1964-04-08)
Klavier:
Earl Van Dyke (am 1964-04-08)
Schlagzeug:
Richard "Pistol" Allen (am 1964-04-08)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Supremes2:33
7I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Four Tops3.62:46
8Two Lovers
Produzent(in):
Smokey Robinson
recording of:
Two Lovers (am 1962-08-06)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Mary Wells2:48
9Fingertips, Part 2
Produzent(in):
Berry Gordy
Bass:
James Jamerson (am 1962-06-01) und Larry Moses (bass player) (am 1962-06-01)
Bongos, Mundharmonika und Sologesang:
Stevie Wonder (am 1962-06-01)
Schlagzeug:
Marvin Gaye (am 1962-06-01)
arranger:
Clarence Paul
aufgenommen bei:
Regal Theater in Chicago, Illinois, Vereinigte Staaten (am 1962-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 13)
live teilweise recording of:
Fingertips (am 1962-06-01)
Verfasser(in):
Henry Cosby und Clarence Paul
publisher:
Jobete Music Co., Inc. und Stone Agate Music
Stevie Wonder53:12
10My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:57
11Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.452:40
12How Sweet It Is to Be Loved by You
Produzent(in):
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) und William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (am 1964-07-10)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye32:59
13Playboy
recording of:
Playboy
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Brian Holland (Motown producer & songwriter), Gladys Horton und William Stevenson (Motown songwriter)
The Marvelettes2:47
14Shotgun
recording engineer:
Lawrence T. Horn
Produzent(in):
Berry Gordy und Lawrence T. Horn
Bass:
James Jamerson (in 1964)
Gitarre:
Eddie Willis (in 1964) und Willie Woods (US guitarist & songwriter) (in 1964)
Hammond-Orgel [B-3]:
Johnny Griffith
membranophone:
Benny Benjamin (US drummer) (in 1964)
Orgel:
Vic Thomas (keyboard) und Victor Thomas (keyboardist) (in 1964)
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
Tenorsaxophon und Sologesang:
Junior Walker (in 1964)
Hintergrundgesang:
Willie Woods (US guitarist & songwriter) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 27)
recording of:
Shotgun (in 1964)
Verfasser(in):
Autry De Walt
Komponist(in):
Autry De Walt und Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. und What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:00
15He Was Really Sayin’ Somethin’
recording of:
He Was Really Sayin’ Somethin’ (am 1964-12-07)
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (appears also as: Jobete Msc.)
The Velvelettes42:33
2▼CD
Nr.TitelKünstlerBewertungLänge
1You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:47
2I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:14
3Bernadette
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Bernadette
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
The Four Tops53:01
4Don’t Mess With Bill
recording of:
Don’t Mess With Bill
Texter und Komponist(in):
Smokey Robinson
The Marvelettes2:53
5The Tracks of My Tears
Produzent(in):
Bill “Smokey” Robinson
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 50) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 54)
recording of:
The Tracks of My Tears (am 1965-05-19)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (am 1971-05-06)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
The Miracles4.253:01
6Uptight (Everything’s Alright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:55
7Ain’t No Mountain High Enough
vocals:
Marvin Gaye und Tammi Terrell
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 37)
recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.72:30
8Beauty Is Only Skin Deep
Produzent(in):
Norman Whitfield
Sologesang:
David Ruffin (soul singer, member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recording of:
Beauty Is Only Skin Deep
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. und Stone Agate Music
The Temptations32:22
9Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha & the Vandellas3.552:40
10Reach Out, I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Four Tops42:57
11This Old Heart of Mine (Is Weak for You)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers2:39
12My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:51
13(I’m a) Road Runner
Mix:
Suha Gur
Bass:
James Jamerson
Gitarre:
Willie Woods (US guitarist & songwriter)
Keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
Saxophon:
Junior Walker
recording of:
(I’m a) Road Runner
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Jr. Walker & the All Stars22:44
14What Becomes of the Brokenhearted
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.652:59
15I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:54
3▼CD
Nr.TitelKünstlerBewertungLänge
1Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:40
2Let’s Get It On
Techniker(in):
William McMeekin und Art Stewart
Produzent(in):
Marvin Gaye und Ed Townsend
Mix:
Cal Harris
Bassgitarre:
Wilton Felder (am 1973-03-22)
Bongos und Conga:
Eddie “Bongo” Brown (am 1973-03-22) und Bobbye Hall (am 1973-03-22)
guitar family:
Don Peake (am 1973-03-22), Louie Shelton (am 1973-03-22), David T. Walker (am 1973-03-22) und Melvin “Wah Wah” Watson (am 1973-03-22)
Klavier:
Marvin Gaye (am 1973-03-22), Marvin Jenkins (am 1973-03-22) und Joe Sample (am 1973-03-22)
Perkussion:
Emil Richards (am 1973-03-22)
Saxophon:
Plas Johnson (am 1973-03-22) und Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (am 1973-03-22)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer) (am 1973-03-22)
Vibraphon:
Victor Feldman (jazz musician) (am 1973-03-22) und Emil Richards (am 1973-03-22)
Hintergrundgesang und Sologesang:
Marvin Gaye (am 1973-03-22)
conductor:
René Hall (am 1973-03-22)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1973-03-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 167) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 264)
recording of:
Let’s Get It On (am 1973-03-22)
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye4.054:52
3I Can’t Get Next to You
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1969-06-23 bis 1969-07-03)
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (von 1969-06-23 bis 1969-07-03), Eddie Kendricks (von 1969-06-23 bis 1969-07-03) und Paul Williams (member of The Temptations) (von 1969-06-23 bis 1969-07-03)
vocals:
Melvin Franklin (von 1969-06-23 bis 1969-07-03) und Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1969-06-23 bis 1969-07-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1969-06-23 bis 1969-07-03)
recording of:
I Can’t Get Next to You (von 1969-06-23 bis 1969-07-03)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. und Stone Agate Music
The Temptations2.52:56
4If I Were Your Woman
Produzent(in):
Clay McMurray (producer, songwriter, engineer)
arranger:
Paul Riser
recording of:
If I Were Your Woman
Verfasser(in):
Clarence McMurray (producer, songwriter, engineer), Gloria Jones (US singer/songwriter, known for “Tainted Love”) und Pam Sawyer (British‐born American lyricist and songwriter)
Gladys Knight & the Pips3.53:12
5Keep On Truckin’, Part 1
Produzent(in):
Leonard Caston (son of Leonard Caston) und Frank Wilson (Motown singer/songwriter)
arranger:
James Carmichael und Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Keep On Truckin’
Verfasser(in):
Lenny Caston (son of Leonard Caston), Anita Porée und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Diamond Music Corporation
Eddie Kendricks3:36
6The Tears of a Clown
recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles2:59
7Dancing Machine
The Jackson 52:43
8Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:37
9Love Child
Produzent(in):
The Clan (Motown composers/producers group)
Hintergrundgesang:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
Verfasser(in):
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. und Stone Agate Music Division
Diana Ross & The Supremes2:58
10Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:55
11War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.253:23
12Smiling Faces Sometimes
Produzent(in):
Norman Whitfield
Orchestrator(in):
Jerry Long (Motown songwriter Jerry Long, Sr.)
cover recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
The Undisputed Truth4.53:16
13Super Freak, Part 1
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James3:22
14Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:47
15All Night Long (All Night)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:16

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ASIN:US: B002N1AE5U [Info]