Mozart à l’opéra

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Les Noces de Figaro : Ouverture
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:57
2Les Noces de Figaro : Voi che sapete (Chérubin)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (mezzo-soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:53
3Les Noces de Figaro : Non più andrai (Figaro)
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
bass-baritone vocals:
Samuel Ramey (bass-baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:38
4Les Noces de Figaro : Dove sono (La comtesse)
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:57
5Les Noces de Figaro : Se vuol ballare, signor Contino (Figaro)
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:35
6Les Noces de Figaro : Cosa mi narri! … Che soave zeffiretto (Suzanne, La comtesse)
vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
3:16
7Les Noces de Figaro : Pace, pace, mio dolce tesoro (Le comte, La comtesse, Suzanne, Chérubin, Bartolo)
producer:
Christopher Raeburn (producer)
vocals:
Kurt Moll (operatic bass), Lucia Popp (soprano), Samuel Ramey (bass-baritone), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano) and Thomas Allen (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
6:55
8La Flûte enchantée : Der Vogelfänger bin ich ja (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:49
9La Flûte enchantée : Pa Pa Pa Pa Pa Pa Papagena! (Papageno, Papagena)
vocals:
Olaf Bär (baritone) and Eva Lind (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
2:31
10La Flûte enchantée : Der Hölle Rache kocht in meinem Herzen (La Reine de la Nuit)
soprano vocals:
Cheryl Studer (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:05
11La Flûte enchantée : O zittre nicht (La Reine de la Nuit)
vocals:
Cheryl Studer (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:05
12La Flûte enchantée : Ach, ich fühl’s (Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:45
13La Flûte enchantée : Hm! hm! hm! hm! (Papageno, Tamino, Les trois Dames)
vocals:
Francisco Araiza (tenor), Olaf Bär (baritone), Anne Collins (operatic contralto), Yvonne Kenny (Australian soprano) and Iris Vermillion (mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:30
14La Flûte enchantée : O Isis und Osiris, welche Wonne (Les deux prêtres, chœur)
vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Edmund Barham (tenor) and Harry Peeters (Dutch operatic bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:47
15Idoménée : Placido è il mar (chœurs)
producer:
Rupert Fäustle and Wilhelm Meister (Tonmeister / recording producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1991-01)
soprano vocals:
Roberta Alexander (soprano) (in 1991-01)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1991-01)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
4:40
16Idoménée : Zeffiretti lusinghieri (Ilia)
producer:
Rupert Fäustle and Wilhelm Meister (Tonmeister / recording producer)
soprano vocals:
Barbara Hendricks (soprano) (in 1991-01)
vocals:
Barbara Hendricks (soprano)
orchestra:
Bavarian Radio Symphony Orchestra (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1991-01)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
5:57
17Idoménée : Scenda Amor, scenda Imeneo (chœurs)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
1:42
18La Clémence de Titus : Ouverture
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Georg Fischer (keyboardist and conductor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Ouverture (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:51
19La Clémence de Titus : Parto, parto, ma tu, ben mio (Sesto)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
István Kertész (conductor)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
5:57
2▼CD
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1L’Enlèvement au sérail : Ouverture
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:17
2L’Enlèvement au sérail : Martern aller Arten (Constance)
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
soprano vocals [Konstanze]:
Edita Gruberová (soprano) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
9:04
3L’Enlèvement au sérail : Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin)
vocals:
Martti Talvela (operatic bass) and Heinz Zednik (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:01
4L’Enlèvement au sérail : Ha! Wie will ich triumphieren (Osmin, Constance)
vocals:
Edita Gruberová (soprano) and Martti Talvela (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:30
5Don Giovanni : Madamina, il catalogo è questo (Leporello)
baritone vocals and baritone vocals [Leporello]:
Gabriel Bacquier (French baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:35
6Don Giovanni : Là ci darem la mano (Don Giovanni, Zerline)
vocals:
Lucia Popp (soprano) and Bernd Weikl (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:24
7Don Giovanni : Dalla sua pace (Don Ottavio)
vocals:
Stuart Burrows (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:07
8Don Giovanni : Fin ch’han dal vino calda la testa (Don Giovanni)
recording engineer:
Nigel Gayler (from 1978-10 until 1978-11), Stanley Goodall (engineer) (from 1978-10 until 1978-11) and Kenneth Wilkinson (engineer) (from 1978-10 until 1978-11)
baritone vocals and baritone vocals [Don Giovanni]:
Bernd Weikl (baritone)
vocals:
Bernd Weikl (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-10 until 1978-11)
conductor:
Sir Georg Solti (conductor) (from 1978-10 until 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-10 until 1978-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1978-10 until 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:24
9Don Giovanni : Batti, batti, o bel Masetto (Zerline)
vocals:
Lucia Popp (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:52
10Don Giovanni : Il mio tesoro intanto andate a consolar (Don Ottavio)
vocals:
Stuart Burrows (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:19
11Don Giovanni : In quali eccessi, o numi … Mi tradì quell’alma ingrata (Donna Elvira)
vocals:
Sylvia Sass (Hungarian soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
6:42
12Don Giovanni : Deh, vieni alla finestra, o mio tesoro (Don Giovanni)
vocals:
Bernd Weikl (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:57
13Così fan tutte : Un’aura amorosa del nostro tesoro (Ferrando)
vocals:
Ryland Davies (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:32
14Così fan tutte : È amore un ladroncello (Dorabella)
vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
3:05
15Così fan tutte : Soave sia il vento (Dorabella, Fiordiligi, Don Alfonso)
baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Pilar Lorengar (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
2:59
16Così fan tutte : Per pietà, ben mio, perdona (Fiordiligi)
vocals:
Pilar Lorengar (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
7:30
17Così fan tutte : Come scoglio (Fiordiligi)
soprano vocals:
Pilar Lorengar (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:28