John Ireland: The Songs

~ Release by John Ireland; Alfreda Hodgson, Benjamin Luxon, John Mitchinson,Alan Rowlands (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Songs of a Wayfarer: I. Memory
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs of a Wayfarer: No. 1. Memory
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland1:51
2Songs of a Wayfarer: II. When Daffodils begin to peer
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs of a Wayfarer: No. 2. When Daffodils Begin to Peer
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland2:01
3Songs of a Wayfarer: III. English May
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs of a Wayfarer: No. 3. English May
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland2:56
4Songs of a Wayfarer: IV. I was not sorrowful, "Spleen"
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs of a Wayfarer: No. 4. Spleen (I Was Not Sorrowful)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1903)
part of:
Songs of a Wayfarer
John Ireland3:38
5Songs of a Wayfarer: V. I will walk on the earth
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs of a Wayfarer: No. 5. I Will Walk on the Earth
lyricist:
James Vila Blake
composer:
John Ireland (English composer) (in 1911)
part of:
Songs of a Wayfarer
John Ireland1:45
6When Lights go rolling round the sky
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
When Lights Go Rolling Round the Sky
composer:
John Ireland (English composer) (in 1911)
John Ireland2:50
7Hope the Hornblower
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Hope the Hornblower (for voice and piano)
lyricist:
Sir Henry Newbolt
composer:
John Ireland (English composer) (in 1911)
John Ireland1:45
8Sea Fever
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Sea Fever (for voice and piano)
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1913-10)
John Ireland3:06
9Marigold. Impression for voice and piano: I. Youth's Spring-Tribute
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Marigold: No. 1. Youth’s Spring-Tribute
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1913)
part of:
Marigold (for voice and piano)
John Ireland4:07
10Marigold. Impression for voice and piano: II. Penumbra
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Marigold: No. 2. Penumbra
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1913)
part of:
Marigold (for voice and piano)
John Ireland5:26
11Marigold. Impression for voice and piano: III. Spleen
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Marigold: No. 3. Spleen
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1913)
part of:
Marigold (for voice and piano)
John Ireland3:32
12Five Poems by Thomas Hardy: I. Beckon to me to come
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Songs to Poems by Thomas Hardy: No. 1. Beckon to Me
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:10
13Five Poems by Thomas Hardy: II. In my sage Moments
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Songs to Poems by Thomas Hardy: No. 2. In My Sage Moments
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland3:26
14Five Poems by Thomas Hardy: III. It was what you bore with you, Woman
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Songs to Poems by Thomas Hardy: No. 3. It Was What You Bore With You, Woman
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland1:08
15Five Poems by Thomas Hardy: IV. The Tragedy of that Moment
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Songs to Poems by Thomas Hardy: No. 4. The Tragedy of That Moment
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:03
16Five Poems by Thomas Hardy: V. Dear, think not that they will forget you
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Songs to Poems by Thomas Hardy: No. 5. Dear, Think Not That They Will Forget You
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:35
17Three Songs: I. Love & Friendship
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Three Songs: No. 1. Love and Friendship
lyricist:
Emily Brontë (British author)
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland2:33
18Three Songs: II. Friendship in misfortune
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Three Songs: No. 2. Friendship in Misfortune
lyricist:
[anonymous] (special purpose artist)
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland2:03
19Three Songs: III. The one Hope
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Three Songs: No. 3. The One Hope
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland4:23
20We'll to the Woods No More: I. We'll to the Woods No More
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
We’ll to the Woods No More: No. 1. We’ll to the Woods No More
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland2:18
21We'll to the Woods No More: II. In Boyhood
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
We’ll to the Woods No More: No. 2. In Boyhood
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland1:28
22We'll to the Woods No More: III. Spring will not wait
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
baritone vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
We’ll to the Woods No More: No. 3. Spring Will Not Wait
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland4:20
2CD
#TitleArtistRatingLength
1Two Songs: I. Tryst
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Two Songs: Tryst (In Fountain Court)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1928)
part of:
Two Songs ("Tryst" & "During Music")
John Ireland3:50
2Two Songs: II. During Music
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Two Songs: During Music
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1928)
part of:
Two Songs ("Tryst" & "During Music")
John Ireland3:07
3Songs Sacred & Profane: I. The Advent
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 1. The Advent
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:27
4Songs Sacred & Profane: II. Hymn for a Child
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 2. Hymn for a Child
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland2:03
5Songs Sacred & Profane: III. My Fair
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 3. My Fair
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:14
6Songs Sacred & Profane: IV. The Salley Gardens
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 4. The Salley Gardens
lyricist:
William Butler Yeats
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland2:14
7Songs Sacred & Profane: V. The Soldier's Return
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 5. The Soldier’s Return
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:04
8Songs Sacred & Profane: VI. The Scapegoat
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Songs Sacred and Profane: No. 6. The Scapegoat
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:32
9Five XVIth Century Songs: I. A Thanksgiving
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Sixteenth-Century Poems: No. 1. A Thanksgiving
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:49
10Five XVIth Century Songs: II. All in a Garden green
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Sixteenth-Century Poems: No. 2. All in a Garden Green
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland2:10
11Five XVIth Century Songs: III. An aide
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Sixteenth-Century Poems: No. 3. An Aside
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:13
12Five XVIth Century Songs: IV. A Report Song
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Sixteenth-Century Poems: No. 4. A Report Song
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:42
13Five XVIth Century Songs: V. The sweet Season
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Five Sixteenth-Century Poems: No. 5. The Sweet Reason
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland3:06
14Blow out, you Bugles
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Two Songs: No. 2. Blow Out, You Bugles
lyricist:
Rupert Brooke (war poet)
composer:
John Ireland (English composer) (from 1917 until 1918)
part of:
Two Songs (“The Soldier” & “Blow Out, You Bugles”)
John Ireland2:41
15If there were Dreams to sell
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
If There Were Dreams to Sell
lyricist:
Thomas Lovell Beddoes
composer:
John Ireland (English composer) (in 1918)
John Ireland1:59
16I have twelve Oxen
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
I Have Twelve Oxen
composer:
John Ireland (English composer) (in 1918)
John Ireland1:55
17Spring Sorrow
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Spring Sorrow
lyricist:
Rupert Brooke (war poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland2:01
18The Bells of San Marie
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
The Bells of San Marie (for voice and piano)
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland2:44
19The Journey
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
The Journey
lyricist:
Ernest Blake
composer:
John Ireland (English composer) (in 1920)
John Ireland1:10
20The merry month of May
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
The Merry Month of May
lyricist:
Thomas Dekker (English writer)
composer:
John Ireland (English composer) (in 1921)
John Ireland1:37
21Vagabond
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
The Vagabond
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1922)
John Ireland2:09
22When I am dead my dearest
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
When I Am Dead, My Dearest (for voice and piano)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1924)
John Ireland2:07
23Santa Chiara - Palm Sunday; Naples
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Santa Chiara (Palm Sunday, Naples)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:50
24Great Things
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Great Things
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:12
25If we must part
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
If We Must Part
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1929)
John Ireland1:58
26Tutto e sciolto
recording engineer:
Colin Moorfoot (engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alan Rowlands (pianist) (from 1972-08 until 1973-11)
vocals:
Benjamin Luxon (baritone) (from 1972-08 until 1973-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1972-08 until 1973-11)
recording of:
Tutto è sciolto
lyricist:
James Joyce (Irish writer)
composer:
John Ireland (English composer) (in 1932)
John Ireland2:11
3CD
#TitleArtistRatingLength
1The Heart's desire
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Heart’s Desire
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1917)
John Ireland2:34
2The Sacred Flame
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Sacred Flame
lyricist:
Mary Elizabeth Coleridge
composer:
John Ireland (English composer) (in 1918)
John Ireland2:03
3Remember
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Remember
lyricist:
Mary Elizabeth Coleridge
composer:
John Ireland (English composer) (in 1918)
John Ireland1:54
4Hawthorn Time
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Hawthorn Time
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1919)
John Ireland1:29
5The East Riding
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The East Riding
lyricist:
Eric Chilman
composer:
John Ireland (English composer) (in 1920)
John Ireland1:31
6Love is a Sickness Full of Woes
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Love Is a Sickness Full of Woes
lyricist:
Samuel Daniel
composer:
John Ireland (English composer) (in 1921)
John Ireland2:02
7The Land of Lost Continent: I. The Lent Lily
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 1. The Lent Lily
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland2:43
8The Land of Lost Continent: II. Ladslove
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 2. Ladslove
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland2:06
9The Land of Lost Continent: III. Goal and Wicket
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 3. Goal and Wicket
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland1:08
10The Land of Lost Continent: IV. The vain desire
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 4. The Vain Desire
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland2:19
11The Land of Lost Continent: V. The encounter
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 5. The Encounter
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland1:18
12The Land of Lost Continent: VI. Epilogue
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Land of Lost Content: No. 6. Epilogue
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland1:41
13Two Songs: I. The Trellis
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Two Songs: The Trellis
lyricist:
Aldous Huxley (English writer and philosopher)
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland3:17
14Two Songs: II. My true love hath my heart
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
tenor vocals:
John Mitchinson (tenor) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Two Songs: My True Love Hath My Heart
lyricist:
Sir Philip Sidney
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland1:51
15The three Ravens
recording engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
The Three Ravens
lyricist:
[traditional] (special purpose artist)
composer:
John Ireland (English composer) (in 1920)
John Ireland3:51
16Bed in Summer
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Bed in Summer
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
John Ireland (English composer) (from 1912 until 1913)
John Ireland1:14
17Mother and Child: I. Newborn
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 1. Newborn
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:08
18Mother and Child: II. The only Child
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 2. The only child
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:36
19Mother and Child: III. Hope
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 3. Hope
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland0:44
20Mother and Child: IV. Skylark and nightingale
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 4. Skylark and nightingale
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland0:53
21Mother and Child: V. The blind boy
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 5. The blind boy
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:12
22Mother and Child: VI. Baby
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 6. Baby
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:09
23Mother and Child: VII. Death-parting
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 7. Death-parting
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:07
24Mother and Child: VIII. the Garland
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Mother and Child: No. 8. The garland
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:11
25Earth's Call, A Sylvan Rhapsody
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Earth’s Call (A Sylvan Rhapsody)
lyricist:
Harold Monro (poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland4:52
26Three Arthur Symons Songs: I. The Adoration
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Three Songs: The Adoration
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:36
27Three Arthur Symons Songs: II. The Rat
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Three Songs: The Rat
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland1:48
28Three Arthur Symons Songs: III. Rest
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
Three Songs: Rest
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:44
29What Art Thou Thinking of?
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
What Art Thou Thinking of?
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1924)
John Ireland3:19
30Three Thomas Hardy Songs: I. Summer schemes
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
3 Songs to Poems by Thomas Hardy: No. 1. Summer Schemes
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:13
31Three Thomas Hardy Songs: II. Her Song
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
3 Songs to Poems by Thomas Hardy: No. 2. Her Song
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:36
32Three Thomas Hardy Songs: III. Weathers
recording engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Alan Rowlands (pianist) (in 1978-08)
contralto vocals:
Alfreda Hodgson (contralto) (in 1978-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-08)
recording of:
3 Songs to Poems by Thomas Hardy: No. 3. Weathers
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland1:59

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engineer:Simon Gibson (mastering engineer) (task: Digital Remastering Engineer)
ASIN:UK: B000U9XG2U [info]