Symphony no. 9 “Choral” / Choral Fantasy in C minor, op. 80

~ Release by Beethoven; Pablo Heras‐Casado, Karg, Harmsen, Güra, Boesch, Bezuidenhout, Freiburger Barockorchester, Zürcher Sing-Akademie (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:35
2Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:32
3Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven12:07
4Symphony no. 9 in D minor “Choral”, op. 125: IV. Finale. Presto
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
bass vocals:
Florian Boesch (bass-baritone) (in 2019-11)
choir vocals:
Zürcher Sing-Akademie (in 2019-11)
mezzo-soprano vocals:
Sophie Harmsen (mezzo-soprano) (in 2019-11)
soprano vocals:
Christiane Karg (German soprano) (in 2019-11)
tenor vocals:
Werner Güra (German classical tenor) (in 2019-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven21:59
2▼CD
#TitleArtistRatingLength
1Choral Fantasy in C minor, op. 80: I. Adagio
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
fortepiano:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2019-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:54
2Choral Fantasy in C minor, op. 80: II. Finale. Allegro
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
fortepiano:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2019-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven6:30
3Choral Fantasy in C minor, op. 80: III. Adagio, ma non troppo
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
fortepiano:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2019-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven4:23
4Choral Fantasy in C minor, op. 80: IV. Allegro
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
editor:
Wolfgang Schiefermair and Julian Schwenkner (engineer)
fortepiano:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2019-11)
bass vocals:
Florian Boesch (bass-baritone) (in 2019-11)
choir vocals:
Zürcher Sing-Akademie (in 2019-11)
mezzo-soprano vocals:
Sophie Harmsen (mezzo-soprano) (in 2019-11)
soprano vocals:
Franziska Brandenberger (alto) (in 2019-11) and Christiane Karg (German soprano) (in 2019-11)
tenor vocals:
Werner Güra (German classical tenor) (in 2019-11) and Gerhard Nennemann (tenor) (in 2019-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2019-11)
conductor:
Pablo Heras‐Casado (in 2019-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-11)
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 2019-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:56

Credits

Release

ASIN:FR: B086PVQLNP [info]