Christmas Festival

~ Release by Renata Tebaldi (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Adeste fideles
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Adeste fideles (original latin version) (in 1971-04)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
[traditional]3:18
2Ave Maria
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Ave Maria (Bach/Gounod) (in 1971-04)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach, Charles Gounod2:41
3Wiegenlied
recording engineer and balance engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements) (in 1971-04)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:13
4What Child Is This?
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
piano:
George Thalben-Ball (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
What Child Is This? (in 1971-04)
lyricist:
William Chatterton Dix (in 1865)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 25608)
version of:
Greensleeves (generic entry for traditional and unknown arrangements)
[traditional]2:16
5O Holy Night
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
O Holy Night (in 1971-04)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (French composer) (in 1847)
arrangement of:
O holy night (arr. John Ebenezer West)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
Adolphe Adam4:13
6Tu scendi dalle stelle
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Tu scendi dalle stelle (in 1971-04)
lyricist:
[traditional] (special purpose artist)
composer:
[traditional] (special purpose artist) and Alfonso Maria de’ Liguori (Saint of Catholic Church)
translator:
Pope Pius IX (Giovanni Maria Mastai-Ferretti)
version of:
Quanno nascette Ninno (neapolitan original)
[traditional]2:42
7Silent Night
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
organ:
George Thalben-Ball (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Stille Nacht, heilige Nacht (in 1971-04)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber4:45
8Panis angelicus
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Panis Angelicus (catch-all for arrangements) (in 1971-04)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck3:46
9O Divine Redeemer
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Repentir (“O Divine Redeemer”) (in 1971-04)
composer:
Charles Gounod (French composer)
Charles Gounod6:15
10Mille cherubini in coro
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Mille cherubini in coro (in 1971-04)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Franz Schubert, Alois Melichar4:11
11Ave Maria
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Ave Maria (catch-all for arrangements) (in 1971-04)
composer:
Franz Schubert (composer)
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Franz Schubert4:16
12Adeste fideles
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Adeste fideles (original latin version) (in 1971-04)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
[traditional]3:15