80’s Super Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Nineteen
producer:
Paul Hardcastle
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
19 (music video) by Paul Hardcastle
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 73)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
publisher:
Oval Music and Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
2Labour of Love
recording of:
Labour of Love
writer:
Gregory Kane and Patrick Kane
Hue & Cry6:28
3Are You My Baby
Wendy & Lisa4:18
4Shouldn’t Have to Be Like That
engineer:
Kaj Erixon
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
live recording of:
Shouldn’t Have to Be Like That
writer:
Rune Kristoffersen and Øyvind Kvalnes
publisher:
Virgin Music (Publishers) Ltd.
recording of:
Shouldn’t Have to Be Like That
writer:
Rune Kristoffersen and Øyvind Kvalnes
publisher:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:50
5Sign of the Times
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
writer:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons and Lesley Shone
The Belle Stars4.52:54
6It’s Only Love
engineer:
Bob Clearmountain
producer:
Gary “U.S.” Bonds, Little Steven and Bruce Springsteen
accordion:
Danny Federici
bass and bongos:
Little Steven
drums (drum set):
Max Weinberg
guitar:
Little Steven and Bruce Springsteen
keyboard:
Roy Bittan and Danny Federici
saxophone:
Clarence Clemons
background vocals:
Clarence Clemons and Little Steven
vocals:
Gary “U.S.” Bonds
arranger:
Little Steven
cover recording of:
It’s Only Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
Gary “U.S.” Bonds3:05
7Ride Like the Wind
Saxon4:26
8Back to Life (However Do You Want Me)
engineer:
Arabella Rodriguez
producer and mixer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
vocals and performer:
Caron Wheeler (English singer, songwriter, and record producer)
phonographic copyright (℗) by:
10 Records (in 1989)
recorded at and mixed at:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, United Kingdom
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul4.23:46
9Respect
part of:
The Downloader’s Music Source Book (number: 206)
cover recording of:
Respect
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Adeva2.354:05
10Amigo
recording of:
Amigo
writer:
Elroy Bailey, Anthony Brightly, Keith Drummond (reggae, ex black slate), Chris Hansen (Black Slate), Desmond Mahoney and Cledwyn Rogers (reggae, ex black slate)
Black Slate4:51
11Scatterlings of Africa
producer:
Hilton Rosenthall
arranger:
Hilton Rosenthal
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Scatterlings of Africa
composer:
Johnny Clegg
Johnny Clegg & Savuka3.54:03
12Shattered Dreams
producer:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) and Mike Nocito
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
lyricist and composer:
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sweet Oily Music
Johnny Hates Jazz4.53:28
13Heart and Soul
engineer:
Jerry Napier
producer:
Roy Thomas Baker (producer)
bass:
Paul Jackson (T'Pau bassist)
drums (drum set) [drums] and percussion:
Tim Burgess (T'Pau drummer)
guitar [rhythm guitar] and other instruments [some bits]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
keyboard [keyboards]:
Michael Chetwood
other instruments [other bits] and solo guitar [guitar solos]:
Taj Wyzgowski
vocals:
Carol Decker
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 69)
recording of:
Heart and Soul
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd and Virgin Music (Publishing) Ltd.
T’Pau4.254:12
14Sold
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Sold
writer:
Lamont Dozier, George O’Dowd and Vic Martin (UK keyboardist/songwriter)
Boy George23:56
15This Is Not a Love Song
producer and mixer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd.44:12
16The War Song
producer:
Steve Levine (producer)
recording of:
The War Song
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3:59
2▼CD
#TitleArtistRatingLength
1Fight Like a Brave
recording engineer:
Judy Clapp
engineer:
James Bauerlein (engineer)
producer:
Michael Beinhorn
assistant mixer:
Russell Bracher and Stan Katayama
mixer:
John Potoker (producer/engineer aka Tokes)
bass:
Flea (US bassist)
drums (drum set):
Jack Irons
guitar:
Hillel Slovak
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1987)
produced for:
Demolition Sound
recording of:
Fight Like a Brave
writer:
Jack Irons, Anthony Kiedis, Michael Peter Balzary (US bassist) and Hillel Slovak
publisher:
EMI Music Inc., Moebetoblame Music and Screen Gems
Red Hot Chili Peppers3.53:53
2Hyperactive
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:13
3Free Yourself
The Untouchables3:39
4Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:30
5I Am the Beat
engineer:
Martin Russell (recording engineer, producer, composer & musician)
producer:
Alan Shacklock
bass guitar:
Gus Goad
drums (drum set), percussion, saxophone and timpani:
Trevor Walter
guitar [lead] and keyboard:
Mick Bass
guitar [rhythm] and lead vocals:
Jonny Whetstone
background vocals:
The Look (UK new wave band)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom
recording of:
I Am the Beat
writer:
Mick Bass and Jonny Whetstone
The Look3:06
6Lament
recording engineer:
Rick Walton
producer:
Ultravox
mixer:
John Hudson (producer, recording and mixing engineer)
recording of:
Lament (Ultravox)
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:42
7Tragedy & Mystery
producer:
Mike Howlett
vocals:
Gary Daly and Eddie Lundon (China Crisis)
recording of:
Tragedy and Mystery
lyricist:
Gary Daly
composer:
Gary Daly and Eddie Lundon (China Crisis)
China Crisis54:04
8Big Apple
mastering:
Gordon Vicary
recording of:
Big Apple
lyricist:
Nick Beggs and Limahl
composer:
Steve Askew, Nick Beggs, Limahl, Stuart Croxford Neale and Jez Strode
Kajagoogoo4:11
9Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:29
10I’ll Fly for You
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
recording of:
I’ll Fly for You
lyricist and composer:
Gary Kemp
Spandau Ballet25:11
11Come Live With Me
engineer:
Greg Walsh (producer and engineer)
producer:
B.E.F. and Greg Walsh (producer and engineer)
recording of:
Come Live With Me
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
Heaven 173:36
12Oh Patty (Don’t Feel Sorry for Loverboy)
recording of:
Oh Patti (Don't Feel Sorry for Loverboy)
writer:
David Gamson and Green Gartside
Scritti Politti4:22
13If Only I Could
recording of:
If Only I Could
writer:
Ralf Hamm, Markus Staab, Sydney Youngblood and Claus Zundel
Sydney Youngblood33:29
14Electric Avenue
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 23)
recording of:
Electric Avenue
lyricist and composer:
Eddy Grant
publisher:
Warner/Chappell Music Ltd. (1996–2019)
was commissioned by:
Greenheart Music
Eddy Grant53:46
15Turn to Gold
David Austin3:43
16After the Love
Jesus Loves You7:41
3▼CD
#TitleArtistRatingLength
1Don’t Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.553:53
2Set Me Free
music videos:
Set Me Free by Jaki Graham
recording of:
Set Me Free
lyricist and composer:
Derek Bramble
Jaki Graham33:38
3Everybody’s Laughing
recording of:
Everybody’s Laughing
Phil Fearon & Galaxy3:40
4Don’t Want to Wait Anymore
recording of:
Don’t Want to Wait Anymore
writer:
Rick Anderson (bassist for The Tubes), Michael Cotten, David Foster (Canadian music producer, arranger and composer), Prairie Prince, Bill Spooner (guitarist), Roger Steen, Fee Waybill and Vince Welnick
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Irving Music (BMI), Peermusic III, Ltd. (BMI) and Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes3:48
5Hangin’ on a String (Contemplating)
producer:
Nick Martinelli (record producer)
remixer:
Mastermind (80s UK electro DJ mix group)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Hangin' on a String (Contemplating)
lyricist and composer:
Carl McIntosh, Jane Eugene and Steve Nichol (songwriter, producer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Brampton Music Ltd. (publisher), SM Publishing (UK) Limited (Sony Music, 2009–2020) and Virgin Music (Publishers) Ltd.
Loose Ends35:54
6Big Fun
engineer and producer:
Kevin Saunderson
vocals:
Paris Grey
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988, in 1989)
recorded at:
KMS Studios in Detroit, Michigan, United States
recording of:
Big Fun
writer:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) and Kevin Saunderson
publisher:
Drive On Publishing and Renaissance Infinity Music
Inner City23:24
7Thank You
The Pale Fountains3:06
8Don’t Waste My Time
engineer:
Alvin 'Jeff' Clark
producer:
Paul Hardcastle
vocals:
Carol Kenyon
performer:
Paul Hardcastle
recorded at:
Sound Suite Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Don’t Waste My Time
lyricist:
Kim Fuller and Paul Hardcastle
composer:
Paul Hardcastle
Paul Hardcastle4:27
9More Than I Can Say
producer:
Alan Tarney
phonographic copyright (℗) by:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:41
10U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:15
11How Can I Fall
recording of:
How Can I Fall?
writer:
David Glasper (Singer - Performer, author & lyricist), Marcus Lillington and Ian Spice
publisher:
EMI/Virgin Music Publishing Ltd. and Virgin Music (Publishers) Ltd. (in 1988)
Breathe4:01
12Comin’ On Strong
recording of:
Comin' On Strong
writer:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Steve Elson Business
Broken English33:50
13Stuck With You
engineer:
Jim Gaines and Robert Missbach
producer:
Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
lyricist and composer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hulex Music (publisher) (in 1986)
Huey Lewis and the News44:27
14There There My Dear
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
There, There My Dear
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners3:15
15Weak in the Presence of Beauty
recording of:
Weak in the Presence of Beauty
writer:
Robert E. Clarke and Michael Ward (UK saxophonist and songwriter, aka Mick Somerset)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Floy Joy3:23
16Respectable
producer:
Stock Aitken Waterman
arranger:
Stock Aitken Waterman
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
produced for:
PWL
part of:
TV Cream: Real 100 Best Singles Ever (number: 37)
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.55:39
4▼CD
#TitleArtistRatingLength
1Road to Nowhere
edit of:
Road to Nowhere by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads44:04
2Cambodia
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1981, in 2001), RAK, EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Cambodia
writer:
Marty Wilde and Ricky Wilde
publisher:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. and Warner/Chappell Music Scandinavia AB
Kim Wilde53:57
3It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:01
4Waterfall
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Waterfall
writer:
Lisa Coleman (US pianist/keyboardist & composer), Wendy Melvoin and Bobby Z.
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Girl Brothers Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Wendy & Lisa4:59
5Letter From America
recording of:
Letter From America
writer:
Charlie Reid and Craig Reid
The Proclaimers4:02
6You Could Have Been With Me
Sheena Easton3:31
7Caribbean Queen (No More Love on the Run)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean44:05
8Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:07
9Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen (US pop vocalist)
lead vocals:
Limahl
vocals:
Beth Anderson (US pop vocalist) and Limahl
performer:
Limahl
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Neue Constantin Film Productions GmbH
part of:
Cachitos Nochevieja 2022 (number: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:28
10Heroes
additional synthesizer programming:
Bill Boydstun
acoustic guitar, bass guitar, keyboard and synthesizer:
Jon Lyons
electric guitar:
Brian May (Queen guitarist)
guitar:
Bob Kulick
membranophone:
Chuck Burgi
piano and synthesizer:
John Van Tongeren
background vocals:
Amy Goff, Elaine Goff and Gina Ricci
lead vocals:
Meat Loaf
recording of:
A Time for Heroes (vocal version)
writer:
Rik Emmett, Jon Lyons and M. Scott Sotebeer
is based on:
A Time for Heroes (instrumental version)
Meat Loaf45:09
11Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
12Orchard Road
recording of:
Orchard Road
lyricist:
Leo Sayer
composer:
Alan Tarney
Leo Sayer4:27
13We Close Our Eyes
producer:
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
We Close Our Eyes by Go West
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Go West3.23:47
14Kayleigh
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion4.353:34
15If I Was
producer:
Midge Ure
guest performer:
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographic copyright (℗) by:
Chrysalis (in 1985)
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:20
16Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44