Chapter Two

~ Release by Roberta Flack (see all versions of this release, 4 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Reverend Lee
recording engineer:
Lewis Hahn (on 1969-12-08)
producer:
King Curtis (saxophonist) and Joel Dorn
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (on 1969-12-08)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1969-12-08)
drums (drum set):
Ray Lucas (on 1969-12-08)
guitar:
Eric Gale (on 1969-12-08)
percussion:
Warren Smith (jazz percussionist) (on 1969-12-08)
piano:
Donny Hathaway (on 1969-12-08)
strings:
Arnold Block (on 1969-12-08), Alfred Brown (viola) (on 1969-12-08), Peter Buonconsiglio (on 1969-12-08), Selwart Clarke (on 1969-12-08), Emanuel Green (on 1969-12-08), Leo Kahn (on 1969-12-08), Max Kahn (strings) (on 1969-12-08), Luis Eley (on 1969-12-08), Seymour Miroff (on 1969-12-08), Gene Orloff (on 1969-12-08), Raoul Polikian (on 1969-12-08), Max Pollikoff (on 1969-12-08) and Tosha Samaroff (on 1969-12-08)
tenor saxophone:
George Marge (on 1969-12-08)
trombone:
Garnett Brown (on 1969-12-08) and Chauncey Welsch (on 1969-12-08)
trumpet:
John Frosk (on 1969-12-08), John Glasel (on 1969-12-08) and Ernie Royal (on 1969-12-08)
woodwind [alto sax, flute?]:
Frank Wess (on 1969-12-08)
vocals:
Roberta Flack (singer and pianist) (on 1969-12-08)
remixer:
Lewis Hahn
arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-12-08)
cover recording of:
Reverend Lee (on 1969-12-08)
writer:
Gene McDaniels
4:33
A2Do What You Gotta Do
recording engineer:
Lewis Hahn (on 1970-03-25)
producer:
Joel Dorn
bass:
Marshall Hawkins (on 1970-03-25)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-03-25)
euphonium:
John Swallow (on 1970-03-25)
flute [alto, bass flute]:
Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
harp:
Corky Hale (on 1970-03-25)
piano:
Roberta Flack (singer and pianist) (on 1970-03-25)
strings:
Sanford Allen (on 1970-03-25), Alfred Brown (viola) (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
vocals:
Roberta Flack (singer and pianist) (on 1970-03-25)
conductor:
Eumir Deodato (on 1970-03-25)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-03-25)
cover recording of:
Do What You Gotta Do (on 1970-03-25)
lyricist and composer:
Hazel O’Connor and Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
34:10
A3Just Like a Woman
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Just Like a Woman (on 1970-04-01)
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
6:16
A4Let It Be Me
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Let It Be Me (on 1970-04-01)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
3.35:00
B1Gone Away
recording engineer:
Lewis Hahn (on 1969-12-09)
producer:
King Curtis (saxophonist) and Joel Dorn
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (on 1969-12-09)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1969-12-09)
drums (drum set):
Ray Lucas (on 1969-12-09)
guitar:
Eric Gale (on 1969-12-09)
percussion:
Warren Smith (jazz percussionist) (on 1969-12-09)
piano:
Donny Hathaway (on 1969-12-09)
strings:
Arnold Block (on 1969-12-09), Alfred Brown (viola) (on 1969-12-09), Peter Buonconsiglio (on 1969-12-09), Selwart Clarke (on 1969-12-09), Emanuel Green (on 1969-12-09), Leo Kahn (on 1969-12-09), Max Kahn (strings) (on 1969-12-09), Luis Eley (on 1969-12-09), Seymour Miroff (on 1969-12-09), Gene Orloff (on 1969-12-09), Raoul Polikian (on 1969-12-09), Max Pollikoff (on 1969-12-09) and Tosha Samaroff (on 1969-12-09)
tenor saxophone:
George Marge (on 1969-12-09)
trombone:
Garnett Brown (on 1969-12-09) and Chauncey Welsch (on 1969-12-09)
trumpet:
John Frosk (on 1969-12-09), John Glasel (on 1969-12-09) and Ernie Royal (on 1969-12-09)
woodwind [alto sax, flute?]:
Frank Wess (on 1969-12-09)
background vocals:
King Curtis (saxophonist) (on 1969-12-09), Roberta Flack (singer and pianist) (on 1969-12-09) and Gene McDaniels (on 1969-12-09)
vocals:
Roberta Flack (singer and pianist) (on 1969-12-09)
remixer:
Lewis Hahn
arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-12-09)
cover recording of:
Gone Away (on 1969-12-09)
writer:
Donny Hathaway, Leroy Hutson and Curtis Mayfield
5:17
B2Until It's Time for You to Go
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Until It’s Time for You to Go (on 1970-04-01)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
4:59
B3The Impossible Dream
recording engineer:
Lewis Hahn (on 1970-03-25)
producer:
Joel Dorn
bass:
Marshall Hawkins (on 1970-03-25)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-03-25)
euphonium:
John Swallow (on 1970-03-25)
flute [alto, bass flute]:
Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
harp:
Corky Hale (on 1970-03-25)
piano:
Roberta Flack (singer and pianist) (on 1970-03-25)
strings:
Sanford Allen (on 1970-03-25), Alfred Brown (viola) (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
vocals:
Roberta Flack (singer and pianist) (on 1970-03-25)
conductor:
Eumir Deodato (on 1970-03-25)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-03-25)
cover recording of:
The Impossible Dream (Man of La Mancha) (on 1970-03-25)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
4:42
B4Business Goes on as Usual
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Business Goes On as Usual (on 1970-04-01)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
3:26

Credits

Release

manufactured in:United Kingdom
photography:Jack Robinson
liner notes:Jerry Butler (soul singer)
Roberta Flack (singer and pianist)
Jeffrey W. Kimmel
design:Ira Friedlander (Graphic Designer)
licensed from:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Discogs:https://www.discogs.com/release/1156443 [info]