Nothing to Lose

~ Release by Robert Folk (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Hoop Schemes
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Hoop Schemes
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
2:11
2Nothin' to Groove
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Nothin' to Groove
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
3:52
3Arizona
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Arizona
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:39
4Bop Bop Bop Bah Dop
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Bop Bop Bop Bah Dop
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
3:05
5Get Back Brit
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Get Back Brit
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:40
6Breakin' It In
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Breakin' It In
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:42
7Back Road Runners
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Back Road Runners
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:28
8Trip Hoppin'
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Trip Hoppin'
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
2:30
9Open It Up
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Open It Up
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:12
10Sneakin' Up
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Sneakin' Up
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:30
11Cross Country
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Cross Country
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:59
12Hot Pants
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Hot Pants
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:18
13Back Alley Cats
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Back Alley Cats
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:55
14Gila Monsters
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Gila Monsters
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:28
15Phone Homeboy
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Phone Homeboy
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
2:21
16Desert Drivin'
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Desert Drivin'
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
0:56
17Who Is Dare?
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Who Is Dare?
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:20
18Hurt the Brotha'
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Hurt the Brotha'
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:40
19Urban Country
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Urban Country
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:13
20Roadrat Runners
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Roadrat Runners
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:30
21Exhibition Pictures
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Exhibition Pictures
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:58
22Mo' Me the Money
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Mo' Me the Money
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:33
23Rap It Up Nice
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Rap It Up Nice
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
0:37
24Yo Money Is Mine
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Yo Money Is Mine
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
1:24
25Locked Up Tight
recording engineer and mixer:
Tommy Vicari
producer:
Robert Folk (film and television composer) and Ford A. Thaxton
editor:
J.J. George and James Nelson (film score editor/mastering engineer/producer)
recorded at:
O’Henry Sound Studios in Burbank, California, United States
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Locked Up Tight
orchestrator:
Robert Folk (film and television composer), Jon Kull and Peter Tomashek
composer:
Robert Folk (film and television composer)
3:15

Credits