Every Day: The Best of the Verve Years

~ Release by Joe Williams (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Every Day I Have the Blues
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-05-17) and Marshall Royal (on 1955-05-17)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1955-05-17)
clarinet:
Marshall Royal (on 1955-05-17)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-05-17)
drums (drum set):
Sonny Payne (on 1955-05-17)
flute:
Frank Wess (on 1955-05-17)
guitar:
Freddie Green (on 1955-05-17)
piano:
Count Basie (pianist) (on 1955-05-17)
tenor saxophone:
Frank Foster (saxophonist) (on 1955-05-17) and Frank Wess (on 1955-05-17)
trombone:
Henry Coker (jazz trombonist) (on 1955-05-17), Bill Hughes (jazz trombonist) (on 1955-05-17) and Benny Powell (jazz trombonist) (on 1955-05-17)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-05-17), Reunald Jones (on 1955-05-17), Thad Jones (American jazz trumpeter) (on 1955-05-17) and Joe Newman (US jazz trumpeter) (on 1955-05-17)
arranger:
Ernie Wilkins
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-05-17)
?:??
2Teach Me Tonight
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1955-07-26)
clarinet:
Marshall Royal (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
flute:
Frank Wess (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26) and Frank Wess (on 1955-07-26)
trombone:
Henry Coker (jazz trombonist) (on 1955-07-26), Bill Hughes (jazz trombonist) (on 1955-07-26) and Benny Powell (jazz trombonist) (on 1955-07-26)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (American jazz trumpeter) (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Ernie Wilkins
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-07-26)
?:??
3In the Evening (When the Sun Goes Down)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-05-17) and Marshall Royal (on 1955-05-17)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1955-05-17)
clarinet:
Marshall Royal (on 1955-05-17)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-05-17)
drums (drum set):
Sonny Payne (on 1955-05-17)
flute:
Frank Wess (on 1955-05-17)
guitar:
Freddie Green (on 1955-05-17)
piano:
Count Basie (pianist) (on 1955-05-17)
tenor saxophone:
Frank Foster (saxophonist) (on 1955-05-17) and Frank Wess (on 1955-05-17)
trombone:
Henry Coker (jazz trombonist) (on 1955-05-17), Bill Hughes (jazz trombonist) (on 1955-05-17) and Benny Powell (jazz trombonist) (on 1955-05-17)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-05-17), Reunald Jones (on 1955-05-17), Thad Jones (American jazz trumpeter) (on 1955-05-17) and Joe Newman (US jazz trumpeter) (on 1955-05-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-05-17)
?:??
4My Baby Upsets Me
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1955-07-26)
clarinet:
Marshall Royal (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
flute:
Frank Wess (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26) and Frank Wess (on 1955-07-26)
trombone:
Henry Coker (jazz trombonist) (on 1955-07-26), Bill Hughes (jazz trombonist) (on 1955-07-26) and Benny Powell (jazz trombonist) (on 1955-07-26)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (American jazz trumpeter) (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Frank Foster (saxophonist)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-07-26)
?:??
5Please Send Me Someone to Love
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1955-07-26)
clarinet:
Marshall Royal (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
flute:
Frank Wess (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26) and Frank Wess (on 1955-07-26)
trombone:
Henry Coker (jazz trombonist) (on 1955-07-26), Bill Hughes (jazz trombonist) (on 1955-07-26) and Benny Powell (jazz trombonist) (on 1955-07-26)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (American jazz trumpeter) (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Ernie Wilkins
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-07-26)
?:??
6Too Close for Comfort
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-06-27) and Marshall Royal (on 1956-06-27)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-06-27)
clarinet:
Marshall Royal (on 1956-06-27)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-06-27)
drums (drum set):
Sonny Payne (on 1956-06-27)
flute:
Frank Wess (on 1956-06-27)
guitar:
Freddie Green (on 1956-06-27)
piano:
Count Basie (pianist) (on 1956-06-27)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-06-27) and Frank Wess (on 1956-06-27)
trombone:
Henry Coker (jazz trombonist) (on 1956-06-27), Bill Hughes (jazz trombonist) (on 1956-06-27) and Benny Powell (jazz trombonist) (on 1956-06-27)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-06-27), Reunald Jones (on 1956-06-27), Thad Jones (American jazz trumpeter) (on 1956-06-27) and Joe Newman (US jazz trumpeter) (on 1956-06-27)
arranger:
Edgar Sampson
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-06-27)
?:??
7Don’t Worry ’Bout Me
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-06-26) and Marshall Royal (on 1956-06-26)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-06-26)
clarinet:
Marshall Royal (on 1956-06-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-06-26)
drums (drum set):
Sonny Payne (on 1956-06-26)
flute:
Frank Wess (on 1956-06-26)
guitar:
Freddie Green (on 1956-06-26)
piano:
Count Basie (pianist) (on 1956-06-26)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-06-26) and Frank Wess (on 1956-06-26)
trombone:
Henry Coker (jazz trombonist) (on 1956-06-26), Bill Hughes (jazz trombonist) (on 1956-06-26) and Benny Powell (jazz trombonist) (on 1956-06-26)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-06-26), Reunald Jones (on 1956-06-26), Thad Jones (American jazz trumpeter) (on 1956-06-26) and Joe Newman (US jazz trumpeter) (on 1956-06-26)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-06-26)
?:??
8Party Blues
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-06-25)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-06-25)
drums (drum set):
Sonny Payne (on 1956-06-25)
guitar:
Freddie Green (on 1956-06-25)
piano:
Count Basie (pianist) (on 1956-06-25)
tenor saxophone:
Frank Wess (on 1956-06-25)
trombone:
Henry Coker (jazz trombonist) (on 1956-06-25)
trumpet:
Thad Jones (American jazz trumpeter) (on 1956-06-25) and Joe Newman (US jazz trumpeter) (on 1956-06-25)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-06-25) and Joe Williams (US jazz vocalist) (on 1956-06-25)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-06-25)
?:??
9Stop, Pretty Baby, Stop
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-01-05) and Marshall Royal (on 1956-01-05)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-01-05)
clarinet:
Marshall Royal (on 1956-01-05)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-01-05)
drums (drum set):
Sonny Payne (on 1956-01-05)
flute:
Frank Wess (on 1956-01-05)
guitar:
Freddie Green (on 1956-01-05)
piano:
Count Basie (pianist) (on 1956-01-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-01-05) and Frank Wess (on 1956-01-05)
trombone:
Henry Coker (jazz trombonist) (on 1956-01-05), Bill Hughes (jazz trombonist) (on 1956-01-05) and Benny Powell (jazz trombonist) (on 1956-01-05)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-01-05), Reunald Jones (on 1956-01-05), Thad Jones (American jazz trumpeter) (on 1956-01-05) and Joe Newman (US jazz trumpeter) (on 1956-01-05)
recorded at:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-05)
?:??
10I’m Beginning to See the Light
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-04-28) and Marshall Royal (on 1956-04-28)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-04-28)
clarinet:
Marshall Royal (on 1956-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-04-28)
drums (drum set):
Sonny Payne (on 1956-04-28)
flute:
Frank Wess (on 1956-04-28)
guitar:
Freddie Green (on 1956-04-28)
piano:
Count Basie (pianist) (on 1956-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-04-28) and Frank Wess (on 1956-04-28)
trombone:
Henry Coker (jazz trombonist) (on 1956-04-28), Bill Hughes (jazz trombonist) (on 1956-04-28) and Benny Powell (jazz trombonist) (on 1956-04-28)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-04-28), Reunald Jones (on 1956-04-28), Thad Jones (American jazz trumpeter) (on 1956-04-28) and Joe Newman (US jazz trumpeter) (on 1956-04-28)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-28)
?:??
11A Fine Romance
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-04-28) and Marshall Royal (on 1956-04-28)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-04-28)
clarinet:
Marshall Royal (on 1956-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-04-28)
drums (drum set):
Sonny Payne (on 1956-04-28)
flute:
Frank Wess (on 1956-04-28)
guitar:
Freddie Green (on 1956-04-28)
piano:
Count Basie (pianist) (on 1956-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-04-28) and Frank Wess (on 1956-04-28)
trombone:
Henry Coker (jazz trombonist) (on 1956-04-28), Bill Hughes (jazz trombonist) (on 1956-04-28) and Benny Powell (jazz trombonist) (on 1956-04-28)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-04-28), Reunald Jones (on 1956-04-28), Thad Jones (American jazz trumpeter) (on 1956-04-28) and Joe Newman (US jazz trumpeter) (on 1956-04-28)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-28)
?:??
12I Don’t Like You No More
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1957-04-23 until 1957-04-30) and Marshall Royal (from 1957-04-23 until 1957-04-30)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1957-04-23 until 1957-04-30)
clarinet:
Marshall Royal (from 1957-04-23 until 1957-04-30)
double bass:
Eddie Jones (US jazz double bassist) (from 1957-04-23 until 1957-04-30)
drums (drum set):
Sonny Payne (from 1957-04-23 until 1957-04-30)
flute:
Frank Wess (from 1957-04-23 until 1957-04-30)
guitar:
Freddie Green (from 1957-04-23 until 1957-04-30)
piano:
Count Basie (pianist) (from 1957-04-23 until 1957-04-30)
tenor saxophone:
Frank Foster (saxophonist) (from 1957-04-23 until 1957-04-30) and Frank Wess (from 1957-04-23 until 1957-04-30)
trombone:
Henry Coker (jazz trombonist) (from 1957-04-23 until 1957-04-30), Bill Hughes (jazz trombonist) (from 1957-04-23 until 1957-04-30) and Benny Powell (jazz trombonist) (from 1957-04-23 until 1957-04-30)
trumpet:
Wendell Culley (jazz trumpeter) (from 1957-04-23 until 1957-04-30), Reunald Jones (from 1957-04-23 until 1957-04-30), Thad Jones (American jazz trumpeter) (from 1957-04-23 until 1957-04-30) and Joe Newman (US jazz trumpeter) (from 1957-04-23 until 1957-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-04-23 until 1957-04-30)
?:??
13There Will Never Be Another You
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-04-28) and Marshall Royal (on 1956-04-28)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-04-28)
clarinet:
Marshall Royal (on 1956-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-04-28)
drums (drum set):
Sonny Payne (on 1956-04-28)
flute:
Frank Wess (on 1956-04-28)
guitar:
Freddie Green (on 1956-04-28)
piano:
Count Basie (pianist) (on 1956-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-04-28) and Frank Wess (on 1956-04-28)
trombone:
Henry Coker (jazz trombonist) (on 1956-04-28), Bill Hughes (jazz trombonist) (on 1956-04-28) and Benny Powell (jazz trombonist) (on 1956-04-28)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-04-28), Reunald Jones (on 1956-04-28), Thad Jones (American jazz trumpeter) (on 1956-04-28) and Joe Newman (US jazz trumpeter) (on 1956-04-28)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-28)
?:??
14Come Rain or Come Shine
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-05-01) and Marshall Royal (on 1956-05-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-05-01)
clarinet:
Marshall Royal (on 1956-05-01)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-05-01)
drums (drum set):
Sonny Payne (on 1956-05-01)
flute:
Frank Wess (on 1956-05-01)
guitar:
Freddie Green (on 1956-05-01)
piano:
Count Basie (pianist) (on 1956-05-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-05-01) and Frank Wess (on 1956-05-01)
trombone:
Henry Coker (jazz trombonist) (on 1956-05-01), Bill Hughes (jazz trombonist) (on 1956-05-01) and Benny Powell (jazz trombonist) (on 1956-05-01)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-05-01), Reunald Jones (on 1956-05-01), Thad Jones (American jazz trumpeter) (on 1956-05-01) and Joe Newman (US jazz trumpeter) (on 1956-05-01)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-05-01)
?:??
15All Right, OK, You Win
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1957-07-07) and Marshall Royal (on 1957-07-07)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-07-07)
clarinet:
Marshall Royal (on 1957-07-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-07-07)
drums (drum set):
Sonny Payne (on 1957-07-07)
flute:
Frank Wess (on 1957-07-07)
guitar:
Freddie Green (on 1957-07-07)
piano:
Count Basie (pianist) (on 1957-07-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-07-07) and Frank Wess (on 1957-07-07)
trombone:
Henry Coker (jazz trombonist) (on 1957-07-07), Bill Hughes (jazz trombonist) (on 1957-07-07) and Benny Powell (jazz trombonist) (on 1957-07-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-07-07), Reunald Jones (on 1957-07-07), Thad Jones (American jazz trumpeter) (on 1957-07-07) and Joe Newman (US jazz trumpeter) (on 1957-07-07)
arranger:
Frank Foster (saxophonist)
recorded at:
Newport Jazz Festival 1957 (1957-07-04 – 1957-07-07)
?:??
16The Comeback
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1957-07-07) and Marshall Royal (on 1957-07-07)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-07-07)
clarinet:
Marshall Royal (on 1957-07-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-07-07)
drums (drum set):
Sonny Payne (on 1957-07-07)
flute:
Frank Wess (on 1957-07-07)
guitar:
Freddie Green (on 1957-07-07)
piano:
Count Basie (pianist) (on 1957-07-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-07-07) and Frank Wess (on 1957-07-07)
trombone:
Henry Coker (jazz trombonist) (on 1957-07-07), Bill Hughes (jazz trombonist) (on 1957-07-07) and Benny Powell (jazz trombonist) (on 1957-07-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-07-07), Reunald Jones (on 1957-07-07), Thad Jones (American jazz trumpeter) (on 1957-07-07) and Joe Newman (US jazz trumpeter) (on 1957-07-07)
arranger:
Frank Foster (saxophonist)
recorded at:
Newport Jazz Festival 1957 (1957-07-04 – 1957-07-07)
?:??
17Roll ’Em Pete
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1957-07-07) and Marshall Royal (on 1957-07-07)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-07-07)
clarinet:
Marshall Royal (on 1957-07-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-07-07)
drums (drum set):
Sonny Payne (on 1957-07-07)
flute:
Frank Wess (on 1957-07-07)
guitar:
Freddie Green (on 1957-07-07)
piano:
Count Basie (pianist) (on 1957-07-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-07-07) and Frank Wess (on 1957-07-07)
trombone:
Henry Coker (jazz trombonist) (on 1957-07-07), Bill Hughes (jazz trombonist) (on 1957-07-07) and Benny Powell (jazz trombonist) (on 1957-07-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-07-07), Reunald Jones (on 1957-07-07), Thad Jones (American jazz trumpeter) (on 1957-07-07) and Joe Newman (US jazz trumpeter) (on 1957-07-07)
recorded at:
Newport Jazz Festival 1957 (1957-07-04 – 1957-07-07)
?:??
18Smack Dab in the Middle
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1957-07-07) and Marshall Royal (on 1957-07-07)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1957-07-07)
clarinet:
Marshall Royal (on 1957-07-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-07-07)
drums (drum set):
Sonny Payne (on 1957-07-07)
flute:
Frank Wess (on 1957-07-07)
guitar:
Freddie Green (on 1957-07-07)
piano:
Count Basie (pianist) (on 1957-07-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-07-07) and Frank Wess (on 1957-07-07)
trombone:
Henry Coker (jazz trombonist) (on 1957-07-07), Bill Hughes (jazz trombonist) (on 1957-07-07) and Benny Powell (jazz trombonist) (on 1957-07-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1957-07-07), Reunald Jones (on 1957-07-07), Thad Jones (American jazz trumpeter) (on 1957-07-07) and Joe Newman (US jazz trumpeter) (on 1957-07-07)
arranger:
Edgar Sampson
recorded at:
Newport Jazz Festival 1957 (1957-07-04 – 1957-07-07)
?:??
2▼CD
#TitleRatingLength
1Every Night
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
2Sometimes I’m Happy
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
3Don’t You Know I Care
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
4Who She Do
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
recording of:
Who She Do (from 1987-05-07 until 1987-05-08)
composer:
Joe Williams (US jazz vocalist)
?:??
5Is You Is or Is You Ain’t My Baby
bass:
Bob Badgley (jazz bassist) (from 1989-01-19 until 1989-01-20)
drums (drum set):
Gerryck King (jazz drummer) (from 1989-01-19 until 1989-01-20)
guitar:
Henry Johnson (jazz guitarist) (from 1989-01-19 until 1989-01-20)
percussion:
Effrain Toro (percussionist) (from 1989-01-19 until 1989-01-20)
piano:
Norman Simmons (from 1989-01-19 until 1989-01-20)
vocals:
Marlena Shaw (from 1989-01-19 until 1989-01-20)
arranger:
Johnny Pate
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1989-01-19 until 1989-01-20)
?:??
6Winter Wonderland
alto saxophone:
Bobby Watson (American jazz alto saxophonist, composer, producer, and educator) (on 1990-06-25)
baritone saxophone:
Seldon Powell (on 1990-06-25)
bass:
Bob Cranshaw (on 1990-06-25)
drums (drum set):
Dennis Mackrel (on 1990-06-25)
guitar:
Kenny Burrell (on 1990-06-25)
piano:
Norman Simmons (on 1990-06-25)
tenor saxophone:
Frank Wess (on 1990-06-25)
trombone:
Al Grey (trombone) (on 1990-06-25)
trumpet:
Clark Terry (American swing trumpeter) (on 1990-06-25) and Joe Wilder (on 1990-06-25)
horn arranger:
Bobby Watson (American jazz alto saxophonist, composer, producer, and educator)
arranger:
Norman Simmons
recorded at:
Giant Studios in New York, New York, United States (on 1990-06-25)
?:??
7Ain’t Got Nothing but the Blues
bass:
Bob Badgley (jazz bassist) (from 1989-01-19 until 1989-01-20)
drums (drum set):
Gerryck King (jazz drummer) (from 1989-01-19 until 1989-01-20)
guitar:
Henry Johnson (jazz guitarist) (from 1989-01-19 until 1989-01-20)
piano:
Norman Simmons (from 1989-01-19 until 1989-01-20)
arranger:
Norman Simmons
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States (from 1989-01-19 until 1989-01-20)
?:??
8Too Good to Be True
bass:
Charles Ables (on 1988-11-16)
drums (drum set):
Steve Williams (US jazz drummer) (on 1988-11-16)
piano:
Shirley Horn (on 1988-11-16)
vocals:
Shirley Horn (on 1988-11-16)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1988-11-16)
?:??
9Too Marvelous for Words
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
10Jimmy’s Blues
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
11I Want a Little Girl
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
12Ev’ry Day (I Fall in Love)
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??
13Every Day I Have the Blues / All Blues
bass:
Bob Badgley (jazz bassist) (from 1987-05-07 until 1987-05-08)
drums (drum set):
Gerryck King (jazz drummer) (from 1987-05-07 until 1987-05-08)
guitar:
Henry Johnson (jazz guitarist) (from 1987-05-07 until 1987-05-08)
piano:
Norman Simmons (from 1987-05-07 until 1987-05-08)
arranger:
Norman Simmons
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1987-05-07 until 1987-05-08)
?:??