The Malcolm Arnold Edition: Seventeen Concertos

~ Release by Malcolm Arnold (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Concerto for Two Violins & Orchestra, op. 77: Allegro risoluto
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo violin:
Lyn Fletcher (from 1988-12-27 until 1988-12-30) and Kenneth Sillito (violinist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto for 2 Violins and String Orchestra, op. 77: I. Allegro risoluto (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1962)
part of:
Concerto for Two Violins and String Orchestra, op. 77
5:46
2Concerto for Two Violins & Orchestra, op. 77: Andantino
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo violin:
Lyn Fletcher (from 1988-12-27 until 1988-12-30) and Kenneth Sillito (violinist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto for 2 Violins and String Orchestra, op. 77: II. Andantino (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1962)
part of:
Concerto for Two Violins and String Orchestra, op. 77
6:54
3Concerto for Two Violins & Orchestra, op. 77: Vivace
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo violin:
Lyn Fletcher (from 1988-12-27 until 1988-12-30) and Kenneth Sillito (violinist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto for 2 Violins and String Orchestra, op. 77: III. Vivace (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1962)
part of:
Concerto for Two Violins and String Orchestra, op. 77
2:50
4Concerto for Viola & Chamber Orchestra, op. 108: Allegro con spirito
viola:
Rivka Golani (Israeli-Canadian violist) (from 1991-12-10 until 1991-12-13)
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for Viola and Chamber Orchestra, op. 108: I. Allegro con spirito (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1971)
part of:
Concerto for Viola and Chamber Orchestra, op. 108
7:24
5Concerto for Viola & Chamber Orchestra, op. 108: Andante con moto
viola:
Rivka Golani (Israeli-Canadian violist) (from 1991-12-10 until 1991-12-13)
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for Viola and Chamber Orchestra, op. 108: II. Andante con moto (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1971)
part of:
Concerto for Viola and Chamber Orchestra, op. 108
10:09
6Concerto for Viola & Chamber Orchestra, op. 108: Allegro vivace
viola:
Rivka Golani (Israeli-Canadian violist) (from 1991-12-10 until 1991-12-13)
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for Viola and Chamber Orchestra, op. 108: III. Allegro vivace (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1971)
part of:
Concerto for Viola and Chamber Orchestra, op. 108
2:35
7Concertino for Oboe and Strings, op. 28a: Leggiero
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-06-17 until 1996-06-18)
orchestra:
Bournemouth Symphony Orchestra (from 1996-06-17 until 1996-06-18)
conductor:
Vernon Handley (conductor) (from 1996-06-17 until 1996-06-18)
recorded at:
Wessex Hall (The Lighthouse, Poole Arts Centre) in Poole, England, United Kingdom (from 1996-06-17 until 1996-06-18)
recording of:
Concertino for Oboe and Strings, op. 28a: I. Leggiero (from 1996-06-17 until 1996-06-18)
orchestrator:
Roger Steptoe
composer:
Malcolm Arnold (composer)
is based on:
Oboe Sonatina, op. 28: I. Leggiero
part of:
Concertino for Oboe and Strings, op. 28a
2:47
8Concertino for Oboe and Strings, op. 28a: Andante con moto
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-06-17 until 1996-06-18)
orchestra:
Bournemouth Symphony Orchestra (from 1996-06-17 until 1996-06-18)
conductor:
Vernon Handley (conductor) (from 1996-06-17 until 1996-06-18)
recorded at:
Wessex Hall (The Lighthouse, Poole Arts Centre) in Poole, England, United Kingdom (from 1996-06-17 until 1996-06-18)
recording of:
Concertino for Oboe and Strings, op. 28a: II. Andante con moto (from 1996-06-17 until 1996-06-18)
orchestrator:
Roger Steptoe
composer:
Malcolm Arnold (composer)
is based on:
Oboe Sonatina, op. 28: II. Andante con moto
part of:
Concertino for Oboe and Strings, op. 28a
4:18
9Concertino for Oboe and Strings, op. 28a: Vivace
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-06-17 until 1996-06-18)
orchestra:
Bournemouth Symphony Orchestra (from 1996-06-17 until 1996-06-18)
conductor:
Vernon Handley (conductor) (from 1996-06-17 until 1996-06-18)
recorded at:
Wessex Hall (The Lighthouse, Poole Arts Centre) in Poole, England, United Kingdom (from 1996-06-17 until 1996-06-18)
recording of:
Concertino for Oboe and Strings, op. 28a: III. Vivace (from 1996-06-17 until 1996-06-18)
orchestrator:
Roger Steptoe
composer:
Malcolm Arnold (composer)
is based on:
Oboe Sonatina, op. 28: III. Vivace
part of:
Concertino for Oboe and Strings, op. 28a
1:51
10Concerto for Flute & Strings, op. 45: Allegro energico
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo flute:
Karen Jones (flautist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Flute Concerto no. 1, op. 45: I. Allegro energico (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1954)
part of:
Flute Concerto no. 1, op. 45
4:04
11Concerto for Flute & Strings, op. 45: Andante
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo flute:
Karen Jones (flautist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Flute Concerto no. 1, op. 45: II. Andante (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1954)
part of:
Flute Concerto no. 1, op. 45
4:38
12Concerto for Flute & Strings, op. 45: Con fuoco
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo flute:
Karen Jones (flautist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Flute Concerto no. 1, op. 45: III. Con fuoco (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1954)
part of:
Flute Concerto no. 1, op. 45
2:11
13Concerto no. 2 for Flute & Orchestra, op. 111: Allegro moderato
flute:
Karen Jones (flautist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Flute Concerto no. 2, op. 111: I. Allegro moderato (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1972)
part of:
Flute Concerto no. 2, op. 111
5:49
14Concerto no. 2 for Flute & Orchestra, op. 111: Vivace
flute:
Karen Jones (flautist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Flute Concerto no. 2, op. 111: II. Vivace (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1972)
part of:
Flute Concerto no. 2, op. 111
3:08
15Concerto no. 2 for Flute & Orchestra, op. 111: Allegretto
flute:
Karen Jones (flautist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Flute Concerto no. 2, op. 111: III. Allegretto (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1972)
part of:
Flute Concerto no. 2, op. 111
3:56
16Concerto for Recorder and Orchestra, op. 133: Allegro
recorder:
Michala Petri (recorder player)
orchestra:
English Chamber Orchestra
conductor:
Okko Kamu (conductor)
recording of:
Concerto for Recorder and Orchestra, op. 133: I. Allegro
composer:
Malcolm Arnold (composer) (in 1988)
part of:
Concerto for Recorder and Orchestra, op. 133
3:51
17Concerto for Recorder and Orchestra, op. 133: Lento
recorder:
Michala Petri (recorder player)
orchestra:
English Chamber Orchestra
conductor:
Okko Kamu (conductor)
recording of:
Concerto for Recorder and Orchestra, op. 133: II. Lento
composer:
Malcolm Arnold (composer) (in 1988)
part of:
Concerto for Recorder and Orchestra, op. 133
4:11
18Concerto for Recorder and Orchestra, op. 133: Vivace
recorder:
Michala Petri (recorder player)
orchestra:
English Chamber Orchestra
conductor:
Okko Kamu (conductor)
recording of:
Concerto for Recorder and Orchestra, op. 133: III. Vivace
composer:
Malcolm Arnold (composer) (in 1988)
part of:
Concerto for Recorder and Orchestra, op. 133
3:10
2▼CD
#TitleRatingLength
1Concerto for Clarinet & Strings, op. 20: Allegro
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo clarinet:
Michael Collins (clarinetist & conductor) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Clarinet Concerto no. 1, op. 20: I. Allegro (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1948)
part of:
Clarinet Concerto no. 1, op. 20
6:38
2Concerto for Clarinet & Strings, op. 20: Andante con moto
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo clarinet:
Michael Collins (clarinetist & conductor) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Clarinet Concerto no. 1, op. 20: II. Andante con moto (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1948)
part of:
Clarinet Concerto no. 1, op. 20
6:17
3Concerto for Clarinet & Strings, op. 20: Allegro con fuoco
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo clarinet:
Michael Collins (clarinetist & conductor) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Clarinet Concerto no. 1, op. 20: III. Molto allegro con fuoco (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer) (in 1948)
part of:
Clarinet Concerto no. 1, op. 20
3:12
4Clarinet Concerto no. 2, op. 115: Allegro vivace
clarinet:
Michael Collins (clarinetist & conductor) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Clarinet Concerto no. 2, op. 115: I. Allegro vivace (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1974)
part of:
Clarinet Concerto no. 2, op. 115
5:47
5Clarinet Concerto no. 2, op. 115: Lento
clarinet:
Michael Collins (clarinetist & conductor) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Clarinet Concerto no. 2, op. 115: II. Lento (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1974)
part of:
Clarinet Concerto no. 2, op. 115
7:56
6Clarinet Concerto no. 2, op. 115: (The Pre-Goodman Rag) Allegro ma non troppo
clarinet:
Michael Collins (clarinetist & conductor) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Clarinet Concerto no. 2, op. 115: III. The Pre-Goodman Rag. Allegro non troppo (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1974)
part of:
Clarinet Concerto no. 2, op. 115
2:27
7Concerto no. 1 for Horn & Orchestra, op. 11: Allegro commodo
French horn [horn]:
Richard Watkins (hornist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Horn and Orchestra no. 1, op. 11: I. Allegro comodo (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1945)
part of:
Concerto for Horn and Orchestra no. 1, op. 11
7:42
8Concerto no. 1 for Horn & Orchestra, op. 11: Andante con moto
French horn [horn]:
Richard Watkins (hornist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Horn and Orchestra no. 1, op. 11: II. Andante con moto (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1945)
part of:
Concerto for Horn and Orchestra no. 1, op. 11
10:16
9Concerto no. 1 for Horn & Orchestra, op. 11: Allegro con brio
French horn [horn]:
Richard Watkins (hornist) (from 1993-06-28 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Horn and Orchestra no. 1, op. 11: III. Allegro con brio (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1945)
part of:
Concerto for Horn and Orchestra no. 1, op. 11
4:44
10Concerto no. 2 for Horn and Strings, op. 58: Con energico
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo horn:
Richard Watkins (hornist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto no. 2 for Horn and Strings, op. 58: I. Con energico (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer)
part of:
Concerto no. 2 for Horn and Strings, op. 58
5:01
11Concerto no. 2 for Horn and Strings, op. 58: Andante grazioso
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo horn:
Richard Watkins (hornist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto no. 2 for Horn and Strings, op. 58: II. Andantino grazioso (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer)
part of:
Concerto no. 2 for Horn and Strings, op. 58
5:28
12Concerto no. 2 for Horn and Strings, op. 58: Vivace
recording engineer:
Anthony R. Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
editor:
Finesplice (editor)
solo horn:
Richard Watkins (hornist) (from 1988-12-27 until 1988-12-30)
orchestra:
London Musici (from 1988-12-27 until 1988-12-30)
conductor:
Mark Stephenson (conductor/producer) (from 1988-12-27 until 1988-12-30)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1988-12-27 until 1988-12-30)
recording of:
Concerto no. 2 for Horn and Strings, op. 58: III. Vivace (from 1988-12-27 until 1988-12-30)
composer:
Malcolm Arnold (composer)
part of:
Concerto no. 2 for Horn and Strings, op. 58
3:35
3▼CD
#TitleRatingLength
1Concerto for Piano Duet & Strings, op. 32: Allegro
piano:
Richard Markham (pianist) (from 1993-06-28 until 1993-06-30) and David Nettle (pianist) (from 1993-06-29 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Piano Duet and Strings, op. 32: I. Allegro (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1951)
part of:
Concerto for Piano Duet and Strings, op. 32
6:55
2Concerto for Piano Duet & Strings, op. 32: Larghetto
piano:
Richard Markham (pianist) (from 1993-06-28 until 1993-06-30) and David Nettle (pianist) (from 1993-06-29 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Piano Duet and Strings, op. 32: II. Larghetto (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1951)
part of:
Concerto for Piano Duet and Strings, op. 32
7:07
3Concerto for Piano Duet & Strings, op. 32: Vivace
piano:
Richard Markham (pianist) (from 1993-06-28 until 1993-06-30) and David Nettle (pianist) (from 1993-06-29 until 1993-06-30)
orchestra:
London Musici (from 1993-06-28 until 1993-06-30)
conductor:
Mark Stephenson (conductor/producer) (from 1993-06-28 until 1993-06-30)
concertmaster:
Jagdish Mistry (from 1993-06-28 until 1993-06-30)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1993-06-28 until 1993-06-30)
recording of:
Concerto for Piano Duet and Strings, op. 32: III. Vivace (from 1993-06-28 until 1993-06-30)
composer:
Malcolm Arnold (composer) (in 1951)
part of:
Concerto for Piano Duet and Strings, op. 32
6:02
4Concerto for 2 Pianos (3 Hands), op. 104: Allegro moderato
piano:
Richard Markham (pianist) (from 1994-05-29 until 1994-05-31) and David Nettle (pianist) (from 1994-05-29 until 1994-05-31)
orchestra:
Royal Philharmonic Orchestra (from 1994-05-29 until 1994-05-31)
conductor:
Vernon Handley (conductor) (from 1994-05-29 until 1994-05-31)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1994-05-29 until 1994-05-31)
recording of:
Concerto for 2 Pianos (3 Hands), op. 104: I. Allegro moderato (from 1994-05-29 until 1994-05-31)
composer:
Malcolm Arnold (composer) (in 1969)
part of:
Concerto for Two Pianos (Three Hands), op. 104
5:11
5Concerto for 2 Pianos (3 Hands), op. 104: Andante moderato
piano:
Richard Markham (pianist) (from 1994-05-29 until 1994-05-31) and David Nettle (pianist) (from 1994-05-29 until 1994-05-31)
orchestra:
Royal Philharmonic Orchestra (from 1994-05-29 until 1994-05-31)
conductor:
Vernon Handley (conductor) (from 1994-05-29 until 1994-05-31)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1994-05-29 until 1994-05-31)
recording of:
Concerto for 2 Pianos (3 Hands), op. 104: II. Andante moderato (from 1994-05-29 until 1994-05-31)
composer:
Malcolm Arnold (composer) (in 1969)
part of:
Concerto for Two Pianos (Three Hands), op. 104
5:12
6Concerto for 2 Pianos (3 Hands), op. 104: Allegro
piano:
Richard Markham (pianist) (from 1994-05-29 until 1994-05-31) and David Nettle (pianist) (from 1994-05-29 until 1994-05-31)
orchestra:
Royal Philharmonic Orchestra (from 1994-05-29 until 1994-05-31)
conductor:
Vernon Handley (conductor) (from 1994-05-29 until 1994-05-31)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1994-05-29 until 1994-05-31)
recording of:
Concerto for 2 Pianos (3 Hands), op. 104: III. Allegro (from 1994-05-29 until 1994-05-31)
composer:
Malcolm Arnold (composer) (in 1969)
part of:
Concerto for Two Pianos (Three Hands), op. 104
3:11
7Fantasy on a Theme of John Field, for Piano and Orchestra, op. 116
piano:
John Lill (pianist) (from 1993-04-19 until 1993-04-20)
orchestra:
Royal Philharmonic Orchestra (from 1993-04-19 until 1993-04-20)
conductor:
Vernon Handley (conductor) (from 1993-04-19 until 1993-04-20)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Fantasy on a Theme of John Field, op. 116 (for piano and orchestra) (from 1993-04-19 until 1993-04-20)
composer:
Malcolm Arnold (composer) (in 1975)
dedicated to:
John Lill (pianist)
premiered at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1977-05-26)
part of:
Works of Malcolm Arnold by opus number (number: op. 116)
21:55
4▼CD
#TitleRatingLength
1Concerto for Harmonica & Orchestra, op. 46: Grazioso
harmonica:
Tommy Reilly (classical harmonica player) (on 1965-09-25)
orchestra:
BBC Concert Orchestra (on 1965-09-25)
conductor:
Henry Maria Krips (Austrian-Australian conductor and composer) (on 1965-09-25)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1965-09-25)
live recording of:
Concerto for Harmonica & Orchestra op. 46: I. Allegro (on 1965-09-25)
composer:
Malcolm Arnold (composer)
part of:
Concerto for Harmonica and Orchestra, op. 46
3:51
2Concerto for Harmonica & Orchestra, op. 46: Mesto
harmonica:
Tommy Reilly (classical harmonica player) (on 1965-09-25)
orchestra:
BBC Concert Orchestra (on 1965-09-25)
conductor:
Henry Maria Krips (Austrian-Australian conductor and composer) (on 1965-09-25)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1965-09-25)
live recording of:
Concerto for Harmonica & Orchestra op. 46: I. Allegro (on 1965-09-25)
composer:
Malcolm Arnold (composer)
part of:
Concerto for Harmonica and Orchestra, op. 46
3:43
3Concerto for Harmonica & Orchestra, op. 46: Con brio
harmonica:
Tommy Reilly (classical harmonica player) (on 1965-09-25)
orchestra:
BBC Concert Orchestra (on 1965-09-25)
conductor:
Henry Maria Krips (Austrian-Australian conductor and composer) (on 1965-09-25)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1965-09-25)
live recording of:
Concerto for Harmonica & Orchestra op. 46: I. Allegro (on 1965-09-25)
composer:
Malcolm Arnold (composer)
part of:
Concerto for Harmonica and Orchestra, op. 46
2:07
4Concerto for Guitar & Chamber Orchestra, op. 67: Allegro
guitar:
Eduardo Fernández (guitarist)
orchestra:
English Chamber Orchestra
conductor:
Barry Wordsworth (conductor)
6:24
5Concerto for Guitar & Chamber Orchestra, op. 67: Lento
guitar:
Eduardo Fernández (guitarist)
orchestra:
English Chamber Orchestra
conductor:
Barry Wordsworth (conductor)
11:34
6Concerto for Guitar & Chamber Orchestra, op. 67: Con brio
guitar:
Eduardo Fernández (guitarist)
orchestra:
English Chamber Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Concerto for Guitar and Chamber Orchestra, op. 67: III. Con brio
composer:
Malcolm Arnold (composer)
part of:
Concerto for Guitar and Chamber Orchestra, op. 67
4:34
7Concerto for 28 Players, op. 105: Vivace
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for 28 Players, op. 105: I. Vivace (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1970)
part of:
Concerto for 28 Players, op. 105
6:34
8Concerto for 28 Players, op. 105: Larghetto
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for 28 Players, op. 105: II. Larghetto (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1970)
part of:
Concerto for 28 Players, op. 105
9:55
9Concerto for 28 Players, op. 105: Allegro
orchestra:
London Musici (from 1991-12-10 until 1991-12-13)
conductor:
Mark Stephenson (conductor/producer) (from 1991-12-10 until 1991-12-13)
concertmaster:
Lyn Fletcher (from 1991-12-10 until 1991-12-13)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-12-10 until 1991-12-13)
recording of:
Concerto for 28 Players, op. 105: III. Allegro (from 1991-12-10 until 1991-12-13)
composer:
Malcolm Arnold (composer) (in 1970)
part of:
Concerto for 28 Players, op. 105
4:52
10Philharmonic Concerto, op. 120: Intrada
orchestra:
BBC Concert Orchestra (from 1997-10-13 until 1997-10-15)
conductor:
Vernon Handley (conductor) (from 1997-10-13 until 1997-10-15)
concertmaster:
Martin Loveday (cellist) (from 1997-10-13 until 1997-10-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1997-10-13 until 1997-10-15)
recording of:
Philharmonic Concerto, op. 120: I. Intrada (Vivace) (from 1997-10-13 until 1997-10-15)
composer:
Malcolm Arnold (composer) (in 1976)
part of:
Philharmonic Concerto, op. 120
5:21
11Philharmonic Concerto, op. 120: Aria
orchestra:
BBC Concert Orchestra (from 1997-10-13 until 1997-10-15)
conductor:
Vernon Handley (conductor) (from 1997-10-13 until 1997-10-15)
concertmaster:
Martin Loveday (cellist) (from 1997-10-13 until 1997-10-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1997-10-13 until 1997-10-15)
recording of:
Philharmonic Concerto, op. 120: II. Andantino (from 1997-10-13 until 1997-10-15)
composer:
Malcolm Arnold (composer) (in 1976)
part of:
Philharmonic Concerto, op. 120
6:30
12Philharmonic Concerto, op. 120: Chacony
orchestra:
BBC Concert Orchestra (from 1997-10-13 until 1997-10-15)
conductor:
Vernon Handley (conductor) (from 1997-10-13 until 1997-10-15)
concertmaster:
Martin Loveday (cellist) (from 1997-10-13 until 1997-10-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1997-10-13 until 1997-10-15)
recording of:
Philharmonic Concerto, op. 120: III. Chacony (Energico) (from 1997-10-13 until 1997-10-15)
composer:
Malcolm Arnold (composer) (in 1976)
part of:
Philharmonic Concerto, op. 120
3:37