Vintage Acoustic

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Walking Man
Techniker(in) und Mix:
Harry Maslin
Produzent(in):
David Spinozza
Akustikgitarre und Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Bass:
Andy Muson
E-Gitarre:
David Spinozza
Hybrid-Piano:
Kenny Ascher
Perkussion:
Ralph MacDonald
Saiteninstrumente:
Gene Orloff
Schlagzeug [drums]:
Rick Marotta (US drummer/percussionist)
concertmaster:
Gene Orloff
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
mixed at und engineered at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1974-01 bis 1974-04)
recording of:
Walking Man (James Taylor song)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (in 1974)
James Taylor4.53:32
2The Captain and Me
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Captain and Me
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers34:48
3Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
publisher:
Dawnbreaker Music Co.
Seals & Crofts53:58
4One More Time
Mix:
Eddie Kramer (engineer) und Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
vocals:
Carly Simon
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
One More Time
Texter und Komponist(in):
Carly Simon
publisher:
C’Est Music und Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon33:32
5Crying in the Rain
recording of:
Crying in the Rain (Everly Brothers song) (am 1961-11-14)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers51:59
6Morning Glory
Techniker(in):
Bruce Botnick
Produzent(in):
Jerry Yester
Bass:
Jimmy Bond (in 1967-05)
flute und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre und Sologesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
Klavier:
Don Randi (in 1967-05)
membranophone:
John Clauder (in 1967-05)
Hintergrundgesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) und Jerry Yester (in 1967-05)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-05)
recording of:
Morning Glory
Texter und Komponist(in):
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:51
7Suite: Judy Blue Eyes
recording engineer:
Bill Halverson
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
Mix:
David Crosby, Bill Halverson, Graham Nash und Stephen Stills
Bassgitarre, Gitarre und Perkussion:
Stephen Stills (in 1969)
vocals:
David Crosby (in 1969), Graham Nash (in 1969) und Stephen Stills (in 1969)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 222) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 418)
recording of:
Suite: Judy Blue Eyes (in 1969)
Texter und Komponist(in):
Stephen Stills
publisher:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.67:24
8I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
9Dismal Day
Techniker(in):
Bruce Botnick
recording of:
Dismal Day
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread2:15
10Someday Soon
Techniker(in):
John Haeny
Produzent(in):
David Anderle
Akustikgitarre:
Judy Collins
Bass:
Stephen Stills
E-Gitarre:
James Burton (guitarist)
Klavier:
Van Dyke Parks
Pedal-Steel-Gitarre:
Buddy Emmons
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Judy Collins
cover recording of:
Someday Soon
Texter und Komponist(in):
Ian Tyson
Judy Collins3:44
11Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:46
12Today’s the Day
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Perkussion und Schlagzeug:
Willie Leacox
conductor:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
zusätzlich arranger:
Mark Guercio (Engineer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Today’s the Day
Texter und Komponist(in):
Dan Peek
publisher:
WB Music Corp. (1929–2019)
America33:15
13Carey
recording of:
Carey
publisher:
Joni Mitchell
Texter und Komponist(in):
Joni Mitchell
Joni Mitchell3:02
14Dance, Dance, Dance
sonstige Unterstützung:
Elliot Roberts und Roland Stone
Techniker(in):
Bruce Botnick
Koproduzent(in):
Bruce Botnick und Jack Nitzsche (American musician and score composer)
Mix:
Henry Lewy
Bass:
Billy Talbot
Gast-Fiddle:
Gib Gilbeau
Gitarre:
Nils Lofgren und Danny Whitten
Keyboard und Klavier:
Jack Nitzsche (American musician and score composer)
Schlagzeug [drums]:
Ralph Molina
Hintergrundgesang:
Nils Lofgren, Ralph Molina, Jack Nitzsche (American musician and score composer), Billy Talbot und Danny Whitten
Sologesang:
Molina und Danny Whitten
arranger:
Crazy Horse (American rock band often working with Neil Young)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studio “E” in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Sunset Sound, Studio 1 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Wally Heider Studio "D" in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Dance, Dance, Dance
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music und Broken Arrow Music Pub, Co.
Crazy Horse2:11
15Home to You
John Michael Montgomery33:29
16Whose Garden Was This
Techniker(in):
David Green (engineer), Dennis Murphy (engineer) und Phil Ramone
Produzent(in):
Milton Okun
Bass:
Herb Bushler
Gitarre:
David Bromberg (American multi-instrumentalist, singer, and songwriter), Tom Paxton (US folk singer-songwriter) und Paul Prestopino
Keyboard [keyboards]:
David Horowitz (jazz pianist, keyboardist, composer)
membranophone:
Teddy Sommer
vocals:
Tom Paxton (US folk singer-songwriter)
arranger:
Milton Okun
Tom Paxton2:29
17Could You Put Your Light On, Please
Harry Chapin4:28
18Sails
recording of:
Sails
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
Orleans2:03
19Rose Come Home
Gulliver3:41
20Laughing
recording engineer und Mix:
Stephen Barncard
assistierende(r) Techniker(in):
Ellen Burke
Produzent(in):
David Crosby
Bass:
Phil Lesh (am 1969-10-24)
Gitarre:
David Crosby (am 1969-10-24)
Pedal-Steel-Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (am 1969-10-24)
Schlagzeug:
Bill Kreutzmann (am 1969-10-24)
vocals:
David Crosby (am 1969-10-24), Joni Mitchell (am 1969-10-24) und Graham Nash (am 1969-10-24)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1969-10-24)
recording of:
Laughing (am 1969-10-24)
Texter und Komponist(in):
David Crosby
publisher:
Stay Straight Music
David Crosby5:25
21Hardwood Floor
Techniker(in):
Henry Lewy
Produzent(in):
The Doors
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre und Mundharmonika:
Robby Krieger (American guitarist, member of The Doors)
Keyboard und Sologesang:
Ray Manzarek
Schlagzeug:
John Densmore
Hintergrundgesang:
Venetta Fields, Clydie King und Melissa Mackay
recording of:
Hardwood Floor
Texter und Komponist(in):
Robby Krieger (American guitarist, member of The Doors)
The Doors2.253:30
22To Know Him Is to Love Him
recording engineer und Produzent(in):
George Massenburg
Mastering:
Doug Sax
assistierende(r) Techniker(in):
Sharon Rice (Los Angeles sound engineer)
Akustikgitarre:
Albert Lee (guitarist)
akustische Bassgitarre:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Gitarre:
Ry Cooder
hawaiianische Gitarre und Mandoline:
David Lindley
Schlagzeug:
Russ Kunkel (session drummer)
vocals:
Emmylou Harris, Dolly Parton und Linda Ronstadt
cover recording of:
To Know Him Is to Love Him (von 1986-01 bis 1986-11)
Texter und Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. und Vogue Music
Emmylou Harris feat. Dolly Parton & Linda Ronstadt3.653:53
23Uncle John’s Band
recording of:
Uncle John’s Band
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead4:44
24Hey Mister, That’s Me Up on the Jukebox
Sologesang:
Linda Ronstadt
cover recording of:
Hey Mister, That’s Me Up on the Jukebox
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
Linda Ronstadt4:07
25Elvis and Me
recording of:
Elvis and Me
Verfasser(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Jimmy Webb5:47
26Midnight Prowl
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Greg Ladanyi
Produzent(in):
Peter Asher
Akustikgitarre und Conga:
John David Souther
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Bratsche / Viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), James Dunham (viola player) und Pamela Goldsmith (American violist)
Cello:
Ronald Cooper, Dennis Karmazyn und Harry Shlutz
E-Gitarre und Hybrid-Piano:
Andrew Gold
Flügelhorn [fluegel horn]:
Donald Byrd (American jazz trumpeter)
Geige / Violine:
Charles Veal (violinist, conductor and arranger), Kathleen Lenski, Sheldon Sanov (violinist) und Haim Shtrum
Schlagzeug:
Russel Kunkel (session drummer)
Slide-Gitarre:
Lowell George
Synthesizer [ARP string ensemble]:
Andrew Gold und John David Souther
vocals:
John David Souther
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Prowl
Texter und Komponist(in):
J.D. Souther
publisher:
Benchmark Music (in 1976) und Golden Spread Music (in 1976)
J.D. Souther5:02
27Enchanted Sky Machines
Produzent(in):
John Beck (producer & member of The Leaves), Henry Lewy und Jim Pons
Gitarre und Sologesang:
Judee Sill
Hintergrundgesang:
Rita Coolidge, Venetta Fields und Clydie King
Orchestrator(in):
Don Bagley und Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
recording of:
Enchanted Sky Machines
Texter und Komponist(in):
Judee Sill
Judee Sill2:50
28She
recording of:
She
Verfasser(in):
Chris Ethridge und Gram Parsons
Gram Parsons4:57
29Go My Way
recording engineer:
Rex Collier
Techniker(in):
Rick Horton
Produzent(in):
Joe Wissert
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (von 1970-12 bis 1971-04)
recording of:
Go My Way
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Warner Bros., Inc. (not for release label use!)
Gordon Lightfoot2:16
30Machine Gun Kelly
Jo Mama3:29

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/215091572 [Info]