100 80s Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.353:30
2The Way It Is
tecnico:
Elliot Scheiner
produttore:
Bruce Hornsby e Elliot Scheiner
batteria e percussione :
John Molo
pianoforte e sintetizzatore :
Bruce Hornsby
voce:
Bruce Hornsby
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (nel 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Trackman, Inc.
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:55
3Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:51
4When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:09
5Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
6Automatic
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
tecnico di registrazione:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (nel 1983)
programmazione degli strumenti:
Brock Walsh (singer, producer, songwriter) (nel 1983)
produttore:
Richard Perry (producer)
produttore associato:
Glen Ballard e Brock Walsh (singer, producer, songwriter)
basso :
Eddie N. Watkins Jr. (nel 1983)
chitarra :
Mark Goldenberg (nel 1983) e Dennis Herring (nel 1983)
minimoog e sintetizzatore :
John Van Tongeren (nel 1983)
sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983), Howie Rice (nel 1983) e Brock Walsh (singer, producer, songwriter) (nel 1983)
voce principale:
Ruth Pointer (nel 1983)
remixer:
Bill Schnee
registrazione di:
Automatic (nel 1983)
compositore:
Brock Patrick Walsh (singer, producer, songwriter) e Mark Goldenberg
The Pointer Sisters44:49
7Rosanna
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
arrangiatore:
David Paich e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
Rosanna
paroliere e compositore:
D. Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Spirit Two Music
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:02
8Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:39
9Love of the Common People
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Love of the Common People
paroliere e compositore:
John Hurley e Ronnie Wilkins
editore:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1983) e Westminster Music Ltd. (nel 1983)
Paul Young33:41
10Kyrie
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Kyrie
paroliere:
John Lang (US songwriter for Mr. Mister & Pages)
compositore:
Steve George (US keyboardist for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.54:12
11Goody Two Shoes
assistente tecnico:
George Chambers (engineer a/k/a George “Chappie” Chambers)
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) e Marco Pirroni (British musician and producer)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1982)
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam and the Ants3:20
12Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka3.353:56
13When Will I Be Famous
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
When Will I Be Famous?
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros33:59
14In a Lifetime
produttore:
Steve Nye (producer, engineer and pianist)
voce aggiuntiva:
Bono (singer of U2)
esecutore:
Bono (singer of U2)
registrazione di:
In a Lifetime
paroliere e compositore:
Ciarán Ó Braonáin e Pól Ó Braonáin
editore:
BMG Music Publishing Ltd. e Clannad Music Ltd.
Clannad & Bono53:05
15What’s a Matter Baby
registrazione di:
What’s a Matter Baby
autore:
Joy Byers e Clyde Otis (American songwriter and record producer)
Ellen Foley3:38
16Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.34:06
17Just Got Paid
registrazione di:
Just Got Paid
autore:
Johnny Kemp
Johnny Kemp3:31
18A Little Bit Further Away
registrazione di:
A Little Bit Further Away
autore:
Frank Collins
Kokomo4:01
19Dead Ringer for Love
produttore:
Jimmy Iovine e Jim Steinman
batteria :
Liberty DeVitto (US drummer)
chitarra [guitars] :
Davey Johnstone
chitarra basso :
Steve Buslowe
corno :
Alan Rubin, Lou Delgatto, Lou Marani e Tom Malone (US trombonist)
percussione :
Jimmy Maelen (percussion)
pianoforte :
Roy Bittan
tamburo a fessura [African logs] :
Neleam Ymmij
voce:
Cher e Meat Loaf
voce di accompagnamento:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley e Eric Troyer
esecutore:
Cher
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Dead Ringer for Love
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1981), Neverland Music Publishing Company (nel 1981) e Peg Music Company (nel 1981)
Meat Loaf & Cher3.84:24
20Funkin’ for Jamaica (N.Y.)
registrazione di:
Funkin’ for Jamaica (N.Y.)
paroliere:
Toni Smith
compositore:
Tom Browne (US jazz trumpeter)
editore:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne3:53
2▼CD
#TitoloArtistaValutazioneDurata
1Adult Education
remixer:
Bob Clearmountain e Nile Rodgers
registrazione di:
Adult Education
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
Hall & Oates44:36
2The Promise You Made
produttore e tecnico di missaggio:
Steve Hillage
batteria e percussione :
Louis Molino
voce principale:
Peter Kingsbery e Anna LaCazio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
mixata presso:
Kendun Recorders in Burbank, California, Stati Uniti
registrazione di:
The Promise You Made
paroliere e compositore:
Peter Kingsbery
editore:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
Nichion Synch Division (NICHION, INC. Synch Division) e Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:54
3Don’t Answer Me
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Ian Bairnson
chitarra acustica :
Ian Bairnson e David Paton (of Pilot)
chitarra basso :
David Paton (of Pilot)
sassofono :
Mel Collins
sintetizzatore [Fairlight] :
Alan Parsons (of The Alan Parsons Project)
tastiera e voce di accompagnamento:
Chris Rainbow e Eric Woolfson
voce principale:
Eric Woolfson
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
registrazione di:
Don’t Answer Me
autore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. e Woolfsongs Ltd.
The Alan Parsons Project3.84:12
4Runaway Boys
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrazione di:
Runaway Boys
autore:
Slim Jim Phantom e Brian Setzer
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.73:00
5Making Your Mind Up
produttore:
Andy Hill (English producer & songwriter)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (nel 1981)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1981) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1981)
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:38
6Starmaker
registrazione di:
Starmaker
autore:
Carole Bayer Sager e Bruce Roberts (American singer-songwriter)
editore:
Alley Music Corp., EMI Sosaha Music, Inc., R2M Music (BMI), Songs of Lastrada (BMI-affiliated), Trio Music Company, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), The EMP Company (dal 1974 a oggi), The Times Square Music Publications Co. (dal 1974 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Kids From Fame4:00
7My Favourite Waste of Time
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
video musicali:
My Favourite Waste of Time di Owen Paul
registrazione cover di:
My Favourite Waste of Time
paroliere e compositore:
Marshall Crenshaw
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) e Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
registrazione di:
My Favourite Waste of Time
paroliere e compositore:
Marshall Crenshaw
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) e Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Owen Paul3.353:27
8All the Love in the World
tecnico:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
batteria :
Steve Gadd (drummer)
chitarra basso :
George “Chocolate” Perry (bassist aka "Chocolate")
chitarra elettrica :
Tim Renwick
voce di accompagnamento:
Barry Gibb
voce principale:
Dionne Warwick
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982)
è stato produttore per:
Karlbhy Productions
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
All the Love in the World
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd., Crompton Songs, Gibb Brothers Music (, nel 1982), Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3:28
9All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:02
10January February
produttore:
Alan Tarney
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980) e Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980)
registrazione di:
January, February
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd. (nel 1980)
Barbara Dickson3:40
11Rock the Night
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1986) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
registrazione di:
Rock the Night
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:06
12The Power of Love
programmazione:
Harry Baierl
produttore:
Candy de Rouge (aka Candy de Rouge) e Gunther Mende
tastiera :
Harry Baierl
voce principale:
Jennifer Rush
arrangiatore:
Candy de Rouge (aka Candy de Rouge) e Gunther Mende
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1984) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1984)
registrazione di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Jennifer Rush55:55
13(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:31
14Satellite
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1987)
registrazione di:
Satellite
autore:
Eric Bazilian, Rick Chertoff e Rob Hyman
editore:
Dub Notes Music (publisher), Hobbler Music, Human Boy Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. e WB Music Corp. (1929–2019)
The Hooters44:16
15What’s Another Year
voce:
Johnny Logan (nel 1987)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
What's Another Year (nel 1987)
paroliere e compositore:
Shay Healy (Irish songwriter)
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) e Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan3:02
16You Got It (The Right Stuff)
produttore:
Maurice Starr
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 92) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 499)
registrazione di:
You Got It (The Right Stuff)
paroliere e compositore:
Maurice Starr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs e Maurice Starr Music
New Kids on the Block34:10
17Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:21
18Going Back to My Roots
produttore:
Steve Tyrell (American producer and vocalist)
registrazione cover di:
Going Back to My Roots
paroliere e compositore:
Lamont Dozier
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey55:24
19What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:56
20The More You Live, the More You Love
produttore:
Steve Lovell (record producer and musical director; aka Bernard Gazda)
diritti fonografici (℗) detenuti da:
Zomba Productions Limited (nel 1984) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
registrazione di:
The More You Live, the More You Love
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Universal Music–Z Tunes LLC, Zomba Enterprises, Inc. e Zomba Music Publishing (music publisher – add no releases here!)
A Flock of Seagulls4:05
3▼CD
#TitoloArtistaValutazioneDurata
1Jeanny, Part I
produttore:
Ferdi Bolland e Rob Bolland
video musicali:
Jeanny di Falco (Austrian pop & rock musician)
registrazione di:
Jeanny (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Johann Hölzel (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Amfinold BV, Bolland Music, Edition Falkenhorst, Ferdi Bolland Songs, Nada Bolland Music e Nada Music (Dutch publisher)
Falco4.655:54
2Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
The Bangles (nel 1988)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988), Sony BMG Music Entertainment Inc. (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:54
3Wishing Well
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Phil Spalding
batteria :
Preston Heyman
charleston [Wicked Hi-Hat] :
Clive Mngaza
chitarra :
Pete Glenister
sassofono baritono, tastiera e percussione e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (nel 1987) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
Wishing Well
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Sean Oliver
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:34
4Tribute (Right On)
tecnico:
Mark Chamberlain
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1988)
registrazione di:
Tribute (Right On)
autore:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan e Pete Wingfield (keyboardist, singer, producer, songwriter)
editore:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988) e Island Music Ltd. (nel 1988)
The Pasadenas4.54:22
5Why Tell Me, Why
produttore:
Martin Duiser
arrangiatore:
Hans Hollestelle
diritti fonografici (℗) detenuti da:
Arcade (Brussels-based branch of Dutch "Arcade" label that served the Benelux market; this is not an imprint!) (nel 1985) e BMG Ariola Benelux B.V. (not for release label use!) (nel 1987)
mixata presso:
Soundpush II in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Why Tell Me Why
paroliere e compositore:
Martin Duiser, Gregory Elias (Dutch pop singer) e Piet Souer (composer)
Anita Meyer53:33
6Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.653:58
7Trick of the Eye
registrazione di:
Trick of the Eye
paroliere e compositore:
Peter van Asten, Richard de Bois e Pamela Phillips‐Oland
Dolly Dots3:42
8Can You Feel It
voce principale:
Michael Jackson (“King of Pop”)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons53:58
9Felicità
registrazione di:
Felicità
paroliere:
Cristiano Minellono
compositore:
Gino de Stefani e Dario Farina
Al Bano & Romina Power33:16
10Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:07
11Hold on to Love
registrazione di:
Hold On to Love
autore:
Jon Anderson (Yes/Jon & Vangelis) e Lamont Dozier
editore:
Beau‐Di‐O‐Do Music e WB Music Corp. (1929–2019)
Jon Anderson3:56
12Precious Little Diamond
registrazione di:
Precious Little Diamond
paroliere:
Silhouette Musmin
compositore:
Berth Tamaëla
editore:
Colgems-EMI Music Inc. e Foxhole Music
Fox the Fox54:00
13Little Jackie Wants to Be a Star
registrazione di:
Little Jackie Wants to Be a Star
autore:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
Lisa Lisa & Cult Jam4:15
14Hot Hot Hot
registrazione cover di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
registrazione di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Buster Poindexter and His Banshees of Blue34:08
15Best Love
registrazione di:
Best Love
autore:
Ron Artis e Robert Daniels (soul/funk singer & songwriter)
editore:
Artis Gallery Music, Bigg Kidd Music e EMI Virgin Songs, Inc.
Rose Royce53:47
16This World of Water
produttore:
Tony Mansfield (producer & songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Regno Unito (dal 1979 al 1980-03)
registrazione di:
This World of Water (dal 1979 al 1980-03)
paroliere e compositore:
Tony Mansfield (producer & songwriter)
editore:
EMI Songs Ltd.
New Musik53:38
17Skin Deep
produttore:
Laurie Latham e The Stranglers
video musicali:
Skin Deep di The Stranglers
registrazione di:
Skin Deep
paroliere e compositore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
EMI Songs Ltd. e Plugshaft Ltd.
The Stranglers4.53:53
18Hot Shot
registrazione di:
Hot Shot
paroliere:
Herman Brood
compositore:
Dany Lademacher (Belgian guitarist)
editore:
Slezak (publisher) (nel 1980)
Herman Brood & His Wild Romance3:31
19Release (The Tension)
registrazione di:
Release (The Tension)
autore:
Allen Toussaint
Patti LaBelle3:59
20You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:14
4▼CD
#TitoloArtistaValutazioneDurata
1Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:42
2You’re a Friend of Mine
produttore e tecnico di strumenti:
Narada Michael Walden
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 100)
registrazione di:
You’re a Friend of Mine
autore:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
arrangiatore:
Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Clarence Clemons & Jackson Browne4:20
39 to 5
registrazione di:
9 to 5
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton3.653:01
4The Lion Sleeps Tonight
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
video musicali:
The Lion Sleeps Tonight di Tight Fit
registrazione cover di:
The Lion Sleeps Tonight
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
Tight Fit3.653:14
5Sailin’ Home
registrazione cover di:
Sailin’ Home
paroliere:
Marina Tucaković
compositore:
Đorđe Novković (songwriter)
traduttore:
Alan Parfitt e Piet Veerman
versione tradotta di:
Zora je
Piet Veerman4:30
6It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:30
7Heartbeat
tecnico:
Gary McGachan
tecnico aggiunto:
David Axelbaum
produttore:
Chas Sandford
tecnico di missaggio:
Gary McGachan e Chas Sandford
basso :
Mark Leonard
batteria :
William “Curly” Smith (Jo Jo Gunne musician)
chitarra :
Chas Sandford
tastiera :
Charles Judge (American guitarist, pianist, arranger and songwriter)
voce di accompagnamento:
Bill Champlin e Tamara Champlin
voce principale:
Don Johnson (US actor, Miami Vice)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 58)
registrazione cover di:
Heartbeat
autore:
Eric Kaz e Wendy Waldman
editore:
Cotillion Music Inc. (BMI), Glasco Music Company e Moon and Stars Music
Don Johnson24:20
8Keeping the Dream Alive
produttore:
Armand Volker
esecutore ospite:
The Jackson Singers e London Symphony Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1988)
registrazione di:
Keeping the Dream Alive
paroliere:
Curtis Briggs e Timothy Touchton
autore:
Vic Briggs (Victor Briggs)
compositore:
Aron Strobel e Stefan Zauner (pop vocalist and keyboardist)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Sony/ATV Music Publishing LLC (1995–2020) (nel 1988)
versione tradotta di:
Solang’ man Träume noch leben kann
Münchener Freiheit feat. The London Symphony Orchestra & the Jackson Singers24:15
9Relight My Fire
registrazione di:
Relight My Fire (nel 1979)
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Dan Hartman4.653:44
10Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:11
11All Over the World
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
archi :
Louis Clark (dal 1979-05 al 1980)
batteria, percussione e timpani :
Bev Bevan (English rock drummer) (dal 1979-05 al 1980)
chitarra acustica, chitarra e sintetizzatore e voce di accompagnamento e voce principale:
Jeff Lynne (dal 1979-05 al 1980)
chitarra basso e voce di accompagnamento:
Kelly Groucutt (dal 1979-05 al 1980)
tastiera, pianoforte e sintetizzatore :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-05 al 1980)
direttore d'orchestra:
Louis Clark (dal 1979-05 al 1980)
esecutore:
Electric Light Orchestra (British rock group) (dal 1979-05 al 1980)
diritti fonografici (℗) detenuti da:
Jet Inc. (nel 1980), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980, nel 2005) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-05 al 1980)
registrazione di:
All Over the World (dal 1979-05 al 1980)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
Xanadu (1980 film soundtrack)
Electric Light Orchestra4.54:04
12Something’s Jumpin’ in Your Shirt
registrazione di:
Something’s Jumpin’ in Your Shirt
autore:
Mary Kessler, Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer) e Malcolm McLaren
Lisa Marie with Malcolm McLaren and the Bootzilla Orchestra54:53
13Nothing’s Gonna Stop Me Now
tecnico:
Mark McGuire (UK producer/engineer)
produttore:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Zomba Productions Ltd. (nel 1987)
registrata presso e mixata presso:
PWL Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Nothing’s Gonna Stop Me Now di Samantha Fox
registrazione di:
Nothing’s Gonna Stop Me Now
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd. e Hammer Musik GmbH
Samantha Fox33:39
14A Rockin’ Good Way
tecnico:
Simon Hurrell e Neil King (sound engineer)
produttore:
Christopher Neil
batteria :
Chris Wyles
chitarra [lead guitar] :
Les Davidson e Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
chitarra [rhythm guitar] :
Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
chitarra basso :
Dick Bland (bass player from Cornwall, UK; member of The Onyx, Vineyard, Salamander)
pianoforte e sintetizzatore :
Gavin Povey
esecutore:
Bonnie Tyler
esecutore ospite:
Shakin’ Stevens
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrata presso:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Regno Unito
mixata presso:
Audio International Studios in London (Greater London), England, Regno Unito e Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Regno Unito
registrazione di:
A Rockin’ Good Way
autore:
Brook Benton, Luchi de Jesus (American composer and producer) e Clyde Otis (American songwriter and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Shakin’ Stevens & Bonnie Tyler2.52:53
15Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (Nashville session musician and arranger) (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.73:31
16Don’t You Want My Love
registrazione di:
Don’t You Want My Love
autore:
Aldo Nova (Canadian rock musician)
editore:
ATV Music Corp., EMI Music Publishing SA (South Africa) e Les Editions Musicale Capouiscio Enrg.
Nicole J. McCloud3:19
17Baby I Love Your Way - Free Bird
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 97)
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way / Freebird
paroliere e compositore:
Allen Collins, Peter Frampton e Ronnie Van Zant
editore:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
medley di:
Baby, I Love Your Way
medley di:
Free Bird
Will to Power44:08
18Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:29
19Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:30
20This Man Is Mine
assistente tecnico:
Brian Foraker e Rob Perkins (engineer)
tecnico:
David Thoener e Shelly Yakus
produttore:
Connie & Howie
tecnico di missaggio:
Brian Foraker, Steve Marcantonio e David Thoener
batteria :
Michael Derosier
chitarra basso e chitarra elettrica :
Nancy Wilson (guitarist/singer of “Heart”)
organo Hammond e sintetizzatore :
Howard Leese
voce di accompagnamento:
Ann Wilson (lead singer of Heart), Lynn Wilson e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
This Man Is Mine
autore:
Sue Ennis, Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Know Music (dal 1982 a oggi), Sheer Music (US work publisher) (dal 1982 a oggi) e Strange Euphoria Music (dal 1982 a oggi)
Heart13:01
5▼CD
#TitoloArtistaValutazioneDurata
1When the Rain Begins to Fall
produttore:
Jack White (German producer Horst Nußbaum)
voce:
Jermaine Jackson (soul/pop singer, of Jackson 5) e Pia Zadora
arrangiatore:
Michael Boddicker e Peter Leudemann (songwriter, producer and engineer)
diritti fonografici (℗) detenuti da:
Mike Curb Records, Inc. (company, not a label) (nel 1984)
registrazione di:
When the Rain Begins to Fall
paroliere e compositore:
Michael Bradley (Paul Revere & Raiders, Robotech), Peggy March (US pop singer) e Steve Wittmack
editore:
BMG/Ufa (not for release label use! this is a music publisher), Edition Sunrise Publishing Inc. e Edition Sunset Publishing, Inc.
Jermaine Jackson & Pia Zadora3.54:06
2Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:21
3Through the Barricades
produttore:
Gary Langan e Spandau Ballet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986)
registrazione di:
Through the Barricades
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet5:22
4You’re My Heart, You’re My Soul
co-produttore:
Luis Rodriguez (Spanish producer and engineer)
produttore:
Dieter Bohlen
diritti fonografici (℗) detenuti da:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1984)
registrazione di:
You’re My Heart, You’re My Soul
paroliere e compositore:
Steve Benson (German songwriter Dieter Bohlen)
editore:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) e Warner Chappell
Modern Talking3.353:47
5Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:18
6Let’s Groove
registrazione di:
Let’s Groove
autore:
Wayne Vaughn e Maurice White (Earth, Wind & Fire)
editore:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Earth, Wind & Fire54:02
7Do You Wanna Hold Me
produttore:
Mike Chapman (Australian producer and songwriter)
registrazione di:
Do You Wanna Hold Me?
autore:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) e Annabella Lwin
Bow Wow Wow3:13
8Reggae Night
remixer:
Dj Iraí Campos
registrazione di:
Reggae Night
autore:
Amir Bayyan e La Toya Jackson
editore:
Amirfull Music e Bayyan Internationale Music
Jimmy Cliff4:10
9This Is It
assistente tecnico:
Michael Carnévale (engineer)
tecnico:
Steve Gersky (The Miami Kid)
produttore:
Tom Dowd
batteria :
Tris Imboden
chitarra :
Mike Hamilton (US guitarist based in Laguna Beach, CA) e Kenny Loggins
chitarra basso :
George Hawkins (folk/soft rock bassist)
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte :
Michael McDonald (R&B & soul singer)
tastiera :
Brian Mann (keyboardist, accordionist, composer)
voce di accompagnamento [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) e Michael McDonald (R&B & soul singer)
voce principale:
Kenny Loggins e Michael McDonald (R&B & soul singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
registrata presso:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
This Is It
autore:
Kenny Loggins e Michael McDonald (R&B & soul singer)
editore:
Snug Music (conclusa), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:58
10How ’Bout Us
produttore:
Leo Graham (producer / composer / lyricist)
sassofono contralto solista :
Ken Soderbloom
arrangiatore:
James Mack (Composer, arranger, conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
edit di:
How ’Bout Us di Champaign
registrazione cover di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:21
11That Ole Devil Called Love
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
video musicali:
That Ole Devil Called Love di Alison Moyet
registrazione cover di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
12I’m Specialized in You
registrazione di:
I'm Specialized in You
paroliere e compositore:
Alides Hidding
editore:
EMI SONGS HOLLAND BV e Sony Music Publishing (worldwide except Japan, ended 1995)
Time Bandits3:52
13Toy Soldiers
programmazione degli strumenti:
Michael Jay (producer/engineer)
assistente tecnico:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) e Karen Siegel (engineer)
tecnico e tecnico di missaggio:
Michael McDonald (engineer)
produttore:
Michael Jay (producer/engineer)
chitarra :
Mark Leggett (Guitarist/composer in Los Angeles)
tastiera [keyboards] :
Greg Smith (Producer/Keyboards)
altra voce [The Toy Soldiers]:
Marlen Landin, Kimberly McCullough, Rahsaan Patterson, Rasha Patterson, Devyn Puett, Renee Sands, Stacy Ferguson (American singer) e Alitzah Wiener (American female actress\singer)
remixer:
Humberto Gatica
arrangiatore:
Michael Jay (producer/engineer)
arrangiatore voci:
Michael Jay (producer/engineer) e Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989)
registrata presso:
Trax Recording Studio in Hollywood, Los Angeles, California, Stati Uniti (dal 1988-04 al 1988-05)
mixata presso:
Garden Rake Studio in Studio City, Los Angeles, California, Stati Uniti
video musicali:
Toy Soldiers di Martika (American singer‐songwriter and actress)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 67)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
editore:
Sony/ATV Harmony UK, Curley Top Music (nel 1988), Ensign Music Corp. (nel 1988), Famous Chappell (nel 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1988) e Tika Tunes (publisher) (nel 1988)
Martika44:53
1496 Tears
registrazione cover di:
96 Tears
paroliere e compositore:
Rudy Martinez (frontman of ? and the Mysterians)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ed Arguello Music, Mysterians Music, Ltd. e Westminster Music Ltd.
Garland Jeffreys43:06
15Cuddly Toy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrazione di:
Cuddly Toy
paroliere e compositore:
Andrew Roachford
editore:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3.63:50
16Hold On
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione cover di:
Hold On
paroliere e compositore:
Ian Thomas (Canadian singer/songwriter)
editore:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. e フジパシフィックミュージック (Fujipacific Music, Inc.)
Santana3:57
17The Rhythm of the Jungle
registrazione di:
The Rhythm of the Jungle
autore:
Colin Campsie e George McFarlane
The Quick54:00
18Attention to Me
registrazione di:
Attention to Me
autore:
Ben Findon (songwriter and producer) e Bob Puzey
The Nolans43:08
19Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:20
20They All Went to Mexico
esecutore ospite:
Booker T. Jones e Willie Nelson
registrazione di:
They All Went to Mexico
autore:
Greg Brown (American folk singer)
Carlos Santana feat. Booker T. Jones and Willie Nelson4:43