100 Best Karajan

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1▼CD: Karajan Conducts Mozart
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1Eine kleine Nachtmusik, K. 525: I. Allegro
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:44
2Eine kleine Nachtmusik, K. 525: II. Romance. Andante
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:56
3Eine kleine Nachtmusik, K. 525: III. Minuetto. Allegretto
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:23
4Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berlin Philharmonic (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:21
5Flute & Harp Concerto in C: II. Andantino [excerpt]
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:01
6“Sleigh Ride” – German Dance
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-11-09 until 1960-11-11)
conductor:
Herbert von Karajan (conductor) (from 1960-11-09 until 1960-11-11)
balance engineer:
Horst Lindner (engineer) (from 1960-11-09 until 1960-11-11)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-11-09 until 1960-11-11)
recording of:
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio (from 1960-11-09 until 1960-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:46
7Clarinet Concerto in A: II. Adagio
producer:
Walter Legge (British classical producer)
clarinet:
Bernard Walton (clarinetist) (from 1955-06-09 until 1955-06-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-06-09 until 1955-06-10)
conductor:
Herbert von Karajan (conductor) (from 1955-06-09 until 1955-06-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1955-06-09 until 1955-06-10)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1955-06-09 until 1955-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:11
8Horn Concerto no. 4 in E-flat, K. 495: III. Rondo. Allegro vivace
producer:
Walter Legge (British classical producer)
French horn:
Dennis Brain (horn player) (from 1953-11-12 until 1953-11-13)
horn:
Dennis Brain (horn player) (in 1953)
solo French horn:
Dennis Brain (horn player) (from 1953-11-12 until 1953-11-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1953, from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
conductor:
Herbert von Karajan (conductor) (in 1953, from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
balance engineer:
Douglas Larter (from 1953-11-12 until 1953-11-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1954 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1953-11-12 until 1953-11-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1953-11-12 until 1953-11-23)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1953)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:35
9Die Zauberflöte: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:07
10Die Zauberflöte: Der Vogeflänger bin ich ja (Act I)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:41
11Die Zauberflöte: Der Hölle Rache (Act II)
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
12Cosi fan tutte: Soave sia il vento (Act I)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:25
13Ave verum corpus
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (on 1955-07-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-07-28)
conductor:
Herbert von Karajan (conductor) (on 1955-07-28)
balance engineer:
Douglas Larter (on 1955-07-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1955-07-28)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (on 1955-07-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart4:00
14Symphony no. 29 in A: I. Allegro moderato [excerpt]
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart5:18
15Oboe Concerto in B-flat: III. Rondo. Allegretto
producer:
Michel Glotz
oboe:
Lothar Koch (oboist) (from 1971-08-17 until 1971-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
Wolfgang Amadeus Mozart5:31
16Symphony no. 40 in G minor: I. Molto allegro
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1971-09-21 until 1971-09-25)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:43
2▼CD: The Great Concertos
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1Le quattro stagioni: La primavera: I. Allegro
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:20
2Le quattro stagioni: L'estate: III. Presto
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:48
3Le quattro stagioni: L'autunno: III. Allegro
producer:
Peter Alward (EMI producer)
harpsichord:
Herbert von Karajan (conductor) and William Tim Read (harpsichordist)
organ:
Rudolf Scholz (organist)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (in 1984-06, from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:21
4Le quattro stagioni: L'inverno: II. Largo
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:03
5Le quattro stagioni: L'inverno: III. Allegro
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:16
6Trumpet Concerto in E-flat: III. Rondo: Allegro molto (ed. Oubradous)
producer:
Michel Glotz
trumpet:
Maurice André (French trumpeter) (from 1974-05-28 until 1974-05-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-05-28 until 1974-05-29)
conductor:
Herbert von Karajan (conductor) (from 1974-05-28 until 1974-05-29)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-05-28 until 1974-05-29)
recording of:
Trompetenkonzert Es-dur: III. Rondo. Allegro (Trumpet Concerto in E flat major: III. Rondo. Allegro) (from 1974-05-28 until 1974-05-29)
composer:
Johann Nepomuk Hummel (Austrian composer)
version of:
Trompetenkonzert in E-Dur, S. 49: III. Rondo (Trumpet Concerto in E major, S. 49: Rondo)
part of:
Trompetenkonzert Es-dur (Trumpet Concerto in E-flat major)
Johann Nepomuk Hummel3:40
7Piano Concerto no. 1 in C: II. Largo (opening)
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven4:35
8Piano Concerto no. 2 in B-flat: III. Rondo. Molto allegro
producer:
Michel Glotz
piano:
Alexis Weissenberg (from 1977-09-27 until 1977-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1977-09-27 until 1977-09-28)
conductor:
Herbert von Karajan (conductor) (from 1977-09-27 until 1977-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1977-09-27 until 1977-09-28)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (from 1977-09-27 until 1977-09-28)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven5:55
9Triple Concerto in C: II. Largo
producer:
Peter Andry (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1969-09-15 until 1969-09-17)
piano:
Sviatoslav Richter (pianist) (from 1969-09-15 until 1969-09-17)
violin:
David Oistrakh (violinist) (from 1969-09-15 until 1969-09-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-09-15 until 1969-09-17)
conductor:
Herbert von Karajan (conductor) (from 1969-09-15 until 1969-09-17)
balance engineer:
Allen Stagg (from 1969-09-15 until 1969-09-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1970 to present, from 1987 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1969-09-15 until 1969-09-17)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo (from 1969-09-15 until 1969-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven5:32
10Piano Concerto no. 4 in G: II. Andante con moto
producer:
Michel Glotz
piano:
Alexis Weissenberg (from 1974-09-04 until 1974-09-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-04 until 1974-09-06)
conductor:
Herbert von Karajan (conductor) (from 1974-09-04 until 1974-09-06)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-04 until 1974-09-06)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (from 1974-09-04 until 1974-09-06)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:09
11Piano Concerto no. 4 in G: III. Rondo. Vivace [excerpt]
producer:
Michel Glotz
piano:
Alexis Weissenberg (in 1974-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1974-09)
conductor:
Herbert von Karajan (conductor) (in 1974-09)
balance engineer:
Wolfgang Gülich (engineer) (in 1974-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1974-09)
edit of:
Piano Concerto no. 4 in G, op. 58: III. Rondo: Vivace by Alexis Weissenberg, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (in 1974-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven7:20
12Piano Concerto no. 5 in E-flat “Emperor”: II. Adagio un poco mosso (conclusion)
producer:
Michel Glotz
piano:
Alexis Weissenberg (in 1974-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1974-05)
conductor:
Herbert von Karajan (conductor) (in 1974-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1974-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1974-05)
edit of:
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso by Alexis Weissenberg, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1974-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven4:28
13Piano Concerto no. 5 in E-flat “Emperor”: III. Rondo. Allegro [excerpt]
producer:
Michel Glotz
piano:
Alexis Weissenberg (in 1974-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1974-05)
conductor:
Herbert von Karajan (conductor) (in 1974-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1974-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1974-05)
edit of:
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo (Allegro) by Alexis Weissenberg, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1974-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven4:33
14Piano Concerto no. 1 in B-flat minor: I. Allegro non troppo e molto maestoso (opening)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский4:00
15Don Quixote – Theme
producer:
Michel Glotz (in 1975-01)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1975-01-03 until 1975-01-08)
piano:
Alexis Weissenberg (from 1975-01-03 until 1975-01-08)
viola:
Ulrich Koch (violist) (from 1975-01-03 until 1975-01-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-01-03 until 1975-01-08)
conductor:
Herbert von Karajan (conductor) (from 1975-01-03 until 1975-01-08)
balance engineer:
Wolfgang Gülich (engineer) (from 1975-01-03 until 1975-01-08)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-01-03 until 1975-01-08)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:25
16Piano Concerto no. 2 in C minor: II. Adagio sostenuto (opening)
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов5:04
17Violin Concerto in D: III. Allegro giocoso, ma non troppo vivace (cadenza Kreisler)
producer:
Michel Glotz
violin:
Gidon Kremer (violinist) (from 1976-03-06 until 1976-03-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-03-06 until 1976-03-07)
conductor:
Herbert von Karajan (conductor) (from 1976-03-06 until 1976-03-07)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-03-06 until 1976-03-07)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1976-03-06 until 1976-03-07)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:32
3▼CD: The Great Symphonies
#TitleArtistRatingLength
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-11-09 until 1954-11-10)
conductor:
Herbert von Karajan (conductor) (from 1954-11-09 until 1954-11-10)
balance engineer:
Douglas Larter (from 1954-11-09 until 1954-11-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-09 until 1954-11-10)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1954-11-09 until 1954-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:23
2Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto (Shepherds' Hymn After the Storm)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-07-09 until 1953-07-10)
conductor:
Herbert von Karajan (conductor) (from 1953-07-09 until 1953-07-10)
balance engineer:
Douglas Larter (from 1953-07-09 until 1953-07-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-07-09 until 1953-07-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (from 1953-07-09 until 1953-07-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:25
3Symphony no. 7 in A major, op. 92: II. Allegretto (opening)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
edit of:
Symphony no. 7 in A major, op. 92: II. Allegretto by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
partial recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven3:17
4Symphony no. 7 in A major, op. 92: IV. Allegro con brio
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1951-11-28 until 1951-11-30)
conductor:
Herbert von Karajan (conductor) (from 1951-11-28 until 1951-11-30)
balance engineer:
Douglas Larter (from 1951-11-28 until 1951-11-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1951-11-28 until 1951-11-30)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1951-11-28 until 1951-11-30)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:03
5Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-05-20)
conductor:
Herbert von Karajan (conductor) (on 1955-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1955-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-05-20)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (on 1955-05-20)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:59
6Symphony no. 8 in F major, op. 93: IV. Allegro vivace (conclusion)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
edit of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
partial recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:45
7Symphony no. 9 in D minor, op. 125 “Choral”: IV. Ode to Joy
bass vocals:
Otto Edelmann (austrian bass-baritone)
choir vocals:
Chor der Gesellschaft der Musikfreunde, Vienna
contralto vocals:
Marga Höffgen (contralto)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
edit of:
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Recitativo - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non troppo - Prestissimo (mono) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven5:17
8Symphony no. 104 in D major “London”: III. Menuetto (Allegro) & Trio
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1975-01-04)
conductor:
Herbert von Karajan (conductor) (on 1975-01-04)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1975-01-04)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (on 1975-01-04)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:29
9Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato (opening)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert4:11
10Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo (opening)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-01)
conductor:
Herbert von Karajan (conductor) (in 1977-01)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-01)
edit of:
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (in 1977-01)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:35
11Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-16 until 1971-09-21)
conductor:
Herbert von Karajan (conductor) (from 1971-09-16 until 1971-09-21)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-16 until 1971-09-21)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (from 1971-09-16 until 1971-09-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:20
12Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo [excerpt]
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский5:21
13Symphony no. 5 in E-flat major, op. 82: III. Allegro molto – Largamente assai
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-09-20 until 1976-09-21, on 1976-10-18)
conductor:
Herbert von Karajan (conductor) (from 1976-09-20 until 1976-09-21, on 1976-10-18)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1985)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-09-20 until 1976-09-21, on 1976-10-18)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (from 1976-09-20 until 1976-10-18)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius9:12
4▼CD: Popular Orchestral Pieces
#TitleArtistRatingLength
1Water Music Suite: V. Allegro deciso
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Water Music Suite: VI. Allegro deciso (arr. Hamilton Harty) (from 1959-12-30 until 1959-12-31)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
Georg Friedrich Händel3:34
2Unter donner und blitz – Polka
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-24)
conductor:
Herbert von Karajan (conductor) (on 1960-09-24)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-24)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) (on 1960-09-24)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss II3:17
3An der schönen blauen Donau [excerpt]
orchestra:
Berlin Philharmonic Orchestra
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II3:49
4Radetzky March
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-24)
conductor:
Herbert von Karajan (conductor) (on 1960-09-24)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-24)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (on 1960-09-24)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:56
5Skater's Waltz
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-21, on 1960-09-23)
conductor:
Herbert von Karajan (conductor) (on 1960-09-21, on 1960-09-23)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-21, on 1960-09-23)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183) (from 1960-09-21 until 1960-09-23)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel7:37
6Marche hongroise (La damnation de Faust)
producer:
Michel Glotz
orchestra:
Berlin Philharmonic Orchestra (from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (from 1978-12-29 until 1979-01-03)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:18
7España
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-24)
conductor:
Herbert von Karajan (conductor) (on 1960-09-24)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-24)
recording of:
España (rhapsody for orchestra) (on 1960-09-24)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:01
8Marche joyeuse
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-07-09, on 1960-09-23)
conductor:
Herbert von Karajan (conductor) (on 1955-07-09, on 1960-09-23)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-07-09, on 1960-09-23)
recording of:
Joyeuse marche (for orchestra) (on 1955-07-09)
composer:
Emmanuel Chabrier (composer) (in 1888)
recording of:
Joyeuse marche (for orchestra) (on 1960-09-23)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier4:06
9Tritsch-Tratsch – Polka, op. 214
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1975-01-04, on 1975-12-08)
conductor:
Herbert von Karajan (conductor) (on 1975-01-04, on 1975-12-08)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1975-01-04, on 1975-12-08)
recording of:
Tritsch–Tratsch Polka, op. 214 (on 1975-01-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:40
10Ma vlast – Vltava (opening)
conductor:
Herbert von Karajan (conductor)
edit of:
Ma vlast: Vltava by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana5:28
11Valse triste
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-20)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-20)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-20)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1980-11-16 until 1980-11-20)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:05
12Karelia Suite: I. Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1981-01-02)
conductor:
Herbert von Karajan (conductor) (on 1981-01-02)
balance engineer:
Wolfgang Gülich (engineer) (on 1981-01-02)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1981-01-02)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (on 1981-01-02)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:04
13Karelia Suite: III. Alla marcia
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1981-01-02)
conductor:
Herbert von Karajan (conductor) (on 1981-01-02)
balance engineer:
Wolfgang Gülich (engineer) (on 1981-01-02)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1981-01-02)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra) (on 1981-01-02)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius5:00
14Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1974-05-30)
conductor:
Herbert von Karajan (conductor) (on 1974-05-30)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1974-05-30)
edit of:
Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1974-05-30)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:26
15The Pines of Rome: I. The Pines of the Villa Borghese
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-10, on 1958-01-13)
conductor:
Herbert von Karajan (conductor) (on 1958-01-10, on 1958-01-13)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-10, on 1958-01-13)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (from 1958-01-10 until 1958-01-13)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:52
16The Pines of Rome: IV. The Pines of the Via Appia
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-10, on 1958-01-13)
conductor:
Herbert von Karajan (conductor) (on 1958-01-10, on 1958-01-13)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-10, on 1958-01-13)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (from 1958-01-10 until 1958-01-13)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:10
5▼CD: Karajan in the Theatre
#TitleArtistRatingLength
1Il barbiere di Siviglia: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1960-03-26 until 1960-03-27, from 1960-03-29 until 1960-03-30)
conductor:
Herbert von Karajan (conductor) (from 1960-03-26 until 1960-03-27, from 1960-03-29 until 1960-03-30)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-03-26 until 1960-03-27, from 1960-03-29 until 1960-03-30)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1960-03-26 until 1960-03-30)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Rossini7:21
2Faust Ballet Music: Les Nubiennes
recording engineer:
Günter Hermanns (producer/engineer)
engineer:
Hans Weber (producer/engineer)
producer:
Michel Glotz, Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1971-01-23 until 1971-02-15, from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (from 1971-01-23 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-23 until 1971-02-15) and Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse) (from 1971-01-23 until 1971-02-15)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse) (from 1978-12-29 until 1979-01-03)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Gounod2:36
3L’Arlésienne Suite no. 2: Farandole
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1978-12-29 until 1979-01-03)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet3:27
4Carmen: Prelude to Act I
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-16)
conductor:
Herbert von Karajan (conductor) (on 1958-01-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-16)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (on 1958-01-16)
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (on 1958-01-16)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Bizet2:19
5Carmen: Entr’acte to Act II
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-16)
conductor:
Herbert von Karajan (conductor) (on 1958-01-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-16)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (on 1958-01-16)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Bizet1:36
6Carmen: Entr’acte to Act III
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-16)
conductor:
Herbert von Karajan (conductor) (on 1958-01-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-16)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1958-01-16)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Bizet2:59
7Carmen: Entr’acte to Act IV
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1958-01-16)
conductor:
Herbert von Karajan (conductor) (on 1958-01-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1958-01-16)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (on 1958-01-16)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Bizet2:24
8Thaïs: Meditation
producer:
Michel Glotz
solo violin:
Anne‐Sophie Mutter (violinist)
violin:
Anne‐Sophie Mutter (violinist) (from 1980-11-16 until 1980-11-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Massenet6:48
9Orphée aux enfers: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-23)
conductor:
Herbert von Karajan (conductor) (on 1960-09-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-23)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (on 1960-09-23)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Offenbach9:42
10Les Contes d’Hoffmann: Barcarolle
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1959-01-06)
conductor:
Herbert von Karajan (conductor) (on 1959-01-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1959-01-06)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (on 1959-01-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (on 1959-01-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Offenbach4:09
11Manon Lescaut: Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (from 1980-11-16 until 1980-11-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Puccini5:28
12Prince Igor: Dance of the Polovtsian Maidens (Act II)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-22)
conductor:
Herbert von Karajan (conductor) (on 1960-09-22)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-22)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major (on 1960-09-22)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Borodin2:26
13Prince Igor: Polovtsian Dances (Act II) (opening)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
Borodin3:39
14Swan Lake: Scene (Act II)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-01-01 until 1959-01-02)
conductor:
Herbert von Karajan (conductor) (from 1959-01-01 until 1959-01-02)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-01 until 1959-01-02)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1959-01-01 until 1959-01-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky2:44
15Swan Lake: Dance of the Little Swans (Act II)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-01-01 until 1959-01-02)
conductor:
Herbert von Karajan (conductor) (from 1959-01-01 until 1959-01-02)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-01 until 1959-01-02)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (from 1959-01-01 until 1959-01-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky1:36
16Swan Lake: Hungarian Dance (Czárdás) (Act III)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-01-01 until 1959-01-02)
conductor:
Herbert von Karajan (conductor) (from 1959-01-01 until 1959-01-02)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-01 until 1959-01-02)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise (from 1959-01-01 until 1959-01-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky3:31
17Sleeping Beauty: Valse (Act I)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-01-01 until 1959-01-02)
conductor:
Herbert von Karajan (conductor) (from 1959-01-01 until 1959-01-02)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-01 until 1959-01-02)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1959-01-01 until 1959-01-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Tchaikovsky4:21
18Sleeping Beauty: Rose Adagio (Act I)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-01-01 until 1959-01-02)
conductor:
Herbert von Karajan (conductor) (from 1959-01-01 until 1959-01-02)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-01 until 1959-01-02)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1959-01-01 until 1959-01-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky6:12
19Schwanda the Bagpiper: Polka
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1960-09-23)
conductor:
Herbert von Karajan (conductor) (on 1960-09-23)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1960-09-23)
recording of:
Polka and Fugue From "Schwanda the Bagpiper": I. Polka (on 1960-09-23)
composer:
Jaromír Weinberger
part of:
Polka and Fugue From "Schwanda the Bagpiper"
Weinberger2:24
20Lohengrin: Prelude to Act III
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1974-09-22, from 1974-10-15 until 1974-10-19)
conductor:
Herbert von Karajan (conductor) (on 1974-09-22, from 1974-10-15 until 1974-10-19)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1974-09-22, from 1974-10-15 until 1974-10-19)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (from 1974-09-22 until 1974-10-19)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Wagner3:16
6▼CD: Karajan and the Voice
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1Otello: “Una vela! Una vela! ... Esultate!” (Act I)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Verdi6:30
2Otello: “Ave Maria” (Act IV)
soprano vocals and soprano vocals [Desdemona]:
Mirella Freni (soprano) (in 1973)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1973)
conductor:
Herbert von Karajan (conductor) (in 1973)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Verdi5:01
3Don Carlo: “Dio, che nell’ alma infondere” (Act I)
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Un frate]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20, in 1979)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Verdi4:47
4Don Carlo “Nei giardin del bello” (Act II)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Agnes Blatsa (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Tebaldo]:
Edita Gruberová (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Verdi4:53
5Il trovatore: “Vedi le fosche notturne spoglie” (Act II, Scene I)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Verdi3:03
6Ein deutshes Requiem: IV. Wie lieblich sind deine Wohnugen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms5:31
7Der Rosenkavalier: “Herr Kavalier” (Act II, Finale)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957)
conductor:
Herbert von Karajan (conductor) (in 1957)
partial recording of:
Der Rosenkavalier, op. 59: Akt II (in 1957)
composer:
Richard Strauss (German composer)
librettist:
Harry Graf Kessler and Hugo von Hofmannsthal
part of:
Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)
part of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich! Was einem Cavalier nit alls passieren kann in dieser Wienerstadt" (Ochs, Annina, Chorus)
part of:
Der Rosenkavalier, op. 59: Akt II. "Eh bien, Mamsell, was hat Sie mir zu sagen" (Ochs, Sophie, Octavian, Annina, Duenna, Faninal, Chorus)
R. Strauss4:48
8Hänsel und Gretel: “Brüderchen, komm tanz mit mir” (Act I)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Humperdinck3:46
9Fidelio: “Mir ist so wunderbar” (Act I)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch (operatic bass)
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Horst Laubenthal (tenor) and Karl Ridderbusch (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven4:46
10Fidelio: “Wer ein holdes Weib errungen” (Act II, Finale)
conductor:
Herbert von Karajan (conductor)
Beethoven4:06
11Missa solemnis: Gloria in excelsis Deo – Gratias agimus tibi
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1975)
conductor:
Herbert von Karajan (conductor) (in 1975)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
recording of:
Missa solemnis D-Dur, op. 123: IIb. Gloria. Gratias agimus
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Beethoven4:58
12Mass in B minor: Crucifixus
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach2:48
13Mass in B minor: Et resurrexit
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach3:58
14Lucia di Lammermoor: “Spargi d’amaro pianto” (Act III)
baritone vocals [Enrico]:
Rolando Panerai (baritone) (on 1955-09-29)
bass vocals [Raimondo]:
Nicola Zaccaria (operatic bass) (on 1955-09-29)
choir vocals:
Chorus of the Teatro alla Scala (on 1955-09-29)
soprano vocals [Lucia]:
Maria Callas (soprano) (on 1955-09-29)
orchestra:
RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1955-09-29)
conductor:
Herbert von Karajan (conductor) (on 1955-09-29)
chorus master:
Norberto Mola (chorus master) (on 1955-09-29)
recorded at:
Städtische Oper (Städtische Oper, Deutsche Oper Berlin) in Berlin, Germany (on 1955-09-29)
live recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (on 1955-09-29)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Donizetti4:10
15Aida: Act II, Scene 2: Gloria all’ Egitto
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Verdi3:26
16Aida: Act II, Scene 2: Triumphal March
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Verdi1:43
17Aida: Act II, Scene 2: Ballet Music
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Verdi4:15
18Aida: Act II, Scene 2: Vieni, o guerriero vindice
producer:
Michel Glotz
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Verdi2:26

Credits

Release group

part of:100 Best (EMI Classics) (order: 14)