Shakespeare’s Musick

~ Veröffentlichung von Musicians of The Globe, Philip Pickett (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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the 2nd cd is Promotional

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Hollis Berrie
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Hollis Berrie (in 1995-04)
Komponist(in):
English anon. ([anonymous], special purpose artist)
[anonymous]1:46
2Daphne
recording engineer:
Gosia Jankowska, Roger de Schot und Ko Witteveen (engineer)
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer), Fiona Gale und Gosia Jankowska
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04, in 1996-05)
conductor:
Philip Pickett (musician) (in 1995-04, in 1996-05)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04) und Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1996-05)
[anonymous]2:36
3My Robin Is to the Greenwood Gone
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Robin is to the greenwood gone [The Schoole of Musicke, no. 21] (in 1995-04)
Komponist(in):
[anonymous] (special purpose artist)
Laute arranger:
Thomas Robinson (English renaissance composer, fl. 1600) (in 1603)
Teil von:
The Schoole of Musicke
[anonymous]1:37
4Tickle My Toe
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Tickle My Toe (in 1995-04)
Komponist(in):
English Renaissance anon. ([anonymous], special purpose artist)
[anonymous]1:31
5It Was a Lover and His Lass
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Soprangesang:
Libby Crabtree (in 1995-04) und Rachel Elliot (soprano) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
First Book of Ayres: It Was a Lover and His Lass (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer) (bis 1600)
basiert auf:
A Lover and His Lass (original poem)
Teil von:
First Book of Ayres
Thomas Morley3:16
6Kemp’s Jig
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Kemp's Jig (in 1995-04)
geschrieben in:
England, Vereinigtes Königreich
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Logo Songs Ltd.
[anonymous]1:22
7Take, O Take Those Lips Away
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Soprangesang:
Rosalind Waters (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Take, Oh Take Those Lipps Away (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
John Wilson (English baroque composer and lutenist)
John Wilson2:51
8Bonny Sweet Robin
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Cembalo:
Gary Cooper (conductor/keyboardist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
Giles Farnaby4:24
9Farewell, Dear Love
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love (in 1995-04)
Komponist(in):
Robert Jones (English lutenist and composer)
Robert Jones4:58
10Tarletones Riserrectione
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Tarleton's Riserrectione, P. 59 (for lute solo) (in 1995-04)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer)
Teil von:
John Dowland's lute works (Nummer: P. 59)
John Dowland1:41
11Hold, Lingel, Hold
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Mezzosoprangesang:
Jeanette Ager (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
[anonymous]2:34
12How Should I Your True Love Know
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Soprangesang:
Meredith Hall (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
[anonymous]1:19
13Walsingham
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
[anonymous]0:46
14Get You Hence
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-04)
Soprangesang:
Joanne Lunn (British soprano vocalist) (in 1995-04) und Rosalind Waters (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Get you hence (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Robert Johnson (English renaissance composer)
Robert Johnson1:25
15La Coranto
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: La coranto (in 1995-04)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:34
16La Coranto
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Coranto (or Jig) in C, MB 28/45 (in 1995-04)
Komponist(in):
William Byrd (English composer)
William Byrd1:10
17Hark, Hark! The Lark
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Soprangesang:
Joanne Lunn (British soprano vocalist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Hark, Hark! the Lark (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Robert Johnson (English renaissance composer)
Robert Johnson1:27
18La Volta
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: Lavolto (in 1995-04)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:38
19La Volta (William Byrd arrangement)
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
arranger:
William Byrd (English composer)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
La Volta No. 2 in G minor, MB 91 (in 1995-04)
Komponist(in):
William Byrd (English composer)
Teil von:
Musica Britannica Volume 27's catalogue of William Byrd's keyboard music (Nummer: 91) und Fitzwilliam Virginal Book (Nummer: FVB 155)
Teil von:
Fitzwilliam Virginal Book
Thomas Morley1:20
20The Poor Soul Sat Sighing (The Willow Song)
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Soprangesang:
Meredith Hall (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
The Willow Song (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
[traditional] (special purpose artist)
[anonymous]9:52
21Robin
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
[anonymous]2:10
22O Mistress Mine
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: O Mistress Mine (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:42
23O Mistris Mine
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
O mistress mine, MB 28/83 (in 1995-04)
Komponist(in):
William Byrd (English composer)
William Byrd5:09
24Full Fathom Five
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Soprangesang:
Joanne Lunn (British soprano vocalist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Full Fathom Five Thy Father Lies (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Robert Johnson (English renaissance composer) (in 1611)
Robert Johnson2:00
25Where the Bee Sucks, There Suck I
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Soprangesang:
Joanne Lunn (British soprano vocalist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Where the Bee Sucks (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Robert Johnson (English renaissance composer)
Robert Johnson0:56
26Can She Excuse
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: Can She Excuse (in 1995-04)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:29
27The Frog Galliard
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: The Frog Galliard (in 1995-04)
Laute arranger:
Thomas Morley (English Renaissance composer)
basiert auf:
The Frog Galliard, P. 23a
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:00
28Go From My Window
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: Go From My Window (Fitzwilliam virginal book, nos. 9 (I) and 42 (II)) (in 1995-04)
Virginal arranger:
Thomas Morley (English Renaissance composer)
Arrangement von:
Fitzwilliam Virginal Book, no. 9: Goe from my window
basiert auf:
Go From My Window, P. 64
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley4:00
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Masque of Oberon: Fanfare
Ben Jonson1:11
2The Masque of Oberon: Melt Earth to Sea
recording engineer:
Thijs Hoekstra
Produzent(in):
Martha de Francisco (classical producer and engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
Tonmeister(in):
Jan Wesselink
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1994-11)
Ben Jonson2:49
3The Masque of Oberon: Dulcina
recording engineer:
Thijs Hoekstra
Produzent(in):
Martha de Francisco (classical producer and engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
Tonmeister(in):
Jan Wesselink
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1994-11)
Ben Jonson0:37
4The Masque of Oberon: Nor Yet o You in This Night Blest
recording engineer:
Thijs Hoekstra
Produzent(in):
Martha de Francisco (classical producer and engineer)
Laute:
Tom Finucane (lutist) (in 1994-11) und Jacob Heringman (American lutenist) (in 1994-11)
Soprangesang:
Libby Crabtree (in 1994-11) und Helen Groves (British soprano) (in 1994-11)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
Tonmeister(in):
Jan Wesselink
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1994-11)
Ben Jonson1:41
5The Masque of Oberon: The First of the Princes
recording engineer:
Thijs Hoekstra
Produzent(in):
Martha de Francisco (classical producer and engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
Tonmeister(in):
Jan Wesselink
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1994-11)
Ben Jonson2:13
6The Masque of Oberon: Nay, Nay, You Must Noit Stay
recording engineer:
Thijs Hoekstra
Produzent(in):
Martha de Francisco (classical producer and engineer)
Laute:
Jacob Heringman (American lutenist) (in 1994-11)
Tenor-Gesang:
Paul Agnew (tenor and conductor) (in 1994-11)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
Tonmeister(in):
Jan Wesselink
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1994-11)
Ben Jonson1:48
7Daphne
recording engineer:
Gosia Jankowska, Roger de Schot und Ko Witteveen (engineer)
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer), Fiona Gale und Gosia Jankowska
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04, in 1996-05)
conductor:
Philip Pickett (musician) (in 1995-04, in 1996-05)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04) und Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1996-05)
William Shakespeare2:34
8O Mistress Mine
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
Consort Lessons, Book 1: O Mistress Mine (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer)
Teil von:
Consort Lessons, Book 1 (Dances for Broken Consort)
William Shakespeare1:40
9Robin
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Laute:
Jacob Heringman (American lutenist) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
William Shakespeare2:09
10It Was a Lover and His Lass
recording engineer:
Roger de Schot
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Martha de Francisco (classical producer and engineer) und Fiona Gale
Soprangesang:
Libby Crabtree (in 1995-04) und Rachel Elliot (soprano) (in 1995-04)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
First Book of Ayres: It Was a Lover and His Lass (in 1995-04)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Thomas Morley (English Renaissance composer) (bis 1600)
basiert auf:
A Lover and His Lass (original poem)
Teil von:
First Book of Ayres
William Shakespeare3:22
11Packington’s Pound
recording engineer:
Gosia Jankowska und Ko Witteveen (engineer)
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Gosia Jankowska
Cembalo:
Gary Cooper (conductor/keyboardist) (in 1996-05)
conductor:
Philip Pickett (musician) (in 1996-05)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1996-05)
[traditional]4:59
12Dido Was the Carthage Queen
[traditional]2:34
13Sellinger’s Round
recording engineer:
Gosia Jankowska und Ko Witteveen (engineer)
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Gosia Jankowska
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-05)
conductor:
Philip Pickett (musician) (in 1996-05)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1996-05)
[traditional]2:06
14The Enchanted Island: A Martial Jigg
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04, in 1995-11)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich und The Warehouse in London (Greater London), England, Vereinigtes Königreich (in 1995-04)
recording of:
The Tempest: Fourth Act Tune - A Martial Jigge (in 1995-04)
Komponist(in):
Matthew Locke (English Baroque composer, c. 1621-1677)
Teil von:
The Tempest
Matthew Locke1:13
15The Enchanted Island: Soft Musick on the Rocks
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich
Henry Purcell1:12
16The Enchanted Island: Mask of Neptune and Amphitrite
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Baritongesang [Neptune]:
Roderick Williams (British baritone and composer)
Soprangesang [Amphitrite]:
Rachel Elliott
Soprangesang [Tethys]:
Nicki Kennedy (soprano)
Tenor-Gesang [Aeolus]:
Paul Agnew (tenor and conductor)
Tenor-Gesang [Oceanus]:
Andrew King (operatic tenor)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich
Pelham Humfrey3:11
17The Enchanted Island: Dance of Tritons and Nereides
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich
Henry Purcell1:19
18The Enchanted Island: Full Fathom Five
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Soprangesang [Ariel]:
Libby Crabtree
Orchester:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
Tonmeister(in):
Martha de Francisco (classical producer and engineer) und Ko Witteveen (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich
Robert Johnson2:51
19Symphony & Chorus for Oberon’s Birthday (excerpt 1)
Henry Purcell3:09
20Symphony & Chorus for Oberon’s Birthday (excerpt 2)
Henry Purcell2:24
21A Shakespeare Ode: But Oh! What Sudden Gloom
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Jean van Vugt
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 13 Recitative: "But oh! what sudden gloom" (in 1995-09)
Komponist(in):
Thomas Linley (the younger)
Teil von:
Ode on the Spirits of Shakespeare
Thomas Linley2:09
22A Shakespeare Ode: By the Pale Light
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Jean van Vugt
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-09)
Bass-Gesang:
Simon Grant (bass-baritone) (in 1995-09)
Hochgesang:
William Purefoy (in 1995-09)
Soprangesang:
Lilliana Mazzarri (soprano) (in 1995-09)
Tenor-Gesang:
Andrew King (operatic tenor) (in 1995-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 14 Quartet: "By the pale light" (in 1995-09)
Komponist(in):
Thomas Linley (the younger)
Teil von:
Ode on the Spirits of Shakespeare
Thomas Linley1:11
23A Shakespeare Ode: See Through the Glimmering Darkness
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Jean van Vugt
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 15 Recitative: See through the glimmering darkness" (in 1995-09)
Komponist(in):
Thomas Linley (the younger)
Teil von:
Ode on the Spirits of Shakespeare
Thomas Linley0:26
24A Shakespeare Ode: What Howling Whirlwinds
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Jean van Vugt
Chorgesang:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 16 Chorus: "What howling whirlwinds" (in 1995-09)
Komponist(in):
Thomas Linley (the younger)
Teil von:
Ode on the Spirits of Shakespeare
Thomas Linley1:32
25A Shakespeare Ode: For Whom at Yonder Livid Flame
recording engineer:
Jean‐Marie Geijsen
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Jean van Vugt
Baritongesang:
Roderick Williams (British baritone and composer) (in 1995-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 17 Recitative: "For whom, at yonder livid flame" (in 1995-09)
Komponist(in):
Thomas Linley (the younger)
Teil von:
Ode on the Spirits of Shakespeare
Thomas Linley1:35
26Hark, Hark Each Spartan Hound
recording engineer:
Roger de Schot
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-09)
recording of:
Hark, Hark, Each Spartan Hound (in 1996-09)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Sir Henry Rowley Bishop
William Shakespeare1:38
27Come Live With Me and Be My Love
recording engineer:
Roger de Schot
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Soprangesang [Adriana]:
Susan Gritton (soprano) (in 1996-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-09)
recording of:
Come Live With Me and Be My Love (in 1996-09)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Sir Henry Rowley Bishop
William Shakespeare4:03
28Spirits Advance
recording engineer:
Roger de Schot
leitende(r) Produzent(in):
Costa Pilavachi
Produzent(in):
Martha de Francisco (classical producer and engineer)
Editing:
Thijs Hoekstra und Matthijs Ruijter (engineer)
Soprangesang [First Fairy]:
Rachel Elliott (in 1996-09)
Soprangesang [Second Fairy]:
Joanne Lunn (British soprano vocalist) (in 1996-09)
Tenor-Gesang [Oberon]:
Mark Tucker (tenor) (in 1996-09)
Orchester:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
Tonmeister(in):
Ko Witteveen (engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-09)
recording of:
Spirits Advance (in 1996-09)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Sir Henry Rowley Bishop
William Shakespeare6:17

Nennungen

Veröffentlichung

liner notes:Andrew Pinnock (liner notes author) (in 1995)
Übersetzer:Giorgio Giandomenici
Uwe Jüttner
Matthias Lehmann (Übersetzung)