The Cream & the Crock

~ Release by You Am I (see all versions of this release, 2 available)

Tracklist

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1▼CD: The Cream
#TitleRatingLength
1Berlin Chair
assistant recording engineer:
Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03) and Brent Sigmeth (from 1993-07-27 until 1993-08-03)
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 81)
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3.52:37
2Jaimme’s Got a Gal
assistant recording engineer:
Mark Mason (sound engineer) and Brent Sigmeth
recording engineer:
Wayne Connolly
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
recording of:
Jaimme’s Got a Gal
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:31
3Cathy’s Clown
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1995)
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Cathy’s Clown
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
42:27
4Purple Sneakers
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Purple Sneakers
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:31
5Jewels and Bullets
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Jewels and Bullets
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
2:59
6Good Mornin’
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
engineered at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Good Mornin’
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
34:13
7Soldiers
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Soldiers
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
32:32
8Mr Milk
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Mr Milk
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:17
9Heavy Heart
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Heavy Heart
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
33:11
10Rumble
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Rumble
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
32:39
11Trike
recording engineer:
Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
recorded at:
Sound City Studios in Van Nuys, California, United States (in 1996)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Trike
lyricist and composer:
Tim Rogers
publisher:
Festival Music Pty, Ltd., MMA Music (publisher) and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
2:59
12Get Up
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Get Up
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
33:14
13Damage
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2000)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Damage
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:30
14Who Put the Devil in You?
recording of:
Who Put the Devil in You?
composer:
Tim Rogers
3:23
15How Much Is Enough?
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
engineered at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
recording of:
How Much Is Enough?
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Festival Music Pty, Ltd., MMA Music (publisher) and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
3:41
2▼CD: The Crock
#TitleRatingLength
1The Applecross Wing Commander
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
The Applecross Wing Commander
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
3:19
2Minor Byrd
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Minor Byrd
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
2:32
3Junk
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Junk
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Publishing (APRA-affiliated)
2:41
4What They Do at Night
engineer:
Mike Pelanconi
producer:
Mike Pelanconi and You Am I
mixer:
Paul McKercher
recorded at:
Titanic Studios in London (Greater London), England, United Kingdom
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
recording of:
What They Do at Night
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:30
5Trouble
engineer and mixer:
Paul McKercher
producer:
Tim Rogers
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia (from 2002-01-14 to present)
mixed at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
recording of:
Trouble
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
5:13
6If We Can’t Get It Together
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
If We Can't Get It Together
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
2:34
7Beautiful Girl
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Beautiful Girl
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:18
8Wally Raffles
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Wally Raffles
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
3:18
9Ordinary
assistant recording engineer:
Mark Mason (sound engineer) and Brent Sigmeth
recording engineer:
Wayne Connolly
producer:
Wayne Connolly and Lee Ranaldo
mixer:
Lee Ranaldo
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
recording of:
Ordinary
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
2:55
10Gone, Gone, Gone
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Gone, Gone, Gone
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:26
11Deliverance
recording engineer and mixer:
Paul McKercher
producer:
You Am I
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
recording of:
Deliverance
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
4:09
12Mr Kermode & the Million Matches
engineer:
Mike Pelanconi
producer:
Mike Pelanconi and You Am I
mixer:
Paul McKercher
recorded at:
Titanic Studios in London (Greater London), England, United Kingdom
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
recording of:
Mr Kermode & the Million Matches
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
2:31
13Cool Hand Luke
assistant recording engineer:
Bernard O'Reilly
recording engineer:
Wayne Connolly
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
recorded at and mixed at:
Megaphon in Sydney, New South Wales, Australia (in 1993)
recording of:
Cool Hand Luke
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
3:44
14The Cream & the Crock
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
The Cream and the Crock
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:22
15She Digs Her
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-03 until 1994-09-12)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
She Digs Her
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
3:25
16Guys, Girls, Guitars
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Guys, Girls, Guitars
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:00
17Sound as Ever
assistant recording engineer:
Mark Mason (sound engineer) and Brent Sigmeth
recording engineer:
Wayne Connolly
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
recording of:
Sound as Ever
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
6:35
18Open All Night
recording engineer, producer and mixer:
Clif Norrell
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Recording in Hollywood, Los Angeles, California, United States
recording of:
Open All Night
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
4:04