Original Album Series

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Tracklist

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1CD: I Never Loved a Man the Way I Love You
#TitleRatingLength
1Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
3.92:27
2Drown in My Own Tears
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14), Erma Franklin (on 1967-02-14) and Cissy Houston (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
cover recording of:
Drown in My Own Tears (on 1967-02-14)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
54:06
3I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
42:45
4Soul Serenade
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15) and Spooner Oldham (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd
cover recording of:
Soul Serenade (on 1967-02-15)
writer:
Luther Dixon and Curtis Ousley
publisher:
Frederick Music Co. and Katrina Music Co.
42:37
5Don’t Let Me Lose This Dream
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
recording of:
Don’t Let Me Lose This Dream (on 1967-02-14)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
42:19
6Baby, Baby, Baby
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
recording of:
Baby, Baby, Baby (on 1967-02-14)
writer:
Aretha Franklin and Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. and Pronto Music (publisher)
42:54
7Dr. Feelgood (Love Is a Serious Business)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
organ:
Spooner Oldham (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
trumpet:
Ernie Royal (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-15)
recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1967-02-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
4.653:21
8Good Times
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
cover recording of:
Good Times (on 1967-02-15)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd. and ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
3.652:08
9Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
organ:
Spooner Oldham (on 1967-01-24)
piano:
Aretha Franklin (from 1967-01-24 until 1967-01)
background vocals:
Carolyn Franklin (on 1967-01-24), Erma Franklin (on 1967-01-24) and Cissy Houston (on 1967-01-24)
vocals:
Aretha Franklin (from 1967-01-24 until 1967-01)
conductor:
Tom Dowd (on 1967-01-24)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-01) and Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 473)
recording of:
Do Right Woman, Do Right Man (from 1967-01-24 until 1967-01)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
53:17
10Save Me
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-08)
bass guitar:
Tommy Cogbill (on 1967-02-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-08) and Chips Moman (on 1967-02-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-08) and King Curtis (saxophonist) (on 1967-02-08)
trumpet:
Melvin Lastie (on 1967-02-08)
vocals:
Aretha Franklin (on 1967-02-08)
conductor:
Tom Dowd (on 1967-02-08)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recording of:
Save Me (Aretha Franklin song) (on 1967-02-08)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
4.52:19
11A Change Is Gonna Come
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
vibraphone:
Arif Mardin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
cover recording of:
A Change Is Gonna Come (on 1967-02-14)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
54:17
2CD: Lady Soul
#TitleRatingLength
1Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
4.252:50
2Money Won’t Change You
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
choir vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20), Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Money Won’t Change You (from 1967-12-19 until 1967-12-20)
writer:
James Brown (The Godfather of Soul) and Nat Jones (Saxophonist and organist, worked with James Brown)
publisher:
Dynatone Publishing
32:10
3People Get Ready
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
choir vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20), Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
cover recording of:
People Get Ready (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:46
4Niki Hoeky
recorded in:
New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano and organ:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17), Joe South (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
piano:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-16 until 1967-12-17)
choir vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17), Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Niki Hoeky (from 1967-12-16 until 1967-12-17)
writer:
Jim Ford (Singer-songwriter), Lolly Vegas and Pat Vegas
publisher:
Novalene
32:32
5(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:45
6Since You’ve Been Gone (Sweet Sweet Baby)
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:26
7Good to Me as I Am to You
recorded in:
New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano and organ:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guest guitar [guitar obbligato]:
Eric Clapton (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17), Joe South (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
piano:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-16 until 1967-12-17)
choir vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17), Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recording of:
Good to Me as I Am to You (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music
4.653:58
8Come Back Baby
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Come Back Baby
writer:
Ray Charles (soul musician, singer and songwriter) and Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
version of:
Come Back Baby
32:27
9Groovin’
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1968-05-07)
bass guitar:
Tommy Cogbill (on 1968-05-07)
bass trombone:
Tony Studd (on 1968-05-07)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-05-07)
electric piano and organ:
Spooner Oldham (on 1968-05-07)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-05-07), Joe South (on 1968-05-07) and Bobby Womack (on 1968-05-07)
piano:
Aretha Franklin (on 1968-05-07)
tenor saxophone:
King Curtis (saxophonist) (on 1968-05-07), Seldon Powell (on 1968-05-07) and Frank Wess (on 1968-05-07)
trumpet:
Bernie Glow (on 1968-05-07), Melvin Lastie (on 1968-05-07) and Joe Newman (US jazz trumpeter) (on 1968-05-07)
vibraphone:
Warren Smith (jazz percussionist) (on 1968-05-07)
choir vocals:
Aretha Franklin (on 1968-05-07), Carolyn Franklin (on 1968-05-07) and The Sweet Inspirations (on 1968-05-07)
vocals:
Aretha Franklin (on 1968-05-07)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Groovin’ (on 1968-05-07)
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
3.352:55
10Ain’t No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:12
3CD: Aretha Now
#TitleRatingLength
1Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3.652:20
2I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.353:37
3See Saw
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
electric piano:
Spooner Oldham (on 1968-04-16)
guitar:
Tommy Cogbill (on 1968-04-16) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
See Saw (on 1968-04-16)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:46
4Night Time Is the Right Time
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-17) and Floyd Newman (on 1968-04-17)
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-17) and Andrew Love (on 1968-04-17)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
cover recording of:
Night Time Is the Right Time (on 1968-04-17)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
44:50
5You Send Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
organ:
Spooner Oldham (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
You Send Me (on 1968-04-16)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:30
6You’re a Sweet Sweet Man
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
flute and tenor saxophone:
Frank Wess (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17) and Seldon Powell (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
You’re a Sweet Sweet Man (from 1967-12-16 until 1967-12-17)
lyricist and composer:
Ronnie Shannon
42:19
7I Take What I Want
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
cover recording of:
I Take What I Want (on 1968-04-18)
writer:
Isaac Hayes, Mabon Hodges (“Teenie”, soul guitarist) and David Porter (US soul musician, producer & songwriter)
publisher:
Shapiro Bernstein & Co. Ltd.
42:33
8Hello Sunshine
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute and tenor saxophone:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20) and Seldon Powell (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
lead vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
cover recording of:
Hello Sunshine (from 1967-12-19 until 1967-12-20)
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
43:04
9A Change
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
A Change (from 1967-12-16 until 1967-12-17)
writer:
Dorian Burton (New York-based singer, songwriter and producer) and Clyde Otis (American songwriter and record producer)
42:27
10I Can’t See Myself Leaving You
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
guitar:
Tommy Cogbill (on 1968-04-18) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
recording of:
I Can’t See Myself Leaving You (on 1968-04-18)
lyricist and composer:
Ronnie Shannon
43:01
4CD: Spirit in the Dark
#TitleRatingLength
1Don’t Play That Song
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
43:00
2The Thrill Is Gone (From Yesterday’s Kiss)
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
The Thrill Is Gone (1951 blues song) (on 1970-03-10)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
34:42
3Pullin’
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
electric piano and organ:
Barry Beckett (on 1969-10-03)
guitar:
Duane Allman (on 1969-10-03), Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-03)
recording of:
Pullin’ (on 1969-10-03)
writer:
Carolyn Franklin and Jimmy Radcliffe
publisher:
Springtime Music, Inc.
43:36
4You and Me
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
You and Me (on 1970-03-10)
lyricist and composer:
Aretha Franklin
43:36
5Honest I Do
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-27)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-27)
electric piano and organ:
Barry Beckett (on 1969-05-27)
guitar:
Duane Allman (on 1969-05-27), Eddie Hinton (on 1969-05-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-27)
piano:
Aretha Franklin (on 1969-05-27)
vocals:
Aretha Franklin (on 1969-05-27)
cover recording of:
Honest I Do (on 1969-05-27)
lyricist and composer:
Jimmy Reed (blues musician)
writer:
Ewart G. Abner, Jr. (record label executive and songwriter)
43:19
6Spirit in the Dark
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
Spirit in the Dark (on 1970-03-10)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
3.54:02
7When the Battle Is Over
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-27)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-27)
electric piano:
Barry Beckett (on 1969-??-27)
guitar:
Eddie Hinton (on 1969-05-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-27)
organ:
Barry Beckett (on 1969-05-27)
piano:
Aretha Franklin (on 1969-05-27)
background vocals:
Margaret Branch (on 1969-05-27), Brenda Bryant (on 1969-05-27) and Almeda Lattimore (on 1969-05-27)
vocals:
Aretha Franklin (on 1969-05-27)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-05-27)
recording of:
When the Battle Is Over (on 1969-05-27)
writer:
Jessie Hill (US R&B/Louisiana blues singer) and Mac Rebennack (New Orleans blues pianist, singer and songwriter)
32:42
8One Way Ticket
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Harold Cowart (in 1970-03)
drums (drum set):
Ray Lucas (in 1970-03)
guitar:
Cornell Dupree (in 1970-03)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (in 1970-03)
piano:
Aretha Franklin (in 1970-03)
background vocals:
Margaret Branch (in 1970-03), Brenda Bryant (in 1970-03) and Almeda Lattimore (in 1970-03)
vocals:
Aretha Franklin (in 1970-03)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1970-03)
recording of:
One Way Ticket (in 1970-03)
lyricist and composer:
Aretha Franklin
42:51
9Try Matty’s
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Harold Cowart (in 1969-10)
drums (drum set):
Ray Lucas (in 1969-10)
guitar:
Jim O’Rourke (US musician & producer, b. 1969) (in 1969-10)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (in 1969-10)
piano:
Aretha Franklin (in 1969-10)
background vocals:
Evelyn Green (in 1969-10), Wylene Ivy (in 1969-10), Almeda Lattimore (in 1969-10) and Pat Lewis (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1969-10)
recording of:
Try Matty’s (in 1969-10)
lyricist and composer:
Aretha Franklin
32:32
10That’s All I Want From You
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
That’s All I Want From You (on 1970-03-10)
lyricist and composer:
M. Rotha (Austrian composer and lyricist)
32:46
11Oh No Not My Baby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-26)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-26)
electric piano and organ:
Barry Beckett (on 1969-05-26)
guitar:
Duane Allman (on 1969-05-26), Cornell Dupree (on 1969-05-26), Eddie Hinton (on 1969-05-26) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-26)
piano:
Aretha Franklin (on 1969-05-26)
vocals:
Aretha Franklin (on 1969-05-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
cover recording of:
Oh No Not My Baby (on 1969-05-26)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
42:53
12Why I Sing the Blues
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Harold Cowart (on 1970-03-10)
drums (drum set):
Ray Lucas (on 1970-03-10)
guitar:
Cornell Dupree (on 1970-03-10)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Why I Sing the Blues (on 1970-03-10)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
ABC/Dunhill Music, Inc., Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
43:05
5CD: Aretha Live at Fillmore West
#TitleArtistRatingLength
1Respect
recording engineer:
Ray Thompson (engineer) (on 1971-02-05)
mixer:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-02-05)
live cover recording of:
Respect (on 1971-02-05)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3:55
2Love the One You’re With
recording engineer:
Ray Thompson (engineer) (on 1971-02-05)
mixer:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-02-05)
live cover recording of:
Love the One You’re With (on 1971-02-05)
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Aretha Franklin4:20
3Bridge Over Troubled Water
recording engineer:
Ray Thompson (engineer) (on 1971-03-05)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-05)
drums (drum set):
Bernard Purdie (on 1971-03-05)
guitar:
Cornell Dupree (on 1971-03-05)
organ:
Billy Preston (on 1971-03-05)
piano:
Truman Thomas (on 1971-03-05)
tenor saxophone:
King Curtis (saxophonist) (on 1971-03-05)
vocals:
Aretha Franklin (on 1971-03-05)
horn arranger:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live cover recording of:
Bridge Over Troubled Water (on 1971-03-05)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin25:43
4Eleanor Rigby
recording engineer:
Ray Thompson (engineer) (on 1971-03-05)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-05)
drums (drum set):
Bernard Purdie (on 1971-03-05)
guitar:
Cornell Dupree (on 1971-03-05)
organ:
Billy Preston (on 1971-03-05)
tenor saxophone:
King Curtis (saxophonist) (on 1971-03-05)
vocals:
Aretha Franklin (on 1971-03-05)
horn arranger:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live cover recording of:
Eleanor Rigby (on 1971-03-05)
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
Aretha Franklin2:40
5Make It With You
recording engineer:
Ray Thompson (engineer) (on 1971-03-05)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-05)
drums (drum set):
Bernard Purdie (on 1971-03-05)
guitar:
Cornell Dupree (on 1971-03-05)
organ:
Billy Preston (on 1971-03-05)
piano:
Truman Thomas (on 1971-03-05)
tenor saxophone:
King Curtis (saxophonist) (on 1971-03-05)
vocals:
Aretha Franklin (on 1971-03-05)
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live cover recording of:
Make It With You (on 1971-03-05)
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Aretha Franklin4:32
6Don’t Play That Song
recording engineer:
Ray Thompson (engineer) (on 1971-03-05)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-05)
drums (drum set):
Bernard Purdie (on 1971-03-05)
guitar:
Cornell Dupree (on 1971-03-05)
organ:
Billy Preston (on 1971-03-05)
tenor saxophone:
King Curtis (saxophonist) (on 1971-03-05)
vocals:
Aretha Franklin (on 1971-03-05)
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live cover recording of:
Don’t Play That Song (You Lied) (on 1971-03-05)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Aretha Franklin3:19
7Dr. Feelgood
recording engineer:
Ray Thompson (engineer) (on 1971-03-05)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-05)
drums (drum set):
Bernard Purdie (on 1971-03-05)
guitar:
Cornell Dupree (on 1971-03-05)
organ:
Billy Preston (on 1971-03-05)
saxophone:
King Curtis (saxophonist) (on 1971-03-05)
vocals:
Aretha Franklin (on 1971-03-05)
horn arranger:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1971-03-05)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
Aretha Franklin7:02
8Spirit in the Dark
recording engineer:
Ray Thompson (engineer) (on 1971-02-07)
mixer:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-02-07)
live recording of:
Spirit in the Dark (on 1971-02-07)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
Aretha Franklin4:44
9Spirit in the Dark (reprise)
recording engineer:
Ray Thompson (engineer) (on 1971-02-07)
mixer:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-02-07)
live recording of:
Spirit in the Dark (on 1971-02-07)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
Aretha Franklin feat. Ray Charles9:00
10Reach Out and Touch (Somebody’s Hand)
recording engineer:
Ray Thompson (engineer) (on 1971-03-07)
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Jerry Jemmott (on 1971-03-07)
drums (drum set):
Bernard Purdie (on 1971-03-07)
guitar:
Cornell Dupree (on 1971-03-07)
organ:
Billy Preston (on 1971-03-07)
piano:
Truman Thomas (on 1971-03-07)
tenor saxophone:
King Curtis (saxophonist) (on 1971-03-07)
vocals:
Aretha Franklin (on 1971-03-07)
horn arranger:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-07)
live cover recording of:
Reach Out and Touch (Somebody’s Hand) (on 1971-03-07)
lyricist and composer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (appears also as: Jobete Msc.)
Aretha Franklin2:55

Credits

Release

manufactured in:Europe
photography:David Gahr (photographer)
Jim Marshall (photographer)
Vincent Nanfra (Photographer)
Stephen Paley (photographer)
Jerry Schatzberg (photographer and film director)
liner notes:Jon Landau
Jack Springer
Jerry Wexler
design:Loring Eutemey (designer)
copyrighted (©) by and phonographic copyright (℗) by:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1967 until 1968, from 1970 until 1971)
Rhino Entertainment Company (not for release label use!) (in 2009)
marketed by:Rhino Entertainment Company (not for release label use!)
remastered versions:Lady Soul
Discogs:https://www.discogs.com/release/2338322 [info]
ASIN:US: B01K8OK8PE [info]