Complete Deutsche Grammophon & Argo Recordings

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

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1▼CD: Tchaikovsky: Symphony no. 1
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1Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: I. Daydreams on a Wintry Road. Allegro tranquillo
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-03-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-03-23)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) (on 1970-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Peter Tchaikovsky11:26
2Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: II. Land of Desolation, Land of Mists. Andante cantabile ma non tanto
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-03-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-03-23)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto (on 1970-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Peter Tchaikovsky10:47
3Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-03-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-03-23)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso (on 1970-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Peter Tchaikovsky8:07
4Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-03-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-03-23)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso (on 1970-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Peter Tchaikovsky13:51
2▼CD: Schumann / Grieg: Piano Concertos
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1Piano Concerto in A minor, op. 54: I. Allegro affettuso
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1993-05-24 until 1993-05-25)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
Robert Schumann16:30
2Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (from 1993-05-24 until 1993-05-25)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann5:58
3Piano Concerto in A minor, op. 54: III. Allegro vivace
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (from 1993-05-24 until 1993-05-25)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann11:32
4Piano Concerto in A minor, op. 16: I. Allegro molto moderato
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (from 1993-05-24 until 1993-05-25)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:56
5Piano Concerto in A minor, op. 16: II. Adagio
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (from 1993-05-24 until 1993-05-25)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:40
6Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso
executive producer:
Mark Buecker (engineer of classical recordings), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Werner Mayer (classical producer)
piano:
Jean‐Marc Luisada (pianist) (from 1993-05-24 until 1993-05-25)
orchestra:
London Symphony Orchestra (from 1993-05-24 until 1993-05-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-05-24 until 1993-05-25)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-05-24 until 1993-05-25)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato (from 1993-05-24 until 1993-05-25)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:49
3▼CD: Debussy: Images pour orchestre / Prélude à l’après‐midi d’un faune
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1Images pour orchestre, CD 118 : I. Gigues
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:32
2Images pour orchestre, CD 118 : II. Ibéria: 1. Par les rues et par les chemins
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:17
3Images pour orchestre, CD 118 : II. Ibéria: 2. Les parfums de la nuit
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy9:41
4Images pour orchestre, CD 118 : II. Ibéria: 3. Le matin d’un jour de fête
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:33
5Images pour orchestre, CD 118 : III. Rondes de printemps
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:32
6Prélude à l’après‐midi d’un faune, CD 87a
recording engineer and editor:
Joachim Niss
engineer and balance engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
flute:
Doriot Anthony Dwyer (US flautist) (from 1971-02-01 until 1971-02-02)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:38
4▼CD: Debussy: Violin Sonata / Cello Sonata / Flute Sonata / Syrinx
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1Violin Sonata, CD 148: I. Allegro vivo
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy5:11
2Violin Sonata, CD 148: II. Intermède. Fantasque et léger
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:18
3Violin Sonata, CD 148: III. Finale. Très animé
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23, in 1970-02)
violin:
Joseph Silverstein (violinist and conductor) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (in 1970-02)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:19
4Cello Sonata in D minor, CD 144: I. Prologue. Lent
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Jules Eskin (cellist) (from 1970-01-26 until 1970-03-23)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy4:53
5Cello Sonata in D minor, CD 144: II. Sérénade. Modérément animé
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Jules Eskin (cellist) (from 1970-01-26 until 1970-03-23)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-23)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy7:32
6Sonata for Flute, Viola and Harp, CD 145: I. Pastorale. Lento, dolce rubato
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy6:42
7Sonata for Flute, Viola and Harp, CD 145: II. Interlude. Tempo di minuetto
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy5:37
8Sonata for Flute, Viola and Harp, CD 145: III. Finale. Allegro moderato ma risoluto
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
harp:
Ann Hobson Pilot (harpist) (from 1970-01-26 until 1970-03-23) and Ann Hobson (harpist) (in 1970-02)
viola:
Burton Fine (violist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy4:56
9Syrinx for Solo Flute, CD 137
recording engineer:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Doriot Anthony Dwyer (US flautist) (from 1970-01-26 until 1970-03-23, in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23, in 1970-02)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (from 1970-01-26 until 1970-03-23)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (in 1970-02)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy2:42
5▼CD: Ives: Three Places in New England / Ruggles: Sun‐Treader
#TitleArtistRatingLength
1Three Places in New England: I. The “St. Gaudens” in Boston Common (Col. Shaw and his Colored Regiment)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives8:36
2Three Places in New England: II. Putnam’s Camp, Redding, Connecticut
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives5:59
3Three Places in New England: III. The Housatonic at Stockbridge
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives3:53
4Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 1)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles3:58
5Sun‐Treader: 𝅘𝅥𝅮 = 126 (bar 51a)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles4:19
6Sun‐Treader: Lento (bar 119)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles1:12
7Sun‐Treader: A tempo 𝅘𝅥𝅮 (bar 138a)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles1:35
8Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 169)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles1:43
9Sun‐Treader: Serene, but with great expression (bar 191)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24)
partial recording of:
Sun-Treader (from 1970-01-26 until 1970-03-24)
composer:
Carl Sprague Ruggles (from 1926 until 1931)
Carl Sprague Ruggles3:43
6▼CD: Stravinsky: Le Roi des étoiles / Le Sacre du printemps
#TitleArtistRatingLength
1Le Roi des étoiles, K14 : Molto sostenuto – Maestoso e tranquillo – Tempo primo
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
choir vocals:
New England Conservatory Chorus (from 1972-01-24 until 1972-01-25)
orchestra:
Boston Symphony Orchestra (from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1972-01-24 until 1972-01-25)
chorus master:
Lorna Cooke deVaron (conductor) (from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le roi des étoiles (The King of the Stars, The King of the Stars) (from 1972-01-24 until 1972-01-25)
premiered in:
Brussels (Brussels-Capital Region), Belgium (on 1939-04-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1912)
librettist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
publisher:
P. Jurgenson (in 1913)
part of:
K Catalog (number: K014)
Igor Stravinsky5:39
2Le Sacre du printemps, K15 : Première partie : Introduction
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:42
3Le Sacre du printemps, K15 : Première partie : Les augueres prinantiers
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:20
4Le Sacre du printemps, K15 : Première partie : Jeu du rapt
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:23
5Le Sacre du printemps, K15 : Première partie : Rondes printanières
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1972-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:45
6Le Sacre du printemps, K15 : Première partie : Jeux des cités rivales
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:45
7Le Sacre du printemps, K15 : Première partie : Cortège du sage
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
8Le Sacre du printemps, K15 : Première partie : L’Adoration de la Terre – Le sage
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:23
9Le Sacre du printemps, K15 : Première partie : Danse de la terre
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:16
10Le Sacre du printemps, K15 : Seconde partie : Introduction
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:15
11Le Sacre du printemps, K15 : Seconde partie : Cercles mystérieux des adolescentes
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:15
12Le Sacre du printemps, K15 : Seconde partie : Glorification d’élue
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:29
13Le Sacre du printemps, K15 : Seconde partie : Évocations des ancêtres
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:40
14Le Sacre du printemps, K15 : Seconde partie : Action rituelle des ancêtres
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:37
15Le Sacre du printemps, K15 : Seconde partie : Danse sacrale (l’Élue)
executive producer:
Volker Martin (engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1972, from 1972-01-24 until 1972-01-25)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1972, from 1972-01-24 until 1972-01-25)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1972-01-24 until 1972-01-25)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 1972-01-24 until 1972-01-25)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1972)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:39
7▼CD: Piston: Symphony no. 2 / W. Schuman: Violin Concerto
#TitleArtistRatingLength
1Symphony no. 2: I. Moderato
recording engineer and editor:
Joachim Niss
executive producer:
Thomas Mowrey
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Symphony no. 2: I. Moderato (on 1970-10-05)
composer:
Walter Piston (American composer) (in 1943)
part of:
Symphony no. 2
Walter Piston10:41
2Symphony no. 2: II. Adagio
recording engineer and editor:
Joachim Niss
executive producer:
Thomas Mowrey
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Symphony no. 2: II. Adagio (on 1970-10-05)
composer:
Walter Piston (American composer) (in 1943)
part of:
Symphony no. 2
Walter Piston11:11
3Symphony no. 2: III. Allegro
recording engineer and editor:
Joachim Niss
executive producer:
Thomas Mowrey
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Symphony no. 2: III. Allegro (on 1970-10-05)
composer:
Walter Piston (American composer) (in 1943)
part of:
Symphony no. 2
Walter Piston5:02
4Violin Concerto: I. Allegro risoluto – cadenza
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Paul Zukofsky (American violinist and conductor) (on 1970-10-05)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Violin Concerto: I. Allegro risoluto (on 1970-10-05)
composer:
William Schuman (American composer) (from 1947 until 1959)
part of:
Violin Concerto
William Schuman15:06
5Violin Concerto: II. Introduzione. Adagio – Allegretto
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Paul Zukofsky (American violinist and conductor) (on 1970-10-05)
orchestra:
Boston Symphony Orchestra (on 1970-10-05)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1970-10-05)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-10-05)
recording of:
Violin Concerto: II. Introduzione (on 1970-10-05)
composer:
William Schuman (American composer) (from 1947 until 1959)
part of:
Violin Concerto
William Schuman16:13
8▼CD: Shostakovich: Cello Concertos nos. 1 & 2
#TitleArtistRatingLength
1Cello Concerto no. 1 in E‐flat major, op. 107: I. Allegretto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich6:09
2Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich11:57
3Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich5:43
4Cello Concerto no. 1 in E‐flat major, op. 107: IV. Finale. Allegro con moto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich4:50
5Cello Concerto no. 2 in G major, op. 126: I. Largo
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 2 in G minor, op. 126: I. Largo (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1966)
part of:
Cello Concerto no. 2 in G minor, op. 126
Dmitri Shostakovich15:06
6Cello Concerto no. 2 in G major, op. 126: II. Allegretto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 2 in G minor, op. 126: II. Scherzo: Allegretto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1966)
part of:
Cello Concerto no. 2 in G minor, op. 126
Dmitri Shostakovich4:40
7Cello Concerto no. 2 in G major, op. 126: III. Finale. Allegretto
executive producer:
Alison Ames and Ewald Markl
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
cello:
Mischa Maisky (cellist) (from 1993-08-02 until 1993-08-04)
orchestra:
London Symphony Orchestra (from 1993-08-02 until 1993-08-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1993-08-02 until 1993-08-04)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
London, Abbey Road Studio One in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-08-02 until 1993-08-04)
recording of:
Cello Concerto no. 2 in G minor, op. 126: III. Finale: Allegretto (from 1993-08-02 until 1993-08-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1966)
part of:
Cello Concerto no. 2 in G minor, op. 126
Dmitri Shostakovich16:07
9▼CD: Bernstein: On the Town
#TitleArtistRatingLength
1On the Town: Act I: I Feel Like I'm Not Out of Bed Yet
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
bass vocals [First Workman]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
spoken vocals [Two Workmen]:
Lindsay Benson (from 1992-06-27 until 1992-06-30) and Stewart Collins (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Feel Like I'm Not Out of Bed Yet (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:07
2On the Town: Act I: New York, New York
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
vocals:
David Garrison (in 1992-06), Thomas Hampson (baritone) (in 1992-06) and Kurt Ollmann (baritone) (in 1992-06)
orchestra:
London Symphony Orchestra (in 1992-06, from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1992-06, from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: New York, New York (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
recording of:
On the Town: New York, New York (in 1992-06)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein4:00
3On the Town: Act I: Presentation of Miss Turnstiles
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
bass vocals [Announcer]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Miss Turnstiles' Variations (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein6:11
4On the Town: Act I: Gabey's Comin' / Pickup Song
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Gabey's Comin', Pickup Song (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:06
5On the Town: Act I: Taxi Number: Come Up to My Place
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Come Up to My Place (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:09
6On the Town: Act I: Carried Away
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carried Away (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:01
7On the Town: Act I: Lonely Town
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lonely Town (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein3:30
8On the Town: Act I: High School Girls
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: High School Girls (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein0:39
9On the Town: Act I: Lonely Town - Pas de deux
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lonely Town: pas de deux (dance) (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:13
10On the Town: Act I: Carnegie Hall Pavane
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Madame Dilly]:
Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carnegie Hall Pavane (Do-Do-Re-Do) (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:35
11On the Town: Act I: I Can Cook Too
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals [Hildy]:
Tyne Daly
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Can Cook Too (from 1992-06-27 until 1992-06-30)
lyricist:
Leonard Bernstein (American conductor, composer, pianist), Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:03
12On the Town: Act I: Lucky to Be Me
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Gabey]:
Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Lucky to Be Me (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
Leonard Bernstein3:03
13On the Town: Act I: Times Square: Finale, Act I
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Finale, Act I: Times Square Ballet (dance) (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein4:34
14On the Town: Act II: So Long, Baby
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: So Long Baby (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein1:02
15On the Town: Act II: I Wish I Was Dead
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
contralto vocals [Diana Dream]:
Meriel Dickinson (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: I Wish I Was Dead (aka "I'm Blue") (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein0:55
16On the Town: Act II: Ya Got Me
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Ya Got Me (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:55
17On the Town: Act II: Ain't Got No Tears Left
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
piano:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
lead vocals [The Nightclub Singer]:
Cleo Laine (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Ain't Got No Tears Left (from 1992-06-27 until 1992-06-30)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:16
18On the Town: Act II: Pitkin's Song
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
bass vocals [Pitkin]:
Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
recording of:
On the Town: Pitkin's Song (in 1992-06)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:44
19On the Town: Act II: Subway Ride and Imaginary Coney Island
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:54
20On the Town: Act II: The Great Lover Displays Himself
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein1:33
21On the Town: Act II: Pas de deux
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live partial recording of:
On the Town: Imaginary Coney Island Ballet: Subway Ride / Dance of the Great Lover / Pas de deux (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein3:08
22On the Town: Act II: Some Other Time
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
baritone vocals [Chip]:
Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30)
mezzo-soprano vocals [Claire]:
Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Hildy]:
Tyne Daly (from 1992-06-27 until 1992-06-30)
tenor vocals [Ozzie]:
David Garrison (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Some Other Time (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein4:29
23On the Town: Act II: The Real Coney Island
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
lead vocals [Rajah Bimmy]:
Adolph Green (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Dance: The Real Coney Island (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:59
24On the Town: Act II: Finale
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
vocals:
Lindsay Benson (from 1992-06-27 until 1992-06-30), Bruce Ogsten (UK operatic baritone, fl. late 20c.) (from 1992-06-27 until 1992-06-30), Stewart Collins (from 1992-06-27 until 1992-06-30), Tyne Daly (from 1992-06-27 until 1992-06-30), Meriel Dickinson (from 1992-06-27 until 1992-06-30), David Garrison (from 1992-06-27 until 1992-06-30), Adolph Green (from 1992-06-27 until 1992-06-30), Thomas Hampson (baritone) (from 1992-06-27 until 1992-06-30), Cleo Laine (from 1992-06-27 until 1992-06-30), Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30), Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30), Kurt Ollmann (baritone) (from 1992-06-27 until 1992-06-30), Samuel Ramey (bass-baritone) (from 1992-06-27 until 1992-06-30), Nicholas Sears (from 1992-06-27 until 1992-06-30) and Frederica von Stade (mezzo-soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Finale, Act II (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:56
25On the Town: Appendix: The Intermission's Great
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Appendix: The Intermission's Great (from 1992-06-27 until 1992-06-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
On the Town
Leonard Bernstein2:32
10▶CD: Bernstein: Arias And Barcarolles / A Quiet Place / Symphonic Dances from West Side Story
11▶CD: Costello: Il sogno
12▶CD: Tangazo: Music of Latin America
13▶CD: Dahl: Concerto for Alto Saxophone / Hymn / Music for Brass Instruments / The Tower of Saint Barbara
14▶CD: Feldman: Piano and Orchestra / Cello and Orchestra / Coptic Light

Credits

Release

copyrighted (©) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2024)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
marketed by:Universal Classics & Jazz (Australasia – a division of Universal Music Group)
part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 389)
ASIN:FR: B0DGY5GLS5 [info]
discography entry:https://laboiteamusique.eu/fr/produit/complete-deutsche-grammophon-argo-recordings-michael-tilson-thomas/?srsltid=AfmBOoqyKI3tgopxMAIAKq4ytWHvoymfZHSPi5y9yBAI6n2Dmjara-0p [info]