Jazz to Soul

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD: Jazz
Nr.TitelBewertungLänge
1Today I Sing the Blues
cover recording of:
Today I Sing the Blues
Verfasser(in):
Curley Hamner
Komponist(in):
Curtis Lewis (US songwriter)
publisher:
Bess Music und BMG Music Publishing Ltd.
2:49
2(Blue) By Myself
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee)
Gitarre:
Lord Westbrook
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger)
Posaune:
Quentin Jackson
Schlagzeug:
Sticks Evans
Tenorsaxophon:
Al Sears
arranger:
J. Leslie McFarland (composer)
recording of:
(Blue) By Myself (am 1960-11-17)
Verfasser(in):
Joe Bailey (US double bassist and songwriter) und J. Leslie McFarland (composer)
2:43
3Maybe I’m a Fool
recorded in:
New York, New York, Vereinigte Staaten (am 1961-01-10)
Produzent(in):
John Hammond (producer)
Bass:
Milt Hinton (am 1961-01-10)
Gitarre:
Lord Westbrook (am 1961-01-10)
Klavier:
Aretha Franklin (am 1961-01-10)
Schlagzeug:
Sticks Evans (am 1961-01-10)
Tenorsaxophon:
Al Sears (am 1961-01-10)
arranger:
J. Leslie McFarland (composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Maybe I’m a Fool (am 1961-01-10)
Verfasser(in):
J. Leslie McFarland (composer)
publisher:
Chappell & Co.
33:19
4All Night Long
recorded in:
New York, New York, Vereinigte Staaten (am 1960-11-17)
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-11-17)
Gitarre:
Lord Westbrook (am 1960-11-17)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-11-17)
Posaune:
Quentin Jackson (am 1960-11-17)
Schlagzeug:
Sticks Evans (am 1960-11-17)
Tenorsaxophon:
Al Sears (am 1960-11-17)
arranger:
J. Leslie McFarland (composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
All Night Long (am 1960-11-17)
Verfasser(in):
Curtis Reginald Lewis (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
33:07
5Blue Holiday
Produzent(in):
John Hammond (producer)
Bass:
Larry Gales (am 1962-01-25)
Gitarre:
Mundell Lowe (am 1962-01-25)
Klavier:
Aretha Franklin (am 1962-01-25) und Wynton Kelly (am 1962-01-25)
Posaune:
Al Grey (trombone) (am 1962-01-25)
Saxophon:
Jerry Dodgion (am 1962-01-25) und Oliver Nelson (saxophone, arranger, composer) (am 1962-01-25)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1962-01-25)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-25)
conductor:
Richard Wess (am 1962-01-25)
arranger:
Richard Wess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1962-01-25)
cover recording of:
Blue Holiday (am 1962-01-25)
Verfasser(in):
Willie Denson und Luther Dixon
publisher:
EMI Longitude Music und Kilynn Music Publishing, Inc.
4.52:57
6Nobody Like You
Produzent(in):
John Hammond (producer)
Bass:
Larry Gales (am 1962-01-25)
Gitarre:
Mundell Lowe (am 1962-01-25)
Klavier:
Aretha Franklin (am 1962-01-25) und Wynton Kelly (am 1962-01-25)
Posaune:
Al Grey (trombone) (am 1962-01-25)
Saxophon:
Jerry Dodgion (am 1962-01-25) und Oliver Nelson (saxophone, arranger, composer) (am 1962-01-25)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1962-01-25)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-25)
conductor:
Richard Wess (am 1962-01-25)
arranger:
Richard Wess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1962-01-25)
recording of:
Nobody Like You (am 1962-01-25)
Verfasser(in):
Rev. James Cleveland
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:26
7Sweet Lover
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-11-29)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-11-29)
Schlagzeug:
Belton Evans (am 1960-11-29)
recording of:
Sweet Lover (am 1960-11-29)
Verfasser(in):
J. Leslie McFarland (composer) und Sid Wyche
3:24
8Just for a Thrill
Produzent(in):
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
Just for a Thrill (am 1962-05-11)
Texter:
Don Raye
Komponist(in):
Lil Hardin Armstrong
arranger:
Vance Thompson
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
2:36
9If Ever I Would Leave You
recorded in:
New York, New York, Vereinigte Staaten (am 1963-06-13)
Produzent(in):
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963)
cover recording of:
If Ever I Would Leave You (from “Camelot”) (am 1963-06-13)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Teil von:
Camelot (full musical)
4:11
10Once in a While
recorded in:
New York, New York, Vereinigte Staaten (von 1963-10-09 bis 1963-10-11)
Produzent(in):
Bobby Scott (vocals, piano, US musician & producer)
conductor:
Bobby Scott (vocals, piano, US musician & producer)
arranger:
Bobby Scott (vocals, piano, US musician & producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Once in a While (von 1963-10-09 bis 1963-10-11)
Verfasser(in):
L.C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
2:34
11This Bitter Earth
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Sologesang:
Aretha Franklin (am 1964-02-10)
conductor:
Robert Mersey (am 1964-02-10)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
This Bitter Earth (am 1964-02-10)
Texter und Komponist(in):
Clyde Otis (American songwriter and record producer)
publisher:
Eden Music, Inc., Ensign Music, Iza Music Corp., Play Music, Inc. und Trio Music (publisher)
4:38
12God Bless the Child
recorded in:
New York, New York, Vereinigte Staaten (am 1962-05-11)
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-05-11)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
God Bless the Child (am 1962-05-11)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
43:06
13Skylark
cover recording of:
Skylark
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:07
14Muddy Water
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Produzent(in):
Clyde Otis (American songwriter and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
Muddy Water (am 1965-02-10)
Texter:
Jo Trent
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Harry Richman (singer, actor, pianist, composer and vaudevillian)
publisher:
Broadway Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Tunes LLC (ASCAP)
32:27
15Drinking Again
Produzent(in):
Robert Mersey
Orgel:
Paul Griffin (American pianist, session musician) (am 1964-02-08)
Tenorsaxophon:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (am 1964-02-08)
Trompete:
Ernie Royal (am 1964-02-08)
Sologesang:
Aretha Franklin (am 1964-02-08)
cover recording of:
Drinking Again (am 1964-02-08)
Texter:
Johnny Mercer (in 1962)
Komponist(in):
Doris Tauber (in 1962)
publisher:
M. Witmark & Sons, The Johnny Mercer Foundation, Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
16What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Sologesang:
Aretha Franklin (am 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (am 1964-02-10)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
33:34
17Unforgettable
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Vibraphon:
Teddy Charles (am 1964-02-10)
Sologesang:
Aretha Franklin (am 1964-02-10)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (am 1964-02-10)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
43:44
18Love for Sale
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Produzent(in):
Clyde Otis (American songwriter and record producer)
Mix:
Leo Sacks und Mark Wilder (US recording/mastering engineer)
Bass:
James Richardson (am 1965-02-10)
Gitarre:
Kenny Burrell (am 1965-02-10)
Schlagzeug:
Hindal Butts (am 1965-02-10)
vocals:
Aretha Franklin (am 1965-02-10)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Love for Sale (am 1965-02-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
32:34
19Misty
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Produzent(in):
Clyde Otis (American songwriter and record producer)
Bass:
James Richardson (am 1965-02-10)
Gitarre:
Kenny Burrell (am 1965-02-10)
Klavier:
Ted Harris (Soul music writer) (am 1965-02-10)
Schlagzeug:
Hindal Butts (am 1965-02-10)
vocals:
Aretha Franklin (am 1965-02-10)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Misty (am 1965-02-10)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
3:41
20Impossible
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Bass:
James Richardson (am 1965-02-10)
Gitarre:
Kenny Burrell (am 1965-02-10)
Klavier:
Ted Harris (Soul music writer) (am 1965-02-10)
Schlagzeug:
Hindal Butts (am 1965-02-10)
vocals:
Aretha Franklin (am 1965-02-10)
live cover recording of:
Impossible (am 1965-02-10)
Texter und Komponist(in):
Steve Allen (US actor, musician & comedian)
3:40
21This Could Be the Start of Something
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Produzent(in):
Clyde Otis (American songwriter and record producer)
Bass:
James Richardson (am 1965-02-10)
Gitarre:
Kenny Burrell (am 1965-02-10)
Klavier:
Ted Harris (Soul music writer) (am 1965-02-10)
Schlagzeug:
Hindal Butts (am 1965-02-10)
vocals:
Aretha Franklin (am 1965-02-10)
live cover recording of:
This Could Be the Start of Something Big (am 1965-02-10)
Texter:
Steve Allen (US actor, musician & comedian)
Komponist(in):
Steve Allen (US actor, musician & comedian) (in 1956)
publisher:
Meadowlane Music, Inc.
1:25
2CD: Soul
Nr.TitelBewertungLänge
1Won’t Be Long
recorded in:
New York, New York, Vereinigte Staaten (am 1960-11-29)
Produzent(in):
John Hammond (producer)
Mix:
Leo Sacks und Mark Wilder (US recording/mastering engineer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-11-29)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-11-29) und Aretha Franklin (am 1960-11-29)
Schlagzeug:
Belton Evans (am 1960-11-29)
arranger:
Curtis Lewis (US songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Won’t Be Long (am 1960-11-29)
Texter und Komponist(in):
J. Leslie McFarland (composer)
publisher:
World Song Publishing Inc.
3:22
2Operation Heartbreak
Produzent(in):
Al Kasha (composer, songwriter and arranger)
Bass:
Russ Savakus (am 1961-08-16)
Geige / Violine:
Bernard Eichenbaum (am 1961-08-16), Harry Lookovsky (am 1961-08-16), Harry Katzman (am 1961-08-16), Charles Libove (am 1961-08-16) und George Ockner (am 1961-08-16)
Gitarre:
Bucky Pizzarelli (am 1961-08-16)
Klavier:
Aretha Franklin (am 1961-08-16) und Ernest Hayes (American pianist, organist and arranger) (am 1961-08-16)
Posaune:
Robert Ascher (am 1961-08-16)
Saxophon:
C. Massey (am 1961-08-16)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1961-08-16)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-08-16)
conductor:
Richard Wess (am 1961-08-16)
arranger:
Richard Wess
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1961-08-16)
recording of:
Operation Heartbreak (am 1961-08-16)
Verfasser(in):
Al Kasha (composer, songwriter and arranger), Alan Thomas (songwriter for Aretha Franklin) und Curtis Williams (1950s doo-wop singer, member of The Penguins)
publisher:
EMI Blackwood Music Inc.
3:02
3Soulville2:29
4Runnin’ Out of Fools
recorded in:
New York, New York, Vereinigte Staaten (am 1964-07-09)
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer) (am 1964-07-09)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Running Out of Fools (am 1964-07-09)
Verfasser(in):
Richard Ahlert und Kay Rogers
publisher:
Pencil Mark Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:45
5Trouble in Mind
cover recording of:
Trouble in Mind
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
2:59
6Walk On By
recorded in:
New York, New York, Vereinigte Staaten (von 1964-10-05 bis 1964-10-07)
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer) (von 1964-10-05 bis 1964-10-07)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965, in 1992)
cover recording of:
Walk On By (von 1964-10-05 bis 1964-10-07)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:55
7Every Little Bit Hurts
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Every Little Bit Hurts (am 1964-10-06)
Texter und Komponist(in):
Ed Cobb
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
2:53
8Mockingbird
recorded in:
New York, New York, Vereinigte Staaten (von 1964-10-05 bis 1964-10-07)
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965, in 1992)
cover recording of:
Mockingbird (von 1964-10-05 bis 1964-10-07)
Verfasser(in):
Charlie Foxx und Inez Foxx
publisher:
EMI Unart Catalog Inc.
basiert auf:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
2:52
9You’ll Lose a Good Thing
recorded in:
New York, New York, Vereinigte Staaten (am 1964-10-05)
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer) (am 1964-10-05)
arranger:
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
You’ll Lose a Good Thing (am 1964-10-05)
Texter und Komponist(in):
Barbara Lynn Ozen
publisher:
Crazy Cajun Music (This is the publisher. Label is Crazy Cajun only), Dandelion Music Co. und Jamie Music Publishing Co.
2:40
10Cry Like a Baby
recorded in:
New York, New York, Vereinigte Staaten (von 1964-12-15 bis 1964-12-16)
Produzent(in):
Clyde Otis (American songwriter and record producer)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
recording of:
Cry Like a Baby (von 1964-12-15 bis 1964-12-16)
Texter und Komponist(in):
Jo Armstead, Nickolas Ashford und Valerie Simpson
publisher:
EMI Blackwood Music Inc.
2:16
11Take It Like You Give It
recording of:
Take It Like You Give It
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
1:57
12Land of Dreams
recording of:
Land of Dreams (am 1965-02-24)
Verfasser(in):
Aretha White
2:17
13Can’t You Just See Me
Produzent(in):
Clyde Otis (American songwriter and record producer)
recording of:
Can’t You Just See Me (am 1964-12-16)
Verfasser(in):
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
2:08
14(No, No) I’m Losing You
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
I’m Losing You (am 1965-05-25)
Verfasser(in):
Joy Byers
3:12
15Bit of Soul
cover recording of:
A Little Bit of Soul
Verfasser(in):
Milton Bland, McKinley Mitchell und D. Wilkinson
2:25
16Why Was I Born
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
Why Was I Born? (am 1965-05-25)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
2:54
17Until You Were Gone
recorded in:
New York, New York, Vereinigte Staaten (am 1965-10-12)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
cover recording of:
Until You Were Gone (am 1965-10-12)
Verfasser(in):
Joy Byers
publisher:
Unichappell Music, Inc.
3:19
18Lee Cross
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-08)
Produzent(in):
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
recording of:
Lee Cross (am 1964-02-08)
Verfasser(in):
Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
Unichappell Music, Inc.
3:21

Nennungen

Veröffentlichung

hergestellt von:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
Discogs:https://www.discogs.com/release/3541037 [Info]
ASIN:US: B00000281R [Info]