Sacred Music in the Renaissance, Volume 2: The Tallis Scholars' Finest Recordings 1990-1999

~ Release by The Tallis Scholars & Peter Phillips (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Missa Et ecce terrae motus; Kyrie
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Missa "Et ecce terrae motus" a 12 voci: Kyrie (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
part of:
Missa "Et ecce terrae motus" a 12 voci
Antoine Brumel7:00
2Missa Et ecce terrae motus; Gloria
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Missa "Et ecce terrae motus" a 12 voci: Gloria (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
part of:
Missa "Et ecce terrae motus" a 12 voci
Antoine Brumel9:32
3Missa Et ecce terrae motus; Credo
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Missa "Et ecce terrae motus" a 12 voci: Credo (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
part of:
Missa "Et ecce terrae motus" a 12 voci
Antoine Brumel9:41
4Missa Et ecce terrae motus; Sanctus & Benedictus
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Missa "Et ecce terrae motus" a 12 voci: Sanctus (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
part of:
Missa "Et ecce terrae motus" a 12 voci
Antoine Brumel14:04
5Missa Et ecce terrae motus; Agnus Dei
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Missa "Et ecce terrae motus" a 12 voci: Agnus Dei (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
part of:
Missa "Et ecce terrae motus" a 12 voci
Antoine Brumel6:50
6Missa de Apostolis; Kyrie
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (ended) and Mike Hatch (engineer/editor) (ended)
producer:
Peter Phillips (British conductor) and Steve C Smith (engineer/producer)
vocals:
The Tallis Scholars (in 1991)
conductor:
Peter Phillips (British conductor) (in 1991)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1991)
recording of:
Missa de Apostolis: Kyrie (in 1991)
part of:
Missa de Apostolis (a 6)
Heinrich Isaac7:48
7Missa de Apostolis; Gloria
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (ended) and Mike Hatch (engineer/editor) (ended)
producer:
Peter Phillips (British conductor) and Steve C Smith (engineer/producer)
vocals:
The Tallis Scholars (in 1991)
conductor:
Peter Phillips (British conductor) (in 1991)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1991)
recording of:
Missa de Apostolis: Gloria (in 1991)
part of:
Missa de Apostolis (a 6)
Heinrich Isaac10:48
8Missa de Apostolis; Sanctus & Benedictus
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (ended) and Mike Hatch (engineer/editor) (ended)
producer:
Peter Phillips (British conductor) and Steve C Smith (engineer/producer)
vocals:
The Tallis Scholars (in 1991)
conductor:
Peter Phillips (British conductor) (in 1991)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1991)
recording of:
Missa de Apostolis: Sanctus (in 1991)
part of:
Missa de Apostolis (a 6)
Heinrich Isaac5:56
9Missa de Apostolis; Agnus Dei
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (ended) and Mike Hatch (engineer/editor) (ended)
producer:
Peter Phillips (British conductor) and Steve C Smith (engineer/producer)
vocals:
The Tallis Scholars (in 1991)
conductor:
Peter Phillips (British conductor) (in 1991)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1991)
recording of:
Missa de Apostolis: Agnus Dei (in 1991)
part of:
Missa de Apostolis (a 6)
Heinrich Isaac4:27
2▼CD
#TitleArtistRatingLength
1Missa Maria zart; Kyrie
recording engineer:
Philip Hobbs (engineer/producer) (ended)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
bass vocals:
Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996)
soprano vocals:
Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996)
tenor vocals [tenor 1]:
Paul Agnew (tenor and conductor) (in 1996) and Charles Daniels (tenor) (in 1996)
tenor vocals [tenor 2]:
Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996)
vocals:
The Tallis Scholars (in 1996)
conductor:
Peter Phillips (British conductor) (in 1996)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1996)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996)
recording of:
Missa Maria zart: I. Kyrie (in 1996)
composer:
Jacob Obrecht (Flemish Renaissance composer) (in 1504)
part of:
Missa Maria zart (a 4)
Jacob Obrecht7:24
2Missa Maria zart; Gloria
recording engineer:
Philip Hobbs (engineer/producer) (ended)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
bass vocals:
Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996)
soprano vocals:
Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996)
tenor vocals [tenor 1]:
Paul Agnew (tenor and conductor) (in 1996) and Charles Daniels (tenor) (in 1996)
tenor vocals [tenor 2]:
Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996)
vocals:
The Tallis Scholars (in 1996)
conductor:
Peter Phillips (British conductor) (in 1996)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1996)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996)
recording of:
Missa Maria zart: II. Gloria (in 1996)
composer:
Jacob Obrecht (Flemish Renaissance composer) (in 1504)
part of:
Missa Maria zart (a 4)
Jacob Obrecht16:04
3Missa Maria zart; Credo
recording engineer:
Philip Hobbs (engineer/producer) (ended)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
bass vocals:
Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996)
soprano vocals:
Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996)
tenor vocals [tenor 1]:
Paul Agnew (tenor and conductor) (in 1996) and Charles Daniels (tenor) (in 1996)
tenor vocals [tenor 2]:
Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996)
vocals:
The Tallis Scholars (in 1996)
conductor:
Peter Phillips (British conductor) (in 1996)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1996)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996)
recording of:
Missa Maria zart: III. Credo (in 1996)
composer:
Jacob Obrecht (Flemish Renaissance composer) (in 1504)
part of:
Missa Maria zart (a 4)
Jacob Obrecht15:51
4Missa Maria zart; Sanctus & Benedictus
recording engineer:
Philip Hobbs (engineer/producer) (ended)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
bass vocals:
Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996)
soprano vocals:
Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996)
tenor vocals [tenor 1]:
Paul Agnew (tenor and conductor) (in 1996) and Charles Daniels (tenor) (in 1996)
tenor vocals [tenor 2]:
Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996)
vocals:
The Tallis Scholars (in 1996)
conductor:
Peter Phillips (British conductor) (in 1996)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1996)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996)
recording of:
Missa Maria zart: IV. Sanctus and Benedictus (in 1996)
composer:
Jacob Obrecht (Flemish Renaissance composer) (in 1504)
part of:
Missa Maria zart (a 4)
Jacob Obrecht16:11
5Missa Maria zart; Agnus Dei
recording engineer:
Philip Hobbs (engineer/producer) (ended)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
bass vocals:
Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996)
soprano vocals:
Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996)
tenor vocals [tenor 1]:
Paul Agnew (tenor and conductor) (in 1996) and Charles Daniels (tenor) (in 1996)
tenor vocals [tenor 2]:
Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996)
vocals:
The Tallis Scholars (in 1996)
conductor:
Peter Phillips (British conductor) (in 1996)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1996)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996)
recording of:
Missa Maria zart: V. Agnus Dei (in 1996)
composer:
Jacob Obrecht (Flemish Renaissance composer) (in 1504)
part of:
Missa Maria zart (a 4)
Jacob Obrecht13:46
6Tota pulchra es
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (ended) and Mike Hatch (engineer/editor) (ended)
producer:
Peter Phillips (British conductor) and Steve C Smith (engineer/producer)
vocals:
The Tallis Scholars (in 1991)
conductor:
Peter Phillips (British conductor) (in 1991)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1991)
recording of:
Tota pulchra es (in 1991)
composer:
Heinrich Isaac (Flemish Renaissance composer)
Heinrich Isaac9:05
3▼CD
#TitleArtistRatingLength
1Lamentations I
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Michael Lees (lay vicar & alto/countertenor) (in 1998) and Caroline Trevor (contralto) (in 1998)
bass vocals:
Donald Greig (baritone) (in 1998) and Francis Steele (operatic bass) (in 1998)
choir vocals:
The Tallis Scholars (in 1998)
soprano vocals:
Sally Dunkley (soprano) (in 1998) and Deborah Roberts (soprano) (in 1998)
tenor vocals:
Philip Cave (in 1998), James Gilchrist (British tenor) (in 1998), Steven Harrold (tenor) (in 1998) and Toby Watkin (in 1998)
conductor:
Peter Phillips (British conductor) (in 1998)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1998)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1998)
recording of:
Lamentations I (in 1998)
lyricist:
[anonymous] (special purpose artist)
composer:
Alfonso Ferrabosco (the elder, 1543-1588)
Alfonso Ferrabosco10:00
2Lamentations I
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Robert Harre-Jones (countertenor) (in 1992), Adrian Hill (in 1992), Nigel Short (British counter-tenor and conductor) (in 1992) and Caroline Trevor (contralto) (in 1992)
bass vocals:
Donald Greig (baritone) (in 1992) and Francis Steele (operatic bass) (in 1992)
choir vocals:
The Tallis Scholars (in 1992)
meane vocals:
Sally Dunkley (soprano) (in 1992) and Deborah Roberts (soprano) (in 1992)
tenor vocals:
Charles Daniels (tenor) (in 1992) and Richard Edgar‐Wilson (tenor) (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Lamentations of Jeremiah (I), P. 102 (in 1992)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I–II)
Thomas Tallis8:48
3Lamentations II
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Robert Harre-Jones (countertenor) (in 1992), Adrian Hill (in 1992), Nigel Short (British counter-tenor and conductor) (in 1992) and Caroline Trevor (contralto) (in 1992)
bass vocals:
Donald Greig (baritone) (in 1992) and Francis Steele (operatic bass) (in 1992)
choir vocals:
The Tallis Scholars (in 1992)
meane vocals:
Sally Dunkley (soprano) (in 1992) and Deborah Roberts (soprano) (in 1992)
tenor vocals:
Charles Daniels (tenor) (in 1992) and Richard Edgar‐Wilson (tenor) (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Lamentations of Jeremiah (II), P. 110 (in 1992)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I–II)
Thomas Tallis13:15
4Lamentations
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Nigel Short (British counter-tenor and conductor) (in 1992) and Caroline Trevor (contralto) (in 1992)
bass vocals:
Donald Greig (baritone) (in 1992) and Francis Steele (operatic bass) (in 1992)
choir vocals:
The Tallis Scholars (in 1992)
tenor vocals:
Charles Daniels (tenor) (in 1992), Simon Davies (tenor) (in 1992), Rufus Müller (tenor) (in 1992) and Mark Padmore (British tenor) (in 1992)
conductor:
Peter Phillips (British conductor) (in 1992)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1992)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1992)
recording of:
Lamentatio Jeremiae (a 4 (Heth—Caph)) (in 1992)
composer:
Antoine Brumel (Franco-Flemish Renaissance composer)
Antoine Brumel9:07
5Lamentations (5vv)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Robert Harre-Jones (countertenor) (in 1995) and Caroline Trevor (contralto) (in 1995)
bass vocals:
Donald Greig (baritone) (in 1995) and Francis Steele (operatic bass) (in 1995)
choir vocals:
The Tallis Scholars (in 1995)
soprano vocals:
Tessa Bonner (soprano) (in 1995), Sally Dunkley (soprano) (in 1995), Rachel Platt (soprano) (in 1995) and Deborah Roberts (soprano) (in 1995)
tenor vocals:
Simon Davies (tenor) (in 1995) and Rufus Müller (tenor) (in 1995)
conductor:
Peter Phillips (British conductor) (in 1995)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1995)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1995)
recording of:
Lamentations a 5 (in 1995)
composer:
Robert White (16th cent. English composer)
Robert White21:56
6Lamentations for Holy Saturday (Lesson 3, 6vv)
producer:
Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended)
alto vocals:
Michael Lees (lay vicar & alto/countertenor) (in 1998) and Caroline Trevor (contralto) (in 1998)
bass vocals:
Donald Greig (baritone) (in 1998) and Francis Steele (operatic bass) (in 1998)
choir vocals:
The Tallis Scholars (in 1998)
soprano vocals:
Tessa Bonner (soprano) (in 1998), Janet Coxwell (soprano) (in 1998), Sally Dunkley (soprano) (in 1998) and Deborah Roberts (soprano) (in 1998)
tenor vocals:
Philip Cave (in 1998), James Gilchrist (British tenor) (in 1998), Steven Harrold (tenor) (in 1998) and Toby Watkin (in 1998)
conductor:
Peter Phillips (British conductor) (in 1998)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1998)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1998)
recording of:
Lamentations for Holy Saturday (Lesson 3, 6vv) (in 1998)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina9:46
7Descendi in hortum meum
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) and Francis Steele (operatic bass)
choir vocals:
The Tallis Scholars
contralto vocals:
Caroline Trevor (contralto)
countertenor vocals:
Robert Harre-Jones (countertenor), Adrian Hill and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Leigh Nixon (lay vicar & tenor)
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Descendi in hortum meum (a 7)
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore5:36
4▼CD
#TitleArtistRatingLength
1Missa Praeter rerum seriem; Kyrie
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Stephen Charlesworth (bass-baritone), Donald Greig (baritone), Francis Steele (operatic bass) and Julian Walker (bass vocalist)
choir vocals:
The Tallis Scholars
countertenor vocals:
Robert Harre-Jones (countertenor) and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Rufus Müller (tenor)
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Missa Praeter rerum seriem : I. Kyrie
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
part of:
Missa Praeter rerum seriem (a 7)
Cipriano de Rore4:06
2Missa Praeter rerum seriem; Gloria
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Stephen Charlesworth (bass-baritone), Donald Greig (baritone), Francis Steele (operatic bass) and Julian Walker (bass vocalist)
choir vocals:
The Tallis Scholars
countertenor vocals:
Robert Harre-Jones (countertenor) and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Rufus Müller (tenor)
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Missa Praeter rerum seriem : II. Gloria
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
part of:
Missa Praeter rerum seriem (a 7)
Cipriano de Rore6:29
3Missa Praeter rerum seriem; Credo
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Stephen Charlesworth (bass-baritone), Donald Greig (baritone), Francis Steele (operatic bass) and Julian Walker (bass vocalist)
choir vocals:
The Tallis Scholars
countertenor vocals:
Robert Harre-Jones (countertenor) and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Rufus Müller (tenor)
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Missa Praeter rerum seriem : III. Credo
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
part of:
Missa Praeter rerum seriem (a 7)
Cipriano de Rore10:36
4Missa Praeter rerum seriem; Sanctus & Benedictus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Stephen Charlesworth (bass-baritone), Donald Greig (baritone), Francis Steele (operatic bass) and Julian Walker (bass vocalist)
choir vocals:
The Tallis Scholars
countertenor vocals:
Robert Harre-Jones (countertenor) and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Rufus Müller (tenor)
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Missa Praeter rerum seriem : IV. Sanctus & Benedictus
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
part of:
Missa Praeter rerum seriem (a 7)
Cipriano de Rore6:02
5Missa Praeter rerum seriem; Agnus Dei
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Stephen Charlesworth (bass-baritone), Donald Greig (baritone), Francis Steele (operatic bass) and Julian Walker (bass vocalist)
choir vocals:
The Tallis Scholars
countertenor vocals:
Robert Harre-Jones (countertenor) and Michael Lees (lay vicar & alto/countertenor)
soprano vocals:
Tessa Bonner (soprano), Ghislaine Morgan, Rachel Platt (soprano) and Deborah Roberts (soprano)
tenor vocals:
Paul Agnew (tenor and conductor), Charles Daniels (tenor), Simon Davies (tenor) and Rufus Müller (tenor)
conductor:
Peter Phillips (British conductor)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1994)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom
recording of:
Missa Praeter rerum seriem : V. Agnus Dei
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
part of:
Missa Praeter rerum seriem (a 7)
Cipriano de Rore2:48
6Requiem; Introitus (Requiem aeternam)
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Introitus "Requiem Aeternam" (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso8:03
7Requiem; Kyrie
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Kyrie (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso4:40
8Requiem; Graduale (Requiem aeternam)
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Graduale "Requiem aeternam" (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso6:00
9Requiem; Offertorium (Domine, Jesu Christe)
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Offertorium "Domine, Jesu Christe" (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso7:53
10Requiem; Sanctus & Benedictus
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Sanctus & Benedictus (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso3:25
11Requiem; Agnus Dei
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Agnus Dei I, II & III (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso3:35
12Requiem; Communio (Lux aeterna)
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Communio "Lux aeterna" (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso3:29
13Requiem; Responsorium (Libera me)
recording engineer:
Mike Hatch (engineer/editor)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1990), Adrian Hill (in 1990), Nigel Short (British counter-tenor and conductor) (in 1990) and Caroline Trevor (contralto) (in 1990)
bass vocals:
Donald Greig (baritone) (in 1990) and Francis Steele (operatic bass) (in 1990)
soprano vocals:
Tessa Bonner (soprano) (in 1990), Sally Dunkley (soprano) (in 1990), Ruth Holton (soprano) (in 1990) and Deborah Roberts (soprano) (in 1990)
tenor vocals:
Charles Daniels (tenor) (in 1990) and Nicolas Robertson (Tenor) (in 1990)
vocals:
The Tallis Scholars (in 1990)
conductor:
Peter Phillips (British conductor) (in 1990)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1990)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1990)
recording of:
Requiem: Responsorium "Libera me" (in 1990)
composer:
Manuel Cardoso (composer and organist, 1566–1650)
part of:
Requiem
Manuel Cardoso10:11