Complete Mozart Edition, Vol. 5: Violin Concertos / Wind Concertos

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 17 available)

Tracklist

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1▼CD: Violin Concertos No. 1–3, Adagio K 261
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1Concerto for Violin No. 1 in B‐flat major, K. 207: I. Allegro moderato (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: I. Allegro moderato (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
7:29
2Concerto for Violin No. 1 in B‐flat major, K. 207: II. Adagio (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
7:38
3Concerto for Violin No. 1 in B‐flat major, K. 207: III. Presto (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: III. Presto (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
6:07
4Concerto for Violin No. 2 in D major, K. 211: I. Allegro moderato (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211: I. Allegro moderato (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211
8:40
5Concerto for Violin No. 2 in D major, K. 211: II. Andante (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211: II. Andante (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211
7:22
6Concerto for Violin No. 2 in D major, K. 211: III. Rondeau. Allegro (cadenza: Erik Smith)
recorded in:
London, Ohio, United States (in 1970-01)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211: III. Rondeau. Allegro (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 2 in D major, K. 211
4:48
7Concerto for Violin and Orchestra No. 3 in G major, K. 216 “Strassburg”: I. Allegro aperto (cadenza: Sam Franko)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1969-11)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-11)
conductor:
Sir Alexander Gibson (conductor) (in 1969-11)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
10:02
8Concerto for Violin and Orchestra No. 3 in G major, K. 216 “Strassburg”: II. Adagio (cadenza: Sam Franko)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1969-11)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-11)
conductor:
Sir Alexander Gibson (conductor) (in 1969-11)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:17
9Concerto for Violin and Orchestra No. 3 in G major, K. 216 “Strassburg”: III. Rondeau. Allegro – andante – allegretto (cadenza: Sam Franko)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1969-11)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-11)
conductor:
Sir Alexander Gibson (conductor) (in 1969-11)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (in 1969-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
6:34
10Adagio for Violin & Orchestra in E major, K. 261: Adagio
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1970-01)
recording of:
Adagio for Violin and Orchestra in E major, K. 261 (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 261), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 261) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 261)
6:45
2▼CD: Violin Concertos No. 4 & 5; Rondo K269 & 373
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1Concerto for Violin and Orchestra No. 4 in D major, K. 218: I. Allegro aperto (cadenza: Joseph Joachim)
recorded in:
London, Ohio, United States (in 1970-01)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218
9:34
2Concerto for Violin and Orchestra No. 4 in D major, K. 218: II. Andante cantabile (cadenza: Joseph Joachim)
recorded in:
London, Ohio, United States (in 1970-01)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218
6:48
3Concerto for Violin and Orchestra No. 4 in D major, K. 218: III. Rondeau. Allegro grazioso – allegro ma non troppo – andante grazioso (cadenza: Joseph Joachim)
recorded in:
London, Ohio, United States (in 1970-01)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218
7:32
4Concerto for Violin and Orchestra No. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (cadenza: Joseph Joachim)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:49
5Concerto for Violin and Orchestra No. 5 in A major, K. 219 “Turkish”: II. Adagio (cadenza: Joseph Joachim)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:25
6Concerto for Violin and Orchestra No. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (cadenza: Joseph Joachim)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
8:56
7Adagio for Violin & Orchestra in E major, K. 261: Adagio
recorded in:
London, Ohio, United States (in 1970-01)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Adagio for Violin and Orchestra in E major, K. 261 (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 261), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 261) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 261)
recording of:
Rondeau for violin and orchestra in B-flat major, K. 261a/269
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 269) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 261a)
6:39
8Rondo for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso
recorded in:
London, Ohio, United States (in 1970-01)
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recording of:
Rondo for Violin and Orchestra in C major, K. 373 (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1781-04)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 373), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 373) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 373)
5:24
3▼CD: Violin Concerto No. 6; Concerto for 2 Violins K190
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1Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso (cadenza: George Enesco)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: I. Allegro maestoso (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a (doubful)
11:48
2Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante (cadenza: George Enesco)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: II. Andante (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a (doubful)
8:10
3Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro (cadenza: George Enesco)
violin:
Henryk Szeryng (violinist) (in 1966-04)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: III. Rondo: Allegro (in 1966-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a (doubful)
9:22
4Concertone for 2 Violins & Orchestra in C major, K. 186E/190: I. Allegro spiritoso
cello:
Norman Jones (Cello) (in 1970-01)
oboe:
Richard Morgan (Oboe player, New Philharmonia Orch) (in 1970-01)
violin:
Gérard Poulet (violinist) (in 1970-01) and Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1970-01)
recording of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: I. Allegro spiritoso (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190
9:03
5Concertone for 2 Violins & Orchestra in C major, K. 186E/190: II. Andantino grazioso
cello:
Norman Jones (Cello) (in 1970-01)
oboe:
Richard Morgan (Oboe player, New Philharmonia Orch) (in 1970-01)
violin:
Gérard Poulet (violinist) (in 1970-01) and Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1970-01)
recording of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: II. Andantino grazioso (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190
10:46
6Concertone for 2 Violins & Orchestra in C major, K. 186E/190: III. Tempo di menuetto. Vivace
cello:
Norman Jones (Cello) (in 1970-01)
oboe:
Richard Morgan (Oboe player, New Philharmonia Orch) (in 1970-01)
violin:
Gérard Poulet (violinist) (in 1970-01) and Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1970-01)
recording of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: III. Tempo di menuetto. Vivace (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concertone for 2 Violins & Orchestra in C major, K. 186E/190
9:52
4▼CD: Violin Concerto K364 & 315
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1Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso
producer:
Michael Bremner (producer/engineer)
viola:
Nobuko Imai (Japanese violist) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
13:57
2Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante
producer:
Michael Bremner (producer/engineer)
viola:
Nobuko Imai (Japanese violist) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
11:06
3Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto
producer:
Michael Bremner (producer/engineer)
viola:
Nobuko Imai (Japanese violist) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
6:19
4Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): I. Allegro (cadenza: Philip Wilby)
producer:
Michael Bremner (producer/engineer)
piano:
Howard Shelley (British pianist and conductor) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: I. Allegro (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Philip Wilby (British composer) (in 1985)
part of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56 (Wilby reconstruction)
12:13
5Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): II. Andantino cantabile (cadenza: Philip Wilby)
producer:
Michael Bremner (producer/engineer)
piano:
Howard Shelley (British pianist and conductor) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: II. Andantino cantabile (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Philip Wilby (British composer) (in 1985)
part of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56 (Wilby reconstruction)
6:36
6Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): III. Allegretto – allegro (cadenza: Philip Wilby)
producer:
Michael Bremner (producer/engineer)
piano:
Howard Shelley (British pianist and conductor) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: III. Allegretto – Allegro (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Philip Wilby (British composer) (in 1985)
part of:
Concerto for Violin and Piano in D major, K. 315f/Anh. 56 (Wilby reconstruction)
7:02
7Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Philip Wilby reconstruction): I. Allegro (cadenza: Philip Wilby)
producer:
Michael Bremner (producer/engineer)
cello:
Stephen Orton (cellist) (in 1989-06)
viola:
Nobuko Imai (Japanese violist) (in 1989-06)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
orchestra:
Academy of St Martin in the Fields (in 1989-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1989-06)
balance engineer:
Bram de Groot (in 1989-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Sinfonia Concertante for Violin, Viola, Cello and Orchestra in A major, K. Anh 104/320e (fragment) (in 1989-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
NMA volume of Fragments ([Fr]) (number: Fr 1779b), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 320e), Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 320e) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 104)
11:12
5▼CD: Wind Concertos K297 & 285
#TitleRatingLength
1Sinfonia Concertante for Flute, Harp & Orchestra in C major, K. 297c/299: I. Allegro (cadenza: Carl Reinecke)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
harp:
Maria Graf (harpist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
10:30
2Sinfonia Concertante for Flute, Harp & Orchestra in C major, K. 297c/299: II. Andantino (cadenza: Carl Reinecke)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
harp:
Maria Graf (harpist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
8:32
3Sinfonia Concertante for Flute, Harp & Orchestra in C major, K. 297c/299: III. Rondeau. Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così‐così‐con molto garbo ed espressione (cadenza: Carl Reinecke)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
harp:
Maria Graf (harpist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
8:27
4Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso (cadenza: Irena Grafenauer)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
9:02
5Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo (cadenza: Irena Grafenauer)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
8:30
6Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto (cadenza: Irena Grafenauer)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
6:54
7Concerto for Flute & Orchestra in C major, K. 285e/315: Andante (cadenza: Irena Grafenauer)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Andante in C major for Flute and Orchestra, K. 285e/315 (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
was commissioned by:
Ferdinand De Jean (flutist)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 285e), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 315), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 315) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 285e)
5:56
6▼CD: Wind Concertos K622 & 186
#TitleRatingLength
1Concerto for Clarinet in A major, K. 622: I. Allegro
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
12:04
2Concerto for Clarinet in A major, K. 622: II. Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:43
3Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
arrangement of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (catch-all for arrangements)
part of:
Concerto for Clarinet in A major, K. 622
8:47
4Concerto for Bassoon in B‐flat major, K. 186e/191: I. Allegro (cadenza: Klaus Thunemann)
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
bassoon:
Klaus Thunemann (bassoonist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
6:54
5Concerto for Bassoon in B‐flat major, K. 186e/191: II. Andante ma adagio (cadenza: Klaus Thunemann)
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
bassoon:
Klaus Thunemann (bassoonist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
6:10
6Concerto for Bassoon in B‐flat major, K. 186e/191: III. Rondeau. Tempo di menuetto (cadenza: Klaus Thunemann)
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
bassoon:
Klaus Thunemann (bassoonist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
4:03
7▼CD: Wind Concertos K386, 417, 447, 495 & 371
#TitleRatingLength
1Concerto for French Horn No. 1 in D major, K. 386b / KV 412: I. Allegro
producer:
Michael Bremner (producer/engineer)
French horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
4:55
2Concerto for French Horn No. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro (in 1988-01)
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
revision of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)
4:23
3Concerto for Horn No. 2 in E‐flat major, K. 417: I. Allegro (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
6:23
4Concerto for Horn No. 2 in E‐flat major, K. 417: II. Andante (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
3:18
5Concerto for Horn No. 2 in E‐flat major, K. 417: III. Rondo. Allegro – Più allegro (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
3:50
6Concerto for Horn No. 3 in E‐flat major, K. 447: I. Allegro (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
7:27
7Concerto for Horn No. 3 in E‐flat major, K. 447: II. Romance. Larghetto (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
4:49
8Concerto for Horn No. 3 in E‐flat major, K. 447: III. Allegro (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
3:50
9Concerto for Horn No. 4 in E‐flat major, K. 495: I. Allegro moderato (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
French horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
8:11
10Concerto for Horn No. 4 in E‐flat major, K. 495: II. Romance. Andante cantabile (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
French horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
4:13
11Concerto No. 4 in E‐flat major for Horn, K. 495: III. Rondo. Allegro vivace (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
French horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
3:41
12Concerto for Orchestra in E‐flat major, K. 371 (Erik Smith completion): Rondo. Allegro (cadenza: Peter Damm)
producer:
Michael Bremner (producer/engineer)
horn:
Peter Damm (horn player) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto for Orchestra in E-flat major, K. 371: Rondo. Allegro (compl. Smith) (in 1988-01)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
revision of:
Concerto Movement for Horn in E-flat major, K. 371 (fragment): Rondo. Allegro
5:45
8▼CD: Wind concertos K297 & 271k
#TitleRatingLength
1Sinfonie concertante for Winds in E‐flat major, K. 297B/Anh 9 (Robert Levin reconstruction): I. Allegro (cadenza: Robert Levin)
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: I. Allegro (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: I. Allegro
9:40
2Sinfonie concertante for Winds in E‐flat major, K. 297B/Anh 9 (Robert Levin reconstruction): II. Adagio (cadenza: Robert Levin)
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: II. Adagio (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: II. Adagio
6:29
3Sinfonie concertante for Winds in E‐flat major, K. 297B/Anh 9 (Robert Levin reconstruction): III. Andantino con variazioni (cadenza: Robert Levin)
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: III. Andantino con variazioni (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: III. Andantino con variazioni
12:27
4Concerto for Oboe No. 2 in D major, K. 271k (reconstruction from K. 285d/314): I. Allegro aperto (cadenza: Heinz Holliger)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): I. Allegro aperto (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
6:52
5Concerto for Oboe No. 2 in D major, K. 271k (reconstruction from K. 285d/314): II. Adagio ma non troppo (cadenza: Heinz Holliger)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): II. Adagio ma non troppo (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
7:26
6Concerto for Oboe No. 2 in D major, K. 271k (reconstruction from K. 285d/314): III. Rondo. Allegretto (cadenza: Heinz Holliger)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07) and Sir Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): III. Rondo. Allegretto (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
5:31
9▼CD: Wind Concertos K285 & K. Anh C 14.01
#TitleRatingLength
1Concerto for Flute No. 2 in D major, K. 285d/314: I. Allegro aperto (cadenza: Irena Grafenauer)
recorded in:
London (Greater London), England, United Kingdom (in 1989-12)
flute:
Irena Grafenauer (flautist) (in 1989-12)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto (in 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto
8:02
2Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo (cadenza: Irena Grafenauer)
recorded in:
London (Greater London), England, United Kingdom (in 1989-12)
flute:
Irena Grafenauer (flautist) (in 1989-12)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo (in 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo
6:18
3Concerto for Flute No. 2 in D major, K. 285d/314: III. Rondo. Allegretto (cadenza: Irena Grafenauer)
recorded in:
London (Greater London), England, United Kingdom (in 1989-12)
flute:
Irena Grafenauer (flautist) (in 1989-12)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto (in 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
6:13
4Sinfonia Concertante for Oboe, Clarinet, Horn, Bassoon, & Orchestra in E‐flat major, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): I. Allegro
producer:
Erik Smith (British producer, pianist and harpsichordist)
bassoon:
Michael Chapman (bassoonist) (on 1972-08-29)
clarinet:
Jack Brymer (clarinettist) (on 1972-08-29)
French horn:
Alan Civil (British horn player) (on 1972-08-29)
oboe:
Neil Black (oboist) (on 1972-08-29)
orchestra:
Academy of St Martin in the Fields (on 1972-08-29)
conductor:
Sir Neville Marriner (conductor) (on 1972-08-29)
balance engineer:
Hans Lauterslager
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1972-08-29)
recording of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: I. Allegro (on 1972-08-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01 (spurious or doubtful)
13:41
5Sinfonia Concertante for Oboe, Clarinet, Horn, Bassoon, & Orchestra in E‐flat major, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): II. Adagio
producer:
Erik Smith (British producer, pianist and harpsichordist)
bassoon:
Michael Chapman (bassoonist) (on 1972-08-29)
clarinet:
Jack Brymer (clarinettist) (on 1972-08-29)
French horn:
Alan Civil (British horn player) (on 1972-08-29)
oboe:
Neil Black (oboist) (on 1972-08-29)
orchestra:
Academy of St Martin in the Fields (on 1972-08-29)
conductor:
Sir Neville Marriner (conductor) (on 1972-08-29)
balance engineer:
Hans Lauterslager
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1972-08-29)
recording of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: II. Adagio (on 1972-08-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01 (spurious or doubtful)
7:29
6Sinfonia Concertante for Oboe, Clarinet, Horn, Bassoon, & Orchestra in E‐flat major, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): III. Andantino & Variations I – IX & Variation X. Andantino – adagio – allegro – più mosso
producer:
Erik Smith (British producer, pianist and harpsichordist)
bassoon:
Michael Chapman (bassoonist) (on 1972-08-29)
clarinet:
Jack Brymer (clarinettist) (on 1972-08-29)
French horn:
Alan Civil (British horn player) (on 1972-08-29)
oboe:
Neil Black (oboist) (on 1972-08-29)
orchestra:
Academy of St Martin in the Fields (on 1972-08-29)
conductor:
Sir Neville Marriner (conductor) (on 1972-08-29)
balance engineer:
Hans Lauterslager
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1972-08-29)
recording of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: III. Andantino con variazioni (on 1972-08-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01 (spurious or doubtful)
8:48