Summer Cruising

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2023 UMG Recordings, Inc.
℗ 2023 UMG Recordings, Inc. FP

Anmerkung zuletzt geändert am 2026-03-27 02:11 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:58
2I Can't Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:44
3The Way You Do the Things You Do
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (am 1964-01-23)
Hintergrundgesang:
Melvin Franklin (am 1964-01-23), David Ruffin (soul singer, member of The Temptations) (am 1964-01-23), Otis Williams (US baritone singer, member of The Temptations & The Distants) (am 1964-01-23) und Paul Williams (member of The Temptations) (am 1964-01-23)
Sologesang:
Eddie Kendricks (am 1964-01-23)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-01-23)
recording of:
The Way You Do the Things You Do
Verfasser(in):
Smokey Robinson und Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations2.52:42
4Ain't No Mountain High Enough (mono version)
recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell52:33
5Mr. Big Stuff
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 34) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 398)
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight52:45
6Nowhere to Run
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves & The Vandellas4.653:00
7Brick House
recording of:
Brick House (original version)
Texter:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange und Lionel Richie
Komponist(in):
Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Commodores3:44
8Ladies Night
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & The Gang6:36
9Higher Ground
Produzent(in):
Stevie Wonder
arranger:
Stevie Wonder
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 113) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 261)
recording of:
Higher Ground
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stein & Van Stock, Inc.
Stevie Wonder4.53:43
10(Love Is Like a) Heat Wave (single version)
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 154) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 257)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha Reeves & The Vandellas42:45
11ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:57
12Tainted Love (single version)
Techniker(in):
Armin Steiner
Produzent(in):
Ed Cobb
arranger:
Lincoln Mayorga (pianist, conductor and composer)
recording of:
Tainted Love (in 1965)
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones52:11
13I'm Coming Out
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 385) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 436)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross3.95:25
14Bad Girls
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 409)
recording of:
Bad Girls (in 1979)
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.84:55
15You're the First, the Last, My Everything (single version)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White2.253:33
16I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:13
17Wouldn't It Be Nice (remastered 2012)
Techniker(in):
Larry Levine (am 1966-01-22) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Mark Linett und Brian Wilson (Beach Boys co‐founder)
Mix:
Mark Linett (in 1996)
accordion:
Carl Fortina (am 1966-01-22) und Frank Marocco (am 1966-01-22)
baritone saxophone:
Jay Migliori (am 1966-01-22)
E-Bass:
Carol Kaye (am 1966-01-22)
E-Bass [Dano Bass]:
Ray Pohlman (am 1966-01-22)
Gitarre:
Jerry Cole (am 1966-01-22), Barney Kessel (am 1966-01-22) und Bill Pitman (am 1966-01-22)
Glocken, Pauke und Perkussion:
Frank Capp (am 1966-01-22)
Klavier:
Al De Lory (am 1966-01-22)
Kontrabass:
Lyle Ritz (am 1966-01-22)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-01-22)
tack piano:
Larry Knechtel (am 1966-01-22)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-01-22) und Plas Johnson (am 1966-01-22)
Trompete:
Roy Caton (trumpet player) (am 1966-01-22)
Sologesang:
Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22) und Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California (Kalifornien), Vereinigte Staaten (in 1996)
Remix von:
Wouldn’t It Be Nice (mono) von The Beach Boys (American rock band)
recording of:
Wouldn’t It Be Nice (von 1966-01-22 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.72:34
18California Soul
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc. (am 1969-01-17)
Marlena Shaw52:58
19I'll Take You There
Bearbeitung von:
I’ll Take You There von The Staple Singers
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 186) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 276)
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:15
20Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:03
21We Don't Have to Take Our Clothes Off
recording of:
We Don’t Have to Take Our Clothes Off
Verfasser(in):
Preston Glass und Narada Michael Walden
Jermaine Stewart44:05
22Got to Give It Up - Pt. 1
Produzent(in):
Art Stewart
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. und Jobete Music Publishing
Marvin Gaye3.44:08
23Sir Duke
Programmierung:
Charles Brewer, John Fischbach und Stevie Wonder
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
Gitarre:
Ben Bridges und Michael Sembello
Perkussion, Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Raymond Pounds
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio und Raymond Maldonado
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
Stevie Wonder4.43:53
24Get Ready
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (von 1965-12-05 bis 1965-12-29)
Hintergrundgesang:
Melvin Franklin (von 1965-12-05 bis 1965-12-29), David Ruffin (soul singer, member of The Temptations) (von 1965-12-05 bis 1965-12-29), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1965-12-05 bis 1965-12-29) und Paul Williams (member of The Temptations) (von 1965-12-05 bis 1965-12-29)
Sologesang:
Melvin Franklin (von 1965-12-05 bis 1965-12-29) und Eddie Kendricks (von 1965-12-05 bis 1965-12-29)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-12-05 bis 1965-12-29)
recording of:
Get Ready (von 1965-12-05 bis 1965-12-29)
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations42:40
25Something's Got a Hold on Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-12)
Bassgitarre [bass]:
Reggie Boyd (US blues guitarist/bassist) (in 1961-12)
Gitarre:
Matt Murphy (US blues guitarist) (in 1961-12)
Klavier:
John Young (jazz pianist) (in 1961-12)
Schlagzeug:
Al Duncan (in 1961-12)
Hintergrundgesang [backing vocals]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-12)
vocals:
Etta James (in 1961-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 40)
recording of:
Something’s Gotta Hold on Me (in 1961-12)
Verfasser(in):
Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
Etta James42:49

Nennungen

Veröffentlichung

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