Bach / Händel / Brahms

~ Release by Bach, Händel, Brahms; Aafje Heynis (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	St. Matthew Passion, BWV 244: Erbarme dich alto vocals: Aafje Heynis (contralto) (in 1961) orchestra: Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961) conductor: Hans Gillesberger (in 1961) recording of: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1961) orchestrator: Ton Koopman (conductor, organist and harpsichordist) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		7:22
2	Christmas Oratorio, BWV 248: Bereite dich, Zion alto vocals: Aafje Heynis (contralto) (in 1961) orchestra: Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961) conductor: Hans Gillesberger (in 1961) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1961) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		5:36
3	St. John Passion, BWV 245: Es ist vollbracht alto vocals: Aafje Heynis (contralto) (in 1961) orchestra: Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961) conductor: Hans Gillesberger (in 1961) recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach		5:41
4	Messiah: He was despised contralto vocals: Aafje Heynis (contralto) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		11:13
5	Messiah: O thou that tellest contralto vocals: Aafje Heynis (contralto) recording of: Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		5:35
6	Vier ernste Gesänge: I. Denn es gehet dem Menschen piano: Johan van den Boogert contralto vocals: Aafje Heynis (contralto) recording of: 4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh lyricist: [anonymous] (special purpose artist) composer: Johannes Brahms (German composer) translator: Martin Luther (German theologian of the Reformation) part of: 4 ernste Gesänge, op. 121	Johannes Brahms		4:29
7	Vier ernste Gesänge: II. Ich wandte mich piano: Johan van den Boogert contralto vocals: Aafje Heynis (contralto) recording of: 4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle lyricist: [anonymous] (special purpose artist) composer: Johannes Brahms (German composer) translator: Martin Luther (German theologian of the Reformation) part of: 4 ernste Gesänge, op. 121	Johannes Brahms		3:59
8	Vier ernste Gesänge: III. O Tod, wie bitter bist du piano: Johan van den Boogert contralto vocals: Aafje Heynis (contralto) recording of: 4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du lyricist: [anonymous] (special purpose artist) composer: Johannes Brahms (German composer) translator: Martin Luther (German theologian of the Reformation) part of: 4 ernste Gesänge, op. 121	Johannes Brahms		4:05
9	Vier ernste Gesänge: IV. Wenn ich mit Menschen- und lmit Engelszungen redete piano: Johan van den Boogert contralto vocals: Aafje Heynis (contralto) recording of: 4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete lyricist: [anonymous] (special purpose artist) composer: Johannes Brahms (German composer) translator: Martin Luther (German theologian of the Reformation) part of: 4 ernste Gesänge, op. 121	Johannes Brahms		5:01
10	Ave Maria, D. 389 piano: Pierre Palla (pianist) contralto vocals: Aafje Heynis (contralto) recording of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) lyricist: [anonymous] (special purpose artist) composer: Franz Schubert (composer) version of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Franz Schubert		4:24
11	Panis Angelicus organ: Simon C. Jansen (organist) choir vocals: Pro Musica Choir contralto vocals: Aafje Heynis (contralto) conductor: Lex Karsemeijer (conductor) recording of: Messe solennelle en la majeur, op. 12 : V. Panis Angelicus lyricist: St. Thomas Aquinas composer: César Franck (Belgian‐born French composer) (in 1860) part of: Messe solennelle en la majeur, op. 12	César Franck		4:04
12	Serse: Ombra mai fù organ: Pierre Palla (pianist) contralto vocals: Aafje Heynis (contralto) recording of: Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) composer: George Frideric Handel (German‐British baroque composer) arrangement of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)	George Frideric Handel		4:30
13	Als due alte Mutter, op. 55 no. 4 piano: Felix de Nobel (pianist and conductor) contralto vocals: Aafje Heynis (contralto) recording of: Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano) lyricist: Adolf Heyduk composer: Antonín Dvořák (composer) (from 1880-01 until 1880-02) part of: Cigánské melodie, op. 55 (Gypsy Songs, for voice and piano)	Antonín Dvořák		2:27
14	After J.S. Bach: Prelude no. 1, BWV 846: Ave Maria organ: Meindert Boekel choir vocals: Pro Musica Choir contralto vocals: Aafje Heynis (contralto) conductor: Lex Karsemeijer (conductor) recording of: Ave Maria (Bach/Gounod) lyricist: [anonymous] (special purpose artist) composer: Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853) is based on: Méditation sur le Premier Prélude de Piano de S. Bach is based on: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude	Charles Gounod	3	3:25
15	English folk song: Greensleeves piano: Felix de Nobel (pianist and conductor) contralto vocals: Aafje Heynis (contralto)	[anonymous]		2:30
16	English folk song: Coming' thro' the rye piano: Felix de Nobel (pianist and conductor) contralto vocals: Aafje Heynis (contralto) recording of: Comin’ Thro’ the Rye lyricist: Robert Burns (18th century Scottish poet/lyricist) (in 1782) composer: [traditional] (special purpose artist) publisher: Heatherfield Music	[anonymous]		1:01

Play on ListenBrainz

Release information

Barcode:: 028942610927
Format:: CD
Length:: 1:15:22

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Philips Classics
426 109-2

Release events

Germany
1989

Release group rating

Release group reviews

No one has reviewed Bach / Händel / Brahms yet. Be the first to write a review.

Editing

Collections

Found in 0 user collections

Last updated on 2018-05-13 19:14 UTC