80th Birthday Celebration

~ Release by Milt Jackson (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bag's Groove: Mostly MJQ
#TitleArtistRatingLength
1All the Things You Are
The Modern Jazz Quartet3:17
2Delaunay's Dilemma
recorded in:
New York, New York, United States (on 1953-06-25)
producer:
Ira Gitler
bass:
Percy Heath (on 1953-06-25)
drums (drum set):
Kenny Clarke (on 1953-06-25)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-25)
vibraphone:
Milt Jackson (on 1953-06-25)
recording of:
Delaunay's Dilemma (on 1953-06-25)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
The Modern Jazz Quartet4:00
3The Stopper
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet and Sonny Rollins2:59
4Bag's Groove
recording of:
Bags’ Groove
composer:
Milt Jackson
Miles Davis9:24
5Django
recorded in:
New York, New York, United States (on 1954-12-23)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-12-23)
drums (drum set):
Kenny Clarke (on 1954-12-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-12-23)
vibraphone:
Milt Jackson (on 1954-12-23)
recording of:
Django (on 1954-12-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
The Modern Jazz Quartet7:05
6Ralph's New Blues
recording engineer:
Rudy van Gelder (on 1955-07-02)
double bass [bass]:
Percy Heath (on 1955-07-02)
drums (drum set):
Connie Kay (on 1955-07-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1955-07-02)
vibraphone:
Milt Jackson (on 1955-07-02)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1955-07-02)
recording of:
Ralph's New Blues (on 1955-07-02)
composer:
Milt Jackson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Modern Jazz Quartet7:11
7Softly, as in a Morning Sunrise
recording engineer:
Rudy van Gelder (on 1955-07-02)
double bass [bass]:
Percy Heath (on 1955-07-02)
drums (drum set):
Connie Kay (on 1955-07-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1955-07-02)
vibraphone:
Milt Jackson (on 1955-07-02)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1955-07-02)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1955-07-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
The Modern Jazz Quartet7:56
8The Cylinder
The Modern Jazz Quartet5:31
9The Martyr
The Modern Jazz Quartet9:03
10Topsy II
The Modern Jazz Quartet4:43
11Nature Boy
The Modern Jazz Quartet5:06
12Echoes
The Modern Jazz Quartet7:09
2▼CD: Bags and the Boys: The Early Years
#TitleArtistRatingLength
1Bean and the Boys
Coleman Hawkins2:44
2Slits
Sonny Stitt2:36
3Bebop Blues
Milt Jackson & Sonny Stitt2:16
4She's Gone Again
recording of:
She’s Gone Again
composer:
Dizzy Gillespie
Dizzy Gillespie2:44
5Lullaby of the Leaves
Milt Jackson2:51
6Opus De Funk
recording of:
Opus de Funk
composer:
Horace Silver
The Modern Jazz Quartet4:09
7I Should Care
Milt Jackson4:21
8Bitty Ditty
recording engineer:
Rudy van Gelder (on 1955-08-05)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1955-08-05)
double bass and double bass [bass]:
Percy Heath (on 1955-08-05)
drums (drum set):
Arthur Taylor (on 1955-08-05)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-08-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-08-05)
vibraphone:
Milt Jackson (on 1955-08-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-08-05)
instrumental recording of:
Bitty Ditty (on 1955-08-05)
lyricist and composer:
Thad Jones (American jazz trumpeter)
publisher:
D-Accord Music inc. and Jazz Workshop (American label founded by Charles Mingus)
recording of:
Bitty Ditty (on 1955-08-05)
lyricist and composer:
Thad Jones (American jazz trumpeter)
publisher:
D-Accord Music inc. and Jazz Workshop (American label founded by Charles Mingus)
Miles Davis6:38
9Wonder Why
Milt Jackson5:26
10Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
Cannonball Adderley5:02
11Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon (Folk singer, songwriter, lyricist and poet) and Julian Adderley
Cannonball Adderley7:13
12Stairway to the Stars
bass:
Sam Jones (US jazz bassist) (on 1961-12-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-18)
guitar:
Wes Montgomery (on 1961-12-18)
piano:
Wynton Kelly (on 1961-12-18)
vibraphone:
Milt Jackson (on 1961-12-18)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-12-18)
instrumental recording of:
Stairway to the Stars (on 1961-12-18)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Milt Jackson and Wes Montgomery3:38
13S.K.J.
double bass:
Sam Jones (US jazz bassist) (on 1961-12-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-19)
guitar:
Wes Montgomery (on 1961-12-19)
piano:
Wynton Kelly (on 1961-12-19)
vibraphone:
Milt Jackson (on 1961-12-19)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-12-19)
recording of:
S.K.J.
composer:
Milt Jackson
Milt Jackson and Wes Montgomery5:16
14Namesake
Milt Jackson Orchestra3:22
15Time After Time
Milt Jackson Quintet4:36
16Poom-A-Loom
Milt Jackson Sextet6:54
17Extraordinary Blues (Monterey Mist)
Milt Jackson4:13
3▼CD: One of the Few: The Pablo Years
#TitleArtistRatingLength
1Recado Bossa Nova
Roy Eldridge6:43
2Come Sunday
recorded in:
Los Angeles, California, United States (on 1975-08-25)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1975-08-25)
guitar:
Joe Pass (jazz guitarist) (on 1975-08-25)
vibraphone:
Milt Jackson (on 1975-08-25)
phonographic copyright (℗) by:
Pablo Records, Inc.
recording of:
Come Sunday (1958 revision with lyrics) (on 1975-08-25)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Milt Jackson, Joe Pass & Ray Brown3:17
3Easy Money
Benny Carter6:19
4Lena and Lenny
Milt Jackson & Count Basie3:59
5Jive at Five
recording of:
Jive at Five
composer:
Count Basie (pianist) and Harry “Sweets” Edison
Count Basie5:32
6A Beautiful Friendship
Milt Jackson & Ray Brown8:40
7Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington3:37
8Impressions
Milt Jackson5:43
9Blues in My Heart
Milt Jackson5:34
10In Walked Bud
recording of:
In Walked Bud
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
Milt Jackson4:52
11A Time for Love
Milt Jackson6:01
12Just You, Just Me
Milt Jackson5:10
13Lullaby of the Leaves
recorded in:
New York, New York, United States (on 1985-05-17)
bass:
Bob Cranshaw (on 1985-05-17)
drums (drum set):
Mickey Roker (Drummer) (on 1985-05-17)
guitar:
Joe Pass (jazz guitarist) (on 1985-05-17)
piano:
Cedar Walton (on 1985-05-17)
saxophone:
Jimmy Heath (on 1985-05-17) and Harold Vick (on 1985-05-17)
vibraphone:
Milt Jackson (on 1985-05-17)
instrumental recording of:
Lullaby of the Leaves (on 1985-05-17)
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
Milt Jackson & His Gold Medal Winners3:48
14Midnight Waltz
Milt Jackson & Ray Brown5:06