Cottage Music: Yacht Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-17).

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Anmerkung zuletzt geändert am 2020-03-17 07:07 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:29
2Come Sail Away
Techniker(in):
Rob Kingsland und Barry Mraz
assistierende(r) Produzent(in):
Barry Mraz
Produzent(in):
Styx (rock band from Chicago)
Akustikgitarre und E-Gitarre [lead] und zwölfsaitige Gitarre:
Tommy Shaw (of Styx)
Bassgitarre:
Chuck Panozzo
Gitarre und Synthesizer [ARP Odyssey]:
James Young (member of Styx, guitarist, singer and songwriter)
Keyboard und Synthesizer und Sologesang:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
vocals:
Chuck Panozzo, John Panozzo, Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
remixer:
Rob Kingsland, Barry Mraz und Styx (rock band from Chicago)
aufgenommen bei und remixed at:
Paragon Studios in Chicago, Illinois, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 56)
recording of:
Come Sail Away
Texter und Komponist(in):
Dennis DeYoung
publisher:
Rondor Music International (merged into UMG 2019), Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) und Stygian Songs (publishing company for the rock band Styx) (in 1977)
Styx3.556:05
3I Just Wanna Stop
recording engineer und Mix:
Norm Kinney
assistierende(r) Techniker(in):
Chris Desmond
Produzent(in):
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
assistierende(r) Mix:
Paul Aronoff und Betsy Banghart (engineer)
Bass-Synthesizer [synthesized electric bass]:
Leon Gaer
Gitarre:
Carlos Rios (producer/guitarist)
Hybrid-Piano und Synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
Perkussion:
Manuel Badrena
Schlagzeug:
Mark Craney
Tenorsaxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) und Ross Vannelli
Sologesang:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Just Wanna Stop
Texter und Komponist(in):
Ross Vannelli
publisher:
Ross Vannelli Publishing und 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:38
4Margaritaville
Produzent(in):
Norbert Putnam
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 106)
recording of:
Margaritaville (in 1976-11)
Texter und Komponist(in):
Jimmy Buffett
Jimmy Buffett4.654:09
5When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:56
6Valerie
assistierende(r) Techniker(in):
Nobby
Produzent(in):
Steve Winwood
aufgenommen bei:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
Valerie
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell North America
Steve Winwood44:07
7Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:25
8Hey Nineteen
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
Bassgitarre und Gitarre:
Walter Becker (von 1978 bis 1980)
Gitarre:
Hugh McCracken (von 1978 bis 1980)
Hybrid-Piano und Synthesizer und Sologesang:
Donald Fagen (von 1978 bis 1980)
Perkussion:
Victor Feldman (jazz musician) (von 1978 bis 1980) und Steve Gadd (drummer) (von 1978 bis 1980)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1978 bis 1980)
Hintergrundgesang:
Frank Floyd (US soul disco funk singer) (von 1978 bis 1980) und Zachary Sanders (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1980)
recording of:
Hey Nineteen (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) und Zeon Music (in 1980)
Steely Dan45:06
9Ebony Eyes
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 96)
recording of:
Ebony Eyes
Texter und Komponist(in):
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) und Glenwood Music Corp.
Bob Welch3:33
10The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:28
11Baby Come Back
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player53:34
12Rock Me Gently (original version)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:26
13Stuck With You (single edit)
recording of:
Stuck with You
Texter und Komponist(in):
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hulex Music (publisher) (in 1986)
Huey Lewis and the News4:27
14I Go to Rio
assistierende(r) Techniker(in):
Jim Scheffler
Techniker(in), Produzent(in) und Mix:
Bill Schnee
zusätzliche(r) assistierende(r) Techniker(in):
Greg Price (engineer)
assistierende(r) Mix:
Gabe Beltri
Bassgitarre [bass]:
Bruce Day (US soft rock bassist)
Gitarre [guitars]:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
Keyboard [keyboards]:
Cory Lerios
Perkussion und Schlagzeug:
Stephen Price (US drummer, founding member of Pablo Cruise)
Hintergrundgesang:
Bruce Day (US soft rock bassist), David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
Sologesang:
Bruce Day (US soft rock bassist) und David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1978-02 bis 1978-03)
zusätzlich aufgenommen bei:
Redwing Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
additionally mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Go to Rio
Texter:
Adrienne Anderson
Komponist(in):
Peter Allen (Australian singer‐songwriter)
publisher:
Angela Music Co., Irving Music (BMI), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise4:00
15All Night Long (All Night)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
Musikvideos:
All Night Long (All Night) von Lionel Richie
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 84) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 277)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie4.156:23
16Sail On (single version)
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1979)
recording of:
Sail On
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music Co., Inc. und Libren Music
Commodores44:03
17Dreamer
Techniker(in):
John Jansen (US recording engineer and producer) und Ken Scott (UK record producer & engineer)
Produzent(in):
Ken Scott (UK record producer & engineer) und Supertramp
Bassgitarre:
Dougie Thomson (von 1974-02 bis 1974-06)
Gitarre und Klavier:
Roger Hodgson (von 1974-02 bis 1974-06)
Klarinette und Saxophon:
John Helliwell (von 1974-02 bis 1974-06)
Mundharmonika und Keyboard:
Rick Davies (UK keyboardist, member of Supertramp) (von 1974-02 bis 1974-06)
Schlagzeug und Perkussion:
Bob Siebenberg (von 1974-02 bis 1974-06)
vocals:
Rick Davies (UK keyboardist, member of Supertramp) (von 1974-02 bis 1974-06), John Helliwell (von 1974-02 bis 1974-06) und Roger Hodgson (von 1974-02 bis 1974-06)
Saiteninstrumente arranger:
Richard Hewson
phonographisches Urheberrecht (℗) von:
A&M Records (in 1974)
recording of:
Dreamer (von 1974-02 bis 1974-06)
Texter und Komponist(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Delicate Music, Rondor Music (Australia) Pty Ltd und Rondor Music (London) Ltd.
Supertramp43:33
18The Boys of Summer
Techniker(in) und Mix:
Niko Bolas und Greg Ladanyi
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) und Greg Ladanyi
E-Bass [bass]:
Larry Klein
Gitarre [guitars], Perkussion und Synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
Gitarrensynthesizer [synthesizer guitar]:
Danny Kortchmar (Danny Kootch)
Synthesizer:
Steve Porcaro
Sologesang:
Don Henley
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 209) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 416)
recording of:
The Boys of Summer
Texter und Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Henley
publisher:
Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) und Woody Creek Music
Don Henley3.84:48
19Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:28
20Drift Away (single version)
recording engineer:
Gene Eichelberger
Produzent(in):
Mentor Williams (songwriter & producer)
Akustikgitarre und E-Gitarre [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
Bass:
Mike Leech
E-Gitarre [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
Händeklatschen, Schlagzeug und Tamburin:
Kenny Malone (session drummer/percussion)
Klavier:
David Briggs (US producer and musician)
Saiteninstrumente arranger:
Mike Leech
Orchestrator(in):
Mike Leech
aufgenommen bei und mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:54
21Reminiscing
recorded in:
Australien (in 1978-03)
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1978-03)
E-Gitarre:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
Gast-Hybrid-Piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
Saiteninstrumente:
Rick Formosa (in 1978-03)
Schlagzeug:
Derek Pellicci (in 1978-03)
Solo-Flügelhorn:
Bob Venier (brass) (in 1978-03)
Solo-Trompete:
Bill Harrower (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 17) und Billboard Year-End Hot 100 singles of 1978 (Nummer: 65)
recording of:
Reminiscing (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:13
22Jackie Blue
sonstige Unterstützung:
Mike MacKenzie und Kent Nebergall
Techniker(in):
Glyn Johns
Audio-Engineering:
Doug Sax
Produzent(in):
David Anderle und Glyn Johns
Appalachian dulcimer [dulcimer]:
John Dillon
Bass:
Michael Granda ("Supe")
Gitarre:
Randle Chowning, John Dillon, Michael Granda ("Supe"), Glyn Johns und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
Keyboard:
Buddy Brayfield, John Dillon und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
Mandoline und Resonatorgitarre:
Randle Chowning
Mundharmonika:
Steve Cash und John Dillon
Perkussion:
Steve Cash
Schlagzeug und Sologesang:
Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
vocals:
Steve Cash
phonographisches Urheberrecht (℗) von:
A&M Records, Inc.
recording of:
Jackie Blue
Verfasser(in) und Komponist(in):
Steve Cash und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils44:10
23Peg
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Clavinet:
Don Grolnick
Gitarre:
Steve Kahn und Steve Khan
Hybrid-Piano und Rhodes Piano [Fender Rhodes]:
Paul Griffin (American pianist, session musician)
Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Perkussion:
Gary Coleman (US percussionist) und Victor Feldman (jazz musician)
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Solo-Gitarre:
Jay Graydon
Hintergrundgesang:
Paul Griffin (American pianist, session musician) und Michael McDonald (R&B & soul singer)
Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 62)
recording of:
Peg
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
Steely Dan4.24:00
24Him
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Infinity Records Inc., Geffen Records (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979, in 1980)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Him
Texter, Komponist(in) und arranger:
Rupert Holmes
publisher:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Rupert Holmes4:06
25I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.86:08
26Let My Love Open the Door
Techniker(in):
Bill Price (UK producer/engineer)
zusätzliche(r) Techniker(in):
Steve Nye (producer, engineer and pianist)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre, Synthesizer und Sologesang:
Pete Townshend (of The Who)
Keyboard ["straight" keyboard]:
John “Rabbit” Bundrick
Mundharmonika:
Peter Hope‐Evans
Schlagzeug:
Simon Phillips (rock drummer)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Let My Love Open the Door
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. und Windswept Pacific
Pete Townshend4.252:45
27Higher Love
Mix:
Tom Lord‐Alge
Gitarre:
Nile Rodgers
Keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood4.55:49
28Strawberry Letter 23
cover recording of:
Strawberry Letter 23
Texter, Verfasser(in) und Komponist(in):
Shuggie Otis
publisher:
Shugiterius Music
The Brothers Johnson4.655:00
29Sailing Shoes
Produzent(in):
Steve Smith (70s producer & engineer, mainly Island Records)
cover recording of:
Sailin’ Shoes
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music (in 1972)
Robert Palmer4.52:42
30Whatcha Gonna Do?
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977)
recording of:
Whatcha Gonna Do?
Verfasser(in):
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
publisher:
Irving Music, Inc. und Pablo Cruise Music
Pablo Cruise54:21
31On and On
Sound-Engineering:
Henry Lewy
assistierende(r) Techniker(in):
Leslie Jones (recording engineer) und Helen Silvani
Produzent(in):
Stephen Bishop (American singer-songwriter) und Henry Lewy
Akustikgitarre, Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Mac Cridlin (bass)
E-Gitarre:
Andrew Gold
Hybrid-Piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
Marimba, Perkussion und Vibraphon:
Victor Feldman (jazz musician)
Schlagzeug:
Larry Brown (US producer, engineer, drummer and percussionist)
Steel-Gitarre:
Michael Staton
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976), Geffen Records (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
On and On
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:02