Soft Rock Forever

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:42
2If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:50
3I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.954:56
4Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:52
5Fool (If You Think It’s Over)
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1988)
registrata presso:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Regno Unito (nel 2007)
registrazione di:
Fool (If You Think It’s Over) (nel 2007)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea54:01
6Always (radio edit)
tecnico:
Kevin Shirley (producer & mixer)
produttore:
Peter Collins (producer)
tecnico di missaggio:
Bob Clearmountain
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) e Michael Kamen (American score composer)
arrangiatore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) e Michael Kamen (American score composer)
orchestratore:
Michael Kamen (American score composer)
edit di:
Always di Bon Jovi (group)
registrazione di:
Always
paroliere e compositore:
Jon Bon Jovi
editore:
Bon Jovi Publishing (nel 1994) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1994)
Bon Jovi4:49
7Alone
assistente tecnico:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) e Toby Wright (producer & engineer)
tecnico e produttore:
Ron Nevison
batteria :
Denny Carmassi
chitarra :
Howard Leese
chitarra basso :
Mark Andes
voce di accompagnamento:
Howard Leese e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
video musicali:
Alone di Heart (rock band, Ann and Nancy Wilson)
registrazione cover di:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (dal 1983 a oggi) e Denise Barry Music (dal 1983 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:35
8Here I Go Again
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake3:50
9Since You Been Gone (single version)
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:18
10(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:42
11Higher Love (single version)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1986)
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood4:08
12How Long
produttore:
John Anthony (British producer and record executive)
diritti fonografici (℗) detenuti da:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (nel 1974) e Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2015)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 31) e The Downloader’s Music Source Book (numero: 121)
registrazione di:
How Long?
paroliere e compositore:
Paul Carrack
editore:
Anchor Music Ltd. e Minder Music Ltd.
Ace3.653:19
13Missing You (single version)
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite53:54
14Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:12
15Hold On (single edit)
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:36
16Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:50
17Wind of Change (edit)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1991)
registrazione di:
Wind of Change
paroliere e compositore:
Klaus Meine
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions13:38
18More Than Words (radio edit)
registrazione di:
More Than Words
autore:
Nuno Bettencourt e Gary Cherone
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Funky Metal Publishing
Extreme53:38
19Never Gonna Let You Go (single version)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1982)
registrazione di:
Never Gonna Let You Go
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
ATV Music Corp. (conclusa), Dyad Music Ltd., Mann and Weil Songs, Inc., Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sérgio Mendes4:12
20Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Chris Cross4.14:27
2▼Supporto digitale
#TitoloArtistaValutazioneDurata
1With or Without You
tecnico di registrazione:
Flood (British producer Mark Ellis)
programmazione degli strumenti:
Brian Eno
tecnico aggiunto:
Pat McCarthy e Dave Meegan (producer)
produttore:
Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistente tecnico di missaggio:
Mary Kettle
tecnico di missaggio:
Steve Lillywhite e Mark Wallis
armonica (a bocca) e voce principale:
Bono (singer of U2)
batteria e percussione :
Larry Mullen, Jr.
chitarra :
The Edge (U2 guitarist David Evans)
chitarra aggiunto, omnichord e tamburello :
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
chitarra basso :
Adam Clayton
tastiera :
Brian Eno
voce di accompagnamento:
The Edge (U2 guitarist David Evans), Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1987, nel 2007, nel 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1987) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2007)
registrata presso e mixata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 131) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 211)
registrazione di:
With or Without You
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:55
2Summer of ’69
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov e Michael Sauvage
tecnico:
Bob Clearmountain (dal 1984-03-27 al 1984-09-22)
produttore:
Bryan Adams (Canadian singer/songwriter) e Bob Clearmountain
produttore associato:
Jim Vallance
tecnico di missaggio:
Bob Clearmountain (il 1984-09-22)
basso elettrico [bass] :
Dave (Bass player (Bryan Adams) and engineer) (dal 1984-03-27 al 1984-09-22)
batteria [drums] :
Pat (dal 1984-03-27 al 1984-09-22)
chitarra [lead guitar] :
Keith (Canadian guitarist) (dal 1984-03-27 al 1984-09-22)
chitarra [rhythm guitar] e voce di accompagnamento [harmony vocal]:
BA (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
percussione :
Jim (dal 1984-03-27 al 1984-09-22)
voce principale:
Bryan Adams (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1984), A&M Records, Inc. (nel 1984, nel 1999) e Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (nel 1999)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada (dal 1984-03-27 al 1984-09-22)
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (il 1984-09-22)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 8), Huffington Post: 100 Best Canadian Songs Ever (numero: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 10) e The Downloader’s Music Source Book (numero: 179)
registrazione di:
Summer of ’69 (dal 1984-03-27 al 1984-09-22)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (il 1984-01-25)
autore:
Bryan Adams (Canadian singer/songwriter) (il 1984-01-25) e Jim Vallance (il 1984-01-25)
editore:
Adams Communications Inc. (nel 1984), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1984), Calypso Toonz (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984) e Testatyme Music (nel 1984)
Bryan Adams4.43:33
3If I Could Turn Back Time (edit)
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:53
4All Right Now
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free53:48
5You Ain’t Seen Nothing Yet (single version)
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:39
6You’re the Best
registrazione di:
You’re the Best
autore:
Bill Conti e Allee Willis
Joe “Bean” Esposito32:58
7Rush Hour
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988)
registrazione di:
Rush Hour
autore:
Peter Rafelson e Jane Wiedlin
editore:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. e Universal Music–MGB Songs
Jane Wiedlin4:02
8Heat of the Moment
tecnico e produttore:
Mike Stone (producer and engineer, 1960s–80s)
basso elettrico :
John Wetton
batteria e percussione :
Carl Palmer
chitarra :
Steve Howe
tastiera :
Geoff Downes (English keyboardist)
voce:
Geoff Downes (English keyboardist), Steve Howe e John Wetton
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1982), The David Geffen Company (legal rights relating to Geffen Records) (nel 1982) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Heat of the Moment (music video) di Asia (UK progressive rock band)
registrazione di:
Heat of the Moment
autore:
Geoff Downes (English keyboardist) e John Wetton
editore:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (dal 1982 a oggi), Almond Legg Music Corp. (dal 1982 a oggi), WB Music Corp. (1929–2019) (dal 1982 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Asia4.53:50
9Hit Me With Your Best Shot
tecnico:
Chris Minto (engineer) e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer)
basso :
Roger Capps
batteria :
Myron Grombacher
chitarra :
Scott St. Clair Sheets
chitarra e tastiera :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento:
Roger Capps e Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento e voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1980, nel 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records, Inc. (not for release label use!) (nel 1981)
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
ATV Music Publishing of Canada Ltd., Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:50
10Heart and Soul (single version)
edit di:
Heart and Soul di T’Pau
registrazione di:
Heart and Soul
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
AMP Publishing Ltd e Virgin Music (Publishing) Ltd.
T’Pau3:37
11Nobody’s Fool
assistente tecnico:
David Glover (bass guitarist), Joe Hauserman (engineer), Mark McKenna (engineer), Nick Didia e Paul Wertheimer (engineer)
tecnico e produttore:
Andy Johns
batteria :
Fred Coury
chitarra :
Tom Keifer e Jeff LaBar
chitarra basso :
Eric Brittingham
pianoforte e voce principale:
Tom Keifer
tastiera ospite :
Jeff Paris
voce di accompagnamento:
Eric Brittingham e Jeff LaBar
voce di accompagnamento ospite:
Tony Mills (former vocalist for TNT and Shy)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, Stati Uniti, Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti, Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti e The Warehouse (Philadelphia, PA) in Philadelphia, Pennsylvania, Stati Uniti
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Nobody’s Fool
paroliere e compositore:
Tom Keifer
editore:
Chappell & Co., Inc. (USA) e Eve Songs, Inc.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cinderella44:47
12I Can Dream About You (from “Streets of Fire” soundtrack)
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
13Harden My Heart
tecnico:
Paul Grupp
produttore:
John Boylan
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 32)
registrazione di:
Harden My Heart
paroliere e compositore:
Marv Ross (guitarist, songwriter)
editore:
Bonnie Bee Good Music (publisher) (nel 1981), Geffen/Kaye Music (nel 1981) e Narrow Dude Music (publisher) (nel 1981)
Quarterflash43:50
14Tom Sawyer
assistente tecnico:
Robbie Whelan
tecnico:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
batteria e percussione :
Neil Peart (dal 1980-10 al 1980-11)
chitarra :
Alex Lifeson (dal 1980-10 al 1980-11)
chitarra basso , minimoog , sintetizzatore e voce principale:
Geddy Lee (dal 1980-10 al 1980-11)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2022)
registrata presso e mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1980-10 al 1980-11)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 19) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 91)
registrazione di:
Tom Sawyer (dal 1980-10 al 1980-11)
paroliere:
Pye Dubois e Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Ole Core Music Publishing
Rush4.554:33
15I Was Made for Lovin’ You
produttore:
Vini Poncia
basso elettrico :
Gene Simmons (KISS bassist and vocalist)
batteria ospite :
Anton Fig
chitarra elettrica [lead guitar] :
Ace Frehley (American rock guitarist)
chitarra elettrica [rhythm guitar] e voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979)
è stato produttore per:
Mad Vincent Productions
edit di:
I Was Made for Lovin’ You di KISS (US rock band)
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:01
16Parisienne Walkways
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Chris Tsangarides
basso e voce ospite:
Phil Lynott (dal 1978-03 al 1978-05)
batteria :
Brian Downey (Thin Lizzy drummer) (dal 1978-03 al 1978-05)
chitarra e voce di accompagnamento:
Gary Moore (Thin Lizzy, blues guitar) (dal 1978-03 al 1978-05)
registrazione di:
Parisienne Walkways (dal 1978-03 al 1978-05)
autore:
Phil Lynott e Gary Moore (Thin Lizzy, blues guitar)
editore:
Agelong Music Publishing Inc e Maxwood Music Ltd.
si basa su:
Blue Bossa
Gary Moore feat. Phil Lynott3.653:20
17More Than This
produttore:
Rhett Davies e Roxy Music
tecnico di missaggio:
Bob Clearmountain
batteria :
Andy Newmark (nel 1982)
chitarra :
Neil Hubbard (nel 1982) e Phil Manzanera (nel 1982)
chitarra basso :
Alan Spenner (nel 1982)
percussione :
Jimmy Maelen (percussion) (nel 1982)
sassofono :
Andy Mackay (of Roxy Music) (nel 1982)
tastiera :
Bryan Ferry (nel 1982)
voce:
Bryan Ferry (nel 1982)
voce di accompagnamento:
Fonzi Thornton (nel 1982)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1982) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
parte di:
Mixtape – Game Soundtrack (numero: 16)
registrazione di:
More Than This (nel 1982)
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music3.84:30
18We’re All Alone
produttore:
David Anderle
diritti fonografici (℗) detenuti da:
A&M Records (nel 1977) e A&M Records, Inc. (Los Angeles) (nel 1977)
registrazione cover di:
We’re All Alone
paroliere e compositore:
Boz Scaggs
editore:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) e Boz Scaggs Music (publisher) (dal 1975 a oggi)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:40
19Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:51
20Over My Shoulder
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1995)
registrata presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito
registrazione di:
Over My Shoulder
autore:
Paul Carrack e Mike Rutherford
editore:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd e Plangent Visions Music Ltd.
Mike + the Mechanics3.23:35
3▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers3.653:14
2When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:51
3Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:43
4Love Hurts
registrazione cover di:
Love Hurts
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Capaldi3:24
5Oh Very Young
tecnico di registrazione:
Victor Gamm (engineer) (nel 1974-02) e John Wood (US sound engineer and producer) (nel 1974-02)
produttore:
Paul Samwell-Smith e Cat Stevens (now known as Yusuf Islam)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1974), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1974) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1974)
registrata presso:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1974-02)
registrazione di:
Oh Very Young (nel 1974-02)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Ackee Music Inc., Cat Music Ltd. e Island Music Ltd.
Cat Stevens3.32:34
6You’re No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:39
7One of Us (short version)
registrazione di:
One of Us
paroliere e compositore:
Eric Bazilian
Joan Osborne44:15
8It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:17
9Weather With You (single edit)
produttore:
Neil Finn e Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
batteria e percussione :
Ricky Fataar
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1991) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1991)
video musicali:
Weather With You di Crowded House (Australian rock group)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 69)
registrazione di:
Weather With You
autore:
Neil Finn e Tim Finn
editore:
Mushroom Music Pty. Ltd., Rebel Larynx Music e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 16)
Crowded House3.83:43
10Tempted
registrazione di:
Tempted
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Illegal Songs Inc.
Squeeze3:56
11Mary’s Prayer
produttore:
Dave Bascombe
esecutore:
Danny Wilson (Scottish pop group) (nel 1987)
prodotta presso:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Regno Unito e Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Mary’s Prayer (nel 1987)
paroliere e compositore:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, nel 1988)
Danny Wilson33:53
12Woman in Chains
edit di:
Woman in Chains di Tears for Fears feat. Oleta Adams
registrazione di:
Woman in Chains
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
EMI Virgin Music Publishing
Tears for Fears feat. Oleta Adams45:25
13Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.854:27
14The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:52
15I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:45
16Rebel Yell (edit)
produttore:
Keith Forsey (drummer, producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983)
registrazione di:
Rebel Yell
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol2.53:44
17Fly Like an Eagle
assistente tecnico:
Win Kutz (engineer/producer)
tecnico:
Mike Fusaro
produttore:
Steve Miller (leader of Steve Miller Band)
produttore esecutivo:
John Palladino
tecnico di missaggio:
Jim Gaines
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra , sintetizzatore [synthesizers] e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
organo Hammond [B3] :
Joachim Young
diritti fonografici (℗) detenuti da:
Sailor Records (Steve Miller label), Sailor Productions (nel 2006) e Haworth Enterprises (nel 2016)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti
mixata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
registrazione di:
Fly Like an Eagle
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
P and P Songs Limited e Sailor Music
Steve Miller Band3.64:47
18God Gave Rock ’n’ Roll to You II
tecnico:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette), Stan Katayama e Chris Steinmetz
produttore:
Bob Ezrin
tecnico di missaggio:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
basso elettrico :
Gene Simmons (KISS bassist and vocalist)
batteria :
Eric Singer (rock/metal drummer)
chitarra elettrica [lead guitar] :
Bruce Kulick (rock music singer-songwriter and musician)
chitarra elettrica [rhythm guitar] :
Paul Stanley (KISS frontman)
voce di accompagnamento:
Eric Carr (KISS drummer) e Bruce Kulick (rock music singer-songwriter and musician)
voce principale:
Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Interscope Records, Inc. (not for release label use!) (nel 1991)
lavorazione tecnica effettuata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti, Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
remix di:
God Gave Rock and Roll to You II (soundtrack mix) di KISS (US rock band)
registrazione di:
God Gave Rock ’n’ Roll to You II
paroliere e compositore:
Russ Ballard
paroliere aggiunto:
Bob Ezrin, Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
editore:
Bocu Music Ltd., Verulam Music Co., Ltd. e Mainspring Music (dal 1991 al ????)
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
versione di:
God Gave Rock and Roll to You
KISS4.655:20
19Can’t You See
registrazione di:
Can’t You See
paroliere:
Toy Caldwell
compositore:
Toy Caldwell (fino al 1973)
editore:
Delcats Music, No Exit Music, Songs of Kobalt Music Publishing, Spirit One Music e Tommy’s Toy Box Music
The Marshall Tucker Band3:18
20Angie
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
pianoforte ospite :
Nicky Hopkins (pianist and organist)
arrangiatore archi :
Nicky Harrison
video musicali:
Angie (version 2: Jagger in white hat) di The Rolling Stones e Angie (version 1: sitting on a stage, flowers on guitars) di The Rolling Stones
registrazione di:
Angie
scritta a:
Vevey, Vaud (Canton Vaud), Svizzera (nel 1969-04)
autore:
Mick Jagger (nel 1969-04) e Keith Richards (Rolling Stones guitarist) (nel 1969-04)
editore:
Westminster Music Ltd.
The Rolling Stones3.754:31

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
scaricare a pagamento:https://itunes.apple.com/gb/album/id1364087648 [info]
ASIN:UK: B07BQX7RDG [info]