Kuschelrock 14

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I'm Your Angel
vocals:
R. Kelly
performer:
Céline Dion and R. Kelly
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
music videos:
I’m Your Angel by Céline Dion duet with R. Kelly
recording of:
I’m Your Angel
writer:
R. Kelly
publisher:
Universal Music–Z Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion & R. Kelly35:30
2Summer Moved On (radio edit)
producer:
Boogieman (producer) and Roland Spremberg
drums (drum set):
Elmar Walljasper
recording of:
Summer Moved On
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
a‐ha44:03
3You'll Be in My Heart (Phil version)
recording engineer:
Elliot Scheiner
programming:
Kim Bullard and Carmen Rizzo
producer:
Rob Cavallo and Phil Collins (of Genesis)
mixer:
Chris Lord‐Alge
acoustic guitar:
Rob Cavallo
additional percussion:
Will Donovan
electric bass guitar:
John Pierce (US session bassist)
guitar:
Mark Goldenberg, Tim Pierce (US session guitarist) and Michael Thompson (session guitarist)
keyboard and piano:
Jamie Mohuberac
percussion:
Luis Conte (percussionist)
lead vocals:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
You’ll Be in My Heart
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
part of:
The 72nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1999 winner)
Phil Collins3.254:18
4Supergirl (single version)
producer:
Steve Lyon (audio recording engineer and record producer)
phonographic copyright (℗) by:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 2000)
recording of:
Supergirl
writer:
Uwe Bossert, Rea Garvey, Mike Gommeringer, Sebastian Padotzke and Philipp Rauenbusch
publisher:
Arabella Musikverlag GmbH and B612 Publishing
Reamonn53:49
5She's the One
recording engineer and mixer:
Steve Power
additional programming:
Richard Flack (producer/engineer), Nick Hannan and James Brumby (UK engineer)
programming:
Steve McNichol and Steve Power
additional engineer:
Stuart Epps, Richard Flack (producer/engineer), James Brumby (UK engineer), Matt Oliver (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistant engineer:
Richard Hinton and Nick Kirkland
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
acoustic guitar and electric guitar:
Steve McEwan (Scottish-born South African songwriter, artist and musician)
bass guitar:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set):
Chris Sharrock
piano:
Guy Chambers (English songwriter and record producer)
background vocals:
Steve McEwan (Scottish-born South African songwriter, artist and musician) and Gary Nuttall
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
orchestrator:
Nick Ingman
cover recording of:
She’s the One
lyricist and composer:
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams2.654:19
6Against All Odds (Take a Look at Me Now)
membranophone programming:
Xavier Smith
assistant engineer:
Alessandro R.A. Benedetti, Manuel Farolfi, Xavier Smith and Brad Yost
engineer:
Dana Jon Chappelle and Steve Hodge (engineer and producer)
producer:
Mariah Carey, Jam & Lewis and Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Steve Hodge (engineer and producer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
cello:
Josh Koestenbaum and Daryl Skobba (classical cellist)
guitar:
Paul Gendler and Mike Scott (funk and R&B guitarist)
instruments:
Jam & Lewis, Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon) and James Wright (US producer, musician, singer and songwriter aka Big Jim)
strings:
Richard Niles
viola:
Alice Preves and Tamas Strasser
violin:
John Kennedy (violinist), Thomas Kornacker, Brenda Mickens, David Mickens, Elsa Nilsson (classical violinist), James Riccardo (classical violinist) and Michal Sobieski (Classical violinist)
additional background vocals:
Wayne Hector and Mary Ann Tatum
background vocals:
Westlife
background vocals and lead vocals:
Mariah Carey
strings arranger:
Lee Blaske
vocals arranger:
Mariah Carey
recorded at:
Capri Digital Studios in Capri, Napoli, Campania, Italy and Flyte Tyme Studios in Edina, Minnesota, United States
mixed at:
Flyte Tyme Studios in Edina, Minnesota, United States
cover recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Mariah Carey43:25
7On a Day Like Today
recorded in:
Saint Ann (Saint Ann Parish), Jamaica (from 1998-06 until 1998-08)
additional recording engineer:
Dean Maher (from 1998-06 until 1998-08), Phil Thornalley (from 1998-06 until 1998-08) and Phil Western (Canadian electronic musician) (from 1998-06 until 1998-08)
recording engineer:
Randy Staub (from 1998-06 until 1998-08)
miscellaneous support:
Ron Vermeulen (technical assistance) (task: technical assistance)
programming:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Bryan Adams (Canadian singer/songwriter) and Phil Thornalley
assistant mixer:
Dean Maher
mixer:
Bob Clearmountain
bass and guitar:
Phil Thornalley (from 1998-06 until 1998-08)
drums (drum set) [drums]:
Mickey Curry (from 1998-06 until 1998-08)
guitar [guitars]:
ba (Canadian singer/songwriter) (from 1998-06 until 1998-08)
strings:
Vancouver Orchestra (from 1998-06 until 1998-08)
vocals:
BA (Canadian singer/songwriter) (from 1998-06 until 1998-08)
conductor:
Bob Buckley (from 1998-06 until 1998-08)
strings arranger:
David Munday and Phil Thornalley
arranger:
Bryan Adams (Canadian singer/songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1998), Badman Limited (in 1998) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
recorded at:
The Warehouse Studio in Vancouver, British Columbia, Canada (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
mixed at:
The Warehouse Studio in Vancouver, British Columbia, Canada
part of:
The Downloader’s Music Source Book (number: 170)
recording of:
On a Day Like Today (from 1998-06 until 1998-08)
writer:
Bryan Adams (Canadian singer/songwriter) and Phil Thornalley
publisher:
BMG Music Publishing Ltd., badams music ltd. (in 1998) and BMG Songs, Inc. (in 1998)
Bryan Adams3.653:30
8Runaway (album version)
recording engineer:
David Reitzas
co-producer:
Jim Corr
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain and David Reitzas
arranger:
Jim Corr
recorded at:
Chartmaker Studios in Malibu, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
recording of:
Runaway
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3.654:25
9When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:14
10I Saved the World Today
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1999)
remasters:
I Saved the World Today by Eurythmics
recording of:
I Saved the World Today
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Eligible Music Ltd. and La Lennoxa Music Co. Ltd.
Eurythmics3.654:53
11Dear Lie (radio edit)
recording of:
Dear Lie
writer:
Babyface (R&B musician Kenny Edmonds) and Tionne “T‐Boz” Watkins
TLC3:57
12Brothers in Arms
producer:
Neil Dorfsman and Mark Knopfler
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Brothers in Arms
lyricist and composer:
Mark Knopfler
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. and Straitjacket Songs Ltd
Dire Straits3.454:49
13I Turn to You (radio edit)
cover recording of:
I Turn to You
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs, Warner Olive Music LLC and WB Music Corp. (1929–2019)
recording of:
I Turn to You
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs, Warner Olive Music LLC and WB Music Corp. (1929–2019)
Christina Aguilera3:59
14More Than Words
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme53:43
15I Wanna Love You Forever
Jessica Simpson3:55
16Show Me the Meaning of Being Lonely
engineer:
Bo Reimer
producer:
Kristian Lundin (in 1999) and Max Martin (Swedish record producer) (in 1999)
mixer:
Kristian Lundin and Max Martin (Swedish record producer)
cello:
Åsa Forsberg and Samuli Örnströmer
double bass:
Michael Karlsson (double bassist)
electric bass guitar [bass]:
Tomas Lindberg (Swedish bass player)
guitar:
Jojje Wadenius (guitarist, bassist, keyboardist, singer, composer, producer) and Esbjörn Öhrwall
viola:
Åsa Stove Paulsson, Torbjörn Bernhardsson (violist), Elisabeth Arnberg Ranmo, Ulf Forsberg (violinist), Hans Åkeson (violist) and Svein H. Martinsen
violin:
Tomas Andersson (Swedish classical violinist), Annette Mannheimer and Monika Stanikoliska
vocals:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) and Kevin Richardson (from the Backstreet Boys)
orchestra:
SNYKO (Stockholm Chamber Orchestra)
conductor:
Henrik Janson and Ulf Janson
strings arranger:
Henrik Janson and Ulf Janson
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2025)
produced for:
Cheiron Productions (in 1999)
additionally recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Show Me the Meaning of Being Lonely
writer:
Herbert Crichlow and Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Megasong Publishing A/S, Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.43:55
17Back at One
assistant recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri and Chris Wood (recording engineer)
drum machine programming:
Brian McKnight
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
bass, keyboard, percussion, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
recorded at:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor in Mount Kisco, New York, United States
recording of:
Back at One
lyricist, writer and composer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:23
18Wonderful Tonight (album version)
recording of:
Wonderful Tonight
lyricist and composer:
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton5:12
2▼CD
#TitleArtistRatingLength
1Private Emotion
additional recording engineer:
Jules Gondar, Craig Lozowick, Nathan Malki and Rik Pekkonen
recording engineer and mixer:
Charles Dye
assistant engineer:
Craig Lozowick, Nathan Malki, Germán Ortiz and Robert Valdez
co-producer:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
producer:
Desmond Child
bass:
Hugh McDonald (bassist)
cello:
Larry Corbett and Suzie Katayama
guitar and mandolin:
Eric Bazilian
membranophone:
Lee Levin
organ:
Rob Hyman
percussion:
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
viola:
Denyse Buffum and John Scanlon
violin:
Joel Derouin, Michelle Richard (Violinist) and Eve Sprecher
background vocals:
Gyan (Gyan Evans, Australian musician)
guest vocals:
Meja
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
performer:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Private Emotion (from 1998-10 until 1999-03)
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher) (from 1999 to present), Human Boy Music (from 1999 to present) and WB Music Corp. (1929–2019) (from 1999 to present)
Ricky Martin & Meja44:01
2My Love Is Your Love (radio edit)
recording of:
My Love Is Your Love
writer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
publisher:
EMI-Blackwood Music Inc., Huss Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP) and TeBass Music
Whitney Houston44:05
3You'll See (radio edit)
recording of:
You’ll See
writer:
David Foster (Canadian music producer, arranger and composer) and Madonna (“Queen of Pop”)
Madonna4:19
4Never Be the Same Again (single edit)
recording engineer:
Will Catterson
producer:
Rhett Lawrence
mixer:
Dave Pensado (mixer) and Rhett Lawrence
lead vocals [lead rap]:
Lisa 'Left Eye' Lopes
phonographic copyright (℗) by:
Virgin Records Limited (not for release label use! for company relationships only) (in 2000)
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Never Be the Same Again
writer:
Rhett Lawrence, Lisa Lopes, Lorenzo Martin, Melanie Chisholm and Paul F Cruz
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Max Hill Music Publishing and UNI Music Publishing
Melanie C3.254:14
5Let Me Be the One (radio version)
recording of:
Let Me Be the One
lyricist:
Stephan Baader, Michael Kersting (producer & composer), Sascha Schmitz and Pete Boyd Smith
composer:
Stephan Baader, Michael Kersting (producer & composer) and Pete Boyd Smith
Sasha3:35
6One More Chance
recording engineer:
David Zeller
programming:
Diane Louie
producer:
Rickey Minor (bass player, music director, composer, music producer)
mixer:
Peter Mokran
bass:
Rickey Minor (bass player, music director, composer, music producer)
drums (drum set) [drums]:
Ricky Lawson
electric piano [electric pianos] and piano [acoustic pianos]:
Herman Jackson III
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Diane Louie
percussion:
Luis Conte (percussionist)
background vocals:
Lynn Davis (vocalist), Lynne Fiddmont-Linsey and Valerie Pinkston
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000)
recorded at:
Minor Productions, Inc.
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
One More Chance (in 2000)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) and Oji Pierce
publisher:
Oji Music, Poho Productions, Universal Music Corp. (USA, affiliated with ASCAP) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Anastacia24:41
7Rise
samples:
Knockin’ on Heaven’s Door by Bob Dylan
recording of:
Rise (in 1999)
writer:
Ollie Dagois (UK producer/songwriter), Bob Dylan, Louise Gabrielle Bobb (British singer‐songwriter) and Ferdy Unger-Hamilton
publisher:
Ram’s Horn Music
Gabrielle3.753:38
8How Come, How Long (radio edit)
mixer:
Jon Gass
guest vocals:
Stevie Wonder
recording of:
How Come, How Long
writer:
Babyface (R&B musician Kenny Edmonds) and Stevie Wonder
Babyface feat. Stevie Wonder4:13
9Theme From Mahagony (Do You Know Where You're Going to)
cover recording of:
Theme From Mahogany (Do You Know Where You’re Going To?)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Jobete Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 48th Academy Award for Best Original Song (number: 2)
Jennifer Lopez33:35
10You Sang to Me (radio edit)
recording of:
You Sang to Me
composer:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) and Cory Rooney
Marc Anthony3:53
11Take My Heart (English version)
recording of:
Take My Heart
composer:
Claus Capek and Guy Gross (singer songwriter from Germany)
Band ohne Namen24:09
12I Have a Dream
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Rutger Gunnarsson (on 1979-03-15)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1979-03-27) and Olle Gustafsson (cellist) (on 1979-03-27)
double bass:
Bertil Andersson (Swedish double bassist) (on 1979-03-27) and Bo Hellman (Swedish double bassist) (on 1979-03-27)
drums (drum set):
Ola Brunkert (on 1979-03-15)
guitar:
Janne Schaffer (on 1979-03-15) and Björn Ulvaeus (on 1979-03-15)
synthesizer:
Benny Andersson (ABBA) (on 1979-03-15)
viola:
Lars Arvinder (on 1979-03-27), Nils Heie (on 1979-03-27) and Håkan Roos (Swedish violist) (on 1979-03-27)
violin:
Anders Dahl (Swedish violinist) (on 1979-03-27), Lennart Fredriksson (Swedish violinist) (on 1979-03-27), Lars Stegenberg (Swedish violinist) (on 1979-03-27), Inge Lindstedt (on 1979-03-27), Gunnar Michols (Swedish violinist) (on 1979-03-27), Claes Nilsson (Swedish violinist) (on 1979-03-27), Bo Söderström (Swedish violinist) (on 1979-03-27), Sixten Strömvall (Swedish violinist) (on 1979-03-27), Harry Teike (on 1979-03-27) and Krzysztof Zdrzalka (Swedish violinist) (on 1979-03-27)
choir vocals:
International School of Stockholm Choir (in 1979)
lead vocals:
Frida (Swedish singer and member of ABBA) (in 1979)
chorus master:
Kernstin Feist (in 1979)
cello arranger, double bass arranger, viola arranger and violin arranger:
Rutger Gunnarsson
phonographic copyright (℗) by:
Polar Music International AB (in 1979)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1979-03-15)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
I Have a Dream (in 1979)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
ABBA3.654:40
13Kiss Me
engineer and mixer:
Russ Long (engineer)
drums (drum set) and percussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographic copyright (℗) by:
Squint Entertainment (in 1998)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 15)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.43:28
14Why Does It Always Rain on Me
co-producer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
mixer:
Nigel Godrich (English record producer)
cello:
Sarah Wilson (Cello player for Belle & Sebastian and Status Quo among others)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Why Does It Always Rain on Me?
lyricist and composer:
Fran Healy
publisher:
Sony/ATV Songs LLC
Travis3.754:26
15I Wanna Know
Joe55:13
16Adagio
lead vocals:
Lara Fabian (Belgian singer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
recording of:
Adagio (English song first recorded by Lara Fabian)
lyricist:
Rick Allison (Belgian-born Canadian musician), Lara Fabian (Belgian singer) and Dave Pickell
writer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
arrangement of:
Adagio for Strings and Organ in G minor
Lara Fabian44:28
17Every Day I Love You
recording of:
Every Day I Love You
writer:
Gary Baker (songwriter), Jerry Allan Williams (Jerry Allan Williams; songwriter for Boyzone, South 65) and Frank Joseph Myers (country music singer, songwriter, record producer)
Boyzone23:31
18If I Could Turn Back the Hands of Time
assistant recording engineer:
Jason Bacher, Rick Behrens and Trey Fratt
recording engineer:
Chris Brickley, Stephen George and Carl Robinson (US bassist, guitarist & recording engineer)
programming:
Chris Brickley and Stephen George
additional engineer:
Tony Black (producer, engineer)
producer:
R. Kelly
assistant mixer:
Mark Johnson (engineer)
mixer:
Stephen George and R. Kelly
editor:
Chaz Harper
additional keyboard:
LaFayette Carthon, Jr.
background vocals:
Bruce Kelly, R. Kelly and Sparkle (US R&B singer)
lead vocals:
R. Kelly
orchestra:
The Motown Romance Orchestra
conductor:
Paul Riser
additional performer:
Hart Hollman (violist)
horn arranger and strings arranger:
Paul Riser
arranger:
R. Kelly
recording of:
If I Could Turn Back the Hands of Time
lyricist and composer:
R. Kelly
publisher:
R. Kelly Publishing Inc. and Zomba Songs Inc.
R. Kelly2.754:57