Julie Is Her Name: Complete Sessions

~ Release by Julie London (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:59
2I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
43:16
3I’m in the Mood for Love
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood (in 1955-08)
guitar:
Barney Kessel (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
42:29
4I’m Glad There Is You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I’m Glad There Is You (in 1955-08)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
42:26
5Can’t Help Lovin’ That Man
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1955-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1955-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
33:10
6I Love You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Love You (Mexican Hayride musical) (in 1955-08)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
31:52
7Say It Isn’t So
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
Say It Isn’t So (in 1955-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
32:01
8It Never Entered My Mind
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
It Never Entered My Mind (in 1955-08)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:24
9Easy Street
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
cover recording of:
Easy Street (in 1955-08)
lyricist and composer:
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Johnstone-Montei Music and Robert Mellin Ltd.
43:13
10’S Wonderful
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
’S Wonderful (in 1955-08)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
31:34
11No Moon at All
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
recording of:
No Moon at All (in 1955-08)
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
41:53
12Laura
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
Laura (1945 song) (in 1955-08)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
41:44
13Gone With the Wind
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
cover recording of:
Gone With the Wind (in 1955-08)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
42:08
14Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
52:31
15What Is This Thing Called Love
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1958-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
31:47
16How Long Has This Been Going On
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (in 1958-07)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
42:47
17Too Good to Be True
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Too Good to Be True (in 1958-07)
lyricist:
Clay Boland
composer:
Clay Boland (in 1936)
32:42
18Spring Is Here
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Spring Is Here (in 1958-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
32:08
19Goody Goody
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Goody Goody (in 1958-07)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:18
20The One I Love Belongs to Somebody Else
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
The One I Love (Belongs to Somebody Else) (in 1958-07)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild, WB Music Corp. (1929–2019) and Milton Weil Music Co. (on 1924-01-07)
42:04
21If I’m Lucky
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
If I’m Lucky (in 1958-07)
composer:
Eddie DeLange and Josef Myrow
publisher:
Triangle Music Corp. (ASCAP), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music International Ltd. and Wise Brothers Music LLC
32:18
22Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan (Band leader, songwriter) and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Valley Entertainment Enterprises
11:49
23Little White Lies
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Little White Lies (in 1958-07)
lyricist and composer:
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
32:50
24I Guess I’ll Have to Change My Plan
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
I Guess I’ll Have to Change My Plan (in 1958-07)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
31:50
25I Got Lost in His Arms
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
I Got Lost in His Arms (from "Annie Get Your Gun", stage version only) (in 1958-07)
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
32:06
26When Your Lover Has Gone
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
recording of:
When Your Lover Has Gone (in 1955-04)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
41:55
27It’s the Talk of the Town
2:36
28Lonely Girls
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
Lonely Girl (in 1955-04)
lyricist and composer:
Bobby Troup
52:36
29Fools Rush In
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-04)
engineer:
John Neal (engineer) (in 1955-04)
producer:
Bobby Troup
guitar:
Al Viola (in 1955-04)
vocals:
Julie London (in 1955-04)
cover recording of:
Fools Rush In (Where Angels Fear to Tread) (in 1955-04)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
42:08
30How Deep Is the Ocean
2:10
31Don’cha Go ’way Mad
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
recording of:
Don’cha Go ’Way Mad (in 1957-10)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp., Rytvoc, Inc. (ASCAP) and Warner Bros., Inc. (not for release label use!)
version of:
Black Velvet
42:39
32You’re Getting to Be a Habit With Me
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
recording of:
You’re Getting to Be a Habit With Me (in 1957-10)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
42:30
33Memphis in June
producer:
Bobby Troup
vocals:
Julie London (in 1956-05)
conductor:
Pete King (composer/arranger) (in 1956-05)
arranger:
Pete King (composer/arranger)
cover recording of:
Memphis in June (in 1956-05)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
42:00
34September in the Rain
producer:
Bobby Troup
conductor:
Pete King (composer/arranger)
arranger:
Pete King (composer/arranger)
recording of:
September in the Rain (in 1956)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
41:41