Hard to Find 45s on CD, Volume 18: 70s Essentials

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Venus
producer:
Shocking Blue
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Shocking Blue4.153:06
2Fox on the Run
engineer:
Peter Coleman (British engineer & producer)
producer:
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Chinebridge Ltd. (The Sweet) (in 1974)
recorded at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Fox on the Run
writer:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) and Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
The Sweet4.553:25
3Hocus Pocus
recording of:
Hocus Pocus
composer:
Jan Akkerman and Thijs van Leer
Focus33:19
4The Boys Are Back in Town
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy3:13
5Tubular Bells
edit of:
Tubular Bells, Part One by Mike Oldfield
Mike Oldfield3:17
6My Melody of Love
Bobby Vinton3:10
7Paloma Blanca
producer:
Hans Bouwens
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Paloma blanca
lyricist and composer:
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) and EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection3:30
8The Night Chicago Died
co-producer:
Peter Callander (from 1974 to present) and Mitch Murray (from 1974 to present)
bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
drums (drum set) and lead vocals:
Phil Wright (Lead singer and drummer of Paper Lace) (from 1974 to present)
guitar:
Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
background vocals:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
recorded at:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom (in 1974)
recording of:
The Night Chicago Died
lyricist:
Peter Callander
composer:
Mitch Murray
Paper Lace3:32
9Tired of Toein' the Line
recording of:
Tired of Toein’ the Line
writer:
Rocky Burnette and Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. and キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette4.53:34
10Gypsy Woman
recording engineer:
Dave Hassinger
producer:
Del Shannon
vocals:
Brian Hyland
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
recorded at:
The Sound Factory, Studio C (1969–1980) in Los Angeles, California, United States
cover recording of:
Gypsy Woman
lyricist and composer:
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1961 to ????)
Brian Hyland2:34
11Good Morning Starshine
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Oliver53:38
12Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
F.R. David4.43:27
13I've Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:54
14Sometimes When We Touch
recording of:
Sometimes When We Touch
lyricist:
Dan Hill (Canadian singer/songwriter)
composer:
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill3:33
15Daddy Don't You Walk So Fast
producer:
Wes Farrell
vocals:
Wayne Newton (American actor and singer)
arranger:
Mike Melvoin
cover recording of:
Daddy, Don’t You Walk So Fast
writer:
Peter Callander and Geoff Stephens
publisher:
Intune Ltd. (publisher)
Wayne Newton3:27
16Daisy a Day
recording of:
Daisy a Day
lyricist and composer:
Jud Strunk (Country singer)
publisher:
Pierre Sossette Music Co. and Top of the Town Music Co.
Jud Strunk2:49
17Feels So Good
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (in 1978)
recording of:
Feels So Good (instrumental)
composer:
Chuck Mangione
publisher:
Gates Music and Primary Wave Music (management, publishing and marketing company)
Chuck Mangione2.753:31
18Eighteen With a Bullet
recording of:
Eighteen With a Bullet
lyricist and composer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Pete Wingfield3:30
19She's a Bad Mama Jama (She's Built, She's Stacked)
producer:
Leon Haywood (funk and soul singer, songwriter, record producer)
recording of:
She's a Bad Mama Jama (She's Built, She's Stacked)
composer:
Leon Haywood (funk and soul singer, songwriter, record producer)
Carl Carlton3:57
20Born to Be Alive
edit of:
Born to Be Alive by Patrick Hernandez
recording of:
Born to Be Alive
lyricist and composer:
Patrick Hernandez
Patrick Hernandez3:26
21Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:52