Original Album Series

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Annotation

CD 1: In the Midnight Hour
CD 2: The Exciting Wilson Pickett
CD 3: The Wicked Pickett
CD 4: The Sound of Wilson Pickett
CD 5: I'm in Love

Annotation last modified on 2016-01-28 11:00 UTC.

Tracklist

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1▼CD: In the Midnight Hour
#TitleRatingLength
1In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
32:32
2Teardrops Will Fall
recorded in:
New York, New York, United States (on 1964-11-13)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
cover recording of:
Teardrops Will Fall (on 1964-11-13)
writer:
David H. Alldred and Marion Smith
2:32
3Take a Little Love
recorded in:
New York, New York, United States (on 1964-11-13)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
recording of:
Take a Little Love (on 1964-11-13)
lyricist and composer:
Wilson Pickett
2:21
4For Better or Worse
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
For Better or Worse (on 1964-05-12)
writer:
Don Juan Mancha and Wilson Pickett
2:45
5I Found a Love
recorded in:
Detroit, Michigan, United States (in 1961-06)
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
brass:
Ralph "Pee Wee" Middlebrook (in 1961-06)
clarinet and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
guitar:
Lance Finnie, Lance Finnie (in 1961-06) and Robert Ward (guitar, blues musician) (in 1961-06)
tenor saxophone:
Clarence Satchell (, in 1961-06)
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) and Joe Stubbs (in 1961-06)
performer:
The Ohio Untouchables (in 1961-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
King Studios in Cincinnati, Ohio, United States (in 1962-01)
recording of:
I Found a Love (in 1961-06)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:59
6That's a Man's Way
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
That’s a Man’s Way (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music (BMI)
2:23
7I'm Gonna Cry
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
I’m Gonna Cry (on 1964-05-12)
writer:
Don Covay and Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
2:19
8Don't Fight It
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recording of:
Don’t Fight It (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:34
9Take This Love I've Got
recorded in:
Cincinnati, Ohio, United States (on 1962-10-19)
guitar:
Lance Finnie (on 1962-10-19) and Robert Ward (guitar, blues musician) (on 1962-10-19)
piano:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
vocals:
Wilson Pickett (on 1962-10-19)
conductor:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
recording of:
Take This Love I’ve Got (on 1962-10-19)
writer:
Bonny Rice, Eddie Floyd and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Lupine Music
2:14
10Come Home Baby
recorded in:
New York, New York, United States (on 1964-11-13)
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (flute and saxophone player) and Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Come Home Baby (on 1964-11-13)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:35
11I'm Not Tired
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
I’m Not Tired (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:44
12Let's Kiss and Make Up
recorded in:
Cincinnati, Ohio, United States (on 1962-10-19)
guitar:
Lance Finnie (on 1962-10-19) and Robert Ward (guitar, blues musician) (on 1962-10-19)
piano:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
vocals:
Wilson Pickett (on 1962-10-19)
conductor:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
recording of:
Let’s Kiss and Make Up (on 1962-10-19)
lyricist and composer:
Willie Schofield
2:32
2▼CD: The Exciting Wilson Pickett
#TitleRatingLength
1Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
42:26
2Something You Got
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Something You Got (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
writer:
Fats Domino and Chris Kenner
publisher:
EMI Longitude Music and Tune-Kel Music
2:55
3634-5789
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
634‒5789 (Soulsville, U.S.A.) (on 1965-12-20)
writer:
Steve Cropper and Eddie Floyd
publisher:
Irving Music, Inc. and Pronto Music (publisher)
2:58
4Barefootin'
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Barefootin’ (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Robert Parker (American R&B singer and musician)
publisher:
Bonatemp Music Publishing Co., Inc. (in 1965, in 1967)
2:21
5Mercy, Mercy
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Mercy, Mercy (from 1966-05-08 until 1966-05-11)
writer:
Don Covay and R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI) and Vonglo Music (BMI-affiliated)
2:28
6You're So Fine
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
You’re So Fine (from 1966-05-08 until 1966-05-11)
writer:
Lance Finney, Willie Schofield and Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:36
7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
32:34
8Ninety-Nine and a Half (Won't Do)
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Ninety‐Nine and a Half (Won’t Do) (on 1965-12-20)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
42:42
9Danger Zone
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
Danger Zone (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
2:09
10I'm Drifting
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
I’m Drifting (on 1965-12-20)
writer:
Homer Banks (soul singer and songwriter), Wilson Pickett and David Porter (US soul musician, producer & songwriter)
2:53
11It's All Over
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
It’s All Over (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
2:24
12She's So Good to Me
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
recording of:
She’s So Good to Me (from 1966-05-08 until 1966-05-11)
writer:
Sam Cooke (American singer and songwriter, “King of Soul”) and Bobby Womack
2:16
3▼CD: The Wicked Pickett
#TitleRatingLength
1Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:08
2New Orleans
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
New Orleans (from 1966-10-13 until 1966-10-14)
writer:
Frank Guida and Joseph Royster
publisher:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. and Wixen Music UK Ltd.
2:32
3Sunny
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Sunny (on 1966-10-12)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:11
4Everybody Needs Somebody to Love
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (on 1966-10-12)
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
32:17
5Ooh Poo Pah Doo
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Ooh Poo Pah Doo (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Jessie Hill (US R&B/Louisiana blues singer)
2:33
6She Ain't Gonna Do Right
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass [electric bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Lincoln "Chips" Moman (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
recording of:
She Ain’t Gonna Do Right (from 1966-05-08 until 1966-05-11)
writer and composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:16
7Knock on Wood
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Knock on Wood (from 1966-10-13 until 1966-10-14)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
2:39
8Time Is on My Side
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Time Is on My Side (from 1966-10-13 until 1966-10-14)
additional lyricist:
Jimmy Norman
composer:
Norman Meade
publisher:
Rittenhouse Music Corp., TRO Essex Music Ltd. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
2:35
9Up Tight Good Woman
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
recording of:
Up Tight Good Woman (on 1966-10-12)
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (1996–2019)
2:31
10You Left the Water Running
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
You Left the Water Running (from 1966-10-13 until 1966-10-14)
writer:
Oscar Franck, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (1996–2019)
2:29
11Three Time Loser
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
recording of:
Three Time Loser (from 1966-10-13 until 1966-10-14)
writer:
Don Covay and Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music (publisher) and Warner/Chappell Music Scandinavia AB
2:21
12Nothing You Can Do
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass [electric bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Lincoln "Chips" Moman (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Nothing You Can Do (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Bobby Womack
2:13
4▼CD: The Sound of Wilson Pickett
#TitleRatingLength
1Soul Dance Number Three
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
Soul Dance Number Three (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett and Jerry Wexler
publisher:
Erva Music Publishing (BMI) and Pronto Music (publisher)
2:42
2Funky Broadway
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Funky Broadway (from 1967-02-01 until 1967-02-04)
lyricist and composer:
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. and Embassy Music Corporation
22:37
3I Need a Lot of Loving Every Day
2:23
4I Found a Love, Part I
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
partial cover recording of:
I Found a Love (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:34
5I Found a Love, Part II
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
partial cover recording of:
I Found a Love (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
3:00
6You Can't Stand Alone
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
You Can't Stand Alone (from 1967-02-01 until 1967-02-04)
writer:
Rudy Clark (US songwriter)
publisher:
Alley Music (BMI affiliated publisher) and Trio Music (publisher)
2:52
7Mojo Mamma
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
2:02
8I Found the One
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
I Found the One
lyricist and composer:
Bobby Womack
2:33
9Something Within Me
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
3:44
10I'm Sorry About That
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
3:07
11Love Is a Beautiful Thing
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Love Is a Beautiful Thing (from 1967-02-01 until 1967-02-04)
composer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
2:16
5▼CD: I'm in Love
#TitleRatingLength
1Jealous Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Jealous Love (from 1967-07-01 until 1967-07-03)
writer:
King Curtis (saxophonist) and Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI), Tracebob Music Co. and Warner/Chappell Music Ltd. (1996–2019)
2:49
2Stagger Lee
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Stagger Lee (Lloyd Price version) (on 1967-07-01)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
2:22
3That Kind of Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:19
4I'm in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:32
5Hello Sunshine
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Hello Sunshine
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
2:34
6Don't Cry No More
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:13
7We've Got to Have Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:06
8Bring It on Home to Me
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
cover recording of:
Bring It On Home to Me (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:12
9She's Lookin' Good
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1967-07-01 until 1967-07-03)
cover recording of:
She’s Looking Good (from 1967-07-01 until 1967-07-03)
writer:
Justin Dickens
composer:
Rodger Collins
publisher:
Veytig Music
2:27
10I've Come a Long Way
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’ve Come a Long Way (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
Cotillion Music Inc. (BMI) and Tracebob Music Co.
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