Magic Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Uptight (Everything’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.72:53
2You Can’t Hurry Love
recording of:
You Can’t Hurry Love
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes2:45
3Jimmy Mack
Martha Reeves and the Vandellas2:52
4Reach Out I’ll Be There
recording of:
Reach Out, I’ll Be There
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops2:55
5Ain’t Too Proud to Beg
recording of:
Ain’t Too Proud to Beg
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations2:33
6I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:47
7Respect Yourself
The Staple Singers3:32
8Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:57
9I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:14
10What Becomes of the Brokenhearted
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin3:02
11Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.154:18
12Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
13Midnight Train to Georgia
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:37
14Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Erma Franklin3.752:37
15My Guy (single version)
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:54
16Stop Her on the Sight (S.O.S.)
Edwin Starr2:19
17The Tears of a ClownSmokey Robinson & The Miracles3:00
18(Your Love Keeps Lifting Me) Higher & Higher
recording of:
(Your Love Keeps Lifting Me) Higher and Higher
writer:
Gary Jackson (songwriter), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson3:01
19Lady Love
recording of:
Lady Love
writer:
Yvonne Gray (Songwriter) and Sherman Marshall
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:03
20Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:04
21Didn’t I (Blow Your Mind This Time)
recording of:
Didn’t I (Blow Your Mind This Time)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics3:19
22California Soul
Marlena Shaw2:57
23Son of a Preacher Man
Dusty Springfield2:25
2CD
#TitleArtistRatingLength
1September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:34
2Ain’t No Stoppin’ Us Now
edit of:
Ain’t No Stoppin’ Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:37
3Best of My Love
The Emotions3:39
4Got to Be Real
Cheryl Lynn5:07
5Lady Marmalade
LaBelle3:54
6Bad Girls
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
remixer:
Dj Iraí Campos
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 2)
recording of:
Bad Girls
writer:
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson and Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.754:55
7Boogie Oogie Oogie
A Taste of Honey5:38
8Get Down on It
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Kool & the Gang43:33
9You See the Trouble With MeBarry White3:28
10Theme From Shaft
edit of:
Theme From ‘Shaft’ by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:14
11Love Machine
recording of:
Love Machine
lyricist and composer:
Billy Griffin and Warren Moore
horn and strings arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles3:03
12Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
13Ms. Grace
The Tymes3:26
14Always and Forever
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4:46
15Free
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
edit of:
Free by Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:50
16Native New Yorker
recording of:
Native New Yorker
writer:
Sandy Linzer and Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey3:26
17Never Knew Love Like This Before
Stephanie Mills5:28
18Slow Hand
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:51
19Harvest for the World
The Isley Brothers3:53
20Now That We’ve Found Love
Third World3:58
21Heaven Must Be Missing an Angel
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares6:33
22Don’t Leave Me This Way
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:52
3CD
#TitleArtistRatingLength
1Never Too Much
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross3:50
2Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.63:59
3NightshiftCommodores4.355:05
4I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer) and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:40
5Solid
recorded in:
U.S.A.
producer:
Nickolas Ashford and Valerie Simpson
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
edit of:
Solid by Ashford & Simpson
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:21
6Who’s Zoomin’ Who?Aretha Franklin4:37
7Criticize
Alexander O’Neal4:07
8Let’s Get Serious
Jermaine Jackson3:28
9Funkin’ for Jamaica
Tom Browne3:18
10Love Come Down
Evelyn “Champagne” King6:05
11You Know How to Love Me
producer:
Reggie Lucas and James Mtume (jazz/funk musician)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
recording of:
You Know How to Love Me
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
Phyllis Hyman7:34
12All Night Long
Mary Jane Girls5:45
13Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine programming and associate co-producer:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
producer:
Dennis Lambert
bass guitar:
Nathan East
bass synthesizer and electric guitar [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
cabasa, shakers, talking drum, tambourine and timbales:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Dennis Lambert
guest vocals:
Siedah Garrett
performer:
Siedah Garrett
arranger:
Dennis Lambert and Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
recorded at:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, United States
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Dennis Edwards & Siedah Garrett44:02
14How ’bout Us
producer:
Leo Graham (producer / composer / lyricist)
solo alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
edit of:
How ’Bout Us by Champaign
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:10
15My One Temptation
recording of:
My One Temptation
writer:
Michael Leeson, Peter Vale (writer/arranger) and Miles Waters (songwriter)
publisher:
Abacus Publishing and Chappell Music Co. Inc.
Mica Paris4:35
16SpotlightJennifer Hudson34:09
17Back to Life
Soul II Soul3:48
18I Still Haven’t Found What I’m Looking For
mixer:
Manasseh (UK dub/reggae producer Nick Raphael) and Mr. Scruff (English DJ Andrew Carthy)
cover recording of:
I Still Haven’t Found What I’m Looking For
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) and Blue Mountain Music Ltd. (in 1987)
version of:
Desert of Our Love
The Chimes5:31
19My Love Is Your Love
recording of:
My Love Is Your Love
writer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
publisher:
EMI-Blackwood Music Inc., Huss Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP) and TeBass Music
Whitney Houston4:21
20Un‐Break My Heart
assistant recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
keyboard programming:
David Foster (Canadian music producer, arranger and composer) (in 1995)
synclavier programming:
Simon Franglen (English score composer) (in 1995)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
acoustic guitar:
Dean Parks (American session guitarist) (in 1995)
electric guitar:
Michael Thompson (session guitarist) (in 1995)
background vocals:
Toni Braxton (in 1995) and Shanice (in 1995)
lead vocals:
Toni Braxton (in 1995) and Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid and Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for and produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States (in 1995) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 16)
recording of:
Un-Break My Heart (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton3.74:30