101 Glorious Melodies From Operetta

~ Parution par London Promenade Orchestra (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

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1▼CD
noTitreArtisteÉvaluationDurée
1I Could Have Danced All Night
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
I Could Have Danced All Night (My Fair Lady)
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) et Warner Chappell North America
partie de :
My Fair Lady (full musical)
Frederick Loewe2:39
2The Student Prince: Serenade
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Student Prince: Act I. Serenade (Overhead the Moon is Beaming) (Karl Franz, Detlef, Lucas, Von Asterberg, Students)
parolier :
Dorothy Donnelly
compositeur :
Sigmund Romberg
éditeur :
Chappell Music Ltd. et Redwood Music Ltd. (Carlin)
partie de :
The Student Prince: Act I
Sigmund Romberg3:39
3I'm Falling in Love With Someone
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Naughty Marietta: Act II. I'm Falling in Love With Someone (Captain Dick)
parolier :
Rida Johnson Young
compositeur :
Victor Herbert (American composer)
partie de :
Naughty Marietta: Act II
Victor Herbert3:03
4Indian Love Call
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) et Otto Harbach
compositeur :
Rudolf Friml et Herbert Stothart (composer)
éditeur :
Bill-Bob Publ. Company, Chappell Music Ltd. et Harms, Inc. (le 1924-09-02)
partie de :
Rose-Marie (1924 operetta-style musical)
partie de :
Rose-Marie (1936 musical film)
Rudolf Friml3:54
5My Hero
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
My Hero (from “The Chocolate Soldier”)
compositeur :
Oscar Straus
librettiste :
Rudolf Bernauer
traducteur :
Stanislaus Stange
version traduite de :
Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina)
partie de :
The Chocolate Soldier
partie de :
Two Weeks With Love (1950 film)
Oscar Straus2:53
6The Merry Widow: Waltz
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Die lustige Witwe: Akt II. Valse moderato
compositeur :
Franz Lehár (composer)
partie de :
Die lustige Witwe: Akt II
Franz Lehár5:13
7Bess, You Is My Woman Now
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
parolier :
Ira Gershwin et DuBose Heyward
compositeur :
George Gershwin (composer)
éditeur :
Chappell & Co., Inc. (USA) et Gershwin Publishing Corp
est basée sur :
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:12
8Younger Than Springtime
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Younger Than Springtime
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Richard Rodgers (composer)
éditeur :
EMI Music Publishing Ltd. (PRS‐affiliated) et Williamson Music Company
partie de :
South Pacific (Rodgers & Hammerstein musical)
Richard Rodgers2:57
9Smoke Gets in Your Eyes
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Smoke Gets in Your Eyes
parolier :
Otto Harbach
compositeur :
Jerome Kern
éditeur :
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) et Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
partie de :
Roberta
Jerome Kern4:05
10Stars in My Eyes
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Stars in My Eyes (from the Columbia picture ‘The King Steps Out’)
parolier :
Dorothy Fields (American librettist and lyricist)
compositeur :
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler3:13
11Play Gypsies-Dance Gypsies
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Gräfin Mariza: Akt I. „Komm Zigány“ (Tassilo)
compositeur :
Emmerich Kálmán (Kálmán Imre - composer)
partie de :
Gräfin Mariza: Akt I
Imre Kálmán2:31
12I'll See You Again
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
I’ll See You Again (adapted from Bitter Sweet)
parolier et compositeur :
Noël Coward
arrangeur :
Saint-Granier
éditeur :
Chappell & Co.
arrangement de :
Bitter Sweet, Act I: I’ll See You Again
partie de :
Bitter Sweet (Noel Coward operetta)
Noël Coward2:29
13Two Hearts in Three-Quarter Time
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Zwei Herzen im Dreivierteltakt: Akt III. Zwei Herzen im Dreivierteltakt
parolier :
Walter Reisch et Armin Robinson (German lyricist)
compositeur :
Robert Stolz (Viennese operetta composer, songwriter and conductor)
librettiste :
Robert Gilbert, Paul Knepler (librettist and composer) et Ignaz Michael Welleminsky
partie de :
Zwei Herzen im Dreivierteltakt (Der verlorene Walzer)
Robert Stolz3:16
14Italian Street Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Naughty Marietta: Act I. Italian Street Song (Marietta, Chorus)
parolier :
Rida Johnson Young
compositeur :
Victor Herbert (American composer)
partie de :
Naughty Marietta: Act I
Victor Herbert1:37
15Ah! Sweet Mystery of Life
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Naughty Marietta: Act II. Ah! Sweet Mystery of Life (aka The Dream Melody)
parolier :
Rida Johnson Young
compositeur :
Victor Herbert (American composer)
partie de :
Naughty Marietta: Act II
Victor Herbert3:24
16'Neath the Southern Moon
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Naughty Marietta: Act I, 'Neath the Southern Moon (Adah)
parolier :
Rida Johnson Young
compositeur :
Victor Herbert (American composer)
partie de :
Naughty Marietta: Act I
Victor Herbert2:54
17Tramp, Tramp, Tramp
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Naughty Marietta: Act I. Tramp, Tramp, Tramp (Captain Dick, Followers)
parolier :
Rida Johnson Young
compositeur :
Victor Herbert (American composer)
partie de :
Naughty Marietta: Act I
Victor Herbert2:25
18A Kiss in the Dark
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
A Kiss in the Dark (from “Orange Blossoms”)
parolier :
Buddy DeSylva
compositeur :
Victor Herbert (American composer)
partie de :
Orange Blossoms
Victor Herbert3:51
19The Streets of New York
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
The Red Mill: Act II. The Streets of New York (In Old New York)
parolier :
Henry Blossom
compositeur :
Victor Herbert (American composer)
partie de :
The Red Mill
Victor Herbert1:58
20Kiss Me Again
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Mlle. Modiste: Act I. "Kiss Me Again" (Fifi)
parolier :
Henry Blossom
compositeur :
Victor Herbert (American composer)
éditeur :
M. Witmark & Sons
partie de :
Mlle. Modiste
Victor Herbert2:21
21Gypsy Love Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Fortune Teller: Act II. Gypsy Love Song, "Slumber On, My Little Gypsy Sweetheart"
compositeur :
Victor Herbert (American composer)
librettiste :
Harry B. Smith
partie de :
The Fortune Teller
Victor Herbert3:43
2▼CD
noTitreArtisteÉvaluationDurée
1Thine Alone
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Eileen: Act III. "Thine Alone"
parolier :
Henry Blossom
compositeur :
Victor Herbert (American composer)
partie de :
Eileen
Victor Herbert4:04
2March of the Toys
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Babes in Toyland: Act II. March of the Toys
compositeur :
Victor Herbert (American composer)
partie de :
Babes in Toyland
Victor Herbert4:01
3Toyland
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Toyland
compositeur :
Victor Herbert (American composer)
librettiste :
Glen MacDonough
partie de :
Babes in Toyland
Victor Herbert1:51
4Sweethearts
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Sweethearts (If You Ask Where Love Is Found) (from the operetta "Sweethearts")
parolier :
Robert B. Smith
compositeur :
Victor Herbert (American composer)
partie de :
Sweethearts
Victor Herbert2:38
5The Song Is You
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Song Is You
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Jerome Kern
éditeur :
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) et T.B. Harms Co.
Jerome Kern2:59
6All the Things You Are
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
All the Things You Are (from “Very Warm for May”)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1939)
compositeur :
Jerome Kern (le 1939)
éditeur :
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (terminé), T.B. Harms Inc. (terminé) et Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
partie de :
Broadway Rhythm (film)
Jerome Kern4:10
7Why Was I Born
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Why Was I Born?
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1929)
compositeur :
Jerome Kern (le 1929)
Jerome Kern3:37
8I've Told Ev'ry Little Star
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
I’ve Told Ev’ry Little Star
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Jerome Kern
partie de :
Music in the Air
Jerome Kern2:49
9They Didn't Believe Me
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
They Didn’t Believe Me
parolier :
Herbert Reynolds (lyricist)
compositeur :
Jerome Kern
éditeur :
PolyGram Music Publishing Ltd. et Redwood Music Ltd. (Carlin)
partie de :
The Girl From Utah
Jerome Kern3:28
10Yesterdays
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Yesterdays
parolier :
Otto Harbach
compositeur :
Jerome Kern
éditeur :
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) et Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
partie de :
Roberta
Jerome Kern3:00
11Show Boat: Introduction / Make Believe / You Are Love
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
medley including a instrumental recording of :
Make Believe (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Jerome Kern
éditeur :
T.B. Harms Co. (le 1927)
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act I
medley including a recording of :
Overture (Show Boat)
compositeur :
Jerome Kern
partie de :
Show Boat
medley including a instrumental recording of :
You Are Love (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Jerome Kern
éditeur :
PolyGram Music Publishing Ltd.
pot-pourri de :
Selections from "Show boat"
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act I
Jerome Kern5:40
12Can't Help Lovin' Dat Man
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Can’t Help Lovin’ Dat Man (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1927)
compositeur :
Jerome Kern (le 1927)
éditeur :
T.B. Harms Co.
pot-pourri de :
Selections from "Show boat"
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act I
partie de :
The Real Book (compilation of jazz standards, volume I)
Jerome Kern4:33
13Bill
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Bill (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) et P. G. Wodehouse
compositeur :
Jerome Kern
éditeur :
T.B. Harms Co. (le 1927)
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act II
Jerome Kern2:31
14Why Do I Love You?
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Why Do I Love You? (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Jerome Kern
éditeur :
T.B. Harms Co. (le 1927)
pot-pourri de :
Selections from "Show boat"
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act II
Jerome Kern2:56
15Ol' Man River
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Ol’ Man River (Show Boat)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1927)
compositeur :
Jerome Kern (le 1927)
éditeur :
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) et T.B. Harms Co. (le 1927-11-30)
partie de :
Show Boat (1951 film)
partie de :
Show Boat: Act I
Jerome Kern4:10
16The Desert Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Desert Song: Act I. The Desert Song (Pierre, Margot)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach et Frank Mandel
compositeur :
Sigmund Romberg
partie de :
The Desert Song: Act I
Sigmund Romberg3:50
17Stouthearted Men
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The New Moon: Act I. Stout‐Hearted Men (Robert, Phillipe, Men)
parolier :
Frank Mandel, Laurence Schwab et Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1927)
compositeur :
Sigmund Romberg (le 1927)
librettiste :
Oscar Hammerstein II (of Rodgers & Hammerstein)
partie de :
The New Moon: Act I
Sigmund Romberg2:20
18One Kiss
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The New Moon: Act I. One Kiss
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Frank Mandel et Laurence Schwab
compositeur :
Sigmund Romberg
partie de :
The New Moon: Act I
Sigmund Romberg2:58
3▼CD
noTitreArtisteÉvaluationDurée
1Lover, Come Back to Me
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Lover, Come Back to Me (from "The New Moon")
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1928)
auteur :
Sigmund Romberg
compositeur :
Sigmund Romberg (le 1928)
éditeur :
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) et Warner Bros., Inc. (not for release label use!) (le 1928)
sous-éditeur :
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (jusqu’au 2017-03-31) et ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (du 2017-04-01 à ce jour)
partie de :
The New Moon: Act II
Sigmund Romberg3:46
2Deep in My Heart, Dear
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Student Prince, Act I: Deep in My Heart, Dear (Karl Franz, Kathie)
parolier :
Dorothy Donnelly
compositeur :
Sigmund Romberg
éditeur :
Chappell Music Ltd. et Redwood Music Ltd. (Carlin)
partie de :
The Student Prince: Act I
Sigmund Romberg3:23
3Romance
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Desert Song: Act I. Romance (Margot, Chorus)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach et Frank Mandel
compositeur :
Sigmund Romberg
partie de :
The Desert Song: Act I
Sigmund Romberg4:50
4Softly, as in a Morning Sunrise
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Softly, as in a Morning Sunrise (The New Moon)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) (le 1928)
compositeur :
Sigmund Romberg (le 1928)
éditeur :
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) et Warner Bros., Inc. (not for release label use!)
partie de :
The New Moon: Act I
Sigmund Romberg3:27
5The Riff Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Desert Song: Act I. The Riff Song (Pierre, Sid and Riffs)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach et Frank Mandel
compositeur :
Sigmund Romberg
partie de :
The Desert Song: Act I
Sigmund Romberg2:18
6Golden Days
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Student Prince: Prologue. Golden Days
parolier :
Dorothy Donnelly
compositeur :
Sigmund Romberg
éditeur :
Chappell Music Ltd. et Redwood Music Ltd. (Carlin)
partie de :
The Student Prince: Prologue
Sigmund Romberg3:45
7Wanting You
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The New Moon: Act I. Wanting You
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Frank Mandel et Laurence Schwab
compositeur :
Sigmund Romberg
partie de :
The New Moon: Act I
Sigmund Romberg3:55
8One Alone
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Desert Song: Act II. One Alone (Pierre, Men)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach et Frank Mandel
compositeur :
Sigmund Romberg
partie de :
The Desert Song: Act II. Eastern and Western Love
Sigmund Romberg3:12
9The Student Prince: The Drinking Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Student Prince: Act I. Drinking Song (Drink! Drink! Drink!) (Detlef, Students)
parolier :
Dorothy Donnelly
compositeur :
Sigmund Romberg
éditeur :
Chappell & Co Ltd., Chappell Music Ltd. et Redwood Music Ltd. (Carlin)
partie de :
The Student Prince: Act I
Sigmund Romberg2:51
10Will You Remember?
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Will You Remember (Sweetheart) (from the Operetta “Maytime”)
parolier :
Rida Johnson Young
compositeur :
Sigmund Romberg
partie de :
Maytime (Sigmund Romberg operetta)
Sigmund Romberg3:36
11The Donkey Serenade
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Donkey Serenade
auteur :
George Forrest (American composer and lyricist) et Robert Wright (US stage & screen composer & lyricist)
compositeur :
Rudolf Friml et Herbert Stothart (composer)
partie de :
The Firefly (Rudolf Friml operetta)
Rudolf Friml2:41
12Rose-Marie
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Rose-Marie (title song of the 1924 operetta)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein) et Otto Harbach
compositeur :
Rudolf Friml
éditeur :
Chappell & Co.
partie de :
Rose-Marie (1924 operetta-style musical)
Rudolf Friml3:58
13Song of the Vagabonds
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Vagabond King, Act I: Song of the Vagabonds (Villon, Chorus)
compositeur :
Rudolf Friml
librettiste :
Brian Hooker et William H. Post
éditeur :
B. Feldman & Co. Ltd. (publisher est. 1946)
version traduite de :
蒲田行進曲
partie de :
The Vagabond King: Act I
Rudolf Friml2:21
14Only a Rose
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Vagabond King: Act I. Only a Rose
compositeur :
Rudolf Friml
librettiste :
Brian Hooker et William H. Post
éditeur :
B. Feldman & Co. Ltd. (publisher est. 1946)
partie de :
The Vagabond King: Act I
Rudolf Friml3:41
15Love Me Tonight
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Vagabond King: Act III. Love Me Tonight
compositeur :
Rudolf Friml
librettiste :
Brian Hooker et William H. Post
éditeur :
B. Feldman & Co. Ltd. (publisher est. 1946)
partie de :
The Vagabond King: Act III
Rudolf Friml3:03
16Some Day
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Vagabond King: Act I. Some Day
compositeur :
Rudolf Friml
librettiste :
Brian Hooker et William H. Post
éditeur :
Warner Chappell Music Ltd. (no slash; used 1988–1996)
partie de :
The Vagabond King: Act I
Rudolf Friml3:12
17My Song of Love
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
White Horse Inn: My Song of Love
compositeur :
Ralph Benatzky et Robert Stolz (Viennese operetta composer, songwriter and conductor)
partie de :
The White Horse Inn
Robert Stolz2:58
18Vilia
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
compositeur :
Franz Lehár (composer)
partie de :
Die lustige Witwe: Akt II
partie de :
Die lustige Witwe: Akt II
Franz Lehár1:58
19A Night in Venice: Waltzes
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
A Night in Venice: Waltzes
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
pot-pourri de :
Eine Nacht in Venedig
Johann Strauss II5:22
20Die Fledermaus: Czardas
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Die Fledermaus, Act II: Echoes of Hungary! (Czárdás)
parolier :
Mel Mandel (composer and lyricist) et Norman Sachs
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Die Fledermaus (English version, lyrics by Mandel/Sachs)
Johann Strauss II2:36
4▼CD
noTitreArtisteÉvaluationDurée
1Gypsy Love Waltz
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
partiel recording of :
Zigeunerliebe Waltzes
compositeur :
Franz Lehár (composer)
pot-pourri de :
Zigeunerliebe
Franz Lehár3:08
2Die Fledermaus: Grand Waltz
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Die Fledermaus: Akt II
Johann Strauss II1:39
3Camelot
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Camelot (from "Camelot")
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
partie de :
Camelot (full musical)
Frederick Loewe2:30
4If Ever I Would Leave You
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
If Ever I Would Leave You (from “Camelot”)
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
Chappell & Co., Chappell & Co., Inc. (USA) et Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
partie de :
Camelot (full musical)
Frederick Loewe4:18
5The Heather on the Hill
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Heather on the Hill (from "Brigadoon")
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
EMI April Music Inc.
partie de :
Brigadoon (complete musical)
Frederick Loewe3:54
6There but for You Go I
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
There but for You Go I (from "Brigadoon")
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
Sam Fox Publishing Company (publisher; do NOT use as release label)
partie de :
Brigadoon (complete musical)
Frederick Loewe3:11
7Almost Like Being in Love
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Almost Like Being in Love (from “Brigadoon”)
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) et ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
partie de :
Brigadoon (complete musical)
Frederick Loewe3:31
8On the Street Where You Live
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
On the Street Where You Live (My Fair Lady)
parolier :
Alan Jay Lerner
compositeur :
Frederick Loewe
éditeur :
Chappell & Co Ltd., Chappell Music Ltd. et Warner Chappell Music Ltd. (no slash; used 1988–1996)
partie de :
My Fair Lady (full musical)
Frederick Loewe3:46
9'S Wonderful
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
’S Wonderful
parolier :
Ira Gershwin (le 1927)
compositeur :
George Gershwin (composer) (le 1927)
éditeur :
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) et WB Music Corp. (1929–2019)
inclus dans :
An American in Paris (2015 Broadway musical)
partie de :
Funny Face (1927 musical)
partie de :
My One and Only (1983 Broadway musical)
George Gershwin1:39
10Someone to Watch Over Me
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Someone to Watch Over Me (Oh, Kay!)
parolier :
Ira Gershwin (le 1926)
compositeur :
George Gershwin (composer) (le 1926)
éditeur :
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (jusqu’au 2019-05-28), Harms, Inc. (le 1926) et WC Music Corp. (du 2019-05-28 au 2022-01-01)
sous-éditeur :
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) et ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
partie de :
Crazy for You (1992 musical)
partie de :
Oh, Kay! (1926 musical)
George Gershwin3:30
11It Ain't Necessarily So
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
parolier :
Ira Gershwin et DuBose Heyward
compositeur :
George Gershwin (composer) (du 1934 au 1935)
partie de :
Porgy and Bess: Act II, Scene II
George Gershwin2:46
12I Got Plenty o' Nuttin'
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
parolier :
Ira Gershwin et DuBose Heyward
compositeur :
George Gershwin (composer) (du 1934 au 1935)
partie de :
Porgy and Bess: Act II, Scene I
George Gershwin1:21
13Embraceable You
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Embraceable You
parolier :
Ira Gershwin (le 1928)
compositeur :
George Gershwin (composer) (le 1928)
éditeur :
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (jusqu’au 2019-05-28) et WC Music Corp. (du 2019-05-28 au 2024-01-01)
partie de :
Crazy for You (1992 musical)
partie de :
Girl Crazy (1930 Musical)
partie de :
When the Boys Meet the Girls (1965 film)
George Gershwin3:07
14Who Cares
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Who Cares? (Of Thee I Sing)
parolier :
Ira Gershwin (le 1931)
compositeur :
George Gershwin (composer) (le 1931)
éditeur :
New World Music (new age music) et WB Music Corp. (1929–2019)
inclus dans :
An American in Paris (2015 Broadway musical)
partie de :
Of Thee I Sing: Act II
George Gershwin2:31
15Of Thee I Sing
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Of Thee I Sing
parolier :
Ira Gershwin (le 1931)
compositeur :
George Gershwin (composer) (le 1931)
éditeur :
New World Music Corp. (le 1931)
partie de :
Of Thee I Sing: Act I
George Gershwin2:23
16Hello, Young Lovers
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Hello, Young Lovers (The King and I)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Richard Rodgers (composer)
éditeur :
Williamson Music Company et Williamson Music, Inc.
sous-éditeur :
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. et Williamson Music Ltd.
partie de :
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers3:24
17The March of the Siamese Children
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
March of the Siamese Children (The King and I)
orchestrateur :
Robert Russell Bennett (American composer and arranger)
compositeur :
Richard Rodgers (composer)
éditeur :
Williamson Music Company
partie de :
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers2:49
18Something Wonderful
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Something Wonderful (The King and I)
orchestrateur :
Robert Russell Bennett (American composer and arranger)
parolier :
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositeur :
Richard Rodgers (composer)
éditeur :
Williamson Music Company
version traduite de :
דבר מה נפלא כל כך
partie de :
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers4:33
19Stranger in Paradise
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
parolier :
George Forrest (American composer and lyricist) et Robert Wright (US stage & screen composer & lyricist)
compositeur :
Alexander Borodin (Alexandre Borodine, Russian composer), George Forrest (American composer and lyricist) et Robert Wright (US stage & screen composer & lyricist)
éditeur :
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) et Frank Music Co. Ltd. (du 1953 à ce jour)
est basée sur :
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
partie de :
Kismet (full musical)
George Forrest & Robert Wright4:18
20Baubles, Bangles and Beads
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Baubles, Bangles and Beads (from “Kismet”)
auteur :
George Forrest (American composer and lyricist) et Robert Wright (US stage & screen composer & lyricist)
éditeur :
Frank Music Corp. et Scheffel Music Corp
est basée sur :
String Quartet no. 2 in D major: II. Scherzo. Allegro
partie de :
Kismet (full musical)
George Forrest & Robert Wright3:08
21And This Is My Beloved
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
And This Is My Beloved (from the musical “Kismet”)
compositeur :
George Forrest (American composer and lyricist) et Robert Wright (US stage & screen composer & lyricist)
compositeur supplémentaire :
Александр Порфирьевич Бородин (Alexandre Borodine, Russian composer)
éditeur :
St. Lawrence Music, Inc.
est basée sur :
String Quartet no. 2 in D major: III. Notturno. Andante
partie de :
Kismet (full musical)
George Forrest & Robert Wright4:00
5▼CD
noTitreArtisteÉvaluationDurée
1The Carousel Waltz
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
The Carousel Waltz (Carousel)
compositeur :
Richard Rodgers (composer)
partie de :
Carousel (Rodgers & Hammerstein musical)
Richard Rodgers5:08
2All I Ask of You
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
All I Ask of You (The Phantom of the Opera)
parolier :
Charles Hart (British lyricist)
parolier supplémentaire :
Richard Stilgoe
compositeur :
Andrew Lloyd Webber (English composer and impresario of musical theatre)
éditeur :
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) et The Really Useful Group PLC (not for release label use!) (le 1986)
sous-éditeur :
Colgems-EMI Music Inc. (terminé)
partie de :
The Phantom of the Opera (Andrew Lloyd Webber musical)
partie de :
The Phantom of the Opera (2004 film soundtrack)
Andrew Lloyd Webber3:50
3Night Waltz
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
A Little Night Music: Night Waltzes
compositeur :
Stephen Sondheim
arrangeur :
Michael Starobin
Stephen Sondheim2:58
4America
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
West Side Story: America (Anita, Shark Girls)
parolier :
Stephen Sondheim
compositeur :
Leonard Bernstein (American conductor, composer, pianist)
éditeur :
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) et The Leonard Bernstein Music Publishing Company LLC (le 1957)
partie de :
West Side Story
Leonard Bernstein2:39
5Maria
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
West Side Story: Maria (Tony)
parolier :
Stephen Sondheim (le 1956)
compositeur :
Leonard Bernstein (American conductor, composer, pianist) (le 1956)
éditeur :
Campbell Connelly & Co. Ltd. et Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
partie de :
West Side Story
Leonard Bernstein3:00
6Somewhere
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
parolier :
Stephen Sondheim
compositeur :
Leonard Bernstein (American conductor, composer, pianist)
éditeur :
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram et Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
partie de :
West Side Story: Ballet Sequence
Leonard Bernstein4:17
7Tonight
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
West Side Story: Tonight (Maria, Tony)
parolier :
Stephen Sondheim (le 1956)
compositeur :
Leonard Bernstein (American conductor, composer, pianist) (le 1956)
éditeur :
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) et The Leonard Bernstein Music Publishing Co., LLC
partie de :
West Side Story
Leonard Bernstein3:22
8H.M.S. Pinafore: Overture / Opening Chorus
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
medley including a instrumental recording of :
H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue” (Sailors)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
medley including a recording of :
H.M.S. Pinafore: Overture
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore
Sir Arthur Sullivan2:12
9I'm Called Little Buttercup
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
Sir Arthur Sullivan1:28
10When I Was a Lad
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
H.M.S. Pinafore: Act I
Sir Arthur Sullivan2:55
11Three Little Maids From School Are We
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act I
Sir Arthur Sullivan1:26
12A Wand'ring Minstrel I
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettiste :
William Gilbert (English dramatist, librettist, poet and illustrator)
partie de :
The Mikado: Act I
Sir Arthur Sullivan4:15
13The Moon and I
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act II
Sir Arthur Sullivan3:03
14The Mikado: Finale / For He's Gone and Married Yum-Yum
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Mikado: Act II, No 24. Finale “For He’s Gone and Married Yum-Yum…” (Ensemble)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Mikado: Act II
Sir Arthur Sullivan1:51
15The Yeomen of the Guard: Overture
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
The Yeomen of the Guard: Overture
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Yeomen of the Guard
Sir Arthur Sullivan5:08
16Pour, Pour the Pirate Sherry
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Pirates of Penzance: Act I, no. 1. “Pour, oh pour, the pirate sherry” (Samuel, Pirates)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
Sir Arthur Sullivan1:33
17Poor Wand'ring One
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
Sir Arthur Sullivan2:50
18I Am the Very Model of a Modern Major-General
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major‐General” (Major‐General, Chorus)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I
Sir Arthur Sullivan3:02
19With Cat-Like Tread
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
Sir Arthur Sullivan2:38

Crédits